11 031 résultats
1970réf. 163758N.p.: N.p. 1970. Six vintage reference photographs from the 1970 film. One with a mimeo snipe on the verso. After nearly a decade as one of America's most successful independent filmmakers sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity however and the girls eventually succumb to a nonstop train of decadence drugs and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock supporting performances by Meyer regulars Charles Napier and Haji and a bit part from future Blaxploitation icon Pam Grier the film proved to be Meyer's biggest box-office success. Set and shot on location in Hollywood. 10 x 8 inches. Very Good plus. Criterion Collection 836. N.p. unknown books
1983réf. 171974N.p.: N.p. 1983. Second Draft script for the 1983 film. Copy belonging to Supervising Property Master Emily Ferry with her name in manuscript ink on the title page. Internally duplicated copy made during shooting with copied hole punches. A dramatization of the early days of the US space program focusing on the Mercury Seven astronauts selected for the first American human flight into space. Based on the 1979 book by Tom Wolfe and basis for a documentary film and a television series both released in 2020. Nominated for eight Academy Awards winning four. Beige three-ring card binder with manuscript title label affixed to the front wrapper. Title page present undated noted as Second Draft with credits for Wolfe and screenwriter Philip Kaufman. 121 leaves with last page of text numbered 120. Early Xerographic duplication rectos only. Pages Very Good plus binder Very Good title page detached from the binding and lightly foxed. National Film Registry. Ebert II. N.p. unknown
1983réf. 171974N.p.: N.p. 1983. Second Draft script for the 1983 film. Copy belonging to Supervising Property Master Emily Ferry with her name in manuscript ink on the title page. Internally duplicated copy made during shooting with copied hole punches. A dramatization of the early days of the US space program focusing on the Mercury Seven astronauts selected for the first American human flight into space. Based on the 1979 book by Tom Wolfe and basis for a documentary film and a television series both released in 2020. Nominated for eight Academy Awards winning four. Beige three-ring card binder with manuscript title label affixed to the front wrapper. Title page present undated noted as Second Draft with credits for Wolfe and screenwriter Philip Kaufman. 121 leaves with last page of text numbered 120. Early Xerographic duplication rectos only. Pages Very Good plus binder Very Good title page detached from the binding and lightly foxed. National Film Registry. Ebert II. N.p. unknown books
1973réf. 139507Boca Raton FL: Penthouse 1973. Vintage oversize double weight borderless still photograph from the 1973 film based on the 1947 novel by Andrew Lytle. Shot struck and mounted by the film's still photographer Bob Willoughby with a manuscript notation in his hand on the verso. Full provenance available. Culp and Eggar romp in a bed that is the middle of the woods for some reason while the haunted house that will exert a corrupting influence on the couple looms in the background. An image that does not appear in the so-bad-its-nearly-avant garde film but one that nevertheless captures its aura of surreal eroticism quite well. Set in the countryside of Southern California shot on location in British Columbia Indian Arm and Vancouver. After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. 13.25 x 9 inches. Fine. Thrower Nightmare USA. Penthouse unknown
1973réf. 139507Boca Raton FL: Penthouse 1973. Vintage oversize double weight borderless still photograph from the 1973 film based on the 1947 novel by Andrew Lytle. Shot struck and mounted by the film's still photographer Bob Willoughby with a manuscript notation in his hand on the verso. Full provenance available. Culp and Eggar romp in a bed that is the middle of the woods for some reason while the haunted house that will exert a corrupting influence on the couple looms in the background. An image that does not appear in the so-bad-its-nearly-avant garde film but one that nevertheless captures its aura of surreal eroticism quite well. Set in the countryside of Southern California shot on location in British Columbia Indian Arm and Vancouver. After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. 13.25 x 9 inches. Fine. Thrower Nightmare USA. Penthouse unknown books
1999réf. 162695Culver City CA: Adelaide Productions 1999. Archive of material relating to Season 2 Episode 15 of the 1999-2000 primetime animated television series. Archive belonging to screenwriter and co-executive producer Stephen Sustarsic with his initials on the first leaf of the script. Archive includes on Table Draft script and four gatherings of xerographically duplicated draft materials relating to screenwriter meetings and story ideas dated variously between February 11 and 18 1999 as well as two gatherings of publicity material relating to ratings for the show. Based on the successful 1989-2023 comic strip by Scott Adams about the titular pessimistic white-collar engineer and his daily interactions with his idiotic boss and frustrated coworkers. In this episode Dilbert unhappily attends the company picnic where he must play in the annual softball game between the engineers and the marketing division. Originally aired on July 11 2000 on UPN. Script: Self wrappers dated July 1 1999 on the front wrapper noted as TABLE DRAFT and episode No. 211 with credits for screenwriters Ron Nelson Mark Steen Scott Adams and Larry Charles. Title page integral with the front wrapper. 54 leaves with last page of text numbered 52. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. All other materials Near Fine. Adelaide Productions unknown
1999réf. 162695Culver City CA: Adelaide Productions 1999. Archive of material relating to Season 2 Episode 15 of the 1999-2000 primetime animated television series. Archive belonging to screenwriter and co-executive producer Stephen Sustarsic with his initials on the first leaf of the script. Archive includes on Table Draft script and four gatherings of xerographically duplicated draft materials relating to screenwriter meetings and story ideas dated variously between February 11 and 18 1999 as well as two gatherings of publicity material relating to ratings for the show. Based on the successful 1989-2023 comic strip by Scott Adams about the titular pessimistic white-collar engineer and his daily interactions with his idiotic boss and frustrated coworkers. In this episode Dilbert unhappily attends the company picnic where he must play in the annual softball game between the engineers and the marketing division. Originally aired on July 11 2000 on UPN. Script: Self wrappers dated July 1 1999 on the front wrapper noted as TABLE DRAFT and episode No. 211 with credits for screenwriters Ron Nelson Mark Steen Scott Adams and Larry Charles. Title page integral with the front wrapper. 54 leaves with last page of text numbered 52. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. All other materials Near Fine. Adelaide Productions unknown books
1933réf. 131892Munich / Paris: UFA / L'Alliance Cinematographique Europeenne 1933. Two vintage black-and-white still photographs from the original French release of the 1933 film. With the UFA logo at the lower left corner of each. Each still mounted on UFA / ACE boards as issued with credit for both studios and text in French. A late attempt by UFA to reach a broader European market this joint production was filmed in French shot in Spain and Germany and released to the French market. Featuring an early supporting appearance by Simone Simon shown in a still here with Jean Gabin with whom she would go on to co-star in Jean Renoir's classic "La Bete Humaine." Both photographs 10.5 x 8.5 inches Near Fine with some faint scratching. Boards 15.75 x 13.25 inches Very Good condition with multiple pinholes a few brief dampstains and minor chipping. UFA / L'Alliance Cinematographique Europeenne unknown
1933réf. 131892Munich / Paris: UFA / L'Alliance Cinematographique Europeenne 1933. Two vintage black-and-white still photographs from the original French release of the 1933 film. With the UFA logo at the lower left corner of each. Each still mounted on UFA / ACE boards as issued with credit for both studios and text in French. A late attempt by UFA to reach a broader European market this joint production was filmed in French shot in Spain and Germany and released to the French market. Featuring an early supporting appearance by Simone Simon shown in a still here with Jean Gabin with whom she would go on to co-star in Jean Renoir's classic "La Bete Humaine." Both photographs 10.5 x 8.5 inches Near Fine with some faint scratching. Boards 15.75 x 13.25 inches Very Good condition with multiple pinholes a few brief dampstains and minor chipping. UFA / L'Alliance Cinematographique Europeenne unknown books
1977réf. 166688N.p.: N.p. 1977. Ten vintage borderless reference photographs from the 1977 film. Annotations in manuscript pencil and ink on the versos. Director Robert Altman's experimental dreamlike masterwork about three ethereal fractured women originally overlooked but later celebrated. Featuring brilliant performances from Shelley Duvall as the self-deluded socially maladroit Millie Janice Rule as the mysterious pregnant painter Willie and Sissy Spacek as the young timid and fawning Pinky. Nominated for the Palme d'Or. Set in a small California desert town and shot on location in Palm Springs Thousand Palms and Desert Hot Springs California. 10 x 8 inches three with wide bottom margins. Near Fine. Criterion Collection 230. Ebert III. N.p. unknown
1977réf. 166688N.p.: N.p. 1977. Ten vintage borderless reference photographs from the 1977 film. Annotations in manuscript pencil and ink on the versos. Director Robert Altman's experimental dreamlike masterwork about three ethereal fractured women originally overlooked but later celebrated. Featuring brilliant performances from Shelley Duvall as the self-deluded socially maladroit Millie Janice Rule as the mysterious pregnant painter Willie and Sissy Spacek as the young timid and fawning Pinky. Nominated for the Palme d'Or. Set in a small California desert town and shot on location in Palm Springs Thousand Palms and Desert Hot Springs California. 10 x 8 inches three with wide bottom margins. Near Fine. Criterion Collection 230. Ebert III. N.p. unknown books
1990réf. 168504N.p.: N.p. 1990. Four vintage color transparencies from the 1990 film. Spike Lee's fourth feature film written on the set of "Do the Right Thing" 1989 about a talented jazz trumpeter whose selfishness leads to a decline in his professional and personal relationships. Shot on location throughout New York. 5 x 4 inches. About Fine. N.p. unknown
1990réf. 168504N.p.: N.p. 1990. Four vintage color transparencies from the 1990 film. Spike Lee's fourth feature film written on the set of "Do the Right Thing" 1989 about a talented jazz trumpeter whose selfishness leads to a decline in his professional and personal relationships. Shot on location throughout New York. 5 x 4 inches. About Fine. N.p. unknown books
1927réf. 151470Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1927. Collection of nine vintage reference photographs from the 1927 silent comedy short film. Stan and Ollie help a wealthy oil tycoon escape a trio of blackmailers after his money. One the last films released prior to the duo becoming officially billed as Laurel and Hardy. 8 x 10 inches. One photograph with a scratch to the negative filled in with manuscript black marker else about Near Fine with light curling and some minor edgewear. Metro-Goldwyn-Mayer [MGM] unknown
1927réf. 151470Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1927. Collection of nine vintage reference photographs from the 1927 silent comedy short film. Stan and Ollie help a wealthy oil tycoon escape a trio of blackmailers after his money. One the last films released prior to the duo becoming officially billed as Laurel and Hardy. 8 x 10 inches. One photograph with a scratch to the negative filled in with manuscript black marker else about Near Fine with light curling and some minor edgewear. Metro-Goldwyn-Mayer [MGM] unknown books
1957réf. 140968Universal City CA: Universal Pictures 1957. First Draft script for the 1960 film. Copy belonging to associate producer James H. Ware with his name on the front wrapper and his annotations throughout in manuscript pencil and ink. Ware was a major presence in British and American cinema best known for his work on "Beat the Devil" 1953 "Room at the Top" 1959 "Our Man in Havana" 1959 "Charade" 1963 and "The Spy Who Came in from the Cold" 1965. Based on the 1956 play of the same name by Margaret Vyner who also wrote the screenplay Victor and Hillary live in castle and get so down on their luck that they begin having tourists visit their castle. Millionaire Charles Delacro soon visits and takes a great liking to the home as well as to Hillary and a love triangle quickly develops. Set in Hampshire England shot on location in Lacock and Surrey England. Green titled wrappers. Title page present dated August 4 1957 noted as First Draft Screenplay with credits for screenwriters Hugh and Margaret Williams. 144 leaves with last page of text numbered 141. Multilith duplication with revision pages throughout dated August 12 1959 . Pages Very Good plus wrapper Very Good plus bound with three silver brads. Olive Films 649. Universal Pictures unknown
1957réf. 140968Universal City CA: Universal Pictures 1957. First Draft script for the 1960 film. Copy belonging to associate producer James H. Ware with his name on the front wrapper and his annotations throughout in manuscript pencil and ink. Ware was a major presence in British and American cinema best known for his work on "Beat the Devil" 1953 "Room at the Top" 1959 "Our Man in Havana" 1959 "Charade" 1963 and "The Spy Who Came in from the Cold" 1965. Based on the 1956 play of the same name by Margaret Vyner who also wrote the screenplay Victor and Hillary live in castle and get so down on their luck that they begin having tourists visit their castle. Millionaire Charles Delacro soon visits and takes a great liking to the home as well as to Hillary and a love triangle quickly develops. Set in Hampshire England shot on location in Lacock and Surrey England. Green titled wrappers. Title page present dated August 4 1957 noted as First Draft Screenplay with credits for screenwriters Hugh and Margaret Williams. 144 leaves with last page of text numbered 141. Multilith duplication with revision pages throughout dated August 12 1959 . Pages Very Good plus wrapper Very Good plus bound with three silver brads. Olive Films 649. Universal Pictures unknown books
1954réf. 152836Los Angeles: ZIV Television Programs 1954. Final Master script for the 1954 television episode. Copy belonging to script supervisor Helen McCaffrey with her manuscript pencil annotations on virtually every page and many versos and her name in manuscript ink annotation on the top right corner of the front wrapper. A dramatization of the December 1862 Battle of Fredericksburg based on a short story by Stephen Crane. Brown titled wrappers noted as FINAL MASTER SCRIPT on the front wrapper dated April 12 1954 with credits for screenwriter Ellis Marcus and story credits to Stephen Crane. Title page integral with the front wrapper. 48 leaves with last page of text numbered 47. Mimeograph duplication rectos only with blue revision pages throughout dated 4-14-54. Pages Near Fine wrapper Near Fine bound with two gold brads. ZIV Television Programs unknown
1954réf. 152836Los Angeles: ZIV Television Programs 1954. Final Master script for the 1954 television episode. Copy belonging to script supervisor Helen McCaffrey with her manuscript pencil annotations on virtually every page and many versos and her name in manuscript ink annotation on the top right corner of the front wrapper. A dramatization of the December 1862 Battle of Fredericksburg based on a short story by Stephen Crane. Brown titled wrappers noted as FINAL MASTER SCRIPT on the front wrapper dated April 12 1954 with credits for screenwriter Ellis Marcus and story credits to Stephen Crane. Title page integral with the front wrapper. 48 leaves with last page of text numbered 47. Mimeograph duplication rectos only with blue revision pages throughout dated 4-14-54. Pages Near Fine wrapper Near Fine bound with two gold brads. ZIV Television Programs unknown books
1933réf. 140939Hollywood: Paramount Pictures 1933. Four vintage photographs from the 1933 film one double weight and sepia one double weight and black-and-white and two single-weight and sepia. Based on William Faulkner's 1931 literary potboiler "Sanctuary" about a wealthy southern belle who goes to trial for murdering the violent bootlegger who abducted her and forced her into prostitution. Every bit as controversial as the source material the film's depiction of sexual violence was graphic and shocking even among films of the era and along with the same year's equally sensational "Baby Face" was directly responsible for the stricter enforcement of the Production Code in 1934 bringing the pre-Code era to a close. George Raft then under contract to Paramount was assigned the role of the bootlegger but found the part repulsive and went to battle with the studio in a suit that nearly cost him his career. Unavailable for decades outside of 16mm bootlegs the film was restored by the Museum of Modern Art in 2011 and screened at the TCM Classic Film Festival but still awaits a commercial release. Photographs between 9.75 x 7.5 and 8 x 10 inches. Very Good plus overall. Grant US. Paramount Pictures unknown
1933réf. 140939Hollywood: Paramount Pictures 1933. Four vintage photographs from the 1933 film one double weight and sepia one double weight and black-and-white and two single-weight and sepia. Based on William Faulkner's 1931 literary potboiler "Sanctuary" about a wealthy southern belle who goes to trial for murdering the violent bootlegger who abducted her and forced her into prostitution. Every bit as controversial as the source material the film's depiction of sexual violence was graphic and shocking even among films of the era and along with the same year's equally sensational "Baby Face" was directly responsible for the stricter enforcement of the Production Code in 1934 bringing the pre-Code era to a close. George Raft then under contract to Paramount was assigned the role of the bootlegger but found the part repulsive and went to battle with the studio in a suit that nearly cost him his career. Unavailable for decades outside of 16mm bootlegs the film was restored by the Museum of Modern Art in 2011 and screened at the TCM Classic Film Festival but still awaits a commercial release. Photographs between 9.75 x 7.5 and 8 x 10 inches. Very Good plus overall. Grant US. Paramount Pictures unknown books
1971réf. 149392US: National General Pictures 1971. Vintage oversize borderless reference photograph of director Lee H. Katzin and actors Steve McQueen and Elga Andersen on the set of the 1971 film. With manuscript ink annotations on the verso. McQueen stars as a racing driver competing in Le Mans one year after an accident killed a fellow racer one which both the racer's widow and others feel McQueen is partially responsible for. A passion project for McQueen originally developed with director John Sturges who left the project after the sale of Warner Brothers to Kinney National Services forced them to move to National General Pictures. Filmed on location in Le Mans France including during the running of the 1970 24 Hours of Le Mans race. 11.5 x 9 inches. Very Good plus with light wear to the top and bottom edges. National General Pictures unknown
1971réf. 149392US: National General Pictures 1971. Vintage oversize borderless reference photograph of director Lee H. Katzin and actors Steve McQueen and Elga Andersen on the set of the 1971 film. With manuscript ink annotations on the verso. McQueen stars as a racing driver competing in Le Mans one year after an accident killed a fellow racer one which both the racer's widow and others feel McQueen is partially responsible for. A passion project for McQueen originally developed with director John Sturges who left the project after the sale of Warner Brothers to Kinney National Services forced them to move to National General Pictures. Filmed on location in Le Mans France including during the running of the 1970 24 Hours of Le Mans race. 11.5 x 9 inches. Very Good plus with light wear to the top and bottom edges. National General Pictures unknown books
1974réf. 144624New York: Janus Films 1974. Draft script for the 1974 British film. A young man who has had a premonition of his death is called up to train and fight with the British forces during World War II ultimately ending in his actual death in battle on D-Day. Shot in black and white on vintage Kodak film stock with about half of the film comprised of archival footage of British training missions and the London Blitz borrowed from the Imperial War Museum in London director Stuart Cooper had originally intended to create a documentary though his aims changed as his research expanded. An underappreciated film with no distribution in the US until Janus re-released the film in 2006. Restored and released by the Criterion Collection in 2014. Set in England and France shot on location in England. Tall dark green wrappers with a die cut title window. Title page present dated 1974 with credits for screenwriters Stuart Cooper and Christopher Hudson. 61 leaves with last page of text numbered 60. Mechanical duplication rectos only. Pages Fine wrapper Near Fine bound internally with two silver brads. Criterion Collection 382. Janus Films unknown
1974réf. 144624New York: Janus Films 1974. Draft script for the 1974 British film. A young man who has had a premonition of his death is called up to train and fight with the British forces during World War II ultimately ending in his actual death in battle on D-Day. Shot in black and white on vintage Kodak film stock with about half of the film comprised of archival footage of British training missions and the London Blitz borrowed from the Imperial War Museum in London director Stuart Cooper had originally intended to create a documentary though his aims changed as his research expanded. An underappreciated film with no distribution in the US until Janus re-released the film in 2006. Restored and released by the Criterion Collection in 2014. Set in England and France shot on location in England. Tall dark green wrappers with a die cut title window. Title page present dated 1974 with credits for screenwriters Stuart Cooper and Christopher Hudson. 61 leaves with last page of text numbered 60. Mechanical duplication rectos only. Pages Fine wrapper Near Fine bound internally with two silver brads. Criterion Collection 382. Janus Films unknown books
