10 264 résultats
1973réf. 160528Paris: Paris Match 1973. Vintage borderless reference photograph from the set of the 1973 film showing Walerian Borowczyk directing actress Paloma Picasso in costume as Elizabeth Bathory for the fourth segment of the film. Mimeo snipe on the verso. Borowczyk's fourth feature length film a sexually explicit time-traveling romp ranging from the bloodthirsty exploits of Elizabeth Bathory to a nineteenth-century country girl masturbating to thoughts of Jesus Christ. 7 x 5 inches. Near Fine. Bier 354. Paris Match unknown books
1973réf. 160428Los Angeles: American International Pictures AIP 1973. Vintage oversize borderless color reference photograph from the 1973 film showing actor Warren Oates and director John Milius between takes. Stamp of Rossel Films on the verso. A dramatization of the crimes of folk hero midwestern bank robber and notorious mobster John Dillinger best known for killing five FBI agents during a shootout in Kansas City. Hot on the heels of Arthur Penn's "Bonnie and Clyde" 1967 a film that reignited the US public's interest in 1930s gangster films. Set and shot on location throughout Arizona and Oklahoma. 12 x 9.5 inches. Pinholes at the top corners else about Near Fine. American International Pictures [AIP] unknown books
1979réf. 163316N.p.: N.p. 1979. Vintage borderless reference photograph of Werner Herzog directing actress Isabelle Adjani on the set of the 1979 film. Stamp of photographer Michael Ciment on the verso. Based on F.W. Murnau's 1922 film. The third collaboration between Herzog and the infamously ill-tempered Klaus Kinski who starred as Count Dracula. Herzog lauded Murnau's classic horror tale as the greatest picture Germany every produced and fittingly many shots from Herzog's adaptation directly replicate shots from the 1922 film. Shot on location in Mexico the Czech Republic the Netherlands and Germany. 9.5 x 7 inches. Near Fine. BFI 2030. Ebert IV. N.p. unknown
1979réf. 163316N.p.: N.p. 1979. Vintage borderless reference photograph of Werner Herzog directing actress Isabelle Adjani on the set of the 1979 film. Stamp of photographer Michael Ciment on the verso. Based on F.W. Murnau's 1922 film. The third collaboration between Herzog and the infamously ill-tempered Klaus Kinski who starred as Count Dracula. Herzog lauded Murnau's classic horror tale as the greatest picture Germany every produced and fittingly many shots from Herzog's adaptation directly replicate shots from the 1922 film. Shot on location in Mexico the Czech Republic the Netherlands and Germany. 9.5 x 7 inches. Near Fine. BFI 2030. Ebert IV. N.p. unknown books
1939réf. 167664Hollywood: Paramount Pictures 1939. Vintage reference photograph taken on the set of the 1939 film showing actors Marion Martin Fred MacMurray and Irene Dunne listening while director Wesley Ruggles describes a scene with a script supervisor intently taking notes on the right. Mimeo snipe on the verso. A boxer from the lower class successfully romances a wealthy patron's daughter though their courtship is plagued by his devotion to the sport. 8 x 10 inches. Near Fine. Paramount Pictures unknown
1939réf. 167664Hollywood: Paramount Pictures 1939. Vintage reference photograph taken on the set of the 1939 film showing actors Marion Martin Fred MacMurray and Irene Dunne listening while director Wesley Ruggles describes a scene with a script supervisor intently taking notes on the right. Mimeo snipe on the verso. A boxer from the lower class successfully romances a wealthy patron's daughter though their courtship is plagued by his devotion to the sport. 8 x 10 inches. Near Fine. Paramount Pictures unknown books
1950réf. 160944Universal City: Universal Pictures 1950. Vintage mini-banner poster for the 1950 film noir. Police officer Claire Trevor goes undercover to get close to Raymond Burr the leader of a drug-smuggling ring in Mexico. Just as she meets Ritchie she is kidnapped by Fred MacMurray who unbeknownst to her is an undercover federal agent. Shot on location in Southern California. 4.75 x 28 inches. Very Good plus with light creasing at the extremities. Grant US. Selby US. Spicer US. Universal Pictures unknown
1948réf. 149732N.p.: N.p. 1948. Vintage oversize borderless reference photograph from the 1948 film showing actors Gene Tierney and Dana Andrews. Based on the real experiences of Ivor Gouzenko a Communist code-breaker assigned to the Soviet Embassy in wartime Canada who defected from the USSR after the war. Subject to controversy upon release with liberals protesting the film's depiction of the Soviet cause and conservatives protesting the liberal picketers. Set and shot on location in Ottawa Ontario Canada. 10 x 12.75 inches. Very Good lightly creased to the edges. N.p. unknown
1950réf. 160944Universal City: Universal Pictures 1950. Vintage mini-banner poster for the 1950 film noir. Police officer Claire Trevor goes undercover to get close to Raymond Burr the leader of a drug-smuggling ring in Mexico. Just as she meets Ritchie she is kidnapped by Fred MacMurray who unbeknownst to her is an undercover federal agent. Shot on location in Southern California. 4.75 x 28 inches. Very Good plus with light creasing at the extremities. Grant US. Selby US. Spicer US. Universal Pictures unknown books
1948réf. 149732N.p.: N.p. 1948. Vintage oversize borderless reference photograph from the 1948 film showing actors Gene Tierney and Dana Andrews. Based on the real experiences of Ivor Gouzenko a Communist code-breaker assigned to the Soviet Embassy in wartime Canada who defected from the USSR after the war. Subject to controversy upon release with liberals protesting the film's depiction of the Soviet cause and conservatives protesting the liberal picketers. Set and shot on location in Ottawa Ontario Canada. 10 x 12.75 inches. Very Good lightly creased to the edges. N.p. unknown books
1980réf. 167783N.p.: N.p. 1980. Vintage German A0 poster for the 1980 film. Extremely scarce. Based on the 1970 novel by Gerald Walker about a cop who goes undercover in the leather scene in New York to catch a serial killer targeting gay men. "Cruising" was widely protested at the time of its release by gay rights groups for its depiction of homosexuality as intrinsically linked to violence but has since been reconsidered as one of the few mainstream Hollywood movies to depict queer life in New York before the AIDS crisis as well as one of the few movies to address police discrimination and brutality towards homosexuals. Set and shot on location in New York. 33 x 46 inches folded as issued. About Fine. Carlson and Connolly Destroy All Movies. Grant US. Spicer US Neo-Noir. N.p. unknown
1973réf. 154955Burbank CA: Warner Brothers 1973. Vintage studio still photograph from the 1973 film showing director William Friedkin in conversation with young actress Linda Blair between takes. Based on the 1971 novel by screenwriter William Peter Blatty. The first and finest film in the series following the demonic possession of a twelve-year-old girl and the ensuing attempts to purge her body of the evil spirit. One of the great genre films of the 1970s that accomplished the uncommon feat of being an over-the-top sensation upon its release and gaining subsequent status as a classic with a strangeness and depth supplied by the strength of Ellen Burstyn and Max von Sydow's performances. 10 x 8 inches. About Near Fine with light creasing at the corners. National Film Registry. Warner Brothers unknown
1973réf. 154955Burbank CA: Warner Brothers 1973. Vintage studio still photograph from the 1973 film showing director William Friedkin in conversation with young actress Linda Blair between takes. Based on the 1971 novel by screenwriter William Peter Blatty. The first and finest film in the series following the demonic possession of a twelve-year-old girl and the ensuing attempts to purge her body of the evil spirit. One of the great genre films of the 1970s that accomplished the uncommon feat of being an over-the-top sensation upon its release and gaining subsequent status as a classic with a strangeness and depth supplied by the strength of Ellen Burstyn and Max von Sydow's performances. 10 x 8 inches. About Near Fine with light creasing at the corners. National Film Registry. Warner Brothers unknown books
1980réf. 167783N.p.: N.p. 1980. Vintage German A0 poster for the 1980 film. Extremely scarce. Based on the 1970 novel by Gerald Walker about a cop who goes undercover in the leather scene in New York to catch a serial killer targeting gay men. "Cruising" was widely protested at the time of its release by gay rights groups for its depiction of homosexuality as intrinsically linked to violence but has since been reconsidered as one of the few mainstream Hollywood movies to depict queer life in New York before the AIDS crisis as well as one of the few movies to address police discrimination and brutality towards homosexuals. Set and shot on location in New York. 33 x 46 inches folded as issued. About Fine. Carlson and Connolly Destroy All Movies. Grant US. Spicer US Neo-Noir. N.p. unknown books
1984réf. 163805N.p.: N.p. 1984. Vintage reference photograph from the 1984 cult film showing actors William S. Burroughs and F.M. Einhelt. Annotations in manuscript ink on the verso. Loosely based on Burroughs' "The Electronic Revolution" 1970 about a young punk who creates a device to unscramble the subliminal messages embedded in Muzak. An underground film made on a shoestring budget shot in Berlin with a cast of non-actors playing themselves-including FM Einheit of Einstürzende Neubauten and Genesis P-Orridge of Psychic TV. Largely forgotten until 2019 when the film was released by Vinegar Syndrome on Blu-ray and DVD. 9.5 x 7 inches. Near Fine. Vinegar Syndrome 288. N.p. unknown
1984réf. 163805N.p.: N.p. 1984. Vintage reference photograph from the 1984 cult film showing actors William S. Burroughs and F.M. Einhelt. Annotations in manuscript ink on the verso. Loosely based on Burroughs' "The Electronic Revolution" 1970 about a young punk who creates a device to unscramble the subliminal messages embedded in Muzak. An underground film made on a shoestring budget shot in Berlin with a cast of non-actors playing themselves-including FM Einheit of Einstürzende Neubauten and Genesis P-Orridge of Psychic TV. Largely forgotten until 2019 when the film was released by Vinegar Syndrome on Blu-ray and DVD. 9.5 x 7 inches. Near Fine. Vinegar Syndrome 288. N.p. unknown books
1939réf. 156674Los Angeles: Paramount Pictures 1939. Vintage studio still photograph of director William Wellman and a camera crew filming on location in New Mexico for the 1939 film. Mimeo snipe on the verso. Based on the 1891 novel by Rudyard Kipling. An artist whose sight is failing struggles to complete his final painting while also grieving his broken relationship with his childhood sweetheart. Shot on location in Abiquiu Santa Fe and Espanola New Mexico. 8 x 10 inches. Near Fine. Paramount Pictures unknown
1939réf. 156674Los Angeles: Paramount Pictures 1939. Vintage studio still photograph of director William Wellman and a camera crew filming on location in New Mexico for the 1939 film. Mimeo snipe on the verso. Based on the 1891 novel by Rudyard Kipling. An artist whose sight is failing struggles to complete his final painting while also grieving his broken relationship with his childhood sweetheart. Shot on location in Abiquiu Santa Fe and Espanola New Mexico. 8 x 10 inches. Near Fine. Paramount Pictures unknown books
1959réf. 156001Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1959. Vintage reference photograph of director William Wyler on the set of the 1959 film. Mimeo snipe on the verso. Based on the 1880 novel by Lew Wallace. Jewish prince Ben-Hur is sent to prison at the behest of his childhood friend Messala as a result of a mishap during a Roman parade. Through sheer will Ben-Hur endures hard labor and slavery in prison and once released vows revenge on Messala. The most expensive film ever made at the time of its release with a 15 million dollar budget and a massive elaborate set. Nominated for 12 Academy Awards and winning 11 including Best Picture Best Director and Best Actor. Shot on location in Italy and California. 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1936réf. 155999Beverly Hills CA: United Artists 1936. Vintage reference photograph of director William Wyler and actor Walter Huston on the set of the 1936 film. Printed mimeo snipe affixed to the verso along with a date stamp in French reading 30 Juil July 1936. Based on the 1934 play by Sidney Howard based in turn on the 1929 novel by Sinclair Lewis. A recently retired automobile magnate and his frivolous wife take an extended trip to Europe only to discover they have grown apart over the years. 8 x 10 inches. Very Good plus lightly age toned with two punch holes on the bottom edge. National Film Registry. United Artists unknown
1959réf. 156001Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1959. Vintage reference photograph of director William Wyler on the set of the 1959 film. Mimeo snipe on the verso. Based on the 1880 novel by Lew Wallace. Jewish prince Ben-Hur is sent to prison at the behest of his childhood friend Messala as a result of a mishap during a Roman parade. Through sheer will Ben-Hur endures hard labor and slavery in prison and once released vows revenge on Messala. The most expensive film ever made at the time of its release with a 15 million dollar budget and a massive elaborate set. Nominated for 12 Academy Awards and winning 11 including Best Picture Best Director and Best Actor. Shot on location in Italy and California. 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1936réf. 155999Beverly Hills CA: United Artists 1936. Vintage reference photograph of director William Wyler and actor Walter Huston on the set of the 1936 film. Printed mimeo snipe affixed to the verso along with a date stamp in French reading 30 Juil July 1936. Based on the 1934 play by Sidney Howard based in turn on the 1929 novel by Sinclair Lewis. A recently retired automobile magnate and his frivolous wife take an extended trip to Europe only to discover they have grown apart over the years. 8 x 10 inches. Very Good plus lightly age toned with two punch holes on the bottom edge. National Film Registry. United Artists unknown books
1967réf. 151420Amsterdam: Frans Bromet 1967. Four vintage borderless reference photographs from the set of the 1967 film including two photographs of director Wim Verstappen and longtime producer and screenwriter Pim de la Parra. With the stamp of photographer Frans Bromet on the verso and one with the stamp of Scorpio Films. From the archive of film historian and author Joel Finler. A successful author cannot choose between the attentions of two women leading to a passionate and unhappy love triangle. Verstappen was best known for founding Scorpio Films with Parra a collaboration which most notably produced the groundbreaking 1971 Dutch film "Blue Movie." Set in the Netherlands. 7 x 5 inches. Near Fine. Frans Bromet unknown
1967réf. 151420Amsterdam: Frans Bromet 1967. Four vintage borderless reference photographs from the set of the 1967 film including two photographs of director Wim Verstappen and longtime producer and screenwriter Pim de la Parra. With the stamp of photographer Frans Bromet on the verso and one with the stamp of Scorpio Films. From the archive of film historian and author Joel Finler. A successful author cannot choose between the attentions of two women leading to a passionate and unhappy love triangle. Verstappen was best known for founding Scorpio Films with Parra a collaboration which most notably produced the groundbreaking 1971 Dutch film "Blue Movie." Set in the Netherlands. 7 x 5 inches. Near Fine. Frans Bromet unknown books
1972réf. 152114N.p.: N.p. 1972. Two vintage borderless reference photographs from Wim Wenders' first film. With the stamp of distributor MK2 on the verso. Based on the 1970 novel by Peter Handke. A goalkeeper is sent home from a game for foul play leaving the field and spending the night with a cinema cashier whom he proceeds to murder. Shot on location in Vienna. 9.5 x 7 inches. Very Good plus faintly toned. Vogel Film as a Subversive Art. N.p. unknown
