11 045 résultats
1940réf. 171406N.p.: N.p. 1940. Vintage reference photograph from the 1940 film showing three Marx brothers. Mimeo snipe on the verso. A late Marx Brothers effort. A confidence man Groucho heads west to make his fortune but is grifted by two crafty simpletons Harpo and Chico at a train station. Soon the three of them bond as usual and get down to the business of making mayhem. 10 x 8 inches. Very Good with dampstains to the bottom right corner. N.p. unknown books
1937réf. 168078France: Forrester-Parant 1937. Vintage double weight photograph from the 1938 film showing a group of soldiers many with facial disfigurements. French annotations in manuscript pencil and ink on the verso along with a provenance label. Both a remake and sequel to director Abel Gance's 1919 film of the same name born out of his anger and frustration in watching Europe descend into the Second World War as much as the original was born out of his horror with the First. 9.25 x 7 inches. Near Fine. Godard Histoires du cinema. Forrester-Parant unknown
1937réf. 168078France: Forrester-Parant 1937. Vintage double weight photograph from the 1938 film showing a group of soldiers many with facial disfigurements. French annotations in manuscript pencil and ink on the verso along with a provenance label. Both a remake and sequel to director Abel Gance's 1919 film of the same name born out of his anger and frustration in watching Europe descend into the Second World War as much as the original was born out of his horror with the First. 9.25 x 7 inches. Near Fine. Godard Histoires du cinema. Forrester-Parant unknown books
1997réf. 171935N.p.: N.p. 1997. Draft script for the 1998 film. An awkward 31-year-old mama's boy works as the water boy for a university football team but becomes an unexpected success as an outside linebacker. Set in Louisiana and shot on location in central Florida. Self wrappers. Title page present dated October 15 1997 with credits for screenwriters Adam Sandler and Tim Herlihy. 111 leaves with last page of text numbered 110. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. N.p. unknown
1997réf. 171935N.p.: N.p. 1997. Draft script for the 1998 film. An awkward 31-year-old mama's boy works as the water boy for a university football team but becomes an unexpected success as an outside linebacker. Set in Louisiana and shot on location in central Florida. Self wrappers. Title page present dated October 15 1997 with credits for screenwriters Adam Sandler and Tim Herlihy. 111 leaves with last page of text numbered 110. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. N.p. unknown books
1938réf. 150942Los Angeles: The Samuel Goldwyn Company 1938. Two vintage double weight studio still photographs and two vintage reference photographs from the 1938 film. Seeking audience feedback a film producer recruits an ordinary girl to evaluate his movies from the perspective of the everyday American. Set in Hollywood. Three 10 x 8 inches one 8 x 10 inches. Very Good plus some with light edgewear creases and toning. The Samuel Goldwyn Company unknown
1938réf. 150942Los Angeles: The Samuel Goldwyn Company 1938. Two vintage double weight studio still photographs and two vintage reference photographs from the 1938 film. Seeking audience feedback a film producer recruits an ordinary girl to evaluate his movies from the perspective of the everyday American. Set in Hollywood. Three 10 x 8 inches one 8 x 10 inches. Very Good plus some with light edgewear creases and toning. The Samuel Goldwyn Company unknown books
1966réf. 149672Paris: Madeleine Films 1966. Vintage photograph from the set of the 1966 film showing director Agnes Varda in conversation with actors Catherine Deneuve and Michel Piccoli. With the stamp of Madeleine Films on the verso. A writer and his pregnant wife move to a remote island off the coast of France following a car accident that has rendered the wife mute. The writer begins to plan his next novel using the local islanders as inspiration but the locals are distrustful of the reclusive couple and tensions heighten as the line between reality and fiction begins to melt together. Agnes Varda an important and influential French director writer and artist garnered praise as a filmmaker for her uncompromising documentary-style realism focusing on women and marginalized members of society as well as her experimental style. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work stylistically prefigures the French New Wave and is today considered very much a part of it. Set and shot on location in Noirmoutier-en-l'Ile France. 7 x 5 inches. Near Fine. Madeleine Films unknown
1966réf. 149672Paris: Madeleine Films 1966. Vintage photograph from the set of the 1966 film showing director Agnes Varda in conversation with actors Catherine Deneuve and Michel Piccoli. With the stamp of Madeleine Films on the verso. A writer and his pregnant wife move to a remote island off the coast of France following a car accident that has rendered the wife mute. The writer begins to plan his next novel using the local islanders as inspiration but the locals are distrustful of the reclusive couple and tensions heighten as the line between reality and fiction begins to melt together. Agnes Varda an important and influential French director writer and artist garnered praise as a filmmaker for her uncompromising documentary-style realism focusing on women and marginalized members of society as well as her experimental style. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work stylistically prefigures the French New Wave and is today considered very much a part of it. Set and shot on location in Noirmoutier-en-l'Ile France. 7 x 5 inches. Near Fine. Madeleine Films unknown books
1980réf. 149772Tokyo: Nikkatsu 1980. Three vintage borderless reference photographs from the 1980 Japanese pinku pink film. Also included with the set is a film program in Japanese. Housed in a studio envelope. Photographs 6 x 4.25 inches Near Fine. Film program is 28.25 x 6.75 inches one sheet folded four times Near Fine. Weisser and Weisser The Japanese Cinema Encyclopedia: The Sex Films p. 89. Nikkatsu unknown
1980réf. 149772Tokyo: Nikkatsu 1980. Three vintage borderless reference photographs from the 1980 Japanese pinku pink film. Also included with the set is a film program in Japanese. Housed in a studio envelope. Photographs 6 x 4.25 inches Near Fine. Film program is 28.25 x 6.75 inches one sheet folded four times Near Fine. Weisser and Weisser The Japanese Cinema Encyclopedia: The Sex Films p. 89. Nikkatsu unknown books
1968réf. 149444Neuilly-sur-Seine France: Presse Parc Film 1968. Four vintage borderless reference photographs from the 1968 French film. With a stamp specific to the French release for the film on the verso and one with a provenance stamp. After being released from the hospital following a suicide attempt a young man is scouted by a mysterious research group to participate in a time travel experiment. Alain Resnais' fifth film a brutal rumination on memory and the death of a relationship thematically and stylistically a precursor to Michel Gondry's 2004 film "Eternal Sunshine of the Spotless Mind." Shot on location in Brussels Belgium. Three photographs 5 x 6.75 inches one photograph 7 x 5 inches. Near Fine. Presse Parc Film unknown
1968réf. 149444Neuilly-sur-Seine France: Presse Parc Film 1968. Four vintage borderless reference photographs from the 1968 French film. With a stamp specific to the French release for the film on the verso and one with a provenance stamp. After being released from the hospital following a suicide attempt a young man is scouted by a mysterious research group to participate in a time travel experiment. Alain Resnais' fifth film a brutal rumination on memory and the death of a relationship thematically and stylistically a precursor to Michel Gondry's 2004 film "Eternal Sunshine of the Spotless Mind." Shot on location in Brussels Belgium. Three photographs 5 x 6.75 inches one photograph 7 x 5 inches. Near Fine. Presse Parc Film unknown books
1968réf. 162088New York: Trans American Films 1968. Three vintage reference photographs and one vintage studio still photograph from the US release of the 1966 French film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. An inexperienced drug runner on a cross-continental train becomes the central figure in the imaginations of a group of filmmakers who are engaged in the process of drafting their next feature. Set in Paris and Antwerp. 10 x 8 inches. Near Fine. BFI 2033. Grant France. Trans American Films unknown
1968réf. 162088New York: Trans American Films 1968. Three vintage reference photographs and one vintage studio still photograph from the US release of the 1966 French film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. An inexperienced drug runner on a cross-continental train becomes the central figure in the imaginations of a group of filmmakers who are engaged in the process of drafting their next feature. Set in Paris and Antwerp. 10 x 8 inches. Near Fine. BFI 2033. Grant France. Trans American Films unknown books
1975réf. 129187Los Angeles: Twentieth Century-Fox 1975. First Draft script for the 1977 film. Benny Fikus owns a failing clothing store and wishes to cash in on it by burning down his store and collecting the money from the fire insurance policy. He goes on vacation with his wife and puts his son in charge and suffers a heart attack while away. His other son Ezra attempts to adopt an African American teenager to have him play on his basketball team so that he may keep his job as the unsuccessful high school basketball coach. Blue titled wrappers. Title page present dated September 19 1975 noted as First Draft with credit for screenwriter Klane. 124 leaves mimeograph duplication. Pages Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown
1975réf. 129187Los Angeles: Twentieth Century-Fox 1975. First Draft script for the 1977 film. Benny Fikus owns a failing clothing store and wishes to cash in on it by burning down his store and collecting the money from the fire insurance policy. He goes on vacation with his wife and puts his son in charge and suffers a heart attack while away. His other son Ezra attempts to adopt an African American teenager to have him play on his basketball team so that he may keep his job as the unsuccessful high school basketball coach. Blue titled wrappers. Title page present dated September 19 1975 noted as First Draft with credit for screenwriter Klane. 124 leaves mimeograph duplication. Pages Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown books
1922réf. 172059N.p.: N.p. 1922. Vintage reference photograph from the 1922 silent film showing Marion Davies watching Pedro de Cordoba in his laboratory. Received stamp and annotations in manuscript pencil on the verso. Based on the 1918 novel by Marie Corelli about a young woman who undergoes a surgical procedure to regain her beauty and youth at the cost of her sympathy. Davies' 14th film appearance. Currently considered lost. 8 x 10 inches. Near Fine. Complete collation details available on request. N.p. unknown
1922réf. 172059N.p.: N.p. 1922. Vintage reference photograph from the 1922 silent film showing Marion Davies watching Pedro de Cordoba in his laboratory. Received stamp and annotations in manuscript pencil on the verso. Based on the 1918 novel by Marie Corelli about a young woman who undergoes a surgical procedure to regain her beauty and youth at the cost of her sympathy. Davies' 14th film appearance. Currently considered lost. 8 x 10 inches. Near Fine. Complete collation details available on request. N.p. unknown books
1947réf. 160973Universal City: Universal-International 1947. Vintage reference photograph of director Zoltán Korda talking with producer and head of Universal-International William Goetz on the set of the 1948 film noir. Printed mimeo snipe affixed to the verso. From the archive of film historian and author Joel Finler. Based on Aldous Huxley's 1922 short story "The Gioconda Smile" about an unfaithful husband who is wrongly charged with the murder of his first wife. 8 x 10 inches. Slightly curled else Near Fine. Selby US. Spicer US. Universal-International unknown
1947réf. 160973Universal City: Universal-International 1947. Vintage reference photograph of director Zoltán Korda talking with producer and head of Universal-International William Goetz on the set of the 1948 film noir. Printed mimeo snipe affixed to the verso. From the archive of film historian and author Joel Finler. Based on Aldous Huxley's 1922 short story "The Gioconda Smile" about an unfaithful husband who is wrongly charged with the murder of his first wife. 8 x 10 inches. Slightly curled else Near Fine. Selby US. Spicer US. Universal-International unknown books
1972réf. 168659N.p.: N.p. 1972. Vintage one sheet poster for the 1972 adult comedy. Alex de Renzy's first fictional film following his landmark documentaries "Censorship in Denmark: A New Approach: 1970 and "A History of the Blue Movie" 1970. A mom embarks on a perilous journey into a dangerous forest to save her daughters Emily and Kandi abducted by pirates and encounters singing cross-dressers a lesbian gang gay monks and a helpful dwarf named Derek. 27 x 41 inches. Folded as issued. Very Good plus with starting at the center folds. Bright and unfaded. N.p. unknown
1972réf. 168659N.p.: N.p. 1972. Vintage one sheet poster for the 1972 adult comedy. Alex de Renzy's first fictional film following his landmark documentaries "Censorship in Denmark: A New Approach: 1970 and "A History of the Blue Movie" 1970. A mom embarks on a perilous journey into a dangerous forest to save her daughters Emily and Kandi abducted by pirates and encounters singing cross-dressers a lesbian gang gay monks and a helpful dwarf named Derek. 27 x 41 inches. Folded as issued. Very Good plus with starting at the center folds. Bright and unfaded. N.p. unknown books
1955réf. 151587London: Rank Organisation 1955. Vintage lobby card from the 1955 British film. With manuscript ink annotations on the verso noting the names of actors. A motley group of five small-time criminals rent out rooms from a wealthy octogenarian widow in order to plan a heist while posing as classical musicians. 14 x 11 inches. Very Good plus with pinholes to the corners. Grant UK. Lee The Heist Film. Rank Organisation unknown
1955réf. 151587London: Rank Organisation 1955. Vintage lobby card from the 1955 British film. With manuscript ink annotations on the verso noting the names of actors. A motley group of five small-time criminals rent out rooms from a wealthy octogenarian widow in order to plan a heist while posing as classical musicians. 14 x 11 inches. Very Good plus with pinholes to the corners. Grant UK. Lee The Heist Film. Rank Organisation unknown books
