10 190 résultats
1967réf. 159622N.p.: N.p. 1967. Four vintage borderless color reference photographs from the 1967 film. A masterpiece of French cinema. Using his own money director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films following "Monsieur Hulot's Holiday" 1953 and "Mon Oncle" 1958. The third feature finds him in the much-modernized heart of the city with its complexities unfolding revolving deconstructing and reconstructing before his eyes. Set in Paris. Approximately 10.5 x 8.5 inches. Light wear at the corners else Near Fine. N.p. unknown books
2002réf. 160032N.p.: N.p. 2002. Draft script for the 2002 film. Loosely based on and not to be confused with the notorious 1977 horror film directed and written by George Barry. A murderous haunted bed terrorizes a young couple after they move into a newly renovated warehouse. Set in Los Angeles. Self wrappers. Title page present undated with credit for screenwriter John Strysik. 117 leaves with last page of text numbered 116. Xerographic duplication rectos only. Pages Very Good plus silver prong binding. N.p. unknown books
1974réf. 160034Hollywood: Paramount Television / Leda Productions 1974. Second Draft script for Season 1 Episode 1 of the 1975 television series. Copy belonging to an uncredited sound engineer with his name and title on the front wrapper in manuscript ink. The first adaptation to celluloid of hardboiled Southern California private eye Lew Archer a character originally created by novelist Ross Macdonald. In this episode Archer investigates a con man exploiting naive teenagers out of their parents' money. Originally aired on January 30 1975 on NBC. Orange titled wrappers noted as SECOND DRAFT on the front wrapper dated December 9 1974. Title page present noted as SECOND DRAFT dated December 9 1974 with credits for screenwriter David P. Harmon and novelist Ross Macdonald. 66 leaves with last page of text numbered 61. Xerographic duplication rectos only with blue revision pages throughout dated 12/12/74. Pages Near Fine wrapper Near Fine bound with two gold brads. Paramount Television / Leda Productions unknown books
1967réf. 141006N.p.: N.p. 1967. Three Draft scripts for an unproduced film. During the Korean War a group of marines are pinned down behind enemy lines in a remote village where the only survivor is a widowed Korean woman and her child. Chaos descends as the soldiers find their radio is broken they are running out of supplies and they are slowly being picked off by snipers. Set in Korea. Script 1: Self wrappers. Title page present with credits for screenwriter Jack Lewis. Twelve leaves with last page of text numbered twelve. Mimeograph duplication. Pages Very Good plus lacking wrappers unbound. Script 2: Self wrappers. Title page present with credits for screenwriter Jack Lewis. 101 leaves with last page of text numbered 100. Mimeograph duplication. Pages Very Good plus lacking wrappers unbound. Script 3: Self wrappers. Title page present with credits for screenwriter Jack Lewis. 100 leaves with last page of text numbered 99. Mimeograph duplication. Pages Very Good plus lacking wrappers unbound. N.p. unknown books
1962réf. 160048France: Cinetel 1962. Vintage borderless reference photograph of actress Martine Ferre from the 1962 film. A middle-aged man dreams of being a sailor but finds his dreams are waylaid repeatedly by the reality of his wife and children. 9.25 x 7 inches. Very Good with slightly curled edges and minor wear to the finish. Cinetel unknown books
1942réf. 160003Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1942. Two vintage reference photographs of Ethel Waters from the 1942 film. A successful American newspaper reporter is sent to cover the war in Europe. A British spy asks him to bring a coded message to Cairo where he finds out a movie star he is a fan of is a Nazi spy. Set in the Mediterranean and Cario Egypt shot in Hollywood and on location in Santa Monica Bay California. Both photos 4 x 5 inches. About Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1959réf. 160052Neuilly-sur-Seine France: Gaumont / Ulysse Productions 1959. Four items including three vintage borderless reference photographs and one vintage reference photograph from the 1959 film. A small-town reporter helps a lawyer incriminate a wine-selling company revealing how the merchants target poor people and youth in their advertising campaigns. Shot on location in Paris and Yvelines France. One photograph 9.5 x 7.25 two photographs 7 x 5 inches one photograph 5.25 x 4 inches. Very good plus with some curling at the edges and one photograph with some foxing on the verso. Gaumont / Ulysse Productions unknown books
1936réf. 158662N.p.: N.p. 1936. Vintage reference photograph from the 1936 film. Annotations in manuscript pencil and ink on the verso. From the archive of film historian and author Joel Finler. A dramatization of the rise to fame of Broadway producer and impresario Florenz Ziegfeld Jr. An extravagant runaway production with a massive budget lavish sets and costumes by noted designer Adrian. At the time of its release the film was the longest talking film of the time running just over three hours. Nominated for seven Academy Awards winning three including Best Picture and Best Actress for Luise Rainer. 10 x 8 inches. Very Good plus lightly worn at the corners. N.p. unknown books
1922réf. 158645N.p.: N.p. 1922. Vintage borderless satin-finish reference photograph from the 1922 film showing director and actor Erich von Stroheim. From the archive of film historian and author Joel Finler. The legendary von Stroheim's third film as a director at time the most expensive film ever made and the first to cost over one million dollars although the original budget was $250000. The overruns led to the first of many clashes between von Stroheim and Irving Thalberg then just 21 years old and still in his first year as the head of Universal. Thalberg eventually shut down production and took over editing the film himself cutting nearly three hours from the footage in the first of several instances in the next few years that would assert the primacy of the studio over that of the director. 8 x 10 inches. Near Fine. National Film Registry. Godard Histoires du Cinema. Rosenbaum 1000. N.p. unknown books
1960réf. 160047N.p.: Le-Sac Productions 1960. Two vintage studio still photographs from the 1960 film. Based on the career of 1930s outlaw Charles Arthur "Pretty Boy" Floyd. Floyd's father is killed and the murderer is let off by the sheriff. He tries to get revenge on the sheriff leading him down a very long path including robbery and an affair with a married woman. Set in Oklahoma. 10 x 8 inches. One photograph Very Good plus one photograph Good with creasing and wear to the finish. Le-Sac Productions unknown books
1960réf. 160049N.p.: Films Rive Gauche 1960. Six vintage press photographs for the 1960 film. Housed in a brown paper envelope presumably as issued. Envelope with manuscript ink annotation. Loosely based on the 1950 novel "Tomboy" by Hal Ellson. A teenage girl tomboy is the leader of a gang of other young people. The crimes they commit become more serious leading her and two other members to be ostracized and on the run. Set in the Paris suburbs. 7.25 x 5 inches. Good with foxing at the right and left side of the photographs and some wear to the finish. Films Rive Gauche unknown books
1972réf. 158656N.p.: N.p. 1972. Vintage reference photograph of actress Jenny Runacre from the 1972 film. Layout annotations in manuscript pencil on the verso along with the stamp of The Other Cinema in London and an Alternative Arts stamp with the film title. Stephen Dwoskin's second feature film. Dwoskin was an experimental filmmaker who produced work based on themes of perception disability and sexuality. He was a cofounder of the London Film-Makers' Co-op in 1966 and the film collective Spectre in 1980. 10 x 8 inches. Very Good plus. N.p. unknown books
1975réf. 158647N.p.: N.p. 1975. Vintage borderless reference photograph taken on the set of the 1975 film showing director Joseph Losey and a camera crew with actors Glenda Jackson and Helmut Berger between takes. Layout annotations in manuscript ink and pencil on the verso along with a Pariscop stamp. A novelist's wife returns from a holiday in Germany with another man setting off a chain of events that force the couple to question the foundations of their relationship. Shot in Baden-Baden Germany in Menton France and in London. 10 x 8 inches. Very Good plus with brief wear at the corners. N.p. unknown books
1979réf. 160041N.p.: N.p. 1979. Third Draft script for the 1981 film with rainbow revisions. Laid in with the script are two additional yellow revision pages dated 3/28/80. Based on the 1977 novel by John Gregory Dunne who with his wife Joan Didion wrote the screenplay for the film. Loosely based on the notorious 1947 Black Dahlia murder about a homicide detective investigating the brutal murder of a young woman in Los Angeles. Set and shot on location in Los Angeles. Blue titled wrappers. Title page present dated November 29 1979 noted as Third Draft with credits for screenwriters John Gregory Dunne and Joan Didion. 136 leaves with last page of text numbered 121. Xerographic duplication rectos only with rainbow revision pages throughout dated between 1/9/80 and 3/24/80. Pages Fine wrapper Near Fine bound with two gold brads. Housed in a custom beige clamshell box. N.p. unknown books
1988réf. 160126Culver City CA: Columbia Pictures 1988. Vintage reference photograph of actress Valentina Cortese from the 1988 film. With a manuscript ink annotation on the verso identifying Cortese her character and the name of the film. In the late 18th Century Baron von Munchausen of Austria wants to save a city besieged by a Turkish Sultan. He travels the world to assemble a team to help him succeed. Shot on location in Spain Italy and England. 8 x 10 inches. Fine. Criterion Collection 1166. Rosenbaum 1000. Columbia Pictures unknown books
1952réf. 160124London: Ealing Studios / Lippert Pictures 1952. Vintage reference photograph from the 1952 film noir. A woman and her younger sister flee London after their father is murdered by a dictator. When she returns seven years later she comes across her old lover who is planning to kill that same dictator. Audrey Hepburn's first significant role. Set in London. 10 x 8 inches. Very Good plus with some wear to the finish and some minor creasing along the edges. Grant UK. Selby UK. Selby US. Spicer UK. Ealing Studios / Lippert Pictures unknown books
1961réf. 160122N.p.: Sutton Pictures 1961. Two vintage studio still photographs from the 1961 film. Based on the 1946 novel by Leslie Edgley. A woman on the train is knocked unconscious by a man with a gun after she sees a woman who appears to be dead laying on the floor behind him. When she comes to she is questioned by police as a murder suspect. When she returns home to her apartment there is another dead bdy already planted there. Set in California. 10 x 8 inches. Near Fine. Sutton Pictures unknown books
1932réf. 160116Culver City CA: Columbia Pictures 1932. Two vintage reference photographs from the 1932 film. During the Great Depression a bank owner's bank is robbed and his protégé an ex-con is the only suspect. His protégé can't reveal his alibi because one of his witnesses is having an affair he does not want revealed. Partially shot on location at Citizen's National Bank in Los Angeles California. 8 x 10 inches. Poor with significant creasing on across the top middle of the photographs. Columbia Pictures unknown books
1946réf. 160109Burbank CA: Warner Brothers 1946. Vintage reference photograph from the 1946 film noir. Based on the 1919 short story by Fannie Hurst. Previously filmed in 1920 directed by Frank Borzage and starring Gaston Glass and Vera Gordon. Helen Crawford is a wealthy but neurotic socialite who catches the eye of Paul Garfield a celebrated classical violinist who was raised in the slums. Nominated for an Academy Award. Set in New York and California shot on location in Malibu and Laguna Beach California and New York City. 10 x 8 inches. Near Fine. Grant US. Selby US Canon. Silver and Ward Classic Noir. Spicer US. Warner Brothers unknown books
1994réf. 160129Los Angeles: Twentieth Century-Fox 1994. Draft script for the 1995 film seen here under the working title "Simon Says: Die Hard III." The third film in the Die Hard series following "Die Hard" 1988 and "Die Hard 2" 1990 and preceding "Live Free or Die Hard" 2007 and "A Good Day to Die Hard" 2013. In this installment NYPD Lieutenant John McClane teams up with a local electrician to stop a mysterious terrorist from setting off bombs across New York city. Shot on location in New York South Carolina and Maryland. Orange titled Twentieth Century-Fox wrappers dated July 10 1994. Title page present dated July 10 1994 noted as Version 3.31 with credit for screenwriter Jonathan Hensleigh. 120 leaves with last page of text numbered 119. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two silver brads. Twentieth Century-Fox unknown books
1972réf. 160079Burbank CA: Hammer Films / Warner Brothers 1972. Two vintage reference photographs from the 1972 film. With manuscript pencil annotation on the verso identifying the film and actors Peter Cushing and Stephanie Beachum. In 1872 Dracula is killed by a professor with a stake through his heart and then buried by his servant. In present day 1972 the great grandchildren of the professor and the servant accidentally resurrect Dracula and he wants revenge. Set in London shot on location in Hertfordshire and London. 8 x 10 inches. Very Good plus with some small creasing at the corners. Weldon 1983. Hammer Films / Warner Brothers unknown books
1981réf. 152195Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1981. Final Draft script for the 1982 film. Copy belonging to an unknown crew member with their name in manuscript pencil to the top right corner of the front wrapper. A coming-of-age tale set in 1959 following a group of four friends in their early twenties struggling to adapt to life as adults. Set and shot on location in Baltimore. Goldenrod titled wrappers noted as FINAL DRAFT on the front wrapper rubber-stamped copy No. 156 dated January 12 1981 with credits for director and screenwriter Barry Levinson. Title page present with credits for director and screenwriter Barry Levinson. 124 leaves with last page of text numbered 116. Xerographic duplication rectos only with blue revision pages throughout dated 2/23/81. Pages Near Fine wrapper Very Good plus bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown books
1961réf. 160054New South Wales: Cine-Alliance / Embassy Pictures 1961. Seven vintage borderless reference photographs from the 1961 film. Based on the 1893 play by Victorien Sardou and Émile Moreau. A laundry woman in France follows her husband to the battlefield inadvertently helping Napoleon win a battle. They are both given the title of Duke and Duchess though she does not understand and/or comply with the social manners of courtly life. Set in France shot on location in Tuscany Italy and Madrid Spain. 7 x 9.25 inches. Very Good plus with some wear to the finish and light offsetting adhesive residue on the verso. Cine-Alliance / Embassy Pictures unknown books
réf. 160172Los Angeles: Twentieth Century-Fox 1977. Final Draft script for the 1978 film. A unique script in terms of the narrative with each scene described in fragmented sentences. Director Walter Hill's existential neo-noir heavily influenced by Jean-Pierre Melville's "Le Samourai" 1967 with some of the finest car-chase sequences ever committed to celluloid. The film follows a skilled getaway driver whose elusive escapes torment a self-assured police detective driving the detective to the brink of obsession. Cream titled wrappers dated May 23 1977. Title page present dated May 23 1977 noted as FINAL with a credit for Hill. 114 leaves with last page of text numbered 111. Xerographic duplication on blue stock rectos only. Pages and wrapper Near Fine bound with two gold brads. Silver and Ward US Neo-Noir. Spicer US. Twilight Time 53. Twentieth Century-Fox unknown books
1972réf. 160117Los Angeles: Omnibus Productions Inc. / National Broadcasting Company NBC 1972. Second Draft script for the 1973 television movie originally aired on March 18 1973 on NBC. Working copy belonging to screenwriter Ron Bishop with an annotation in manuscript pencil on the title page noting "Bishop only" and 18 manuscript revision pages in Bishop's hand laid in. Based on the 1937 novella by John Steinbeck filmed once before by Lewis Milestone in 1949. Winner of two Primetime Emmy awards and nominated for seven more. Shot on location in Sonora California. Beige generic agency wrappers. Title page present undated noted as Second Draft with credits for screenwriter Ron Bishop and novelist John Steinbeck. 126 leaves with last page of text numbered 124. Xerographic duplication rectos only with 18 undated manuscript revision pages laid in. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Omnibus Productions Inc. / National Broadcasting Company [NBC] unknown books
