10 190 résultats
1949réf. 143500Culver City CA: Vanguard Films 1949. First Rough Draft script for an unproduced film intended for development at Vanguard Films inherited by Vanguard from Selznick International. Based on the 1902 novel by Henry James. Blue titled wrappers noted as First Rough Draft on the front wrapper dated February 3 1949 with credits for screenwriter Robert Stevenson. Title page present dated February 3 1949 noted as First Draft with credits for novelist Henry James. 127 leaves with last page of text numbered 123. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine internally bound with three silver brads. Vanguard Films unknown books
1947réf. 143498Los Angeles: Vanguard Films 1947. Final Shooting script for an unproduced film. Screenwriter Cockrell is best known for the seminal film noir "Dark Waters" 1944 directed by Andre De Toth and went on to write for television between 1956-1966 including original stories for "Perry Mason" "Johnny Staccato" "Alfred Hitchcock Presents" and "Batman." Goldenrod titled wrappers noted as Final Shooting script on the front wrapper rubber-stamped copy number dated April 17 1947 with credits for screenwriter Marian Cockrell. Distribution page present with receipt intact. 133 leaves with last page of text numbered 131. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine internally bound with three metal brads. Vanguard Films unknown books
1959réf. 142889Paris: Cinedis 1959. Collection of 11 original black-and-white photographs from the 1959 French film. Most feature starring actress Morgan and a few show other actors including Vidal. Three on-the-set photographs of Morgan being fitted by a female crew member possibly costume designer Tanine Autré and eleven still photographs with Morgan and Blanche at a bar even an image of kids gathered in a junkyard. On the versos of the three on-the-set are French film title and "M. Morgan" in manuscript ink and rubber stamps for photographer Paul Apoteker numerical annotations in manuscript pencil on the versos of the still photographs. Housed in a French Kodak photo box with French film title label on the lid. Catherine Morgan is an alcoholic lawyer who enlists the help of reporter Walter Vidal to spy on a nefarious wine supplier who may have contributed to the killing of a young man's father. Morgan dominated French cinema for decades and even won the Best Actress Award at the first Cannes festival 1946. Photographer Apoteker's debut film followed by successful crime noirs notably "Classe Tous Risques" 1960 and later worked on "Love and Death" 1975 and the futuristic "cinema du look" film "Le prix du danger" 1983. Fourth film of noted costume designer Autré whose other credits include "Love on a Pillow" 1962 "Contempt" 1963 "Lost Command" 1966 and "The Game is Over" 1966. Photos range from 3.75 x 5.25 inches to 7 x 9.25 inches most stills with a 2-inch border at the bottom. Slight curling else Near Fine. Box Very Good overall. Complete collation upon request. Cinedis unknown books
1948réf. 142958New York: Columbia Broadcasting System CBS 1948. Treatment script for an unproduced film as well as a produced radio broadcast script for the May 25th1948 CBS radio adaptation. Manuscript ink on front wrapper noting title screenwriter Daniel Tardash and story based on the 1946 novel by Isak Dinesen writing under the pseudonym of Pierre Andrezel. Daniel Taradash would go on win an Academy Award for his 1954 adaptation of "From Here it Eternity." Set in 1840s France. Red untitled wrappers. Title page present noted as Treatment with credits for screenwriter Daniel Tardash. 98 leaves with last page of text numbered 57. Mimeograph duplication. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Columbia Broadcasting System [CBS] unknown books
1956réf. 142863Universal City: Universal Pictures 1956. Second Revised Final Draft script for the 1957 film. Specially bound copy belonging to producer Ross Hunter bound in navy full calf with gilt titles on cover and spine with Hunter's name on the front board. Based on the 1956 autobiography of the same name by Colonel Dean E. Hess a real-life United States Air Force fighter pilot in the Korean War. Hess was a technical advisor for the film and the gold flying helmet Rock Hudson wears was his personal possession. A poster for "Battle Hymn" appears outside the movie theater in the 1959 pilot episode of The Twilight Zone "Where Is Everybody" Set in 1950s Westhampton Ohio and Seoul shot on location in Seoul South Korea and Nogales AZ. Navy full calf binding without paper wrappers as issued. Title page present noted as Second Revised Final with credits for screenwriter Charles Grayson. 137 leaves with last page of text numbered 123-A. Multilith duplication with pink blue white revision pages throughout dated variously between 2/29/56 and 4/23/56. Pages Near Fine presentation binding Near Fine. Universal Pictures unknown books
1970réf. 142976Culver City CA: Columbia Pictures 1970. Draft script for the 1970 film. One of the more notable scripts from character actor and writer Leo Gordon whose Hollywood career began after his dishonorable discharge during WWll for robbing patrons at a bar. Throughout his 40 years as an actor art imitated life as the burly Gordon typically played an outlaw typecast predominately in Westerns. Peter Collinson fresh off "The Italian Job" was reportedly a brute force in addition to excruciating temperatures on a set that was 200 miles outside of Istanbul. The pairing of the leads was lauded as Charles Bronson was at the height of European fame alongside a well-established Tony Curtis. Set in 1922 Greco-Turkish War shot on location in Turkey. Blue titled wrappers. Title page present with credits for Leo V. Gordon. 129 leaves with last page of text numbered 129. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Columbia Pictures unknown books
1972réf. 142998New York: Cinema 5 1972. Original American program for the 1969 French documentary film. A two-part film exploring collaboration and resistance to the Vichy government and Nazi Germany in the French town of Clermont-Ferrand. Nominated for an Academy Awards for Best Documentary. 7.5 x 11 inches in self wrappers. Printed on newsprint. Near Fine with a shallow horizontal fold crease and light soil. Cinema 5 unknown books
1967réf. 142997Belgrade: Avala Film 1967. Original program for the international release of the 1967 Yugoslav black wave film. Photo-illustrated with stills from the film and reproductions of line illustrations. Wrappers text in French with French German Russian Spanish and English text inside. Taking on the trappings of American crime and film noir about a woman who is murdered by her lover after her infidelity is discovered the plot unfolds in non-chronological order with imaginative digressions and interruptions where both a sexologist and criminologist directly address the camera creating a critique of communist society and censorship. 10 x 8.25 inches. Very Good plus in stiff wrappers. Criterion Eclipse 18. Rosenbaum 1000. Vogel Film as a Subversive Art. Avala Film unknown books
1936réf. 143033New York: Gaumont British Picture Corporation 1936. Draft script for the 1937 film. Specially bound copy bound in green cloth with title in gilt. An American gangster joins the British Army in order to evade the police. Released in Great Britain under the title O.H.M.S. which signifies "On His Majesty's Service." Military propaganda from Britain's War Office made with full Army Council cooperation. American director Raoul Walsh was chosen after his success with "What Price Glory" in 1926 which helped boost recruiting for the US Marine Corps. Set in New York and London shot on location in London. Green cloth covered boards with gilt titles with stamped production No. 69 in gilt. Title page present dated 31st July 1936 noted as screenplay. 116 leaves. Mimeograph duplication. Pages Near Fine with dampstaining on open edge binding Very Good plus. Gaumont British Picture Corporation unknown books
1931réf. 130961Hollywood: Paramount Pictures 1931. Revised Final Script for the 1932 pre-Code film an early starring role for Carole Lombard. Rubber stamped as a Paramount File Copy at the top right corner of the front wrapper. Penelope Newbold is a wealthy divorcee looking to remarry. She falls for her physician Dr. Karl Bemis but ends up marrying Bill Hanaway. Bill then has an affair with another woman. Tall peach side stapled self wrappers noted as Third Buff Script on the front wrapper dated October 6 1931 with credits for writers Hughes Heath Buchman and Leahy. 205 leaves on peach stock mimeograph duplication with annotations throughout. Paramount Pictures unknown books
1944réf. 130926Universal City CA: Universal Pictures 1944. Post-Production script for the 1944 film. Script incomplete lacking the first page. Based on the 1939 novel by James Ronald. A man begins having an affair with a woman he met through work. His wife discovers the affair and forces him to break off all ties to the woman. Unfortunately his wife dies falling down the stairs in what may or may not have been an accident. One detective is determined to prove foul play. Set in London. White self-wrappers. 137 leaves with last page of text numbered 17. Mimeograph duplication rectos only. Pages Very Good wrapper Very Good bound with two rusted gold brads along the top edge. Grant US. Selby US. Silver Classic Noir. Spicer US. Universal Pictures unknown books
1931réf. 130935Universal City CA: Universal Pictures 1931. Continuity and Dialogue script for the 1931 pre-code film. A man gets promoted from the printing room to working with the society editor at a newspaper. When he begins to develop feelings for the woman writing the society section he brawls with her lover who is also their boss. White titled self-wrappers noted as Continuity and Dialogue on the front wrapper production No. 117-1. 85 leaves with last page of text numbered 12. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good with a long tear to the front self-wrapper bound with two gold brads along the top edge. Universal Pictures unknown books
1954réf. 130946Universal City CA: Universal Pictures 1954. Continuity and Dialogue script for the 1954 film. A woman moves from the midwest to New York City and develops a friendship with a nightclub singer. Unfortunately the nightclub singer's husband develops feelings for the new to town woman. The misunderstanding may be deadly. Set in New York City. White titled self-wrappers noted as Continuity and Dialogue on the front wrapper production No. 1757 dated March 16 1954 with credits for director Joseph Pevney. PAGES leaves with last page of text numbered 9. Multilith duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads along the top edge. Grant US. Selby US. Spicer US. Universal Pictures unknown books
1979réf. 143077Italy / US: Twentieth Century-Fox 1979. Vintage borderless photograph showing actor Jill Clayburgh and director Bernardo Bertolucci in a pensive moment during on outdoor shoot from the set of the 1979 film. With the stamp of US co-producer Twentieth Century-Fox and identifying manuscript notation on the verso. The son of a famous opera singer falls into heroin addiction and his mother begins an incestuous relationship with him to help him kick the habit. 9.5 x 7 inches. Near Fine. Twentieth Century-Fox unknown books
1957réf. 143086Culver City CA: Columbia Pictures 1957. Two vintage photographs from the set of the 1957 film one showing actors Rita Hayworth and Jack Lemmon relaxing between takes the other showing Hayworth and actor Robert Mitchum waiting while the camera crew sets up on a boat. Mimeo snipe to the verso of the second photograph. Based on the 1954 novel by Max Catto about two smugglers whose partnership is tested when they agree to transport an undocumented woman to a Caribbean island. Photographs 5 x 7 and 8 x 10 inches. Light curling and faint diagonal creasing to the corners. Very Good plus. Columbia Pictures unknown books
1958réf. 143074Universal City CA: Universal Pictures 1958. Vintage double weight photograph on the set of the 1958 film showing Cyd Charisse getting her hair styled after a swim while Rock Hudson films with moment in the background. With a mimeo snipe on the verso. With a screenplay by Ernest K. Gann based on his 1958 novel about the captain and passengers of a rundown boat caught in a storm and struggling to survive. Filmed on location in Hawaii. 8 x 10 inches. Near Fine. Universal Pictures unknown books
1991réf. 143062Italy: MMD 1991. Vintage borderless double weight photograph from the 1991 film. With a stamp on the verso identifying the film and photographer. A black comedy in which a divorced man falls for a beautiful woman who uses magic to turn him into a sex slave. He doesn't seem to mind until she gets bored and wants to leave him and the things take a darker turn. Nominated for the Palme d'Or at Cannes. 11.75 x 7.5 inches. Light creasing to the corners else Near Fine. MMD unknown books
1962réf. 143073Glendale CA: Allied Artists 1962. Vintage borderless photograph from the 1962 film. With manuscript annotations and a sticker noting the photograph is from the collection of film historian collector and founder of the Tele Cine Documentation TCD cinema photo library Daniel Bouteiller on the verso. Loosely based on the 1822 novel by Thomas De Quincey the film transposes the setting to San Francisco's Chinatown and involves Price in mystery set in the criminal underworld. 7 x 5 inches. Near Fine. Rosenbaum 1000. Allied Artists unknown books
1958réf. 143080France: Iena Productions 1958. Vintage borderless photograph from the 1958 film showing director Roger Vadim positioning actor Brigitte Bardot's hands as she holds a cape. With manuscript annotations on the verso identifying the film. Based on the 1954 novel by Albert Vidalie about a young woman who runs away from a convent only to get entangled with the young man her aunt is having an affair with to deadly consequences. Vadim's second film and the second of five films he would make with Bardot. Set and shot in Torremolinos Spain. 9.5 x 7 inches. Near Fine. Iena Productions unknown books
1967réf. 143076London: Hammer Films / Seven Arts 1967. Five photographs from the 1967 British American film including one US studio still. One photograph with the stamp on a Spanish photo agency on the verso a few with brief manuscript annotations. Released as "Slave Girls" in the UK and "Prehistoric Women" in the US. An explorer touches a mystical statute and finds himself in the distant past where a tribe of brunette women enslave blonde women whom he must help fight for freedom. Hammer reused the sets and costumes from the previous year's "One Million Years B.C." and would return to the same ouevre of scantily clad cave women with "When Dinosaurs Ruled the Earth" 1970 and "Creatures the World Forgot" 1971. 10 x 8 inches. Near Fine. Hammer Films / Seven Arts unknown books
1954réf. 143075Italy / France: Produzioni Cinematografiche Associate / Franco London Films 1954. Vintage borderless photograph from the set of the 1954 film showing Ingrid Bergman tied to the titular stake with actor Tullio Carminati beside her and director Roberto Rossellini in the foreground. With stamps identifying the film under the English language title "Joan at the Stake" and the New York address of Italian Films Export as well as some manuscript annotations on the verso. Based on the 1938 oratorio "Jeanne d'Arc au bucher" by Arthur Honegger with a libretto by Paul Claudel about visions of her life and purpose Joan of Arc receives as she is burned at the stake. 6.75 x 9.25 inches. Near Fine. Godard Histoires du cinema. Produzioni Cinematografiche Associate / Franco London Films unknown books
1980réf. 141899Los Angeles: Sandy Howard Productions / New World Pictures 1980. Draft script for an unproduced film. Manuscript ink notation 108 on title page. Bar-Yotam is an Israeli actor and screenwriter who is best known for his roles in "You Don't Mess with the Zohan" 2008 and "Moon Over Parador" 1988 along with several television appearances dating from 1981-2016 on programs such as "Seinfeld" " Murder She Wrote" "Shameless" and "MacGyver." An angry renegade Irish police officer who plays by his own rules to come out on top in the end. Set in Southern California. White titled wrappers. Title page present with credits for screenwriter Reuven Bar-Yotam. 125 leaves with last page of text numbered 123. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Sandy Howard Productions / New World Pictures unknown books
1985réf. 141888Munich Munchen: Alex Tudor 1985. Treatment script for an unproduced film. An older man holds a party at his castle and attracts the attention of a young woman though no one present understands what one sees in the other. Dr. Alexe Tudor is an independent German documentarian who focuses primarily on symbols and expression spotlighting the artist's case for both. Tudor's works include profiling events and exhibitions related to the work of clergyman and artist Ivo Schaible SDS 1999-2012 Der Antifter: Freemasonry 2008 surveying the work of Otmar Alt and the documentary Die Begegnung. Set in Blue untitled wrappers with a business card for director and screenwriter Alex Tudor affixed at the lower right corner of the front wrapper. Title page present dated 17.03.85 with credits for screenwriter Tudor. 20 leaves with last page of text numbered 17. Xerographic duplication. Pages Near Fine wrapper Very Good plus bound with four staples. Alex Tudor unknown books
1978réf. 141900Leigh-McLaughlin / Atlantic Releasing Corporation 1978. Draft script for the 1978 film. Gilroy was a writer for screen stage novels film producer and director. He received the Tony Award for Best Play and the Pulitzer Prize for Drama for his play "The Subject Was Roses" in 1965. An autobiographical tale of an American screenwriter living in Paris who has an affair with a British aristocrat. Set in and shot on location in Paris. Brown untitled wrappers manuscript ink notation of underlined title. Title page present with credits for screenwriter Frank D. Gilroy. 148 leaves with last page of text numbered 148. Mechanical duplication. Pages Near Fine wrapper Very Good plus prong binding. Leigh-McLaughlin / Atlantic Releasing Corporation unknown books
1950réf. 142350N.p.: N.p. 1950. Archive of various ribbon copy typescript draft script revisions in both red and black ribbon type for an unproduced film. With annotations throughout in manuscript ink. A mystery begins to unfold as Tom Fielding finds an acquaintance of his in a highly distressed position. When he returns to his home he finds his wife has been brutally murdered and that he is the prime suspect. Set in London and Liverpool. Script #1: Blue titled wrappers with typescript title label affixed to the front wrapper. Title page present with credits for screenwriter Moore. 37 leaves with last page of text numbered 6. Mimeograph duplication. Pages Near Fine wrapper Near Fine bound with a string binding. Script #2: Blue untitled wrappers. Title page present noted as First Copy with credits for screenwriter Moore. 266 leaves with last page of text numbered 11. Ribbon copy typescript in black and red. Pages Very Good plus wrapper Very Good plus unbound. N.p. unknown books
