11 058 résultats
1976réf. 152868N.p.: N.p. 1976. Vintage borderless reference photograph from the 1976 film showing actress Jane Birkin nude on a bathroom floor. A tomboyish waitress at a truck stop develops a crush on a gay garbage truck driver and in spite of all odds they begin a relationship. Serge Gainsbourg's directorial debut. 9 x 6.5 inches. Near Fine. N.p. unknown books
1958réf. 146435Burbank CA: Walt Disney Productions 1958. Final Shooting script for the first half of the 1958 film thus incomplete as issued dated April 9 1958. With lead actor Sal Mineo's name in manuscript ink on two revision leaves and his character's name in pencil on the front wrapper. Laid in is a small leaf with manuscript ink notations including the name of director Lou Foster actors Fess Parker and Jerome Courtland and characters White Bull and Captain Keogh. Parker was originally hired for the role of Keogh but refused second billing and was replaced by Philip Carey. Jerome Courtland played the role of Lieutenant Henry Nowlan in the film. Based on David Appel's 1951 novel "Comanche: Story of America's Most Heroic Horse" about the bond between a young Sioux boy and the titular horse who end up on opposite sides of the Battle of Little Big Horn. Set in Montana Territory and shot on location in Oregon. Tan titled wrappers noted as FINAL SHOOTING SCRIPT on the front wrapper rubber-stamped copy No. 112 and production No. 5812 dated APRIL 9 1958 with credits for director and screenwriter LEWIS FOSTER. Title page present dated April 9 1958 noted as FINAL SHOOTING SCRIPT with credits for director and screenwriter LEWIS FOSTER. 70 leaves with last page of text numbered 69. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 4/10/58 and 5/15/58. Pages Near Fine wrapper Very Good plus bound with three gold brads. Walt Disney Productions unknown
1958réf. 146435Burbank CA: Walt Disney Productions 1958. Final Shooting script for the first half of the 1958 film thus incomplete as issued dated April 9 1958. With lead actor Sal Mineo's name in manuscript ink on two revision leaves and his character's name in pencil on the front wrapper. Laid in is a small leaf with manuscript ink notations including the name of director Lou Foster actors Fess Parker and Jerome Courtland and characters White Bull and Captain Keogh. Parker was originally hired for the role of Keogh but refused second billing and was replaced by Philip Carey. Jerome Courtland played the role of Lieutenant Henry Nowlan in the film. Based on David Appel's 1951 novel "Comanche: Story of America's Most Heroic Horse" about the bond between a young Sioux boy and the titular horse who end up on opposite sides of the Battle of Little Big Horn. Set in Montana Territory and shot on location in Oregon. Tan titled wrappers noted as FINAL SHOOTING SCRIPT on the front wrapper rubber-stamped copy No. 112 and production No. 5812 dated APRIL 9 1958 with credits for director and screenwriter LEWIS FOSTER. Title page present dated April 9 1958 noted as FINAL SHOOTING SCRIPT with credits for director and screenwriter LEWIS FOSTER. 70 leaves with last page of text numbered 69. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 4/10/58 and 5/15/58. Pages Near Fine wrapper Very Good plus bound with three gold brads. Walt Disney Productions unknown books
1959réf. 158799N.p.: N.p. 1959. Five vintage oversize double weight reference photographs from the 1959 film. Two photographs with the stamp of the Lérida Ministry of Information of Spain on the verso and all five with annotations in manuscript ink regarding cropping and identifying the film. Two photographs with titles tipped on the recto one crediting director Alain Resnais. Resnais' meditation on memory history and forgetfulness proved to be a major catalyst for the Rive Gauche movement earning Resnais a Palme d'Or nomination and screenwriter Marguerite Duras an Academy Award nomination. Set in Hiroshima shot on location in Hiroshima Japan and Nievre France. 12 x 9.5 inches. Poor with moderate wear and pinholes at the corners and light creasing overall. N.p. unknown
1959réf. 158799N.p.: N.p. 1959. Five vintage oversize double weight reference photographs from the 1959 film. Two photographs with the stamp of the Lérida Ministry of Information of Spain on the verso and all five with annotations in manuscript ink regarding cropping and identifying the film. Two photographs with titles tipped on the recto one crediting director Alain Resnais. Resnais' meditation on memory history and forgetfulness proved to be a major catalyst for the Rive Gauche movement earning Resnais a Palme d'Or nomination and screenwriter Marguerite Duras an Academy Award nomination. Set in Hiroshima shot on location in Hiroshima Japan and Nievre France. 12 x 9.5 inches. Poor with moderate wear and pinholes at the corners and light creasing overall. N.p. unknown books
1961réf. 148730New York: Janus Films 1961. Three vintage studio still photographs from the 1958 film. Based on the 1948 novel by Jerzy Andrzejewski. The last film in the "war" trilogy that began Polish director Wajda's career as a director preceded by "Pokolenie" 1955 and "Kanal" 1957. A strong anti-war statement framed in the personae of two men given orders - from the part of the resistance that opposes the new Communist regime and on the last day of World War II in Poland - to murder a leading communist. One of Wajda's favorite performers and a friend Zbigniew Cybulski plays the man who eventually pulls the trigger and kills the communist leader with unexpected results. 8 x 10 inches. Near Fine. Rosenbaum 1000. Criterion Collection 282. Janus Films unknown
1961réf. 148730New York: Janus Films 1961. Three vintage studio still photographs from the 1958 film. Based on the 1948 novel by Jerzy Andrzejewski. The last film in the "war" trilogy that began Polish director Wajda's career as a director preceded by "Pokolenie" 1955 and "Kanal" 1957. A strong anti-war statement framed in the personae of two men given orders - from the part of the resistance that opposes the new Communist regime and on the last day of World War II in Poland - to murder a leading communist. One of Wajda's favorite performers and a friend Zbigniew Cybulski plays the man who eventually pulls the trigger and kills the communist leader with unexpected results. 8 x 10 inches. Near Fine. Rosenbaum 1000. Criterion Collection 282. Janus Films unknown books
1964réf. 150332N.p.: N.p. 1964. Vintage oversize borderless black and white photograph of actor Omar Sharif playfully clicking his heels in the air between takes while filming on location in Austria for the 1964 film. With manuscript pencil and ink annotations on the verso along with a PIX Agency stamp crediting photographer Denis Cameron. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. A romantic comedy anthology about the varied owners of an idiosyncratic yellow Rolls-Royce from its first owners a British aristocrat and his unfaithful wife to its last a socialite who accidentally becomes involved in the Nazi invasion of Ljubljana. Set and shot on location in London and Hertfordshire in England Naples Florence and Tuscany in Italy and Austria. 11.25 x 14 inches. Near Fine with brief wear to the corners. N.p. unknown
1964réf. 150332N.p.: N.p. 1964. Vintage oversize borderless black and white photograph of actor Omar Sharif playfully clicking his heels in the air between takes while filming on location in Austria for the 1964 film. With manuscript pencil and ink annotations on the verso along with a PIX Agency stamp crediting photographer Denis Cameron. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. A romantic comedy anthology about the varied owners of an idiosyncratic yellow Rolls-Royce from its first owners a British aristocrat and his unfaithful wife to its last a socialite who accidentally becomes involved in the Nazi invasion of Ljubljana. Set and shot on location in London and Hertfordshire in England Naples Florence and Tuscany in Italy and Austria. 11.25 x 14 inches. Near Fine with brief wear to the corners. N.p. unknown books
1974réf. 142572Beverly Hills CA: EK / United Artists 1974. Early Draft British script for the 1974 British heist film. Based on Gerald Browne's 1972 novel adapted by Charles Grodin. Howard Chesser Grodin is a diamond merchant supervising the cutting of a large and rare diamond. When the diamond is stolen he is blackmailed and pulled into a jewel heist at 11 Harrowhouse. Set in London shot there on location and in Warwickshire England. Burnt orange titled wrappers. Title page present noted as Revised Screenplay with credits for screenwriter Bloom. 130 leaves with last page of text numbered 129. Mechanical duplication. Pages and wrapper Near Fine bound with two gold brads. Lee The Heist Film. EK / United Artists unknown
1974réf. 142572Beverly Hills CA: EK / United Artists 1974. Early Draft British script for the 1974 British heist film. Based on Gerald Browne's 1972 novel adapted by Charles Grodin. Howard Chesser Grodin is a diamond merchant supervising the cutting of a large and rare diamond. When the diamond is stolen he is blackmailed and pulled into a jewel heist at 11 Harrowhouse. Set in London shot there on location and in Warwickshire England. Burnt orange titled wrappers. Title page present noted as Revised Screenplay with credits for screenwriter Bloom. 130 leaves with last page of text numbered 129. Mechanical duplication. Pages and wrapper Near Fine bound with two gold brads. Lee The Heist Film. EK / United Artists unknown books
1980réf. 138127New York: Filmways Pictures 1980. Revised Draft script for the 1981 film. Included is a second script a revised draft in wrappers containing the latest revisions and two shooting schedules one detailing shooting dates beginning Week Three and one detailing dates beginning about Week Nine. Notations throughout both scripts in manuscript ink and pencil. Based on screenwriter Tesich's own coming-of-age in Indiana in the 1960s. Danilo Wason Georgia Thelen David Huddleston and Tom Metzler are four friends growing up in a 1960s industrial town. Told through a series of vignettes in the eyes of Danilo the film chronicles each friend as they come to accept that their lives may have become something they never thought possible. Shot on location in Indiana Illinois and Pennsylvania. One of director Penn's final and lesser known films after "The Missouri Breaks" 1976 and before "Target" 1985. First script without wrappers or title page a rainbow copy with several sets of revision pages pink yellow goldenrod blue gray green dated variously between 7/7/80 and 8/29/80. Second script in blue Studio Duplicating Service wrappers with no title page a revised draft dated 8/29/80 throughout. Shooting schedules corner-stapled. All items Very Good plus overall. Filmways Pictures unknown
1980réf. 138127New York: Filmways Pictures 1980. Revised Draft script for the 1981 film. Included is a second script a revised draft in wrappers containing the latest revisions and two shooting schedules one detailing shooting dates beginning Week Three and one detailing dates beginning about Week Nine. Notations throughout both scripts in manuscript ink and pencil. Based on screenwriter Tesich's own coming-of-age in Indiana in the 1960s. Danilo Wason Georgia Thelen David Huddleston and Tom Metzler are four friends growing up in a 1960s industrial town. Told through a series of vignettes in the eyes of Danilo the film chronicles each friend as they come to accept that their lives may have become something they never thought possible. Shot on location in Indiana Illinois and Pennsylvania. One of director Penn's final and lesser known films after "The Missouri Breaks" 1976 and before "Target" 1985. First script without wrappers or title page a rainbow copy with several sets of revision pages pink yellow goldenrod blue gray green dated variously between 7/7/80 and 8/29/80. Second script in blue Studio Duplicating Service wrappers with no title page a revised draft dated 8/29/80 throughout. Shooting schedules corner-stapled. All items Very Good plus overall. Filmways Pictures unknown books
1981réf. 152195Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1981. Final Draft script for the 1982 film. Copy belonging to an unknown crew member with their name in manuscript pencil to the top right corner of the front wrapper. A coming-of-age tale set in 1959 following a group of four friends in their early twenties struggling to adapt to life as adults. Set and shot on location in Baltimore. Goldenrod titled wrappers noted as FINAL DRAFT on the front wrapper rubber-stamped copy No. 156 dated January 12 1981 with credits for director and screenwriter Barry Levinson. Title page present with credits for director and screenwriter Barry Levinson. 124 leaves with last page of text numbered 116. Xerographic duplication rectos only with blue revision pages throughout dated 2/23/81. Pages Near Fine wrapper Very Good plus bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
1981réf. 152195Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1981. Final Draft script for the 1982 film. Copy belonging to an unknown crew member with their name in manuscript pencil to the top right corner of the front wrapper. A coming-of-age tale set in 1959 following a group of four friends in their early twenties struggling to adapt to life as adults. Set and shot on location in Baltimore. Goldenrod titled wrappers noted as FINAL DRAFT on the front wrapper rubber-stamped copy No. 156 dated January 12 1981 with credits for director and screenwriter Barry Levinson. Title page present with credits for director and screenwriter Barry Levinson. 124 leaves with last page of text numbered 116. Xerographic duplication rectos only with blue revision pages throughout dated 2/23/81. Pages Near Fine wrapper Very Good plus bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown books
1957réf. 133039N.p.: N.p. 1957. Oversize double weight photograph of screenwriter Ben Hecht standing with his boss producer and mogul extraordinaire David O. Selznick on a snow covered set in the Italian Alps during the 1957 filming of Selznick's "A Farewell to Arms." Based on the 1929 novel by Ernest Hemingway directed by Charles Vidor and starring Rock Hudson and Jennifer Jones. The second time the novel was filmed following the 1932 version directed by Frank Borzage and preceding a three part British television miniseries in 1966. 11 x 13.5 inches. Near Fine with a small corner crease at the bottom right. In a custom museum-quality frame archivally mounted with UV glass. N.p. unknown
1957réf. 133039N.p.: N.p. 1957. Oversize double weight photograph of screenwriter Ben Hecht standing with his boss producer and mogul extraordinaire David O. Selznick on a snow covered set in the Italian Alps during the 1957 filming of Selznick's "A Farewell to Arms." Based on the 1929 novel by Ernest Hemingway directed by Charles Vidor and starring Rock Hudson and Jennifer Jones. The second time the novel was filmed following the 1932 version directed by Frank Borzage and preceding a three part British television miniseries in 1966. 11 x 13.5 inches. Near Fine with a small corner crease at the bottom right. In a custom museum-quality frame archivally mounted with UV glass. N.p. unknown books
1991réf. 169054N.p.: Castle Rock Entertainment 1991. Rainbow Revision Shooting script for the 1992 film. Copy with the marker annotations of "Set Copy / Please Do Not Take" written on the front wrapper and a manuscript marker annotation of copy number "193" on the top of the title page. Billy Crystal's directorial debut about the rise and fall of a standup comedian named Buddy Young Jr. The film was adapted for the stage in 2021 with Crystal reprising his performance as Young. Beige untitled wrappers. Title page present dated September 26 1991 noted as SHOOTING SCRIPT with credits for screenwriters Billy Crystal Lowell Ganz and Babloo Mandel. 155 leaves with last page of text numbered 121. Xerographic duplication rectos only with blue pink yellow green goldenrod and white revision pages throughout dated variously between 9/27/91 and 10/31/91. Pages Near Fine wrapper Near Fine bound with two gold brads. Castle Rock Entertainment unknown
1991réf. 169054N.p.: Castle Rock Entertainment 1991. Rainbow Revision Shooting script for the 1992 film. Copy with the marker annotations of "Set Copy / Please Do Not Take" written on the front wrapper and a manuscript marker annotation of copy number "193" on the top of the title page. Billy Crystal's directorial debut about the rise and fall of a standup comedian named Buddy Young Jr. The film was adapted for the stage in 2021 with Crystal reprising his performance as Young. Beige untitled wrappers. Title page present dated September 26 1991 noted as SHOOTING SCRIPT with credits for screenwriters Billy Crystal Lowell Ganz and Babloo Mandel. 155 leaves with last page of text numbered 121. Xerographic duplication rectos only with blue pink yellow green goldenrod and white revision pages throughout dated variously between 9/27/91 and 10/31/91. Pages Near Fine wrapper Near Fine bound with two gold brads. Castle Rock Entertainment unknown books
1984réf. 171899N.p.: Blake Edwards Entertainment 1984. Draft script for the 1984 film seen here under the working title "Mickey and Maude." With rainbow revisions. A tabloid television reporter is torn between his wife and his girlfriend both of whom have recently announced that they are pregnant. Ann Reinking's final film performance. Silver generic Blake Edwards Entertainment wrappers. Title page present dated March 7 1984 with credit for screenwriter Jonathan Reynolds. 128 leaves with last page of text numbered 121. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between March 7 and 22 2984. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Blake Edwards Entertainment unknown
1984réf. 171899N.p.: Blake Edwards Entertainment 1984. Draft script for the 1984 film seen here under the working title "Mickey and Maude." With rainbow revisions. A tabloid television reporter is torn between his wife and his girlfriend both of whom have recently announced that they are pregnant. Ann Reinking's final film performance. Silver generic Blake Edwards Entertainment wrappers. Title page present dated March 7 1984 with credit for screenwriter Jonathan Reynolds. 128 leaves with last page of text numbered 121. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between March 7 and 22 2984. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Blake Edwards Entertainment unknown books
1953réf. 148513Universal City: Universal Pictures 1953. Vintage photograph of director Budd Boetticher and Julie Adams relaxing in a tree from the 1953 film. Mimeo snipe on verso. An early Technicolor Western from seminal American director Budd Boetticher. Gringo miner Gallager Van Heflin is caught up in the Mexican revolution of 1910-1911 when corrupt administrator Ruiz George Dolenz appropriates his mine. Gallager saves the life of guerilla leader Raquel Adams then finds there's a price on his head. Set in Mexico shot on location in the Simi Hills and the Ray Corrigan Ranch Simi Valley California. 8 x 10 inches. Near Fine with light creasing near the edges. Universal Pictures unknown
1953réf. 148513Universal City: Universal Pictures 1953. Vintage photograph of director Budd Boetticher and Julie Adams relaxing in a tree from the 1953 film. Mimeo snipe on verso. An early Technicolor Western from seminal American director Budd Boetticher. Gringo miner Gallager Van Heflin is caught up in the Mexican revolution of 1910-1911 when corrupt administrator Ruiz George Dolenz appropriates his mine. Gallager saves the life of guerilla leader Raquel Adams then finds there's a price on his head. Set in Mexico shot on location in the Simi Hills and the Ray Corrigan Ranch Simi Valley California. 8 x 10 inches. Near Fine with light creasing near the edges. Universal Pictures unknown books
1964réf. 160701Beverly Hills CA: Mirisch G.E. Productions / United Artists 1964. Collection of vintage photographs and ephemera from the 1963 film including four reference photographs one internal studio-issued photograph of the proposed artwork for the one sheet poster one stapled gathering of press release material and a flyer advertising the film's German release. The first film in the classic wildly successful "Pink Panther" series about an inspector's botched attempts to catch a notorious jewel thief before he steals a priceless diamond. Set in Switzerland shot on location in France Italy and California. Photographs: 8 x 10 inches. Fine. Press gathering: 8.5 x 11 inches. Very Good plus. Flyer: 12.25 x 4 inches. Very Good folded once vertically as issued with a small dampstain and accompanying tear at the top of the fold. National Film Registry. Mirisch G.E. Productions / United Artists unknown
1964réf. 160701Beverly Hills CA: Mirisch G.E. Productions / United Artists 1964. Collection of vintage photographs and ephemera from the 1963 film including four reference photographs one internal studio-issued photograph of the proposed artwork for the one sheet poster one stapled gathering of press release material and a flyer advertising the film's German release. The first film in the classic wildly successful "Pink Panther" series about an inspector's botched attempts to catch a notorious jewel thief before he steals a priceless diamond. Set in Switzerland shot on location in France Italy and California. Photographs: 8 x 10 inches. Fine. Press gathering: 8.5 x 11 inches. Very Good plus. Flyer: 12.25 x 4 inches. Very Good folded once vertically as issued with a small dampstain and accompanying tear at the top of the fold. National Film Registry. Mirisch G.E. Productions / United Artists unknown books
