10 264 résultats
1966réf. 163889Universal City: Universal Television 1966. Revised Draft script for Season 1 Episode 27 of the 1965-1968 television series originally aired on April 11 1966 on NBC. The series followed Paul Bryan who after being told he has only months left to live embarks on a series of adventures to make the most out of his remaining time alive. In this episode Bryan searches for a mysterious nun and is thereby dragged into a murder mystery linked to the Mafia. Robert Bloch is best known for penning Alfred Hitchcock's "Psycho" 1959 although his six-decade writing career encompassed novels short stories radio cinema and television. A protégé of H.P. Lovecraft Bloch received the Hugo Award the Bram Stoker Award and the World Fantasy Award and served as the president of the Mystery Writers of America in 1970. Self wrappers. Title page present dated 2/25/66 with credits for screenwriter Robert Bloch and story credit for John Thomas James. 52 leaves with last page of text numbered 49. Mimeograph duplication rectos only. Pages Near Fine bound with a single staple at the top left corner. Universal Television unknown
1966réf. 163889Universal City: Universal Television 1966. Revised Draft script for Season 1 Episode 27 of the 1965-1968 television series originally aired on April 11 1966 on NBC. The series followed Paul Bryan who after being told he has only months left to live embarks on a series of adventures to make the most out of his remaining time alive. In this episode Bryan searches for a mysterious nun and is thereby dragged into a murder mystery linked to the Mafia. Robert Bloch is best known for penning Alfred Hitchcock's "Psycho" 1959 although his six-decade writing career encompassed novels short stories radio cinema and television. A protégé of H.P. Lovecraft Bloch received the Hugo Award the Bram Stoker Award and the World Fantasy Award and served as the president of the Mystery Writers of America in 1970. Self wrappers. Title page present dated 2/25/66 with credits for screenwriter Robert Bloch and story credit for John Thomas James. 52 leaves with last page of text numbered 49. Mimeograph duplication rectos only. Pages Near Fine bound with a single staple at the top left corner. Universal Television unknown books
1977réf. 167751N.p.: N.p. 1977. Three vintage reference photographs from the 1977 French film. Provenance labels and layout annotations in manuscript ink and pencil on the versos. A young alienated student grapples with his diminished faith in relationships religion and politics ultimately deciding that ending his life is the only option. Restricted to ages 18 and older in France as a result of its suicidal themes and described by Richard Hell as "by far the most punk movie ever." 9.5 x 7 inches. Two Near Fine one Very Good plus with ink residue on the recto. Godard Histoires du cinema. Olive Films 322. Rosenbaum 1000. N.p. unknown
1977réf. 167751N.p.: N.p. 1977. Three vintage reference photographs from the 1977 French film. Provenance labels and layout annotations in manuscript ink and pencil on the versos. A young alienated student grapples with his diminished faith in relationships religion and politics ultimately deciding that ending his life is the only option. Restricted to ages 18 and older in France as a result of its suicidal themes and described by Richard Hell as "by far the most punk movie ever." 9.5 x 7 inches. Two Near Fine one Very Good plus with ink residue on the recto. Godard Histoires du cinema. Olive Films 322. Rosenbaum 1000. N.p. unknown books
1959réf. 160494Paris: Agence D E B. 1959. Vintage borderless reference photograph from the 1959 film showing actors Henri Kassagi and Pierre Etaix. Printed mimeo snipe affixed to the verso along with a provenance stamp and label. Director Robert Bresson's first wholly original screenplay perhaps the finest of his many films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be." Set and shot on location in Paris. 7 x 5 inches. Near Fine. Criterion Collection 314. Ebert I. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Schrader Canon Fodder 4. Selby Classic Noir. Agence D E B. unknown books
1980réf. 149461N.p.: Aberdeen 1980. Three vintage black-and-white reference photographs from the 1980 film. Based on Rosalyn Drexler's 1972 novel "To Smithereens." A scrappy sports arena waitress is scouted by a wrestling promoter who believes she has what it takes to become a champion. 10 x 8 inches. Near Fine with faint wear at the corners. Aberdeen unknown
1980réf. 149461N.p.: Aberdeen 1980. Three vintage black-and-white reference photographs from the 1980 film. Based on Rosalyn Drexler's 1972 novel "To Smithereens." A scrappy sports arena waitress is scouted by a wrestling promoter who believes she has what it takes to become a champion. 10 x 8 inches. Near Fine with faint wear at the corners. Aberdeen unknown books
1948réf. 170987Los Angeles: Twentieth Century-Fox 1948. Eleven vintage photographs including ten studio still photographs and one borderless reference photograph from the 1948 film noir with one photograph under the working title "Martin Rome." Three photographs with mimeo snipes two with provenance stamps and two with a provenance label on the verso rear. One photograph with cropping annotations in the margins of the recto. Several with title corrections at the bottom margin the film was retitled from "Martin Rome" and "The Law and Martin Rome" to "Cry of the City" during post-production Based on the 1947 novel "The Chair for Martin Rome" by Henry Edward Helseth. Richard Conte stars as hardened criminal and jewel thief Marty Rome wounded and in the hospital following a shoot out which left a police officer dead when he is implicated in another murder and jewelry heist by a sleazy lawyer. Following Rome's partial recovery and escape in an attempt to recover the jewels and flee he's pursued by his childhood friend a conflicted hard-nosed New York detective played by Victor Mature. Set in and shot on location in New York City. 8 x 10 inches. Near Fine overall. BFI BD-25. Grant US. Selby Cannon Master List. Silver and Ward US. Spicer US. Twentieth Century-Fox unknown
1948réf. 170987Los Angeles: Twentieth Century-Fox 1948. Eleven vintage photographs including ten studio still photographs and one borderless reference photograph from the 1948 film noir with one photograph under the working title "Martin Rome." Three photographs with mimeo snipes two with provenance stamps and two with a provenance label on the verso rear. One photograph with cropping annotations in the margins of the recto. Several with title corrections at the bottom margin the film was retitled from "Martin Rome" and "The Law and Martin Rome" to "Cry of the City" during post-production Based on the 1947 novel "The Chair for Martin Rome" by Henry Edward Helseth. Richard Conte stars as hardened criminal and jewel thief Marty Rome wounded and in the hospital following a shoot out which left a police officer dead when he is implicated in another murder and jewelry heist by a sleazy lawyer. Following Rome's partial recovery and escape in an attempt to recover the jewels and flee he's pursued by his childhood friend a conflicted hard-nosed New York detective played by Victor Mature. Set in and shot on location in New York City. 8 x 10 inches. Near Fine overall. BFI BD-25. Grant US. Selby Cannon Master List. Silver and Ward US. Spicer US. Twentieth Century-Fox unknown books
1973réf. 142105Paris: Filmsonor 1973. Vintage reference photograph from the 1973 film showing Brigitte Bardot and Jane Birkin in bed together. Vadim's attempt to explore female freedom and sexuality for women by changing the classical figure of Don Juan into the modern figure of Brigitte Bardot. The fifth film Vadim made starring Bardot and one of two released in 1973 after which she retired from acting. Shot in Paris. 7 x 5 inches. Near Fine. Filmsonor unknown
1973réf. 142105Paris: Filmsonor 1973. Vintage reference photograph from the 1973 film showing Brigitte Bardot and Jane Birkin in bed together. Vadim's attempt to explore female freedom and sexuality for women by changing the classical figure of Don Juan into the modern figure of Brigitte Bardot. The fifth film Vadim made starring Bardot and one of two released in 1973 after which she retired from acting. Shot in Paris. 7 x 5 inches. Near Fine. Filmsonor unknown books
1977réf. 152290N.p.: N.p. 1977. Draft script for an unproduced film. A class of predominantly Black students at Howard University College of Medicine share a variety of humorous sentimental and unusual experiences in their time at the school. Jefferson previously worked as a screenwriter for "Disco 9000" 1977 and "Death Drug" 1978. Set in Washington DC. Brown titled wrappers. Title page present with credits for screenwriter Roland S. Jefferson and story credits to Jefferson and Eric P. Jones. 149 leaves with last page of text numbered 133. Xerographic duplication rectos only with blue pink yellow and green revision pages throughout dated variously between 4/16/77 and 4/20/77. Pages and wrapper Very Good plus bound with two gold brads. N.p. unknown books
1966réf. 151448N.p.: N.p. 1966. Vintage reference photograph of Roman Polanski and a camera crew capturing a scene with actors Jacqueline Bisset Donald Pleasence and Lionel Stander. With a printed mimeo snipe specific to the film's UK release affixed to the verso. Two wounded gangsters seek refuge in a secluded beachfront castle home to a meek Englishman and his strong-willed wife. Shot on location at Lindisfarne Castle Northumberland England. 10 x 8 inches. Near Fine. Criterion Collection 577. Grant US. N.p. unknown
1966réf. 151448N.p.: N.p. 1966. Vintage reference photograph of Roman Polanski and a camera crew capturing a scene with actors Jacqueline Bisset Donald Pleasence and Lionel Stander. With a printed mimeo snipe specific to the film's UK release affixed to the verso. Two wounded gangsters seek refuge in a secluded beachfront castle home to a meek Englishman and his strong-willed wife. Shot on location at Lindisfarne Castle Northumberland England. 10 x 8 inches. Near Fine. Criterion Collection 577. Grant US. N.p. unknown books
1940réf. 152961N.p.: N.p. 1940. Draft script for the 1940 film. A dramatization of the life of noted Norwegian-American football coach Knute Rockne who led the University of Notre Dame team from 1918 to 1930 before dying tragically in a 1931 plane crash at the age of 43. Set in Voss Norway and Indiana. Blue untitled wrappers. Missing title page possibly as issued. 136 leaves with last page of text numbered 127. Mimeograph duplication rectos only with blue revision pages throughout dated 3/19/40. Pages Very Good plus wrapper Near Fine bound with three gold brads. National Film Registry. N.p. unknown
1940réf. 152961N.p.: N.p. 1940. Draft script for the 1940 film. A dramatization of the life of noted Norwegian-American football coach Knute Rockne who led the University of Notre Dame team from 1918 to 1930 before dying tragically in a 1931 plane crash at the age of 43. Set in Voss Norway and Indiana. Blue untitled wrappers. Missing title page possibly as issued. 136 leaves with last page of text numbered 127. Mimeograph duplication rectos only with blue revision pages throughout dated 3/19/40. Pages Very Good plus wrapper Near Fine bound with three gold brads. National Film Registry. N.p. unknown books
1945réf. 146433N.p.: N.p. 1945. Revised Draft script for the 1945 film here under the working title "The Fugitive." With a single manuscript ink annotation on the front wrapper reading "92." All leaves watermarked CONTRACT FILE COPY. NOTE: script is incomplete as issued with text ending on page 92. The twelfth entry in the fourteen film Sherlock Holmes series featuring Basil Rathbone and Nigel Bruce loosely based on Arthur Conan Doyle's 1911 short story "The Adventure of the Red Circle." The prime minister of the fictitious eastern European country Rovinia begs Holmes and Watson to escort Prince Nikolas back home as the king has been assassinated and the prince must ascend to the throne. The transatlantic voyage proves to be a dangerous journey and every passenger becomes a suspect though Holmes carries more than a few tricks and surprises up his cape. Set in Algiers. Tan titled wrappers rubber-stamped production No. 7309 dated May 20 1945. 93 leaves with last page of text numbered 92. Carbon typescript on onionskin stock rectos only. Pages Near Fine wrapper Very Good plus with three closed tears on the front wrapper and light edgewear overall bound with three gold brads. N.p. unknown
1945réf. 146433N.p.: N.p. 1945. Revised Draft script for the 1945 film here under the working title "The Fugitive." With a single manuscript ink annotation on the front wrapper reading "92." All leaves watermarked CONTRACT FILE COPY. NOTE: script is incomplete as issued with text ending on page 92. The twelfth entry in the fourteen film Sherlock Holmes series featuring Basil Rathbone and Nigel Bruce loosely based on Arthur Conan Doyle's 1911 short story "The Adventure of the Red Circle." The prime minister of the fictitious eastern European country Rovinia begs Holmes and Watson to escort Prince Nikolas back home as the king has been assassinated and the prince must ascend to the throne. The transatlantic voyage proves to be a dangerous journey and every passenger becomes a suspect though Holmes carries more than a few tricks and surprises up his cape. Set in Algiers. Tan titled wrappers rubber-stamped production No. 7309 dated May 20 1945. 93 leaves with last page of text numbered 92. Carbon typescript on onionskin stock rectos only. Pages Near Fine wrapper Very Good plus with three closed tears on the front wrapper and light edgewear overall bound with three gold brads. N.p. unknown books
1970réf. 153231N.p.: N.p. 1970. Vintage oversize borderless reference photograph from the 1970 film showing a near-nude Edy Williams. With the stamp of still photographer Willy Rizzo on the verso. After nearly a decade as one of America's most successful independent filmmakers sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity however and the girls eventually succumb to a nonstop train of decadence drugs and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock supporting performances by Meyer regulars Charles Napier and Haji and a bit part from future Blaxploitation icon Pam Grier the film proved to be Meyer's biggest box-office success. Set and shot on location in Hollywood. 8 x 12 inches. Near Fine. Criterion Collection 836. N.p. unknown
1961réf. 152049Hollywood: Pad-Ram Enterprises 1961. Vintage pressbook for the 1961 film. With his fourth feature a 68-minute quickie Russ Meyer continued to market the "nudie" film genre he basically invented in 1959 with his first film "The Immoral Mr. Teas." He also continues to advertise the "French" sensibility "bon vivant" of his films-once described as "a narrated Playboy magazine" with no real plot per se just lots of buxom women shedding their clothing at every opportunity. One leaf bi-fold. 8.5 x 11 inches. Near Fine. Pad-Ram Enterprises unknown
1963réf. 151457N.p.: N.p. 1963. Two vintage borderless reference photographs from the 1963 film. Included is a distributor's pamphlet. A mondo documentary following the sexual exploits of buxom women across Europe. Photographs 7 x 9.5 inches. Near Fine. Pamphlet bi-fold 8.5 x 11 inches. Very Good moderately chipped and soiled. N.p. unknown
1966réf. 152053California: Eve Productions 1966. Vintage pressbook for the 1966 film. A sexploitation "documentary" following several buxom strippers as they discuss their lives in 1960s San Francisco. One leaf bi-fold. 11 x 17 inches. Folded once horizontally. Very Good plus overall. Eve Productions unknown
1961réf. 152049Hollywood: Pad-Ram Enterprises 1961. Vintage pressbook for the 1961 film. With his fourth feature a 68-minute quickie Russ Meyer continued to market the "nudie" film genre he basically invented in 1959 with his first film "The Immoral Mr. Teas." He also continues to advertise the "French" sensibility "bon vivant" of his films-once described as "a narrated Playboy magazine" with no real plot per se just lots of buxom women shedding their clothing at every opportunity. One leaf bi-fold. 8.5 x 11 inches. Near Fine. Pad-Ram Enterprises unknown books
1966réf. 152053California: Eve Productions 1966. Vintage pressbook for the 1966 film. A sexploitation "documentary" following several buxom strippers as they discuss their lives in 1960s San Francisco. One leaf bi-fold. 11 x 17 inches. Folded once horizontally. Very Good plus overall. Eve Productions unknown books
1970réf. 153231N.p.: N.p. 1970. Vintage oversize borderless reference photograph from the 1970 film showing a near-nude Edy Williams. With the stamp of still photographer Willy Rizzo on the verso. After nearly a decade as one of America's most successful independent filmmakers sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity however and the girls eventually succumb to a nonstop train of decadence drugs and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock supporting performances by Meyer regulars Charles Napier and Haji and a bit part from future Blaxploitation icon Pam Grier the film proved to be Meyer's biggest box-office success. Set and shot on location in Hollywood. 8 x 12 inches. Near Fine. Criterion Collection 836. N.p. unknown books
