10 190 résultats
1959réf. 151523Paris: les Films du Carrosse 1959. Vintage borderless reference photograph with bottom margin of François Truffaut and Guy Decomble on the set of the 1959 film. "Les Quatre Cents Coups" and "Telerama" stamps on verso. Truffaut's auspicious debut winner of Best Director at Cannes nominated for the Palme d'Or and also nominated for a Best Original Screenplay Oscar the following year. Set in and shot on location in Paris France. 6.75 x 5 inches. Near Fine. Criterion Collection 5. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. les Films du Carrosse unknown
1959réf. 151523Paris: les Films du Carrosse 1959. Vintage borderless reference photograph with bottom margin of François Truffaut and Guy Decomble on the set of the 1959 film. "Les Quatre Cents Coups" and "Telerama" stamps on verso. Truffaut's auspicious debut winner of Best Director at Cannes nominated for the Palme d'Or and also nominated for a Best Original Screenplay Oscar the following year. Set in and shot on location in Paris France. 6.75 x 5 inches. Near Fine. Criterion Collection 5. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. les Films du Carrosse unknown books
1957réf. 151135London: J. Arthur Rank 1957. Early Treatment script dated 1957 for the pilot episode of the 1959-1961 television series here under the working title "The Ghost Squad." Based on the 1959 book by John Gosling which detailed his experience as a member of an undercover team of Scotland Yard detectives. The first of two television series based on Gosling's memoir followed by "The Ghost Squad" in 1961. Beige titled wrappers noted as Treatment on the front wrapper dated 10-4-57. Title page present noted as FULL TREATMENT with credits for screenwriter Michael Gilbert. 65 leaves with last page of text numbered 64. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with a silver prong. J. Arthur Rank unknown
1957réf. 151135London: J. Arthur Rank 1957. Early Treatment script dated 1957 for the pilot episode of the 1959-1961 television series here under the working title "The Ghost Squad." Based on the 1959 book by John Gosling which detailed his experience as a member of an undercover team of Scotland Yard detectives. The first of two television series based on Gosling's memoir followed by "The Ghost Squad" in 1961. Beige titled wrappers noted as Treatment on the front wrapper dated 10-4-57. Title page present noted as FULL TREATMENT with credits for screenwriter Michael Gilbert. 65 leaves with last page of text numbered 64. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with a silver prong. J. Arthur Rank unknown books
1970réf. 170873N.p.: Warner Brothers 1970. Vintage French grande affiche poster for the 1969 film. Based on director and screenwriter Gordon Parks' semi-autobiographical 1963 novel. The first major studio production directed by an African American and one of few dramas of the period to focus exclusively on Black life in America depicting the life of a teenager in late 1920s Kansas who grows up quickly as he experiences events related to racial and economic injustice in his community. Set and shot on location in Kansas. 45.5 x 82 inches. Folded as issued. Near Fine with modest starting to some of the center folds. Warner Brothers unknown
1970réf. 170873N.p.: Warner Brothers 1970. Vintage French grande affiche poster for the 1969 film. Based on director and screenwriter Gordon Parks' semi-autobiographical 1963 novel. The first major studio production directed by an African American and one of few dramas of the period to focus exclusively on Black life in America depicting the life of a teenager in late 1920s Kansas who grows up quickly as he experiences events related to racial and economic injustice in his community. Set and shot on location in Kansas. 45.5 x 82 inches. Folded as issued. Near Fine with modest starting to some of the center folds. Warner Brothers unknown books
1964réf. 150865N.p.: N.p. 1964. Vintage borderless reference photograph of L-R Jean-Paul Belmondo Henri Verneuil Lino Ventura and Bernard Blier on the set of the 1964 film. Photographer "Claude Schwartz" stamp on verso. Based on the 1972 French novel "Nous n'irons pas en Nigeria" by Claude Veillot. Rocco and his girlfriend hijack a truck with a mysterious payload and proceed to drive it through the Saharan desert toward the border. The trucking company gets Rocco's friend Herve and the new German employee Hans to go after him and retrieve the goods. Nominated for the Palm d'Or. Set in the Saharan desert shot on location in Morocco. 9.5 x 6.25 inches. Near Fine. Lee The Heist Film. Olive FIlms 324. N.p. unknown books
1966réf. 161554Los Angeles: Paramount Pictures 1966. Vintage reference photograph of screenwriter Leigh Brackett and director Howard Hawks on the set of the 1966 film. Annotation in manuscript ink on the verso. Loosely based on Harry Brown's 1960 novel "The Stars in Their Courses." A gunfighter comes to the aid of his old friend now a sheriff to defend a rancher's family. Shot on location in Arizona and Utah. 8 x 10 inches. Near Fine. Godard Histoires du Cinema. Paramount Pictures unknown
1966réf. 161554Los Angeles: Paramount Pictures 1966. Vintage reference photograph of screenwriter Leigh Brackett and director Howard Hawks on the set of the 1966 film. Annotation in manuscript ink on the verso. Loosely based on Harry Brown's 1960 novel "The Stars in Their Courses." A gunfighter comes to the aid of his old friend now a sheriff to defend a rancher's family. Shot on location in Arizona and Utah. 8 x 10 inches. Near Fine. Godard Histoires du Cinema. Paramount Pictures unknown books
1953réf. 154829Universal City: Universal Pictures 1953. Three vintage studio still photographs from the 1953 film two showing scenes from a beauty pageant and one showing actress Joyce Holden performing a burlesque show for her sorority sisters. Two with a printed mimeo snipe affixed to the verso. A pair of siblings from a slum neighborhood in New York dream of escaping to a better life but become involved in criminal activities out of desperation and poverty. Set in New York. 10 x 8 inches. Near Fine. Grant US. Universal Pictures unknown
1953réf. 154829Universal City: Universal Pictures 1953. Three vintage studio still photographs from the 1953 film two showing scenes from a beauty pageant and one showing actress Joyce Holden performing a burlesque show for her sorority sisters. Two with a printed mimeo snipe affixed to the verso. A pair of siblings from a slum neighborhood in New York dream of escaping to a better life but become involved in criminal activities out of desperation and poverty. Set in New York. 10 x 8 inches. Near Fine. Grant US. Universal Pictures unknown books
1954réf. 166109N.p.: N.p. 1954. Vintage oversize borderless reference photograph from the classic 1954 film showing Jacques Tati on the tennis court. Dutch blindstamp on the top right corner and Dutch provenance label on the verso. Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. Shot on location on the coast of France. 12 x 9.5 inches. Very Good plus. Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown
1954réf. 166109N.p.: N.p. 1954. Vintage oversize borderless reference photograph from the classic 1954 film showing Jacques Tati on the tennis court. Dutch blindstamp on the top right corner and Dutch provenance label on the verso. Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. Shot on location on the coast of France. 12 x 9.5 inches. Very Good plus. Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown books
1955réf. 153202Burbank CA: Warner Brothers 1955. Four vintage reference photographs from the 1955 film together depicting a fight sequence involving James Dean and Julie Harris. Based on the 1952 novel by John Steinbeck about two brothers who struggle for the attentions and favor of their deeply religious emotionally troubled father. Winner of Best Dramatic Film at Cannes and nominated for the Palme d'Or. Actress Jo Van Fleet would go on to win a Best Supporting Actress Oscar and the film was nominated for three more Academy Awards including Best Director Best Screenplay and the first ever posthumous acting nomination in Academy history for Dean's lead performance. Set and shot on location in Monterey and Salinas California. 10 x 8 inches. Slightly faded else Near Fine. National Film Registry. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Warner Brothers unknown
1955réf. 153202Burbank CA: Warner Brothers 1955. Four vintage reference photographs from the 1955 film together depicting a fight sequence involving James Dean and Julie Harris. Based on the 1952 novel by John Steinbeck about two brothers who struggle for the attentions and favor of their deeply religious emotionally troubled father. Winner of Best Dramatic Film at Cannes and nominated for the Palme d'Or. Actress Jo Van Fleet would go on to win a Best Supporting Actress Oscar and the film was nominated for three more Academy Awards including Best Director Best Screenplay and the first ever posthumous acting nomination in Academy history for Dean's lead performance. Set and shot on location in Monterey and Salinas California. 10 x 8 inches. Slightly faded else Near Fine. National Film Registry. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Warner Brothers unknown books
1971réf. 171973N.p.: N.p. 1971. Second Draft script for the 1972 film here under the working title "A Perfect Day for Raspberry Ripple." Single annotation in manuscript ink to page 53 circling the page number. Based on Rebecca Morris' 1967 short story "The Good Humor Man" about a young woman who must put her life back together after her husband a college professor leaves her for one of his students. A feminist-minded drama in the vein of "Alice Doesn't Live Here Anymore" and "An Unmarried Woman." Shot on location in San Francisco. Red titled wrappers. Title page present dated August 27 1971 noted as Second Draft with credits for Morris and screenwriter David Seltzer. 133 leaves with last page of text numbered 132. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. N.p. unknown
1971réf. 171973N.p.: N.p. 1971. Second Draft script for the 1972 film here under the working title "A Perfect Day for Raspberry Ripple." Single annotation in manuscript ink to page 53 circling the page number. Based on Rebecca Morris' 1967 short story "The Good Humor Man" about a young woman who must put her life back together after her husband a college professor leaves her for one of his students. A feminist-minded drama in the vein of "Alice Doesn't Live Here Anymore" and "An Unmarried Woman." Shot on location in San Francisco. Red titled wrappers. Title page present dated August 27 1971 noted as Second Draft with credits for Morris and screenwriter David Seltzer. 133 leaves with last page of text numbered 132. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. N.p. unknown books
1930réf. 167086N.p.: N.p. 1930. Two vintage reference photographs from the 1930 French film one showing actress Catherine Hessling the other showing actor Jean Renoir and Hessling together. Annotations in manuscript ink on the versos. Catherine Hessling's beauty drew her to the attention of Henri Matisse who sent her to model for Pierre-Auguste Renoir. A romance developed between the fledgling model and Renoir's second son Jean and the couple were married in January of 1920. Hessling appeared in several of Renoir's films before the couple's divorce in 1931 including Renoir's first feature-length film "The Whirlpool of Fate" 1925 and his 1926 adaptation of Émile Zola's "Nana." 6.75 x 9 inches. Very Good plus. N.p. unknown
1930réf. 167086N.p.: N.p. 1930. Two vintage reference photographs from the 1930 French film one showing actress Catherine Hessling the other showing actor Jean Renoir and Hessling together. Annotations in manuscript ink on the versos. Catherine Hessling's beauty drew her to the attention of Henri Matisse who sent her to model for Pierre-Auguste Renoir. A romance developed between the fledgling model and Renoir's second son Jean and the couple were married in January of 1920. Hessling appeared in several of Renoir's films before the couple's divorce in 1931 including Renoir's first feature-length film "The Whirlpool of Fate" 1925 and his 1926 adaptation of Émile Zola's "Nana." 6.75 x 9 inches. Very Good plus. N.p. unknown books
1976réf. 157637N.p.: N.p. 1976. Seven vintage borderless reference photographs of Tania Busselier and Eva Khris from the 1976 French film. One with the stamp of photographer Hubert Toyot on the verso. JJean Michel Rollin Roth Le Gentil more commonly known as Jean Rollin had gained notoriety and some scandal with his early French vampire films "Le Viol du Vampire" 1968 "La Vampier Nue" 1970 "Le Frisson des Vampires" 1970 and "Requiem pour un Vampire" 1971. When beginning production on his first non-vampire film "La Rose de Fer" 1973 he found himself in need of funding and began making adult sex films which he continued to direct under a variety of pseudonyms through the mid-1980s. Two photographs 7 x 5 inches five photographs 9.25 x 7 inches. Very Good plus. Hinds 222. N.p. unknown books
1967réf. 152866N.p.: N.p. 1967. Vintage borderless reference photograph of director Jean-Luc Godard pulling actress Mireille Darc's hair on the set of the 1967 film. With the stamp of still photographer and actress Anne Wiazemsky on the verso. One of Godard's most misanthropic films about a loveless bourgeois couple who fantasize about killing each other while on a long road trip to visit the woman's parents with the intent of securing an inheritance. Shot on location in Ile de France and Paris. 9.25 x 6.75 inches. Light creasing to the bottom left corner else Near Fine. Criterion Collection 635. Rosenbaum 1000. Godard Histoires du cinema. Vogel Film as a Subversive Art. N.p. unknown
1967réf. 152866N.p.: N.p. 1967. Vintage borderless reference photograph of director Jean-Luc Godard pulling actress Mireille Darc's hair on the set of the 1967 film. With the stamp of still photographer and actress Anne Wiazemsky on the verso. One of Godard's most misanthropic films about a loveless bourgeois couple who fantasize about killing each other while on a long road trip to visit the woman's parents with the intent of securing an inheritance. Shot on location in Ile de France and Paris. 9.25 x 6.75 inches. Light creasing to the bottom left corner else Near Fine. Criterion Collection 635. Rosenbaum 1000. Godard Histoires du cinema. Vogel Film as a Subversive Art. N.p. unknown books
1972réf. 167213N.p.: N.p. 1972. Third Draft script for the 1978 film. Early draft preceding the film's release by six years. A Z-budget cult horror film about a vampire who is invited to be the guest of honor at a horror convention in San Francisco. Director and screenwriter John Stanley served as the horror science fiction and fantasy critic for the "San Francisco Chronicle" for over three decades. Shot on location in Oakland. Yellow card wrappers with title and credits for Stanley and screenwriter Kenn Davis on a typed label affixed to the front wrapper. Title page present dated April 26 1972 noted as THIRD DRAFT with credits for Davis and Stanley. 94 leaves with last page of text numbered 92. Xerographic duplication rectos only with a single undated pink blank leaf bound in at the rear of the script. Pages Near Fine wrapper Very Good plus bound internally with a silver prong. Thrower Nightmare USA. N.p. unknown
1972réf. 167213N.p.: N.p. 1972. Third Draft script for the 1978 film. Early draft preceding the film's release by six years. A Z-budget cult horror film about a vampire who is invited to be the guest of honor at a horror convention in San Francisco. Director and screenwriter John Stanley served as the horror science fiction and fantasy critic for the "San Francisco Chronicle" for over three decades. Shot on location in Oakland. Yellow card wrappers with title and credits for Stanley and screenwriter Kenn Davis on a typed label affixed to the front wrapper. Title page present dated April 26 1972 noted as THIRD DRAFT with credits for Davis and Stanley. 94 leaves with last page of text numbered 92. Xerographic duplication rectos only with a single undated pink blank leaf bound in at the rear of the script. Pages Near Fine wrapper Very Good plus bound internally with a silver prong. Thrower Nightmare USA. N.p. unknown books
1966réf. 151607N.p.: N.p. 1966. Collection of 17 vintage borderless reference photographs from the 1966 Czechoslovakian film. With the printed label of Columbus Film in Zurich affixed to the verso. Based on Bohumil Hrabal's 1965 novel about a young man working at a German-occupied train station in Czechoslovakia during World War II. A key entry in Czechoslovak New Wave film poignantly asserting that the Czech people were part of an oppressive system during the war hitting the mark with sly wit and a peculiar innocence. Set and shot on location in the Central Bohemian Region of the Czech Republic. 9.5 x 7 inches. Near Fine. N.p. unknown books
