11 058 résultats
1995réf. 161352N.p.: N.p. 1995. Collection of 15 vintage photographs from the 1995 film. The collection includes film still photographs reference photographs portrait photographs and on the set photographs eight of which were issued by Gramercy Pictures with the company's logo in the bottom margin adjacent to the caption with catalog numbers P-1 through P-8 and one issued by ITC Entertainment Group with the company's logo in the bottom margin. Three of the photographs are compilations of images. Based on the 1995 novel by screenwriter Melvin Van Peebles. A semi-fictionalized account of the origins of The Blank Panther Party in Oakland California from 1966-1968. Set in and shot on location in Berkeley Los Angeles San Francisco and Oakland California. 8 x 10 inches. Near Fine. N.p. unknown
1995réf. 161352N.p.: N.p. 1995. Collection of 15 vintage photographs from the 1995 film. The collection includes film still photographs reference photographs portrait photographs and on the set photographs eight of which were issued by Gramercy Pictures with the company's logo in the bottom margin adjacent to the caption with catalog numbers P-1 through P-8 and one issued by ITC Entertainment Group with the company's logo in the bottom margin. Three of the photographs are compilations of images. Based on the 1995 novel by screenwriter Melvin Van Peebles. A semi-fictionalized account of the origins of The Blank Panther Party in Oakland California from 1966-1968. Set in and shot on location in Berkeley Los Angeles San Francisco and Oakland California. 8 x 10 inches. Near Fine. N.p. unknown books
1973réf. 121469Burbank CA: Warner Brothers 1973. Final script for the 1973 film based on the 1972 novel by Michael Crichton. Noted director Mike Hodges' third film and first to be made in the US after "Get Carter" in 1971 and "Pulp" in 1972. An unusual and prescient sci-fi thriller that was poorly distributed in the US but over time counted Stanley Kubrick and Terrence Malick among its admirers. Segal in a serious against-type role is a scientist who agrees to an experimental treatment wherein a tiny computer is implanted in his head to help control violent tendencies. The computer malfunctions probably Windows-based and he becomes a psychotic killer. When Mike Kaplan a Warner Brothers international marketing executive attempted to override Warner Bros' decision not to release the film in Britain he sought Kubrick's help. After explaining the situation and how the film required a different marketing campaign Kubrick interrupted with "I've already seen it and it's terrific." The director Terrence Malick wrote to Hodges expressing how much he loved watching The Terminal Man saying "I have just come from seeing The Terminal Man and want you to know what a magnificent overwhelming picture it is. You achieve moods that I've never experienced in the movies before though it's only in hope of finding them that I keep going. Your images make me understand what an image is not a pretty picture but something that should pierce one through like an arrow and speak in a language all its own." Mustard yellow titled wrappers stamped FINAL on the front wrapper and dated May 9 1973. Distribution page present with receipt intact. Title page present with a credit for screenwriter Hodges. 108 leaves mechanical duplication eye-rest green stock. Pages Near Fine wrapper Very Good plus with a diagonal crease on the front panel internally bound with two gold brads. Warner Brothers unknown
1973réf. 121469Burbank CA: Warner Brothers 1973. Final script for the 1973 film based on the 1972 novel by Michael Crichton. Noted director Mike Hodges' third film and first to be made in the US after "Get Carter" in 1971 and "Pulp" in 1972. An unusual and prescient sci-fi thriller that was poorly distributed in the US but over time counted Stanley Kubrick and Terrence Malick among its admirers. Segal in a serious against-type role is a scientist who agrees to an experimental treatment wherein a tiny computer is implanted in his head to help control violent tendencies. The computer malfunctions probably Windows-based and he becomes a psychotic killer. When Mike Kaplan a Warner Brothers international marketing executive attempted to override Warner Bros' decision not to release the film in Britain he sought Kubrick's help. After explaining the situation and how the film required a different marketing campaign Kubrick interrupted with "I've already seen it and it's terrific." The director Terrence Malick wrote to Hodges expressing how much he loved watching The Terminal Man saying "I have just come from seeing The Terminal Man and want you to know what a magnificent overwhelming picture it is. You achieve moods that I've never experienced in the movies before though it's only in hope of finding them that I keep going. Your images make me understand what an image is not a pretty picture but something that should pierce one through like an arrow and speak in a language all its own." Mustard yellow titled wrappers stamped FINAL on the front wrapper and dated May 9 1973. Distribution page present with receipt intact. Title page present with a credit for screenwriter Hodges. 108 leaves mechanical duplication eye-rest green stock. Pages Near Fine wrapper Very Good plus with a diagonal crease on the front panel internally bound with two gold brads. Warner Brothers unknown books
1970réf. 158641N.p.: N.p. 1970. Four vintage reference photographs from the 1970 film. After catching her father in an affair a young woman decides to fall in with three hippies who have moved in next door. Shot on location in Montréal. 8 x 10 inches. Light edgewear else Near Fine. N.p. unknown
1970réf. 158641N.p.: N.p. 1970. Four vintage reference photographs from the 1970 film. After catching her father in an affair a young woman decides to fall in with three hippies who have moved in next door. Shot on location in Montréal. 8 x 10 inches. Light edgewear else Near Fine. N.p. unknown books
1977réf. 156639Amsterdam: Cupido Films 1977. Three vintage borderless reference photographs from the 1977 adult film. Stamp of Cupido Films on the versos. An adult retelling of the classic fairy tale about a woman who seeks the aid of her gay best friend in gaining sexual prowess in order to win over her Prince Charming. 8 x 10 inches. Very Good plus with pinholes at the corners. Cupido Films unknown
1977réf. 156639Amsterdam: Cupido Films 1977. Three vintage borderless reference photographs from the 1977 adult film. Stamp of Cupido Films on the versos. An adult retelling of the classic fairy tale about a woman who seeks the aid of her gay best friend in gaining sexual prowess in order to win over her Prince Charming. 8 x 10 inches. Very Good plus with pinholes at the corners. Cupido Films unknown books
1948réf. 167643London: The Rank Organization 1948. Two vintage reference photographs from the 1948 British film. Printed mimeo snipes and J. Arthur Rank stamps on the versos. Loosely based on the 1845 fairy tale by Hans Christian Andersen following an up-and-coming prima ballerina whose personal life is strained by her ballet master's obsessive demand that she devote herself entirely to her career. Michael Powell's tenth collaboration with his longtime partner Emeric Pressburger a critical success and worthy successor to their 1947 Technicolor classic "Black Narcissus." Nominated for five Academy Awards winning two. 9.75 x 7.75 inches. About Near Fine. Criterion Collection 44. Ebert III. Rosenbaum 1000. Schrader 41. The Rank Organization unknown
1948réf. 167643London: The Rank Organization 1948. Two vintage reference photographs from the 1948 British film. Printed mimeo snipes and J. Arthur Rank stamps on the versos. Loosely based on the 1845 fairy tale by Hans Christian Andersen following an up-and-coming prima ballerina whose personal life is strained by her ballet master's obsessive demand that she devote herself entirely to her career. Michael Powell's tenth collaboration with his longtime partner Emeric Pressburger a critical success and worthy successor to their 1947 Technicolor classic "Black Narcissus." Nominated for five Academy Awards winning two. 9.75 x 7.75 inches. About Near Fine. Criterion Collection 44. Ebert III. Rosenbaum 1000. Schrader 41. The Rank Organization unknown books
1958réf. 151141London: J. Arthur Rank 1958. Final Draft script for the 1958 film. Based on the 1957 novel by Compton Mackenzie sequel to Mackenzie's 1947 novel "Whisky Galore" which was also adapted for film in 1949. Britain's Royal Air Force declares plans to establish a guided missile base on a small Hebridean island aggravating the locals who intentionally delay construction to the consternation of an RAF officer sent to negotiate with the islanders. Set in the Hebrides shot on location on the island of Barra. Beige titled wrappers noted as Semi-Final Script on the front wrapper dated 14.2.58. Title page present dated February 1958 noted as Semi-Final Script. 102 leaves with last page of text numbered 101. Mimeograph duplication rectos only. Pages Fine wrapper Very Good plus bound internally with a silver prong. J. Arthur Rank unknown
1958réf. 151141London: J. Arthur Rank 1958. Final Draft script for the 1958 film. Based on the 1957 novel by Compton Mackenzie sequel to Mackenzie's 1947 novel "Whisky Galore" which was also adapted for film in 1949. Britain's Royal Air Force declares plans to establish a guided missile base on a small Hebridean island aggravating the locals who intentionally delay construction to the consternation of an RAF officer sent to negotiate with the islanders. Set in the Hebrides shot on location on the island of Barra. Beige titled wrappers noted as Semi-Final Script on the front wrapper dated 14.2.58. Title page present dated February 1958 noted as Semi-Final Script. 102 leaves with last page of text numbered 101. Mimeograph duplication rectos only. Pages Fine wrapper Very Good plus bound internally with a silver prong. J. Arthur Rank unknown books
1997réf. 166245N.p.: N.p. 1997. Shooting script for the 1999 film. Single annotation in manuscript ink on the first page of the text. Black comedy about a failed photographer who after a fatal stomach cancer diagnosis decides to spend his last six weeks of life violently murdering everyone who has wronged him. Director Michael Winner's final film. Shot on location in Guildford London Surrey and Hertfordshire England. Black untitled wrappers with a die-cut title window in the British style. Title page present dated June 1997 noted as SHOOTING SCRIPT with credits for Winner and screenwriter Nick Mead. 103 leaves with last page of text numbered 102. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown
1997réf. 166245N.p.: N.p. 1997. Shooting script for the 1999 film. Single annotation in manuscript ink on the first page of the text. Black comedy about a failed photographer who after a fatal stomach cancer diagnosis decides to spend his last six weeks of life violently murdering everyone who has wronged him. Director Michael Winner's final film. Shot on location in Guildford London Surrey and Hertfordshire England. Black untitled wrappers with a die-cut title window in the British style. Title page present dated June 1997 noted as SHOOTING SCRIPT with credits for Winner and screenwriter Nick Mead. 103 leaves with last page of text numbered 102. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown books
1980réf. 160985N.p.: N.p. 1980. Four vintage borderless reference photographs from the 1980 French film. Two childhood friends take a trip from Paris to the French countryside where they discuss their shared sexual and romantic experiences. 9.5 x 7 inches. Fine. N.p. unknown
1980réf. 160985N.p.: N.p. 1980. Four vintage borderless reference photographs from the 1980 French film. Two childhood friends take a trip from Paris to the French countryside where they discuss their shared sexual and romantic experiences. 9.5 x 7 inches. Fine. N.p. unknown books
1960réf. 150432N.p.: N.p. 1960. Vintage borderless reference photograph of director Michelangelo Antonioni on the set of the 1960 film. With the stamp of Promopress agency on the verso along with manuscript pencil annotations. A young woman disappears during a cruise in the Mediterranean leading her lover and best friend to search for her. The first film in Antonioni's famed trilogy followed by "La Notte" 1961 and "L'eclisse" 1962. Shot on location throughout Italy including in Rome the Aeolian Islands and Sicily. 7 x 9.5 inches. Very Good plus overall. Criterion Collection 98. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Scorsese My Voyage to Italy. Vogel Film as a Subversive Art. N.p. unknown
1970réf. 148876Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage studio still photograph of Daria Halprin seemingly trapped in the middle of a mid-century modern glass vestibule from the 1970 film. Mimeo snipe on the verso. Antonioni's great American experiment and the only film the director ever made in the United States written for the screen by a young Sam Shepard. Though made from an Italian's perspective the film stands today as a great visual statement on the American West in the late 1960s rampant consumerism and the hippie zeitgeist. 8 x 10 inches with wide horizontal margins. Near Fine. Rosenbaum 1000. Godard Histoires du cinema. Metro-Goldwyn-Mayer [MGM] unknown
1970réf. 148876Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage studio still photograph of Daria Halprin seemingly trapped in the middle of a mid-century modern glass vestibule from the 1970 film. Mimeo snipe on the verso. Antonioni's great American experiment and the only film the director ever made in the United States written for the screen by a young Sam Shepard. Though made from an Italian's perspective the film stands today as a great visual statement on the American West in the late 1960s rampant consumerism and the hippie zeitgeist. 8 x 10 inches with wide horizontal margins. Near Fine. Rosenbaum 1000. Godard Histoires du cinema. Metro-Goldwyn-Mayer [MGM] unknown books
1960réf. 150432N.p.: N.p. 1960. Vintage borderless reference photograph of director Michelangelo Antonioni on the set of the 1960 film. With the stamp of Promopress agency on the verso along with manuscript pencil annotations. A young woman disappears during a cruise in the Mediterranean leading her lover and best friend to search for her. The first film in Antonioni's famed trilogy followed by "La Notte" 1961 and "L'eclisse" 1962. Shot on location throughout Italy including in Rome the Aeolian Islands and Sicily. 7 x 9.5 inches. Very Good plus overall. Criterion Collection 98. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Scorsese My Voyage to Italy. Vogel Film as a Subversive Art. N.p. unknown books
1968réf. 147068N.p.: N.p. 1968. Draft script for the 1969 film. With a single manuscript ink annotation to the first leaf reading "Di Lorenzo." Laid in with the script is a typed summary of the screenplay with a typed note attached likely from a casting agency reader explaining his choice to pass on the screenplay to a younger reader. An early version of the script wherein a group of GIs take over an Italian-controlled North African desert town by posing as Italian soldiers. Set in North Africa. Lacking front wrapper with blue rear wrapper intact. Title page present. 345 leaves with last page of text numbered 343. Carbon typescript rectos only. Pages Near Fine wrapper Very Good plus overall with a small tear to the upper left of the front wrapper bound internally with three gold brads. N.p. unknown
1968réf. 147068N.p.: N.p. 1968. Draft script for the 1969 film. With a single manuscript ink annotation to the first leaf reading "Di Lorenzo." Laid in with the script is a typed summary of the screenplay with a typed note attached likely from a casting agency reader explaining his choice to pass on the screenplay to a younger reader. An early version of the script wherein a group of GIs take over an Italian-controlled North African desert town by posing as Italian soldiers. Set in North Africa. Lacking front wrapper with blue rear wrapper intact. Title page present. 345 leaves with last page of text numbered 343. Carbon typescript rectos only. Pages Near Fine wrapper Very Good plus overall with a small tear to the upper left of the front wrapper bound internally with three gold brads. N.p. unknown books
1935réf. 156642N.p.: N.p. 1935. Vintage reference photograph taken on the set of the 1935 film showing director Mitchell Leisen and a camera crew capturing a party scene. Based on Norman Krasna's 1934 play "Small Miracle" about the relationship between a policeman and the dangerous fugitive he has been tasked with guarding for the evening. Set in New York. 10 x 8 inches. Near Fine. N.p. unknown
1935réf. 156642N.p.: N.p. 1935. Vintage reference photograph taken on the set of the 1935 film showing director Mitchell Leisen and a camera crew capturing a party scene. Based on Norman Krasna's 1934 play "Small Miracle" about the relationship between a policeman and the dangerous fugitive he has been tasked with guarding for the evening. Set in New York. 10 x 8 inches. Near Fine. N.p. unknown books
1969réf. 157981London: Contemporary 1969. Two vintage reference photographs from the UK release of the 1969 Japanese film. Printed mimeo snipes affixed to the verso. A young woman with a passion for stealing books is caught by a bookstore clerk and soon begins the two begin an erotic relationship. Set and shot on location in Tokyo's Shinjuku District. 10 x 8 inches. Near Fine. Vogel Film as a Subversive Art. Contemporary unknown
