11 046 résultats
1972réf. 159697Bradford: W.E. Berry 1972. Vintage British quad poster for the 1972 Australian film. Based on the character originally created by cartoonist Barry Humphries a loutish beer-guzzling Australian named Barry "Bazza" McKenzie. The first Australian film to surpass one million dollars in Australian box office receipts. Shot on location in London. 40 x 30 inches folded. Near Fine. W.E. Berry unknown
1972réf. 159697Bradford: W.E. Berry 1972. Vintage British quad poster for the 1972 Australian film. Based on the character originally created by cartoonist Barry Humphries a loutish beer-guzzling Australian named Barry "Bazza" McKenzie. The first Australian film to surpass one million dollars in Australian box office receipts. Shot on location in London. 40 x 30 inches folded. Near Fine. W.E. Berry unknown books
1976réf. 149310Los Angeles: American International Pictures AIP 1976. Collection of one vintage reference photograph and one contact sheet containing twelve test shots from the 1976 film all images publicity shots of actress Caroline Munro for the film. Based on Edgar Rice Burroughs' 1914 fantasy novel the first in the Pellucidar series about adventures in the hollow earth. A British scientist and American adventurer drill through to a strange land where they lead a rebellion of Stone Age humans against their masters who happen to be intelligent flying reptiles with psychic powers. Set hundreds of miles underneath Wales. 8 x 10 inches. Near Fine. American International Pictures [AIP] unknown
1976réf. 149310Los Angeles: American International Pictures AIP 1976. Collection of one vintage reference photograph and one contact sheet containing twelve test shots from the 1976 film all images publicity shots of actress Caroline Munro for the film. Based on Edgar Rice Burroughs' 1914 fantasy novel the first in the Pellucidar series about adventures in the hollow earth. A British scientist and American adventurer drill through to a strange land where they lead a rebellion of Stone Age humans against their masters who happen to be intelligent flying reptiles with psychic powers. Set hundreds of miles underneath Wales. 8 x 10 inches. Near Fine. American International Pictures [AIP] unknown books
1961réf. 162353Beverly Hills CA: United Artists 1961. Vintage borderless reference photograph of actress Carroll Baker talking with director Jack Garfein on the set of the 1961 film with a rubber stamp crediting photographer Fredric Franklin on the verso. Based on Alex Karmel's 1958 novel "Mary Ann." A traumatized college student is held captive by a mechanic after he witnesses her attempting to commit suicide on the Manhattan Bridge. Set and shot on location in New York. 10 x 8 inches. Very Good plus. Grant US. United Artists unknown
1961réf. 162353Beverly Hills CA: United Artists 1961. Vintage borderless reference photograph of actress Carroll Baker talking with director Jack Garfein on the set of the 1961 film with a rubber stamp crediting photographer Fredric Franklin on the verso. Based on Alex Karmel's 1958 novel "Mary Ann." A traumatized college student is held captive by a mechanic after he witnesses her attempting to commit suicide on the Manhattan Bridge. Set and shot on location in New York. 10 x 8 inches. Very Good plus. Grant US. United Artists unknown books
1971réf. 159594N.p.: N.p. 1971. Six vintage reference photographs from the 1971 sexploitation film. Three with the stamp of the Bureau de surveillance du cinéma of Quebec on the verso and one with annotations in manuscript pencil regarding cropping. From the archive of film historian and author Joel Finler. An uptight young man spends time in a sex-filled free-wheeling commune while a hippie takes his place as a French tutor for a wealthy young woman. Shot on location in Québec and St. Albans Vermont. 10 x 8 inches. About Fine. N.p. unknown
1971réf. 159594N.p.: N.p. 1971. Six vintage reference photographs from the 1971 sexploitation film. Three with the stamp of the Bureau de surveillance du cinéma of Quebec on the verso and one with annotations in manuscript pencil regarding cropping. From the archive of film historian and author Joel Finler. An uptight young man spends time in a sex-filled free-wheeling commune while a hippie takes his place as a French tutor for a wealthy young woman. Shot on location in Québec and St. Albans Vermont. 10 x 8 inches. About Fine. N.p. unknown books
1973réf. 159690Bradford: W.E. Berry 1973. Vintage British quad poster for the 1973 Italian-English film. Based on John Gardner's 1969 novel "A Complete State of Death." A detective uncovers a plot by the mob to use Vietnam veterans in a vast murder scheme. Shot on location in New York and California. 40 x 30 inches folded. Fine. Grant Italy. W.E. Berry unknown
1973réf. 159690Bradford: W.E. Berry 1973. Vintage British quad poster for the 1973 Italian-English film. Based on John Gardner's 1969 novel "A Complete State of Death." A detective uncovers a plot by the mob to use Vietnam veterans in a vast murder scheme. Shot on location in New York and California. 40 x 30 inches folded. Fine. Grant Italy. W.E. Berry unknown books
1970réf. 152433N.p.: N.p. 1970. Draft script for an unproduced film. A beloved rock star named Wednesday's Child battles with his record label for control over the rights to his music. African American screenwriter Charles Eric Johnson was known for his work for television and film throughout the 1970s and 1980s including "Beyond Atlantis" 1973 "That Man Bolt" 1973 "Slaughter's Big Rip-Off" 1973 and "The George McKenna Story" 1986. White self wrappers. Title page present undated with credits for screenwriter Charles Eric Johnson. 114 leaves with last page of text numbered 113. Xerographic duplication rectos only. Pages Very Good plus with a few small splashes to the title page partially bound with a binder clip to the top left corner. N.p. unknown
1970réf. 152433N.p.: N.p. 1970. Draft script for an unproduced film. A beloved rock star named Wednesday's Child battles with his record label for control over the rights to his music. African American screenwriter Charles Eric Johnson was known for his work for television and film throughout the 1970s and 1980s including "Beyond Atlantis" 1973 "That Man Bolt" 1973 "Slaughter's Big Rip-Off" 1973 and "The George McKenna Story" 1986. White self wrappers. Title page present undated with credits for screenwriter Charles Eric Johnson. 114 leaves with last page of text numbered 113. Xerographic duplication rectos only. Pages Very Good plus with a few small splashes to the title page partially bound with a binder clip to the top left corner. N.p. unknown books
1976réf. 146929N.p.: 5 Continents 1976. Vintage oversize borderless studio still photographs from the 1976 film. Bizarre 1970s softcore sci-fi film about disembodied aliens from the dying planet Spermula who take the form of Earth women to collect semen to save their planet. featuring Udo Kier 9.5 x 12 inches. Very Good plus pinholes at the corners else clean and bright. 5 Continents unknown
1976réf. 146929N.p.: 5 Continents 1976. Vintage oversize borderless studio still photographs from the 1976 film. Bizarre 1970s softcore sci-fi film about disembodied aliens from the dying planet Spermula who take the form of Earth women to collect semen to save their planet. featuring Udo Kier 9.5 x 12 inches. Very Good plus pinholes at the corners else clean and bright. 5 Continents unknown books
1987réf. 139456Los Angeles: TNT / Agamemnon Films / British Lion Film Corporation 1987. British Draft script for the 1988 television film originally airing on December 21 1988 on TNT the first made-for-television movie produced for the fledging network. Brief annotations in manuscript ink throughout. Based on the 1960 Broadway play by Robert Bolt about Sir Thomas More's devotion to the Catholic Church during the English Reformation. Previously filmed in a 1966 Academy Award winning theatrical release directed by Fred Zimmerman and starring Paul Scofield Wendy Hiller and Leo McKern. Tan wrappers with die-cut title window in the British style. Title page present dated November 16 1987 with a credit for screenwriter Bolt. 180 leaves with last page of text numbered 177. Xerographically reproduced. Pages and wrapper Near Fine bound internally with a silver prong brad. TNT / Agamemnon Films / British Lion Film Corporation unknown
1987réf. 139456Los Angeles: TNT / Agamemnon Films / British Lion Film Corporation 1987. British Draft script for the 1988 television film originally airing on December 21 1988 on TNT the first made-for-television movie produced for the fledging network. Brief annotations in manuscript ink throughout. Based on the 1960 Broadway play by Robert Bolt about Sir Thomas More's devotion to the Catholic Church during the English Reformation. Previously filmed in a 1966 Academy Award winning theatrical release directed by Fred Zimmerman and starring Paul Scofield Wendy Hiller and Leo McKern. Tan wrappers with die-cut title window in the British style. Title page present dated November 16 1987 with a credit for screenwriter Bolt. 180 leaves with last page of text numbered 177. Xerographically reproduced. Pages and wrapper Near Fine bound internally with a silver prong brad. TNT / Agamemnon Films / British Lion Film Corporation unknown books
1964réf. 149462London: Hammer Films 1964. Four vintage borderless reference photographs taken on the set of the 1964 film. One with a printed mimeo snipe specific to the film's German release affixed to the verso noting the film's German title "Die brennenden Augen von Schloss Bartimore." A small village in the early twentieth century is terrorized by Megaera the Gorgon a monster so hideous that even glancing at her face turns humans to stone. Set in eastern Europe. Two photographs 10 x 8 inches two photographs 9.25 x 7 inches. Very Good plus lightly faded in portions. Johnson and Del Vecchio Hammer Films: An Exhaustive Filmography pp. 241-242. Hammer Films unknown
1964réf. 149462London: Hammer Films 1964. Four vintage borderless reference photographs taken on the set of the 1964 film. One with a printed mimeo snipe specific to the film's German release affixed to the verso noting the film's German title "Die brennenden Augen von Schloss Bartimore." A small village in the early twentieth century is terrorized by Megaera the Gorgon a monster so hideous that even glancing at her face turns humans to stone. Set in eastern Europe. Two photographs 10 x 8 inches two photographs 9.25 x 7 inches. Very Good plus lightly faded in portions. Johnson and Del Vecchio Hammer Films: An Exhaustive Filmography pp. 241-242. Hammer Films unknown books
1981réf. 156015N.p.: N.p. 1981. Five vintage matte-finish borderless reference photographs from the 1981 French adult film. A young woman is sent by her mother to join a community of sexual fetishists led by an outgoing wealthy libertine in his isolated country manor. 7 x 5 inches. Near Fine. Bier 140. N.p. unknown
1981réf. 156015N.p.: N.p. 1981. Five vintage matte-finish borderless reference photographs from the 1981 French adult film. A young woman is sent by her mother to join a community of sexual fetishists led by an outgoing wealthy libertine in his isolated country manor. 7 x 5 inches. Near Fine. Bier 140. N.p. unknown books
1962réf. 151511Paris: Lux Film 1962. Vintage pressbook for the 1962 French film noir. Laid in with the pressbook is a xerographically duplicated cast list and synopsis of the film. Text in French. A failed journalist in southern Germany befriends a young married couple but the friendship begins to deteriorate when he takes compromising photographs of the wife with another man. A key Chabrol film predecessor to his thrillers made later in the decade. Set and shot on location in Germany and France. 12 x 9.5 inches. Two leaves folded vertically and bound with two staples. Very Good plus with light edgewear creasing and pinholes to the corners. Grant France. Selby France. Spicer France. Lux Film unknown
1969réf. 151671Glendale CA: Allied Artists 1969. Vintage press kit for the US release of the 1969 French film for use by distributors and the press containing four black and white photographs one pressbook a promotional pamphlet and a one sheet poster for the film. Based on the 1938 novel by Cecil Day-Lewis writing as Nicholas Blake. A man seduces a young actress as part of his plan to avenge the hit-and-run death of his son. The second of four films Claude Chabrol made with actor Jean Yanne following "Line of Demarcation" 1966 and preceding "Le Boucher" 1970 and "Madame Bovary" 1991. Shot on location in Finistere Brittany and Paris. Poster photographs and promotional material Very Good plus. Grant France. Allied Artists unknown
1969réf. 151671Glendale CA: Allied Artists 1969. Vintage press kit for the US release of the 1969 French film for use by distributors and the press containing four black and white photographs one pressbook a promotional pamphlet and a one sheet poster for the film. Based on the 1938 novel by Cecil Day-Lewis writing as Nicholas Blake. A man seduces a young actress as part of his plan to avenge the hit-and-run death of his son. The second of four films Claude Chabrol made with actor Jean Yanne following "Line of Demarcation" 1966 and preceding "Le Boucher" 1970 and "Madame Bovary" 1991. Shot on location in Finistere Brittany and Paris. Poster photographs and promotional material Very Good plus. Grant France. Allied Artists unknown books
1962réf. 151511Paris: Lux Film 1962. Vintage pressbook for the 1962 French film noir. Laid in with the pressbook is a xerographically duplicated cast list and synopsis of the film. Text in French. A failed journalist in southern Germany befriends a young married couple but the friendship begins to deteriorate when he takes compromising photographs of the wife with another man. A key Chabrol film predecessor to his thrillers made later in the decade. Set and shot on location in Germany and France. 12 x 9.5 inches. Two leaves folded vertically and bound with two staples. Very Good plus with light edgewear creasing and pinholes to the corners. Grant France. Selby France. Spicer France. Lux Film unknown books
1972réf. 151979N.p.: Fildebroc 1972. Vintage borderless reference photograph of Sami Frey Romy Schneider and Yves Montand on the set of the 1972 film. Two "Le Spectacle du Monde" stamps and a "NOV 1972" stamp on verso. Cesar Montand is desperate to win the affections of Rosalie Schneider only to be complicated by the arrival of her old flame David Frey. Set in and shot on location in Paris and Ile de Noirmoutier France. 9.25 x 6.5 inches. Near Fine. Fildebroc unknown
