10 190 résultats
1944réf. 156251Universal City CA: Universal Pictures 1944. Collection of ten vintage studio still photographs from the 1944 film. Several photographs with provenance stamps and stickers on the verso and two with the printed label of Palace Theatre affixed to the verso. Director Robert Siodmak's first Hollywood noir and one of the finest in the canon. Based on Cornell Woolrich's first novel written under the William Irish pseudonym in 1942 about a secretary who searches for the titular lady to clear her boss' name before he is executed for murdering his wife. The first film produced by Joan Harrison a former Oscar nominated screenwriter for Alfred Hitchcock "Rebecca" "Foreign Correspondent" and Universal's first female executive. 8 x 10 inches. Very Good plus to Very Good with light toning and edgewear. Grant US. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Universal Pictures unknown books
1968réf. 152185N.p.: N.p. 1968. Revised Draft script for the 1968 film. Copy belonging to production manager Mickey Delamar with his name in manuscript ink on the front wrapper and his manuscript annotations throughout. Laid in with the screenplay are several promotional materials for the film including two programs an edition of The Daily Cinema magazine featuring a cover story on "Mayerling" and a small flyer advertising a press showing of the film at Leicester Square. Delamar worked as a producer production manager and assistant director on over 30 films and was active in the film industry for four decades. His credits include Julien Duvivier's "Anna Karenina" 1948 Charlie Chaplin's "A King in New York" 1957 and Francois Truffaut's "Fahrenheit 451" 1966. Based on the 1930 novel by Claude Anet and the 1967 book by Michael Arnold. A dramatization of the events that led to the murder-suicide of Prince Rudolf of Austria and his lover Baroness Mary Vetsera at the Mayerling hunting lodge in 1889. Blue titled wrappers. 172 leaves with last page of text numbered 158. Mimeograph duplication rectos only with blue and pink revision pages throughout dated variously between 17.12.67 and 1.3.68. Pages Very Good plus wrapper Very Good plus lightly rusted to the binding bound internally with a silver prong. N.p. unknown
1968réf. 152185N.p.: N.p. 1968. Revised Draft script for the 1968 film. Copy belonging to production manager Mickey Delamar with his name in manuscript ink on the front wrapper and his manuscript annotations throughout. Laid in with the screenplay are several promotional materials for the film including two programs an edition of The Daily Cinema magazine featuring a cover story on "Mayerling" and a small flyer advertising a press showing of the film at Leicester Square. Delamar worked as a producer production manager and assistant director on over 30 films and was active in the film industry for four decades. His credits include Julien Duvivier's "Anna Karenina" 1948 Charlie Chaplin's "A King in New York" 1957 and Francois Truffaut's "Fahrenheit 451" 1966. Based on the 1930 novel by Claude Anet and the 1967 book by Michael Arnold. A dramatization of the events that led to the murder-suicide of Prince Rudolf of Austria and his lover Baroness Mary Vetsera at the Mayerling hunting lodge in 1889. Blue titled wrappers. 172 leaves with last page of text numbered 158. Mimeograph duplication rectos only with blue and pink revision pages throughout dated variously between 17.12.67 and 1.3.68. Pages Very Good plus wrapper Very Good plus lightly rusted to the binding bound internally with a silver prong. N.p. unknown books
réf. 163381Universal City: Dreamworks 2003. Revised Shooting script for the 2004 film. In San Diego in the 1970s successful news anchor Ron Burgundy is forced to confront his prejudices when the station owners hire a woman anchor who promptly proceeds to climb her way to the top. Followed by a 2013 sequel "Anchorman 2: The Legend Continues." Shot on location in San Diego Los Angeles Glendale and Long Beach. Self wrappers. Title page present dated 06/09/03 noted as Shooting Script with credits for screenwriters Will Ferrell and Adam McKay. 139 leaves with last page of text numbered "112-113". Xerographic duplication on pink stock rectos only. Pages Very Good plus with light splashes on the title page bound with two gold brads. Dreamworks unknown
réf. 163381Universal City: Dreamworks 2003. Revised Shooting script for the 2004 film. In San Diego in the 1970s successful news anchor Ron Burgundy is forced to confront his prejudices when the station owners hire a woman anchor who promptly proceeds to climb her way to the top. Followed by a 2013 sequel "Anchorman 2: The Legend Continues." Shot on location in San Diego Los Angeles Glendale and Long Beach. Self wrappers. Title page present dated 06/09/03 noted as Shooting Script with credits for screenwriters Will Ferrell and Adam McKay. 139 leaves with last page of text numbered "112-113". Xerographic duplication on pink stock rectos only. Pages Very Good plus with light splashes on the title page bound with two gold brads. Dreamworks unknown books
1959réf. 1599671959. Vintage screenplay for the 1959 film. Text in Japanese. Annotations in manuscript pencil on several leaves noting revisions and amendments. A remake of the 1934 silent film "A Story of Floating Weeds" also directed by Yasujiro Ozu. The leader of a traveling theatre troupe goes to visit his former mistress and their son who is unaware that the man is his father. Meanwhile the man's current lover jealous of his attentions to his former mistress schemes to shame him by convincing a young actress in the troupe to seduce his son. One of the final films the prolific Japanese director made before his death in 1963. Set on the Japanese coast. White titled wrappers. 107 leaves with last page of text numbered e-22. Mimeograph duplication rectos and versos. Pages Very Good plus wrapper Very Good with perfect binding. Criterion Collection 232. Ebert I. Eureka Masters of Cinema 41. unknown books
réf. 154198Marina del Rey: First American Films 1978. Draft script for the 1978 film. Copy belonging to actor Dick Miller with his name on the front wrapper and title page and his manuscript ink annotations throughout. Missing seven pages likely as used or issued. Screenwriter Stephanie Rothman worked as one of two female directors the other being Barbara Peeters at Roger Corman's New World Pictures most notably directing the films "The Student Nurses" 1970 and "Terminal Island" 1974. Rothman was initially intended to direct "Starhops" but executives at Dimension Pictures chose to drastically rewrite the script and hire Peeters as director instead leading Rothman to remove her name from the script. The script on offer here is solely authored by Rothman. Set and shot on location in Venice Beach. Blue titled wrappers. Title page present with credits for screenwriter Stephanie Rothman. 108 leaves with last page of text numbered 105. Xerographic duplication rectos only. Pages and wrapper Very Good plus with faint foxing to the final leaf and light rusting to the binding bound internally with a silver prong. First American Films unknown books
1966réf. 154165Los Angeles: American International Pictures AIP 1966. Draft script for the 1967 film. Copy belonging to actor Dick Miller with his name on the title page and his manuscript ink and pencil annotations throughout. Miller was initially cast in the role of Leroy although a motorcycle crash during filming left him with several broken ribs leading to his replacement by actor George Sims. From the estate of Dick Miller. Violence threatens to erupt in a small town when a gang of former Hell's Angels bikers are wrongfully accused of sexually assaulting a teenage girl. One of a handful of films in which actor John Cassavetes agreed to star in order to secure financing for his independent 1968 film "Faces." Shot on location throughout Arizona. Red titled American International Pictures wrappers. Title page present dated 12-7-66 with credits for screenwriter Charles B. Griffith. 105 leaves with last page of text numbered 104. Mimeograph duplication rectos only with blue revision pages throughout dated 12-7-66. Pages Near Fine wrapper Near Fine bound with two gold brads. McPadden Heavy Metal Movies. American International Pictures [AIP] unknown books
réf. 148727Tokyo: Toei 1974. Draft script for the 1974 Japanese film. Text and titles in Japanese. Based on a series of magazine articles written by journalist Koichi Iiboshi which were in turn based on memoirs written by yakuza crime boss Kozo Mino. The fifth and final film in director Kinji Fukasaku's yakuza pentalogy following feuding gangs in post-war Hiroshima. Recently the subject of a complete restoration helmed and issued by Arrow Films in England. Tan titled perfect-bound wrappers. 67 leaves with last page of text numbered D27. Mimeograph duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good with light dampstains to the extremities. Arrow 2164. Toei unknown
réf. 148727Tokyo: Toei 1974. Draft script for the 1974 Japanese film. Text and titles in Japanese. Based on a series of magazine articles written by journalist Koichi Iiboshi which were in turn based on memoirs written by yakuza crime boss Kozo Mino. The fifth and final film in director Kinji Fukasaku's yakuza pentalogy following feuding gangs in post-war Hiroshima. Recently the subject of a complete restoration helmed and issued by Arrow Films in England. Tan titled perfect-bound wrappers. 67 leaves with last page of text numbered D27. Mimeograph duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good with light dampstains to the extremities. Arrow 2164. Toei unknown books
1956réf. 143240Tokyo: Nikkatsu 1956. First Draft script for the 1956 film. Title in English on rear wrapper. Based on a 1946 children's novel by Michio Takeyama about a conscience-driven Japanese soldier who adopts the lifestyle of a Buddhist monk after he fails to get his countrymen to surrender to an overwhelming force. Nominated for a Best Foreign Language Film Academy Award. Set in Burma during WWll shot on location in Burma and near the Izu Peninsula in Japan. White titled wrappers. Title page present. 70 leaves with last page of text numbered e-25. Mechanical duplication. Pages Near Fine with some toning due to age wrapper Very Good with mild foxing and light water damage near spine. Criterion Collection 379. Eureka Masters of Cinema 12. Nikkatsu unknown
1956réf. 143240Tokyo: Nikkatsu 1956. First Draft script for the 1956 film. Title in English on rear wrapper. Based on a 1946 children's novel by Michio Takeyama about a conscience-driven Japanese soldier who adopts the lifestyle of a Buddhist monk after he fails to get his countrymen to surrender to an overwhelming force. Nominated for a Best Foreign Language Film Academy Award. Set in Burma during WWll shot on location in Burma and near the Izu Peninsula in Japan. White titled wrappers. Title page present. 70 leaves with last page of text numbered e-25. Mechanical duplication. Pages Near Fine with some toning due to age wrapper Very Good with mild foxing and light water damage near spine. Criterion Collection 379. Eureka Masters of Cinema 12. Nikkatsu unknown books
1960réf. 125095London: Michael Powell Theatre 1960. Vintage British Advance Poster for the classic 1960 film. The British Double Crown poster for the film turns up from time to time but this Advance issue which does not state the film's title is a rarity. Noted director Powell's most controversial film about a serial killer who films his female victims as they are dying. Reviled by critics on its release and today considered a masterpiece it is the second of three feature films director made after parting ways with his longtime filmmaking partner Emeric Pressburger. Ostensibly a film about a killer with serious Freudian issues but later reassessed as much more conceptual and complex. Roger Ebert pointed out famously in his 1999 review of the film that the audience is implicated as much as the killer."Movies make us into voyeurs. We sit in the dark watching other people's lives. It is the bargain the cinema strikes with us although most films are too well-behaved to mention it." Martin Scorsese is probably the most famous fan of the film and takes Ebert's argument further saying "I have always felt that "Peeping Tom" and "8 " say everything that can be said about filmmaking about the process of dealing with film the objectivity and subjectivity of it and the confusion between the two. "8 " captures the glamour and enjoyment of film-making while "Peeping Tom" shows the aggression of it how the camera violates. From studying them you can discover everything about people who make films or at least people who express themselves through films." 30 x 20 inches. About Near Fine on archival linen with some expert restoration at the top edge and folds. Archivally framed with an acid-free mat and UV plexi. Criterion Collection 58. Grant p. 495. Spicer p. 446. Michael Powell [Theatre] unknown
1960réf. 125095London: Michael Powell Theatre 1960. Vintage British Advance Poster for the classic 1960 film. The British Double Crown poster for the film turns up from time to time but this Advance issue which does not state the film's title is a rarity. Noted director Powell's most controversial film about a serial killer who films his female victims as they are dying. Reviled by critics on its release and today considered a masterpiece it is the second of three feature films director made after parting ways with his longtime filmmaking partner Emeric Pressburger. Ostensibly a film about a killer with serious Freudian issues but later reassessed as much more conceptual and complex. Roger Ebert pointed out famously in his 1999 review of the film that the audience is implicated as much as the killer."Movies make us into voyeurs. We sit in the dark watching other people's lives. It is the bargain the cinema strikes with us although most films are too well-behaved to mention it." Martin Scorsese is probably the most famous fan of the film and takes Ebert's argument further saying "I have always felt that "Peeping Tom" and "8 " say everything that can be said about filmmaking about the process of dealing with film the objectivity and subjectivity of it and the confusion between the two. "8 " captures the glamour and enjoyment of film-making while "Peeping Tom" shows the aggression of it how the camera violates. From studying them you can discover everything about people who make films or at least people who express themselves through films." 30 x 20 inches. About Near Fine on archival linen with some expert restoration at the top edge and folds. Archivally framed with an acid-free mat and UV plexi. Criterion Collection 58. Grant p. 495. Spicer p. 446. Michael Powell [Theatre] unknown books
1929réf. 137372Budapest: Hunnia Filmstudio 1929. Specially bound copy of an Early Draft script for the Hungarian film released in Hungry in 1932 as "Tavaszi zapor" in Frace in 1933 as "Marie Legende Hongroise" and in the United States in 1935 as "Spring Shower." Housed in a likely hand-sewn floral cloth-covered portfolio the script is INSCRIBED by the Hungarian-American feminist and radical socialist screenwriter Ilona Fulop on the title page: "To Mac: / Because You still trust me! / Ilona / Christmas 1929 / Hollywood Cal." A unique and attractive item and probably the only surviving copy of the script. The story of a poor girl driven out of her village when she becomes pregnant by her employer's wealthy fiance finding refuge working as a maid in a brothel. After her daughter is taken from her however she falls into alcoholism and dies. A maid in Heaven as she was on earth she saves her daughter from befalling a similar fate by "emptying her mop bucket" on her daughter's head via a rain shower at a pivotal moment. A multinational production in which a Hungarian screenwriter and Hungarian director both with experience in Hollywood shot a film starring a French actress using frozen assets from a French producer that had been mandated for exclusively Hungarian use. Though not a box office success at the time it is now regarded as one of the all-time great films originating from the country. In a 1919 article entitled "What is 'Revolution' Doing to Love" screenwriter Fulop describes herself as a socialist radical as opposed to a revolutionary or a Bolshevik and her desire to further equal rights for women strongly defines her as a modern-day feminist as well. "Spring Showers" with its women- and proletarian-friendly plot thus comes as little surprise. Housed in floral cloth-covered portfolio titled wrappers. Title page present with credits for screenwriter Fulop. 78 leaves with last page of text numbered 77. Carbon typescript. Pages Very Good portfolio Very Good bound with a single line of hand-stitching. Hunnia Filmstudio unknown
1929réf. 137372Budapest: Hunnia Filmstudio 1929. Specially bound copy of an Early Draft script for the Hungarian film released in Hungry in 1932 as "Tavaszi zapor" in Frace in 1933 as "Marie Legende Hongroise" and in the United States in 1935 as "Spring Shower." Housed in a likely hand-sewn floral cloth-covered portfolio the script is INSCRIBED by the Hungarian-American feminist and radical socialist screenwriter Ilona Fulop on the title page: "To Mac: / Because You still trust me! / Ilona / Christmas 1929 / Hollywood Cal." A unique and attractive item and probably the only surviving copy of the script. The story of a poor girl driven out of her village when she becomes pregnant by her employer's wealthy fiance finding refuge working as a maid in a brothel. After her daughter is taken from her however she falls into alcoholism and dies. A maid in Heaven as she was on earth she saves her daughter from befalling a similar fate by "emptying her mop bucket" on her daughter's head via a rain shower at a pivotal moment. A multinational production in which a Hungarian screenwriter and Hungarian director both with experience in Hollywood shot a film starring a French actress using frozen assets from a French producer that had been mandated for exclusively Hungarian use. Though not a box office success at the time it is now regarded as one of the all-time great films originating from the country. In a 1919 article entitled "What is 'Revolution' Doing to Love" screenwriter Fulop describes herself as a socialist radical as opposed to a revolutionary or a Bolshevik and her desire to further equal rights for women strongly defines her as a modern-day feminist as well. "Spring Showers" with its women- and proletarian-friendly plot thus comes as little surprise. Housed in floral cloth-covered portfolio titled wrappers. Title page present with credits for screenwriter Fulop. 78 leaves with last page of text numbered 77. Carbon typescript. Pages Very Good portfolio Very Good bound with a single line of hand-stitching. Hunnia Filmstudio unknown books
1963réf. 146394Hollywood: Paramount Pictures 1963. Revised Draft script for the 1964 film. With a few manuscript pencil annotations throughout mostly relating to line revisions and props. Based on the 1959 French play by Jean Anouilh. King Henry II's malcontent relationship with the Church leads to the appointment of his close friend Thomas Becket as the Archbishop of Canterbury. Henry does not anticipate however how seriously Becket will take the vocation leading to the dissolution of their friendship in the face of Becket's rising political power. Nominated for eleven Academy Awards winning one for Best Adapted Screenplay. Set in England and France. Beige titled wrappers. Title page present dated 12th February 1963 noted as REVISED. 157 leaves with last page of text numbered 155. Mimeograph duplication on yellow stock rectos only. Pages Near Fine wrapper Very Good plus with some rusting near the binding bound internally with three silver brads. Paramount Pictures unknown
1963réf. 146394Hollywood: Paramount Pictures 1963. Revised Draft script for the 1964 film. With a few manuscript pencil annotations throughout mostly relating to line revisions and props. Based on the 1959 French play by Jean Anouilh. King Henry II's malcontent relationship with the Church leads to the appointment of his close friend Thomas Becket as the Archbishop of Canterbury. Henry does not anticipate however how seriously Becket will take the vocation leading to the dissolution of their friendship in the face of Becket's rising political power. Nominated for eleven Academy Awards winning one for Best Adapted Screenplay. Set in England and France. Beige titled wrappers. Title page present dated 12th February 1963 noted as REVISED. 157 leaves with last page of text numbered 155. Mimeograph duplication on yellow stock rectos only. Pages Near Fine wrapper Very Good plus with some rusting near the binding bound internally with three silver brads. Paramount Pictures unknown books
1961réf. 144660Paris: Cinedis 1961. Archive of 749 vintage keybook photographs from the 1961 French-Italian film. Over 200 are loose the remainder being affixed with cello tape on thick stock in two folio sized spiral bound notebooks with one title label present. Each photograph is numbered in manuscript pencil on the versos 13 photographs credit photographer Water Limot 18 with his name stamped on the verso and each notebook page with corresponding numerical annotations in manuscript pencil. Also included is a vintage Cinedis manila mailing envelope. Limot's action photographs are poignantly interlaced with on-the-set images including tender exchanged between actors Bourvil Annie Fratellini and Colette Castel herself seen in striking authority behind a handheld camera. A few feature Black musicians in the background surrounded by paparazzi and a few photos are slightly more candid with subjects hamming for the camera. A businessman wants to buy land around the village of Cabosse claiming his desire for seclusion but with intentions to sell the water from the village fountain purportedly a fountain of youth. 747 photos are 3.5 x 4.5 inches or slightly smaller with small white borders at the foot and 2 photos are 5 x 7 inches. Light curling and most with tape ghosts and discoloration else Near Fine. Envelope and notebooks Very Good overall. Cinedis unknown
1961réf. 144660Paris: Cinedis 1961. Archive of 749 vintage keybook photographs from the 1961 French-Italian film. Over 200 are loose the remainder being affixed with cello tape on thick stock in two folio sized spiral bound notebooks with one title label present. Each photograph is numbered in manuscript pencil on the versos 13 photographs credit photographer Water Limot 18 with his name stamped on the verso and each notebook page with corresponding numerical annotations in manuscript pencil. Also included is a vintage Cinedis manila mailing envelope. Limot's action photographs are poignantly interlaced with on-the-set images including tender exchanged between actors Bourvil Annie Fratellini and Colette Castel herself seen in striking authority behind a handheld camera. A few feature Black musicians in the background surrounded by paparazzi and a few photos are slightly more candid with subjects hamming for the camera. A businessman wants to buy land around the village of Cabosse claiming his desire for seclusion but with intentions to sell the water from the village fountain purportedly a fountain of youth. 747 photos are 3.5 x 4.5 inches or slightly smaller with small white borders at the foot and 2 photos are 5 x 7 inches. Light curling and most with tape ghosts and discoloration else Near Fine. Envelope and notebooks Very Good overall. Cinedis unknown books
1965réf. 132451Los Angeles: Twentieth Century-Fox 1965. First Draft script for the 1965 film. Included are production notes dated November 1965 laid in and an architectural sketch of the "sky truck" noted as "REVISED / APR. 22. '65" As deluxe a script for this film as we have seen and a highspot for noted director Robert Aldrich. One of the great adventure films of the twentieth century wherein a cargo plane with fewer than a dozen men goes down in the Sahara in a sandstorm. One of the men is an airplane designer who comes up with the idea of ripping off the undamaged wing and using it as the basis for an airplane they will build to escape before food and water are depleted. Black titled wrappers noted as 2ND DRAFT on the front wrapper dated April 6th. Distribution page present with receipt removed. Title page present with credits for screenwriter Heller and novelist Trevor. 178 leaves mechanical duplication with blue and pink revision pages throughout dated variously between 4/15/65 and 4/27/65. Pages Near Fine wrapper about Near Fine with a small fingernail-size bruise at the top left corner of the front wrapper. Bound internally with three gold brads. Twentieth Century-Fox unknown
1965réf. 132451Los Angeles: Twentieth Century-Fox 1965. First Draft script for the 1965 film. Included are production notes dated November 1965 laid in and an architectural sketch of the "sky truck" noted as "REVISED / APR. 22. '65" As deluxe a script for this film as we have seen and a highspot for noted director Robert Aldrich. One of the great adventure films of the twentieth century wherein a cargo plane with fewer than a dozen men goes down in the Sahara in a sandstorm. One of the men is an airplane designer who comes up with the idea of ripping off the undamaged wing and using it as the basis for an airplane they will build to escape before food and water are depleted. Black titled wrappers noted as 2ND DRAFT on the front wrapper dated April 6th. Distribution page present with receipt removed. Title page present with credits for screenwriter Heller and novelist Trevor. 178 leaves mechanical duplication with blue and pink revision pages throughout dated variously between 4/15/65 and 4/27/65. Pages Near Fine wrapper about Near Fine with a small fingernail-size bruise at the top left corner of the front wrapper. Bound internally with three gold brads. Twentieth Century-Fox unknown books
1940réf. 155765Culver City CA: RKO Radio Pictures 1940. Final script for the 1941 screwball comedy film with "286" in manuscript pencil to the top right of the front wrapper. Laid in is a ribbon copy typescript listing the five lead actors on RKO letterhead. A cantankerous tycoon goes undercover as a shoe clerk at his own New York department store in order to identify labor agitators but finds himself befriending the workers and becoming sympathetic to their needs. A key film in the American screwball comedy cycle with proletarian elements deftly woven into a hilarious and whip-smart story. Nominated for two Academy Awards for Best Screenplay and Best Supporting Actor for Charles Coburn. Pink titled wrappers rubber-stamped FINAL SCRIPT on the front wrapper rubber-stamped copy No. 60 dated November 26 1940 with credits for screenwriter Norman Krasna. Distribution page integral with title page with receipt removed dated 11/26/40 noted as FINAL. 163 leaves with last page of text numbered 158. Mimeograph duplication rectos only. Pages Very Good plus with a small amount of silverfish damage on the second and third leaves with foxing to the top edge and faint foxing to the fore-edge wrapper Very Good plus with light foxing and soiling bound with three gold brads. Byrge and Miller The Screwball Comedy Films: A History and Filmography. Olive 53203. RKO Radio Pictures unknown
1940réf. 155765Culver City CA: RKO Radio Pictures 1940. Final script for the 1941 screwball comedy film with "286" in manuscript pencil to the top right of the front wrapper. Laid in is a ribbon copy typescript listing the five lead actors on RKO letterhead. A cantankerous tycoon goes undercover as a shoe clerk at his own New York department store in order to identify labor agitators but finds himself befriending the workers and becoming sympathetic to their needs. A key film in the American screwball comedy cycle with proletarian elements deftly woven into a hilarious and whip-smart story. Nominated for two Academy Awards for Best Screenplay and Best Supporting Actor for Charles Coburn. Pink titled wrappers rubber-stamped FINAL SCRIPT on the front wrapper rubber-stamped copy No. 60 dated November 26 1940 with credits for screenwriter Norman Krasna. Distribution page integral with title page with receipt removed dated 11/26/40 noted as FINAL. 163 leaves with last page of text numbered 158. Mimeograph duplication rectos only. Pages Very Good plus with a small amount of silverfish damage on the second and third leaves with foxing to the top edge and faint foxing to the fore-edge wrapper Very Good plus with light foxing and soiling bound with three gold brads. Byrge and Miller The Screwball Comedy Films: A History and Filmography. Olive 53203. RKO Radio Pictures unknown books
réf. 141442Burbank CA: Cinema Epoch 1977. Draft script for the 1977 film. Text in Japanese. A female golfer tries to perform to the very best of her abilities but must contend with the men in her life her neighbors her family and a stalker who will not leave her alone. Pink titled perfect-bound wrappers. Title page present. 118 leaves with last page of text numbered 110. Mechanical duplication. Pages Very Good plus wrapper Very Good plus. Cinema Epoch unknown
