réf. 163863Los Angeles: Gracie Films 1994. Revised Shooting Draft script for the 1996 film. Single annotation in manuscript pencil on the rear wrapper verso. Wes Anderson's feature film directorial debut cowritten with actor Owen Wilson about three friends who plan a heist in the southwestern suburbs. Based on Anderson's 1992 short film of the same title whose success at the 1994 Sundance Film Festival persuaded filmmaker James L. Brooks to finance a full-length version of the film. Shot on location in Dallas Fort Worth and Hillsboro Texas and at the Camarillo State Mental Hospital in Camarillo California. White generic Gracie Films wrappers. Title page present dated September 20 1994 noted as Shooting Draft and credits for Anderson and Wilson. 109 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages about Fine wrapper Near Fine bound with two gold brads. Gracie Films unknown
réf. 163863Los Angeles: Gracie Films 1994. Revised Shooting Draft script for the 1996 film. Single annotation in manuscript pencil on the rear wrapper verso. Wes Anderson's feature film directorial debut cowritten with actor Owen Wilson about three friends who plan a heist in the southwestern suburbs. Based on Anderson's 1992 short film of the same title whose success at the 1994 Sundance Film Festival persuaded filmmaker James L. Brooks to finance a full-length version of the film. Shot on location in Dallas Fort Worth and Hillsboro Texas and at the Camarillo State Mental Hospital in Camarillo California. White generic Gracie Films wrappers. Title page present dated September 20 1994 noted as Shooting Draft and credits for Anderson and Wilson. 109 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages about Fine wrapper Near Fine bound with two gold brads. Gracie Films unknown books
1961réf. 143276Tokyo: Takarazuka Productions 1961. First Draft script for the 1961 film. Working copy belonging to uncredited crew member Takahashi Toshihiro with his name rubber stamped on the first leaf and the last page of text. Director Yasjiro Ozu's penultimate film about a widower and his daughters who become concerned when he begins visiting an old flame while also trying to find husbands for his youngest daughter and widowed daughter-in-law. White titled wrappers noted as 1 on the front wrapper dated 1961. Title page present. 52 leaves with last page of text numbered d-26. Mechanical duplication. Pages Near Fine wrapper Very Good with some slight foxing. Criterion Collection Eclipse Series 3. Takarazuka Productions unknown
1961réf. 143276Tokyo: Takarazuka Productions 1961. First Draft script for the 1961 film. Working copy belonging to uncredited crew member Takahashi Toshihiro with his name rubber stamped on the first leaf and the last page of text. Director Yasjiro Ozu's penultimate film about a widower and his daughters who become concerned when he begins visiting an old flame while also trying to find husbands for his youngest daughter and widowed daughter-in-law. White titled wrappers noted as 1 on the front wrapper dated 1961. Title page present. 52 leaves with last page of text numbered d-26. Mechanical duplication. Pages Near Fine wrapper Very Good with some slight foxing. Criterion Collection Eclipse Series 3. Takarazuka Productions unknown books
réf. 150807San Francisco: Zoetrope 1981. Final Draft script for the 1981 musical film. Copy belonging to actress Lainie Kazan with her name on the title page in manuscript ink and her manuscript pencil annotations throughout. Laid in with the script is a single revision page with Kazan's manuscript pencil and ink annotations and an envelope for the Paradise Travel Agency covered with ink annotations regarding line changes containing a flight coupon signed by Kazan. Dreamy flaky Frannie leaves her down-to-earth unfaithful boyfriend Hank on their fifth anniversary. Over the course of 24 hours both have affairs with their ideal partners but eventually realize their paramours can't hold a candle to their love for each other. Francis Ford Coppola's first directorial effort after his 1979 masterpiece "Apocalypse Now" shot on strikingly stylized sets at his newly opened Zoetrope Studios. Red Zoetrope Studios wrappers noted as FINAL DRAFT and production No. 032 on the front wrapper. Title page present dated January 1 1981 noted as FINAL DRAFT with credits for director Francis Coppola sic and screenwriter Armyan Bernstein and music credits to Tom Waits. 93 leaves with last page of text numbered 92. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Zoetrope unknown
réf. 150807San Francisco: Zoetrope 1981. Final Draft script for the 1981 musical film. Copy belonging to actress Lainie Kazan with her name on the title page in manuscript ink and her manuscript pencil annotations throughout. Laid in with the script is a single revision page with Kazan's manuscript pencil and ink annotations and an envelope for the Paradise Travel Agency covered with ink annotations regarding line changes containing a flight coupon signed by Kazan. Dreamy flaky Frannie leaves her down-to-earth unfaithful boyfriend Hank on their fifth anniversary. Over the course of 24 hours both have affairs with their ideal partners but eventually realize their paramours can't hold a candle to their love for each other. Francis Ford Coppola's first directorial effort after his 1979 masterpiece "Apocalypse Now" shot on strikingly stylized sets at his newly opened Zoetrope Studios. Red Zoetrope Studios wrappers noted as FINAL DRAFT and production No. 032 on the front wrapper. Title page present dated January 1 1981 noted as FINAL DRAFT with credits for director Francis Coppola sic and screenwriter Armyan Bernstein and music credits to Tom Waits. 93 leaves with last page of text numbered 92. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Zoetrope unknown books
réf. 015986Sacha Guitry (1885-1957), écrivain, réalisateur, scénariste, metteur en scène. Manuscrit en partie autographe, [ca.juin 1935], environ 28f. in-4 [dont 11f. au moins sont autographes]. Important ensemble de notes sur les enfants, listant de nombreux petits enfants avec leur nom, leur ville et parfois leur âge et surtout des détails les concernant : « sucent leurs doigts, paresseux, désobéissants, taquins, gourmands, pleurnicheurs . ». Ces notes sont très largement d'une autre main. A cela sont joints différents textes de Guitry dont un petit discours (2p 1/2, complet), un petit discours sur l'importance du calcul (2p, incomplet de la fin), un petit discours sur les enfants qui sucent leurs doigts (2p 1/2, a priori complet) et diverses notes. Tout cela étant autographe. Sur un feuillet non autographe, on remarquera la note autographe de Guitry : « Il ne faut pas être gourmands / Il faut être gourmets ». On remarquera, parmi les pleurnicheurs, un « Michel Houelbecq » (et non Houellebecq), petit enfant de 6ans originaire du Calvados. En plus de ces 28 feuillets (parfois écrits - partiellement - au verso) se trouvent des pages coupées, des pages pliées ayant dû servir de chemises, etc. Nous ne savons quel fut l'usage de ces textes, si cela a donné lieu à une intervention ou à une publication. Ils furent bien écrits en 1935 car, grâce à certains noms d'enfant avec les âges, on peut affirmer que c'est écrit entre mars et septembre 1935. On remarquera que c'est en décembre 1935 que Guitry fit une présentation de son film sur Pasteur aux écoles de Vincennes. C'est peut-être la période où il s'intéressa le plus aux enfants ? Très bel et important ensemble. [259]
1945réf. 29200HBDJ 1945 1st Edition THUS IN POOR TATTERED WORN DUSTJACKET With BACK & Spine DJ MISSING MOVIE EDITION FEATURING JUDY GARLAND & MARGARET O'BRIEN on DJ Front NO INTERIOR Illustrations SCUFF & RUB BOOK COVER GOOD CONDITION WITH SOME WATER DAMAGE TO EDGES CVR DJ IS POOR Condition Only DJ Front is There The Back Flap with Rub & Wear the Rest of DJ NOT PRESENT 6" X 8 1/2" HC DJ front cover torn and frayed - repaired spine and back section missing - as is the front flap autograph note by it's author Sally Benson also included is a tiny letter invitation to a tea party found within the book. Interior is clean clear and together making it an solid 'readers copy' WORLD PUBLISHING FORUM BOOKS hardcover
1910réf. 20389Paris, Grande imprimerie de Montrouge, M. Belleville, [1910] ; in-8 en un seul cahier de huit feuilles libres de 265 x 372 mm pliées en deux formant un cahier de 16 feuillets, la première feuille qui fait office de couverture porte le titre, l’adresse, le prix fictif de 10 fr., dessiné, le lieu et l’imprimeur ainsi que le cachet sec rond “De Montgolfier (Luquet) et Cie, Annonay”.
1971réf. 148995Paris: Lira Films 1971. Draft script for the 1972 French film text in French belonging to uncredited sound engineer Gerard Dacquay with name in manuscript marker on bottom right margin of front wrapper and name and address stamped on top right of title page. Copy number "17" in manuscript ink on front wrapper. A few minor manuscript annotations in manuscript ink in script text correction and a single horizontal line. Missing two pages likely as used or issued. Middle-aged forlorn Muriel Annie Girardot is vacationing at a seaside motel when Gabriel Philippe Noiret walks in a bit of a rake who has to stay a few days while his car is repaired and Muriel's table has the only vacant seat. Shot on location in Bouches-du Rhone France. Gray titled wrappers with cloth tape binding. Title page presentwith credits for director and screenwriter Jean-Pierre Blanc. 193 leaves with last page of text numbered 198. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus front wrapper separated and lightly soiled. Lira Films unknown
1971réf. 148995Paris: Lira Films 1971. Draft script for the 1972 French film text in French belonging to uncredited sound engineer Gerard Dacquay with name in manuscript marker on bottom right margin of front wrapper and name and address stamped on top right of title page. Copy number "17" in manuscript ink on front wrapper. A few minor manuscript annotations in manuscript ink in script text correction and a single horizontal line. Missing two pages likely as used or issued. Middle-aged forlorn Muriel Annie Girardot is vacationing at a seaside motel when Gabriel Philippe Noiret walks in a bit of a rake who has to stay a few days while his car is repaired and Muriel's table has the only vacant seat. Shot on location in Bouches-du Rhone France. Gray titled wrappers with cloth tape binding. Title page presentwith credits for director and screenwriter Jean-Pierre Blanc. 193 leaves with last page of text numbered 198. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus front wrapper separated and lightly soiled. Lira Films unknown books
1971réf. 154802Santa Monica: Barry Oringer Productions 1971. Archive of material from the 1972 British television movie including two First Draft scripts and a Revised Draft script dated variously between April 12 and May 28 1971. Screenplays belonging to screenwriter Barry Oringer with his annotations throughout. A campy and humorous espionage film about the titular Madame Sin a sinister woman who kidnaps a former CIA agent and forces him to hijack a submarine in order to attain a secret nuclear weapon. One of many films cashing in on the popularity of the James Bond films originally intended as a television pilot but aired instead as a feature film on ABC on January 15 1972 followed by the UK in April of the same year. Shot on location in London and in Argyll and Bute in Scotland. First Draft script April 12 1971: Blue untitled Barry Oringer Productions wrappers with a die-cut window. Title page present dated April 12 1971 noted as FIRST DRAFT with credits for screenwriter Barry Oringer. 95 leaves with last page of text numbered 90. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. First Draft script April 25 1971: Blue untitled Barry Oringer Productions wrappers with a die-cut window. Title page present dated April 25 1971 noted as FIRST DRAFT with credits for screenwriter Barry Oringer. 100 leaves with last page of text numbered 97. Xerographic duplication with three pages ribbon copy typescript on onionskin stock rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Revised Draft Script May 28 1971: Red untitled wrappers. Title page present dated May 28 1971 noted as REVISED DRAFT with credits for screenwriter Barry Oringer. 109 leaves with last page of text numbered 104. Xerographic duplication with two pages ribbon copy typescript on green paper rectos only. Pages Near Fine wrapper Near Fine bound with two silver screw brads. Barry Oringer Productions unknown
1971réf. 154802Santa Monica: Barry Oringer Productions 1971. Archive of material from the 1972 British television movie including two First Draft scripts and a Revised Draft script dated variously between April 12 and May 28 1971. Screenplays belonging to screenwriter Barry Oringer with his annotations throughout. A campy and humorous espionage film about the titular Madame Sin a sinister woman who kidnaps a former CIA agent and forces him to hijack a submarine in order to attain a secret nuclear weapon. One of many films cashing in on the popularity of the James Bond films originally intended as a television pilot but aired instead as a feature film on ABC on January 15 1972 followed by the UK in April of the same year. Shot on location in London and in Argyll and Bute in Scotland. First Draft script April 12 1971: Blue untitled Barry Oringer Productions wrappers with a die-cut window. Title page present dated April 12 1971 noted as FIRST DRAFT with credits for screenwriter Barry Oringer. 95 leaves with last page of text numbered 90. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. First Draft script April 25 1971: Blue untitled Barry Oringer Productions wrappers with a die-cut window. Title page present dated April 25 1971 noted as FIRST DRAFT with credits for screenwriter Barry Oringer. 100 leaves with last page of text numbered 97. Xerographic duplication with three pages ribbon copy typescript on onionskin stock rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Revised Draft Script May 28 1971: Red untitled wrappers. Title page present dated May 28 1971 noted as REVISED DRAFT with credits for screenwriter Barry Oringer. 109 leaves with last page of text numbered 104. Xerographic duplication with two pages ribbon copy typescript on green paper rectos only. Pages Near Fine wrapper Near Fine bound with two silver screw brads. Barry Oringer Productions unknown books
1959réf. 148398N.p.: United States Productions Inc 1959. Revised Estimating script for the 1960 film belonging to actor Martin Landau here under the working title "The Life and Death of Legs Diamond." Laid in are five carbon typescript pages of script with Landau's name written in manuscript ink to upper right and annotations to dialogue of lead character Legs in manuscript pencil. Landau was considered for the lead role of Jack "Legs" Diamond which from the laid in pages we can reasonably assume were for an audition for the part. Ray Danton was ultimately cast as Legs and Landau does not appear in the film. From the estate of Martin Landau. Jack "Legs" Diamond Ray Danton and his sickly brother Eddie Warren Oates move to New York City and after a brief incarceration sets their eyes on taking over kingpin mobster Arnold Rothstein's Robert Lowery criminal businesses. The film debut of Dyan Cannon. Nominated for an Academy Award. Set in New York City. Beige titled wrappers noted as REV. ESTIMATING SCRIPT on the front wrapper rubber-stamped copy No. 96 dated August 21 1959. Distribution page present with receipt removed. Title page integral with the first page of text dated 8/21/59. 108 leaves with last page of text numbered 106. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Laid in pages 8.5 x 11 inches Near Fine with light edgewear and creasing at corners. United States Productions, Inc unknown
1959réf. 148398N.p.: United States Productions Inc 1959. Revised Estimating script for the 1960 film belonging to actor Martin Landau here under the working title "The Life and Death of Legs Diamond." Laid in are five carbon typescript pages of script with Landau's name written in manuscript ink to upper right and annotations to dialogue of lead character Legs in manuscript pencil. Landau was considered for the lead role of Jack "Legs" Diamond which from the laid in pages we can reasonably assume were for an audition for the part. Ray Danton was ultimately cast as Legs and Landau does not appear in the film. From the estate of Martin Landau. Jack "Legs" Diamond Ray Danton and his sickly brother Eddie Warren Oates move to New York City and after a brief incarceration sets their eyes on taking over kingpin mobster Arnold Rothstein's Robert Lowery criminal businesses. The film debut of Dyan Cannon. Nominated for an Academy Award. Set in New York City. Beige titled wrappers noted as REV. ESTIMATING SCRIPT on the front wrapper rubber-stamped copy No. 96 dated August 21 1959. Distribution page present with receipt removed. Title page integral with the first page of text dated 8/21/59. 108 leaves with last page of text numbered 106. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Laid in pages 8.5 x 11 inches Near Fine with light edgewear and creasing at corners. United States Productions, Inc unknown books
1959réf. 159829N.p.: N.p. 1959. Two vintage reference photographs from the set of the 1959 French film both showing director François Truffaut on the set. Annotations in manuscript pencil relating to cropping on the versos and one with a provenance stamp. Truffaut's auspicious debut a semi-autobiographical tale of a young boy's estrangement from his family and school leading him into a life of petty crime and culminating in trouble with the law. Winner of Best Director at Cannes and nominated for the Palme d'Or. Set and shot on location in Paris France. 7 x 5 inches. Near Fine. Criterion Collection 5. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown
1975réf. 135604Paris: Les Films du Carrosse / Les Productions Artistes Associes 1975. Collection of 4 vintage black-and-white press photographs from the set of the 1975 film. Three of the four photographs show Truffaut and his crew working on the set both in front of the camera and behind it and the fourth is a lovely shot of Truffaut in uniform next to Isabelle Adjani. Stamp of French press agency Les Artiests Associes on the verso of each print. Based on the diaries of the youngest daughter of author Victor Hugo about a woman whose romantic obsession with an indifferent military captain eventually leads to her despair and madness. Isabelle Adjani was nominated for an Academy award making her at age 20 the youngest Best Actress nominee of all time in 1975. Story set in Halifax Nova Scotia shot on location in Barbados Senegal and the Channel Islands. 8 x 10 inches. Fine. Les Films du Carrosse / Les Productions Artistes Associes unknown
1975réf. 135604Paris: Les Films du Carrosse / Les Productions Artistes Associes 1975. Collection of 4 vintage black-and-white press photographs from the set of the 1975 film. Three of the four photographs show Truffaut and his crew working on the set both in front of the camera and behind it and the fourth is a lovely shot of Truffaut in uniform next to Isabelle Adjani. Stamp of French press agency Les Artiests Associes on the verso of each print. Based on the diaries of the youngest daughter of author Victor Hugo about a woman whose romantic obsession with an indifferent military captain eventually leads to her despair and madness. Isabelle Adjani was nominated for an Academy award making her at age 20 the youngest Best Actress nominee of all time in 1975. Story set in Halifax Nova Scotia shot on location in Barbados Senegal and the Channel Islands. 8 x 10 inches. Fine. Les Films du Carrosse / Les Productions Artistes Associes unknown books
1959réf. 159829N.p.: N.p. 1959. Two vintage reference photographs from the set of the 1959 French film both showing director François Truffaut on the set. Annotations in manuscript pencil relating to cropping on the versos and one with a provenance stamp. Truffaut's auspicious debut a semi-autobiographical tale of a young boy's estrangement from his family and school leading him into a life of petty crime and culminating in trouble with the law. Winner of Best Director at Cannes and nominated for the Palme d'Or. Set and shot on location in Paris France. 7 x 5 inches. Near Fine. Criterion Collection 5. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown books
1965réf. 151469Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1965. Draft script for the 1966 film. Specially bound copy belonging to actress Juanita Moore bound in full red leather with twelve reference photographs from the film tipped in and containing two inscriptions from actress Debbie Reynolds. The first inscription by Reynolds on the verso of the first leaf in manuscript ink is "Juanita I Love you! You are the greatest! My deepest Thanks Love Debbie" the second on a the recto of a photograph of Reynolds and Moore from the film in manuscript marker and making reference to Reynold's character is "What feeling! What a face! What an actress! What a great Lady! Your Fan Sister Ann." A fanciful biography on the life of Belgian nun Jeanine Deckers who recorded the number one hit pop song "Dominique" in 1963. Nominated for an Academy Award. Set in and shot on location in Gent Belgium. Red full leather binding with gilt titles and with actor Juanita Moore's name in gilt at the bottom right corner of the front board. Title page integral with first page dated 9-2-65. 150 leaves with last page of text numbered "130-135." Mimeograph duplication rectos only with pink blue green and gray revision pages throughout dated variously between 11-4-65 and 11-24-65. Pages Near Fine wrapper Very Good with front wrapper detached. Metro-Goldwyn-Mayer [MGM] unknown
1965réf. 151469Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1965. Draft script for the 1966 film. Specially bound copy belonging to actress Juanita Moore bound in full red leather with twelve reference photographs from the film tipped in and containing two inscriptions from actress Debbie Reynolds. The first inscription by Reynolds on the verso of the first leaf in manuscript ink is "Juanita I Love you! You are the greatest! My deepest Thanks Love Debbie" the second on a the recto of a photograph of Reynolds and Moore from the film in manuscript marker and making reference to Reynold's character is "What feeling! What a face! What an actress! What a great Lady! Your Fan Sister Ann." A fanciful biography on the life of Belgian nun Jeanine Deckers who recorded the number one hit pop song "Dominique" in 1963. Nominated for an Academy Award. Set in and shot on location in Gent Belgium. Red full leather binding with gilt titles and with actor Juanita Moore's name in gilt at the bottom right corner of the front board. Title page integral with first page dated 9-2-65. 150 leaves with last page of text numbered "130-135." Mimeograph duplication rectos only with pink blue green and gray revision pages throughout dated variously between 11-4-65 and 11-24-65. Pages Near Fine wrapper Very Good with front wrapper detached. Metro-Goldwyn-Mayer [MGM] unknown books
2007réf. 146585Hollywood: Apatow Productions 2007. Producer's archive for the 2007 comedy film including a Revised Shooting script with extensive production schedules props lists and set and wardrobe files bound in. Also included is a final cast crew and contacts list dated May 18 2007 bound separately with black coil binding. A childhood tragedy leads musician Dewey Cox up the ladder to stardom cycling through nearly every musical genre imaginable on the way up. A parody of 20th century music biopics stretching from Johnny Cash to Roy Orbison to Bob Dylan to Brian Wilson. Set in Alabama and California. Black titled wrappers with credits for production coordinator Barrett Leigh. Title page present dated May 10th 2007 with credits for screenwriters Judd Apatow and Jake Kasdan. 143 leaves with last page of text numbered 115. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 2-6-2007 and 5-10-2007. Pages Near Fine housed in a Very Good plus three ring binder. Apatow Productions unknown
2007réf. 146585Hollywood: Apatow Productions 2007. Producer's archive for the 2007 comedy film including a Revised Shooting script with extensive production schedules props lists and set and wardrobe files bound in. Also included is a final cast crew and contacts list dated May 18 2007 bound separately with black coil binding. A childhood tragedy leads musician Dewey Cox up the ladder to stardom cycling through nearly every musical genre imaginable on the way up. A parody of 20th century music biopics stretching from Johnny Cash to Roy Orbison to Bob Dylan to Brian Wilson. Set in Alabama and California. Black titled wrappers with credits for production coordinator Barrett Leigh. Title page present dated May 10th 2007 with credits for screenwriters Judd Apatow and Jake Kasdan. 143 leaves with last page of text numbered 115. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 2-6-2007 and 5-10-2007. Pages Near Fine housed in a Very Good plus three ring binder. Apatow Productions unknown books
1967réf. 138581Paris: Concordia Compagnia Cinematografica 1967. Four vintage borderless reference photographs from the set of the 1967 film. Studio rubber stamp on the verso. One of the photos features Marina Vlady sharing a cigarette with Roger Montsoret. Based on a 1966 article on casual prostitution in France by Catherine Viminet. One of three feature films Godard released in 1967 and like both "Week End" and "La chinoise" one that showcases Godard's increasing focus on deconstructing filmic narrative and structure and vocalization of leftist political ideas. Godard has stated that his overall desire with the film was "to include everything: sports politics even groceries" to make "an attempt at description of a phenomenon known. as a complex." 5 x 7 inches. Fine condition. Criterion Collection 482. Rosenbaum 1000. Vogel Film as a Subversive Art. Concordia Compagnia Cinematografica unknown
1967réf. 138581Paris: Concordia Compagnia Cinematografica 1967. Four vintage borderless reference photographs from the set of the 1967 film. Studio rubber stamp on the verso. One of the photos features Marina Vlady sharing a cigarette with Roger Montsoret. Based on a 1966 article on casual prostitution in France by Catherine Viminet. One of three feature films Godard released in 1967 and like both "Week End" and "La chinoise" one that showcases Godard's increasing focus on deconstructing filmic narrative and structure and vocalization of leftist political ideas. Godard has stated that his overall desire with the film was "to include everything: sports politics even groceries" to make "an attempt at description of a phenomenon known. as a complex." 5 x 7 inches. Fine condition. Criterion Collection 482. Rosenbaum 1000. Vogel Film as a Subversive Art. Concordia Compagnia Cinematografica unknown books
