11 072 résultats
1983réf. 167921N.p.: Titan Productions 1983. Ten vintage studio still photographs from the 1983 film. The eighth film in the Pink Panther series and the second film in the series after actor Peter Sellers' death. David Niven's final film appearance. Shot on location in New York Nice Valencia and Ibiza. 8 x 10 inches. One photo with an annotation in manuscript ink on the bottom recto margin else about Fine. Titan Productions unknown
1954réf. 168145Culver City CA: RKO Radio Pictures 1954. Three vintage studio still photographs from the 1955 Western film. Two with provenance stamps on the versos. A Texan cowboy hand-delivers high-priced Brahman bulls to Brazil encountering outlaws and beautiful women in the process. Shot on location in São Paolo. 10 x 8 inches. Very Good plus. Pitts 82. RKO Radio Pictures unknown
1988réf. 167913Los Angeles: Orion Pictures 1988. Nine vintage studio still photographs from the 1988 horror film including seven compilation photographs. Based on the 1983 novel by Michael Stewart about a service monkey's increasingly murderous obsession with her owner a quadriplegic man. Director George Romero's second feature film produced with major studio backing after "Creepshow" 1982. Shot on location in Pittsburgh. 8 x 10 inches. Generally Near Fine to Fine. Orion Pictures unknown
1994réf. 167932Los Angeles: Gramercy Pictures 1994. Five vintage studio still photographs from the 1994 film including four compilation photographs one showing director David Johnson on the set. A comedy produced by Spike Lee through his production company 40 Acres and a Mule about a team of African Americans who seek out and deprogram other Black Americans who they feel have betrayed their race. 8 x 10 inches. Fine. Gramercy Pictures unknown
1960réf. 168180Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1960. Four vintage studio still photographs from the 1960 film. A man travels to a remote military academy to inquire about his son reported to have died in an unspecified accident only to learn that the boy's death was caused by a violent hazing ritual. 10 x 8 inches. Lightly toned else Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1963réf. 168179Culver City CA: Columbia Pictures 1963. Three vintage color studio still photographs from the 1963 film. Based on the 1950 novel of the same name by Henry Morton Robinson detailing the life of a young American priest who must face numerous moral dilemmas the rise of Nazis and growing bigotry while he rises into power within the church. The story is based in part on the career of Francis Joseph Cardinal Spellman archbishop of New York 1939-1967. Shot on location in Boston. 10 x 8 inches. Near Fine. Columbia Pictures unknown
1967réf. 168188Burbank CA: Warner Brothers 1967. Three vintage studio still photographs from the 1967 film. Frank Sinatra's last film with Warner Brothers. Based on the 1966 novel by Francis Clifford about an industrialist who is pulled into a Cold War espionage scheme. Shot on location in London and Copenhagen. 10 x 8 inches. Two Near Fine one Very Good plus. Warner Brothers unknown
1974réf. 168194N.p.: Astral Films 1974. Five vintage studio still color photographs from the 1974 film. Based on Mordecai Richler's 1959 novel about a young working-class Jewish man who embarks on a series of get-rich-quick schemes in an attempt to buy the land around a lake. Set and shot on location in Montreal. 10 x 8 inches. Near Fine to Fine. Astral Films unknown
1959réf. 161414N.p.: N.p. 1959. Shooting Final script for the 1959 film. Specially bound copy belonging to screenwriter Jerry Wald with his name in gilt on the spine. 23 reference photographs from the film bound in variously among the script pages. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films including "Mildred Pierce" 1945 "Humoresque" 1946 "Key Largo" 1948 and "Flamingo Road" 1949. In the 1950s he moved to Twentieth Century-Fox and was the producer there for "An Affair to Remember" 1957 "Peyton Place" 1957 and "Sons and Lovers" 1960. Based on screenwriter Fred Gipson's 1947 novel "Circle Round the Wagon" about two young brothers go on a hunting trip with an older friend. Fabian's film debut. Gipson's second published novel preceding his better-known 1956 novel "Old Yeller." Shot on location in San Bernardino. Bound in light blue cloth with navy quarter leather binding with five raised bands and gilt titles on the spine. Title page present dated July 9 1959 noted as Shooting Final with credits for screenwriter-novelist Fred Gipson and screenwriter Winston Miller. 143 leaves with last page of text numbered 111. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 7/13/59 and 7/22/59. Pages Near Fine binding Very Good plus front board slightly warped. N.p. unknown
1986réf. 167937Culver City CA: Columbia Pictures 1986. Seven vintage studio still photographs from the 1986 film including one showing director Walter Hill on the set. Not to be confused with the 2002 film starring Britney Spears. A young student at the Juilliard School befriends with an aging bluesman in hopes that the musician will teach him about his friendship with blues legend Robert Johnson years before. Set in Chicago and Mississippi shot on location in Murphy Greenville Natchez Port Gibson and Vicksburg Mississippi and in Burbank California. 10 x 8 inches. Near Fine to Fine one with an annotation in manuscript ink on the bottom margin. Columbia Pictures unknown
1966réf. 168193Beverly Hills CA: Batjac Productions 1966. Vintage studio still photograph from the 1966 film showing actors Kirk Douglas and Topol. Based on the real experiences of David "Mickey" Marcus a US military officer recruited to command units of the Israel Defense Forces forces during the 1948 Arab-Israel War. Shot on location in Israel and Italy. 10 x 8 inches. Near Fine. Batjac Productions unknown
1942réf. 167995Universal City: Universal Pictures 1942. Five vintage reference photographs from the 1942 film. One with a mimeo snipe on the verso and three with annotations in manuscript ink on the same. The fourth film in Universal Pictures' Frankenstein series preceded by "Frankenstein" 1931 "Bride of Frankenstein" 1935 and "Son of Frankenstein" 1939 and the first to star Lon Chaney as the monster. Set in the fictional village of Frankenstein. 8 x 10 inches. Generally Very Good plus to Near Fine one photograph with tape near the margins of the recto one with pinholes at the corners and one with paper residue at the bottom left corner. Weaver and Brunas Universal Horror. Universal Pictures unknown
réf. 141136Burbank CA: American Broadcasting Company ABC. First Draft script for the 1955 television program. One of the first television Westerns in which Wyatt Earp is a marshal in a local town in the southwest. Nominated for two prime time Emmy Awards. Set in American West. Set in Arizona and shot on location in California and Arizona. Pink titled self-wrappers noted as First draft on the front wrapper with credits for screenwriter Wilda McGinnis. 33 leaves with last page of text numbered 33. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with a staple. American Broadcasting Company [ABC] unknown
1967réf. 167722Budapest: Hungarofilm 1967. Collection of 23 vintage borderless reference photographs from the 1967 film including one showing director Miklós Jancsó on the set. Annotations in manuscript ink and pencil along with provenance labels on the versos. A Russian-Hungarian co-production the film was originally commissioned to celebrate the 50th anniversary of the 1917 October Revolution led by Lenin's Bolsheviks. However Jancsó chose to set the action two years later in 1919 focusing on the Hungarian soldiers supporting the Red Army in fighting the Whites. Instead of an idealized depiction of the revolution the resultant release was bleak and profoundly antiheroic and is today considered one of the masterpieces of Hungarian cinema. Generally 7 x 5 inches some with wide bottom margins. Very Good plus to Near Fine. Rosebaum 1000. Vogel Film as a Subversive Art. Hungarofilm unknown
1994réf. 148549Beverly Hills CA: Brillstein-Grey Entertainment 1994. Draft script for the 1995 film comedy. Good-natured pastry chef Sergio John Leguizamo is smitten with waitress Hattie Sadie Frost who refuses to go out with him until he can earn a decent living. The bakery is burned down by arsonist Garet William Baldwin and Garet's father offers Sergio a bribe of $25000 to take the blame. Romantic hilarity ensues as Sergio and Garet become involved in a love quadrangle involving Hattie and another woman named Stephanie Erika Eleniak. Director Joshua Brand is best known for having created early story-arc driven dramas including "Northern Exposure" 1990-1995 and "St. Elsewhere" 1982-1988 both of which proved to be the template for television's transition to more ambitious and challenging formats. Shot on location in Toronto. White generic Brillstein-Grey Entertainment untitled wrappers. Title page present with a credit for screenwriter Morgan Ward. 61 leaves with last page of text numbered 122. Xerographic duplication printed on both rectos and versos. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Brillstein-Grey Entertainment unknown
1974réf. 168007Los Angeles: Twentieth Century-Fox 1974. Vintage reference photograph from the 1974 film showing Gene Wilder and Peter Boyle as Dr. Frankenstein and his monster respectively during the famous "Puttin' on the Ritz" dance sequence. Widely considered Mel Brooks' finest comedy and surely the peak of his powers as a director. One of the few modern film comedies in the National Film Registry joined by two of Brooks' other masterpieces "The Producers" 1968 and "Blazing Saddles" 1974. Nominated for two Academy Awards. 10 x 8 inches. Fine. National Film Registry. Twentieth Century-Fox unknown
1994réf. 168325N.p.: N.p. 1994. Draft script for the 1994 film here called a "Schedule Draft". Annotations in manuscript ink on the title page noting copy No. 33 and the name of supervising accountant Danielle Sotet. Robert Altman's sardonic take on Paris Fashion Week featuring an enormous star-studded ensemble cast of international actors models and designers. Set and shot on location in Paris France. Mylar front wrapper white card rear wrapper. Title page present dated January 14 1994 noted as Schedule Draft with credit for Altman and screenwriter Barbara Shulgasser. 82 leaves with last page of text numbered 81. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good moderately soiled bound with two silver clasps. N.p. unknown
1959réf. 151144London: J. Arthur Rank 1959. Treatment script for an unproduced film circa 1959. Not to be confused with the 1972 BBC mini-series based on the same literary source. Based on Mary McMinnies' 1958 novel which follows the adventures of a pleasantly immoral young woman who has recently been relocated with her English Foreign Service husband to a Communist-run eastern European country. Gray titled wrappers noted as Treatment on the front wrapper dated 18-3-59. Title page present with credits for screenwriter JOHN MORTIMER and novel credits to Mary MacMinnies sic. 48 leaves with last page of text numbered 46. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with a gold prong. J. Arthur Rank unknown
1957réf. 151143London: J. Arthur Rank 1957. Draft script for an unproduced film. An exceedingly wealthy but unfulfilled man crash-lands his test plane on a remote island inhabited by a fishing village where he falls in love with Liani a kind villager. Screenwriter Robin Estridge was best known for his work for television and film in the 1950s and 1960s including "Chance Meeting" 1954 "North West Frontier" 1959 "Escape from Zahrain" 1962 and "Drums of Africa" 1963. Orange titled wrappers noted as Draft Screenplay on the front wrapper dated 22-2-57. Title page present dated February 1957 with credits for screenwriter Robin Estridge. 62 leaves with last page of text numbered 60. Mimeograph duplication rectos only. Pages Near Fine wrapper Good with the front wrapper detached from the binding bound internally with a silver prong. J. Arthur Rank unknown
1984réf. 168321N.p.: N.p. 1984. Draft script for an unproduced film. With the resume of screenwriter Shelley Berc bound in before the title page at the front of the script. An adaptation of an experimental stage play also written by Berc a musical about a New York fireman. Title page present copyright date noted as 1984 with credit for Berc. 56 leaves with last page of text numbered 52. Xerographic duplication rectos only. Pages Very Good plus partially bound with a single paper clip at the top left corner. N.p. unknown
1978réf. 168320N.p.: Momentum Productions 1978. Treatment script for an unproduced film. An English-language feature-length treatment based on the 1965 Dutch short film co-written by René Daalder and his childhood friend and noted architect Rem Koolhaas under the auspices of experimental film collective the 1 2 3 Group. Counting Jan de Bont and Robby Müller among its members the 1 2 3 Group opposed the concept of the auteur with each person in the group serving variously as writer director actor and more on each production. The collective is perhaps best remembered today for "The White Slave" 1969 co-written by Koolhaas and Daalder. Self wrappers. Title page present copyright date noted as 1978 with credit for Daalder. 48 leaves with last page of text numbered 48. Xerographic duplication rectos only. Pages Very Good plus partially bound at the top left corner with a paper clip. Momentum Productions unknown
1993réf. 147073Los Angeles: Orbit Entertainment 1993. Draft script for the 1993 film here under the working title "Cross Bait." After being accidentally given an invaluable coin from the age of King Herod while traveling through Jerusalem an Arabic boy and an American teenager travel across Israel to protect the treasure from a British man obsessed with procuring the coin by any means. Set and shot in Jerusalem. Pink untitled wrappers. Title page present with credits for screenwriters Dror Soref and Howard Delman. 127 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Very Good plus wrapper Good lightly dampstained and soiled bound with three gold brads. Orbit Entertainment unknown
1980réf. 164131N.p.: N.p. 1980. Draft treatment script for an unproduced television series with manuscript pencil annotations throughout. Screenwriter Sustarsic wrote frequently for sitcom television throughout the 1980s and 1990s most memorably for the television series "Alice" 1976-1985 and "The Jeffersons" 1975-1985. Sustarsic was also one of the creators of the children's animated series "The Wild Thornberrys" 1998-2004. The Stoned Ranger and his sidekick Wanto attempt bring outlaws Burt Bart and Burp to justice for stealing a diamond ring a charm bracelet and panties from siblings Tim and Shelly. Set in Wakka Nukka Pooka Wooka City. Front wrapper integral with title page with credits for screenwriter Stephen Sustarsic. 28 leaves with last page of text numbered 27. Xerographic duplication rectos only. Pages Near Fine overall unbound. N.p. unknown
1984réf. 168022Los Angeles: The Samuel Goldwyn Company 1984. Two vintage reference photographs from the 1984 softcore film. Loosely based on the bondage-themed comics of John Willie and on his original character Sweet Gwendoline. After being kidnapped at a Chinese port a courageous young woman is rescued by a mercenary kicking off a string of wild adventures. 10 x 8 inches. About Fine. The Samuel Goldwyn Company unknown
1989réf. 164146N.p.: Michael Kagan Productions 1989. First Draft script for the pilot episode of the 1989 television series which premiered on The Disney Channel on April 30 1989 here under the title "Pilot." Script preceded by a "Rehearsal and Taping Schedule" a "Short Rundown" and a three-page "Main Titles" all bound in. The Disney Channel series starring Cindy Williams and Bill Hudson only lasted for five episodes ending on June 14 1989. Williams and Hudson star as a young married couple who have to hire a couple of children to pose as their offspring to please Hudson's new boss. Front wrapper integral with title page dated March 6 1989 noted as FIRST DRAFT with credits for screenwriter Michael Kagan. 67 leaves with last page of text numbered 61. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. Michael Kagan Productions unknown
