11 058 résultats
1985réf. 149739N.p.: N.p. 1985. Four vintage borderless reference photographs and one vintage reference photograph from the set of the 1985 French film three showing director Agnes Varda and actress Sandrine Bonnaire one showing Varda and cinematographer Patrick Blossier and one showing Varda and a film crew inspecting Bonnaire as she poses as a dead body in a ditch. With the stamp of Cinemagence three with provenance stamps and one with a stamp specific to the film's French release on the verso. Varda's most successful and critically acclaimed film beginning with the discovery of a young migrant woman's body frozen in a ditch in northern France and retracing her life up until the time of her death. As an important and influential French director writer and artist Agnes Varda garnered praise as a filmmaker for her uncompromising documentary-style realism focusing on women and marginalized members of society as well as her experimental style. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work stylistically prefigures the French New Wave and is today considered very much a part of it. Shot on location in Gard Herault and Bouches-du-Rhone France. Four photographs 7 x 5 inches one photograph 7 x 9.5 inches. Near Fine. Criterion Collection 74. N.p. unknown
1985réf. 149739N.p.: N.p. 1985. Four vintage borderless reference photographs and one vintage reference photograph from the set of the 1985 French film three showing director Agnes Varda and actress Sandrine Bonnaire one showing Varda and cinematographer Patrick Blossier and one showing Varda and a film crew inspecting Bonnaire as she poses as a dead body in a ditch. With the stamp of Cinemagence three with provenance stamps and one with a stamp specific to the film's French release on the verso. Varda's most successful and critically acclaimed film beginning with the discovery of a young migrant woman's body frozen in a ditch in northern France and retracing her life up until the time of her death. As an important and influential French director writer and artist Agnes Varda garnered praise as a filmmaker for her uncompromising documentary-style realism focusing on women and marginalized members of society as well as her experimental style. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work stylistically prefigures the French New Wave and is today considered very much a part of it. Shot on location in Gard Herault and Bouches-du-Rhone France. Four photographs 7 x 5 inches one photograph 7 x 9.5 inches. Near Fine. Criterion Collection 74. N.p. unknown books
1924réf. 171399N.p.: N.p. 1924. Seven vintage reference photographs from the 1924 silent film. Five with "Country of Origin: USA" stamps on the versos. Based on Elinor Glyn's 1907 romance novel about the love affair between the married queen of a fictitious European country and a handsome young Englishman. Glyn's novel was previously adapted for film in 1914 starring Madlaine Traverse and George C. Pearce. Set in Switzerland. 10 x 8 inches. Very Good moderately edgeworn with light even toning overall. N.p. unknown
1924réf. 171399N.p.: N.p. 1924. Seven vintage reference photographs from the 1924 silent film. Five with "Country of Origin: USA" stamps on the versos. Based on Elinor Glyn's 1907 romance novel about the love affair between the married queen of a fictitious European country and a handsome young Englishman. Glyn's novel was previously adapted for film in 1914 starring Madlaine Traverse and George C. Pearce. Set in Switzerland. 10 x 8 inches. Very Good moderately edgeworn with light even toning overall. N.p. unknown books
1972réf. 170735N.p.: N.p. 1972. Vintage borderless reference photograph from the 1972 film the final outdoor scene with Marlon Brando and Al Pacino. Annotations in manuscript ink in French on the verso. Based on the 1969 novel by Mario Puzo who co-wrote the screenplay with director Francis Ford Coppola. Widely considered one of the finest films ever made and an inescapable influence on the portrayal of organized crime in film and television. Nominated for eleven Academy Awards winning for Best Picture Best Adapted Screenplay and Best Actor for Marlon Brando. Set in New York New Jersey Los Angeles Las Vegas Sicily and Cuba shot on location in New York New Jersey Los Angeles Las Vegas Sicily and the Dominican Republic. 10 x 8 inches. About Near Fine lightly edgeworn. National Film Registry. Ebert I. Penzler 101. Schrader Canon Fodder 16. Sight and Sound 2022. N.p. unknown
1972réf. 170735N.p.: N.p. 1972. Vintage borderless reference photograph from the 1972 film the final outdoor scene with Marlon Brando and Al Pacino. Annotations in manuscript ink in French on the verso. Based on the 1969 novel by Mario Puzo who co-wrote the screenplay with director Francis Ford Coppola. Widely considered one of the finest films ever made and an inescapable influence on the portrayal of organized crime in film and television. Nominated for eleven Academy Awards winning for Best Picture Best Adapted Screenplay and Best Actor for Marlon Brando. Set in New York New Jersey Los Angeles Las Vegas Sicily and Cuba shot on location in New York New Jersey Los Angeles Las Vegas Sicily and the Dominican Republic. 10 x 8 inches. About Near Fine lightly edgeworn. National Film Registry. Ebert I. Penzler 101. Schrader Canon Fodder 16. Sight and Sound 2022. N.p. unknown books
1961réf. 149454Paris: F.O.G. 1961. Collection of six vintage reference photographs from the 1961 film two borderless two with bottom margin and one vertical photograph with left margin. "L'Annee Derniere a Marienbad" stamp on versos. Three photos shown. Please inquire for others. An enigmatic dreamlike film about a man and a woman who meet at a party where he insists they have met before and she that they haven't. Viewed as either ambiguous surreal masterpiece or an incomprehensible indulgence with almost no middle ground. Nominated for an Academy Award for Best Original Screenplay. 7 x 5 inches. Very Good plus with light edgewear one with creasing at left corners. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. F.O.G. unknown
1961réf. 149454Paris: F.O.G. 1961. Collection of six vintage reference photographs from the 1961 film two borderless two with bottom margin and one vertical photograph with left margin. "L'Annee Derniere a Marienbad" stamp on versos. Three photos shown. Please inquire for others. An enigmatic dreamlike film about a man and a woman who meet at a party where he insists they have met before and she that they haven't. Viewed as either ambiguous surreal masterpiece or an incomprehensible indulgence with almost no middle ground. Nominated for an Academy Award for Best Original Screenplay. 7 x 5 inches. Very Good plus with light edgewear one with creasing at left corners. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. F.O.G. unknown books
1976réf. 150124N.p.: N.p. 1976. Vintage reference photograph with horizontal margins of director Alan J. Pakula Dustin Hoffman and Robert Redford on the set of the 1976 film. Based on the 1974 book by Carl Bernstein and Bob Woodward. The iconic New Hollywood account of the Watergate investigation starring Robert Redford and Dustin Hoffman in exceptionally strong performances as Washington Post reporters Bob Woodward and Carl Bernstein respectively who uncover the details of the Watergate scandal that leads to President Richard Nixon's resignation. Winner of four Academy Awards including Best Screenplay and nominated for four others including Best Picture and Best Director. 8 x 10 inches. Near Fine. National Film Registry. Spicer US Neo-Noir. N.p. unknown
1976réf. 150124N.p.: N.p. 1976. Vintage reference photograph with horizontal margins of director Alan J. Pakula Dustin Hoffman and Robert Redford on the set of the 1976 film. Based on the 1974 book by Carl Bernstein and Bob Woodward. The iconic New Hollywood account of the Watergate investigation starring Robert Redford and Dustin Hoffman in exceptionally strong performances as Washington Post reporters Bob Woodward and Carl Bernstein respectively who uncover the details of the Watergate scandal that leads to President Richard Nixon's resignation. Winner of four Academy Awards including Best Screenplay and nominated for four others including Best Picture and Best Director. 8 x 10 inches. Near Fine. National Film Registry. Spicer US Neo-Noir. N.p. unknown books
1982réf. 152320London: United International Pictures 1982. Two vintage borderless reference photographs taken on the set of the 1982 film one showing director Alan Parker director of animation Gerald Scarfe and cameraman John Stanier in conversation the other showing Parker and actor Bob Geldof. With printed mimeo snipes on the verso. From the archive of film historian and author Joel Finler. Based on Pink Floyd's 1979 rock opera about a young rock star named Pink whose troubled childhood in 1950s England leads him into an adulthood marred by isolation and depression and eventually complete mental collapse. Shot on location in London and Quebec. 10 x 8 inches with wide bottom margins. Near Fine. Ebert IV. United International Pictures unknown
1982réf. 152320London: United International Pictures 1982. Two vintage borderless reference photographs taken on the set of the 1982 film one showing director Alan Parker director of animation Gerald Scarfe and cameraman John Stanier in conversation the other showing Parker and actor Bob Geldof. With printed mimeo snipes on the verso. From the archive of film historian and author Joel Finler. Based on Pink Floyd's 1979 rock opera about a young rock star named Pink whose troubled childhood in 1950s England leads him into an adulthood marred by isolation and depression and eventually complete mental collapse. Shot on location in London and Quebec. 10 x 8 inches with wide bottom margins. Near Fine. Ebert IV. United International Pictures unknown books
1936réf. 164557Universal City: Universal Pictures 1936. Vintage publicity photograph of Buster Crabbe from the 1936 serial film. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Based on the 1934 comic-strip character created by Alex Raymond. The first screen adaptation of "Flash Gordon" presented as a serial film in 13 chapters and starring Buster Crabbe in the titular role battling to thwart the evil schemes of Emperor Ming the Merciless portrayed by Charles B. Middleton. Followed by two sequels also in serial form "Flash Gordon's Trip to Mars" 1938 and "Flash Gordon Conquers the Universe" 1940. Remade in 1980 as a superhero space opera film directed by Mike Hodges and starring Sam J. Jones and Melony Anderson. Shot on location in Bronson Canyon California. 8 x 10 inches mounted onto a 8.25 x 10.25 inch black art board. Near Fine with even toning. National Film Registry. Universal Pictures unknown
1936réf. 164557Universal City: Universal Pictures 1936. Vintage publicity photograph of Buster Crabbe from the 1936 serial film. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Based on the 1934 comic-strip character created by Alex Raymond. The first screen adaptation of "Flash Gordon" presented as a serial film in 13 chapters and starring Buster Crabbe in the titular role battling to thwart the evil schemes of Emperor Ming the Merciless portrayed by Charles B. Middleton. Followed by two sequels also in serial form "Flash Gordon's Trip to Mars" 1938 and "Flash Gordon Conquers the Universe" 1940. Remade in 1980 as a superhero space opera film directed by Mike Hodges and starring Sam J. Jones and Melony Anderson. Shot on location in Bronson Canyon California. 8 x 10 inches mounted onto a 8.25 x 10.25 inch black art board. Near Fine with even toning. National Film Registry. Universal Pictures unknown books
1954réf. 160547London: Pictorial Press 1954. Vintage reference photograph of director Alfred Hitchcock drawing between takes on the set of the 1954 film. Printed mimeo snipe and stamps of Pictorial Press on the verso along with annotations in manuscript pencil relating to cropping. Based on the 1952 play by Frederick Knott who also wrote the screenplay about a tennis player who arranges to have his wife framed for murder after discovering her infidelity. The only Hitchcock film to be shot in 3D although the format would ultimately be discarded for theatrical release and the first of three Hitchcock films to feature actress Grace Kelly followed by "Rear Window" 1954 and "To Catch a Thief" 1955. 10 x 8 inches. Very Good plus lightly worn at the corners. Grant US. Selby US. Spicer US. Pictorial Press unknown
1969réf. 171039N.p.: N.p. 1969. Vintage borderless reference photograph from the 1969 film showing Alfred Hitchcock sitting in his director's chair on the tarmac at the Paris airport Orly Val-de-Marne France. Layout annotations in manuscript pencil on the verso. Based on the 1967 novel by Leon Uris about a French agent who helps the United States uncover the presence of Russian missiles in Cuba. 9.5 x 7.25 inches. Near Fine. N.p. unknown
1969réf. 171039N.p.: N.p. 1969. Vintage borderless reference photograph from the 1969 film showing Alfred Hitchcock sitting in his director's chair on the tarmac at the Paris airport Orly Val-de-Marne France. Layout annotations in manuscript pencil on the verso. Based on the 1967 novel by Leon Uris about a French agent who helps the United States uncover the presence of Russian missiles in Cuba. 9.5 x 7.25 inches. Near Fine. N.p. unknown books
1954réf. 160547London: Pictorial Press 1954. Vintage reference photograph of director Alfred Hitchcock drawing between takes on the set of the 1954 film. Printed mimeo snipe and stamps of Pictorial Press on the verso along with annotations in manuscript pencil relating to cropping. Based on the 1952 play by Frederick Knott who also wrote the screenplay about a tennis player who arranges to have his wife framed for murder after discovering her infidelity. The only Hitchcock film to be shot in 3D although the format would ultimately be discarded for theatrical release and the first of three Hitchcock films to feature actress Grace Kelly followed by "Rear Window" 1954 and "To Catch a Thief" 1955. 10 x 8 inches. Very Good plus lightly worn at the corners. Grant US. Selby US. Spicer US. Pictorial Press unknown books
1978réf. 152294Rome: Excelsior 1978. English-language treatment script for an unproduced Italian film. With a single manuscript ink annotation to page 2 noting an editorial revision. Laid in with the script is a xerographically duplicated cost estimate sheet in both English and Italian noting the name of cinematographer Pasqualino de Santis dated July 1978. A middle-aged newlywed nobleman feels trapped in his marriage to his young wife a beautiful but avaricious middle-class woman and is led to increasingly bizarre measures in order to escape her clutches. Ostensibly intended as a follow-up to "Divorce Italian Style" 1961 co-written by screenwriter Alfredo Giannetti and "Marriage Italian Style" 1964. Set in Sicily. Green wrappers with a title label and credits for screenwriter A. Giannetti affixed to the front wrapper. Missing title page presumably as issued. 8 leaves with last page of text numbered 6. Xerographic duplication rectos only. Pages Fine wrapper Near Fine with perfect binding. Excelsior unknown
1978réf. 152294Rome: Excelsior 1978. English-language treatment script for an unproduced Italian film. With a single manuscript ink annotation to page 2 noting an editorial revision. Laid in with the script is a xerographically duplicated cost estimate sheet in both English and Italian noting the name of cinematographer Pasqualino de Santis dated July 1978. A middle-aged newlywed nobleman feels trapped in his marriage to his young wife a beautiful but avaricious middle-class woman and is led to increasingly bizarre measures in order to escape her clutches. Ostensibly intended as a follow-up to "Divorce Italian Style" 1961 co-written by screenwriter Alfredo Giannetti and "Marriage Italian Style" 1964. Set in Sicily. Green wrappers with a title label and credits for screenwriter A. Giannetti affixed to the front wrapper. Missing title page presumably as issued. 8 leaves with last page of text numbered 6. Xerographic duplication rectos only. Pages Fine wrapper Near Fine with perfect binding. Excelsior unknown books
1986réf. 160924N.p.: N.p. 1986. Shooting Revision script for the 1988 action film. Bound in preceding the script are three pages of interior and exterior set lists and cast lists. Jimmy Stathis stars as DEA Agent John Temple working undercover in Mexico to nail drug kingpin Victor Lazzaro played by Aldo Ray who killed his partner. Shot on location in Los Angeles and Mexico City. Orange titled wrappers with credits for screenwriter Allan Kuskowski. Title page present dated 7/21/86 noted as SHOOTING REVISION with credits for screenwriter Allan Kuskowski. 120 leaves with last page of text numbered 115. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1986réf. 160924N.p.: N.p. 1986. Shooting Revision script for the 1988 action film. Bound in preceding the script are three pages of interior and exterior set lists and cast lists. Jimmy Stathis stars as DEA Agent John Temple working undercover in Mexico to nail drug kingpin Victor Lazzaro played by Aldo Ray who killed his partner. Shot on location in Los Angeles and Mexico City. Orange titled wrappers with credits for screenwriter Allan Kuskowski. Title page present dated 7/21/86 noted as SHOOTING REVISION with credits for screenwriter Allan Kuskowski. 120 leaves with last page of text numbered 115. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown books
1982réf. 166414Los Angeles: Avon Productions 1982. Draft script for the 1982 pornographic film. Three violent escaped convicts on the run from the law break into a house where a young girl is being given a wedding shower and they proceed on a rampage of violence rape and sexual assaults. IMDB. Title page integral with the first page of narrative text. No wrapper as issued undated. 18 leaves with last page of text numbered 18. Xerographic duplication rectos only. Pages Near Fine staple bound at the top left corner. Avon Productions unknown
1982réf. 166414Los Angeles: Avon Productions 1982. Draft script for the 1982 pornographic film. Three violent escaped convicts on the run from the law break into a house where a young girl is being given a wedding shower and they proceed on a rampage of violence rape and sexual assaults. IMDB. Title page integral with the first page of narrative text. No wrapper as issued undated. 18 leaves with last page of text numbered 18. Xerographic duplication rectos only. Pages Near Fine staple bound at the top left corner. Avon Productions unknown books
1990réf. 167769New York: The Green Card Production Company 1990. Sixth Final Draft script for the 1990 film. Copy belonging to an unidentified crew member with annotations in manuscript ink throughout highlighting filming locations. An American woman and a French man enter into a marriage of convenience-the man hoping to gain American citizenship the woman needing to be married to land her dream apartment. Actor Gérard Depardieu's American film debut. Set and shot on location in New York. Self wrappers. Title page present dated February 1990 noted as FINAL DRAFT #6 with credit for screenwriter Peter Weir. 138 leaves with last page of text numbered 120. Xerographic duplication rectos only with blue revision pages throughout dated March 20 1990. Pages Very Good plus bound with three gold brads. The Green Card Production Company unknown
