11 067 résultats
1975réf. 127471Culver City CA: Columbia Pictures 1975. Vintage one sheet poster for the 1975 film. A delightfully scathing script from Robert Towne and star Warren Beatty set during the days surrounding the 1968 presidential election featuring Beatty as a narcissistic womanizing hairdresser who attempts to raise money to open a salon only to be consistently sidetracked by his various romantic entanglements. Winner of an Academy Award for Best Supporting Actress for Lee Grant and nominated for three more including Best Screenplay and Best Supporting Actor for Jack Warden. Set in and shot on location in Beverly Hills and Los Angeles. 27 x 41 inches previously Folded as issued. Very Good plus. Criterion Collection 947. Columbia Pictures unknown
1981réf. 127382Los Angeles: Paramount Pictures 1981. Vintage one sheet poster for US release of the French-Canadian film. An aging smalltime mobster and his aspiring croupier neighbor become entangled with the big leagues of the mob when the neighbor's estranged husband shows up with a large cache of stolen cocaine. Nominated for five Academy Awards. Set and shot on location in Atlantic City New Jersey. 27 x 41 inches. Very Good plus with light creasing. National Film Registry. Ebert III. Grant US. Rosenbaum 1000. Spicer US. Paramount Pictures unknown
1973réf. 127868N.p.: N.p. 1973. Vintage Cuban poster for the Cuban release of the 1968 film designed by Eduardo Muñoz Bachs. Based on the 1966 novel "Me and the Arch Kook Petulia" by John Haase about a newlywed socialite who relentlessly pursues a physician for an affair. Shot on location during the Summer of Love in San Francisco with appearances by Janis Joplin and The Grateful Dead that are not so much cameos as they are part of movie's atmosphere. Entered into competition at Cannes in 1968 before that year's festival was canceled. Eduardo Muñoz Bachs was a revered Cuban artist best known for his over 2000 movie poster designs. His work also encompassed comics children's book illustration and animation. Bachs is also noted for having designed the first poster for the Instituto Cubano de Arte e Industria Cinematograficos ICAIC founded shortly after the Cuban Revolution to produce and promote Cuban films. 20 x 30 inches. Very Good plus with faint rubbing and a spot of scratching to the upper mid center. Rosenbaum 1000. N.p. unknown
1957réf. 120919Burbank CA: Warner Brothers 1957. Vintage one sheet poster for the US release of the 1957 British film. Based on screenwriter Terence Rattigan's 1953 play "The Sleeping Prince" about the visiting prince of a small fictional Balkan nation who falls in love with an American showgirl while in London. A notoriously difficult production which forms the basis for two behind-the-scenes memoirs by Marilyn Monroe's personal assistant Colin Clark "The Prince the Showgirl and Me" 1996 and "My Week with Marilyn" 2000 the later sharing the title of the 2011 film based on the memoirs directed by Simon Curtis and starring Michelle Williams as Monroe. Set and shot in London. 27 x 41 inches. Very Good plus with restoration at the folds. Archivally backed on linen and rolled. Warner Brothers unknown
1922réf. 126253Culver City CA: Selznick Pictures 1922. Vintage hand-tinted half sheet poster for the lost 1922 silent film. Conway Tearle starrs as Russell Carrington a man who accepts a murder charge to protect Rita the woman he loves played by Florence Billings and flees to a fishing village where he falls in love with the town belle Dorothy played by Winifred Westover. Shot on location in Fort Lee New Jersey. 26.25 x 20 inches margins slightly trimmed down from 28 x 22 inches see image. Very Good with moderate edgewear including loss to the top and bottom right corners several closed tears to the margins and one 2.25 inch closed tear to the top center. Selznick Pictures unknown
1967réf. 168996Paris: Magnum 1967. Vintage borderless double weight reference photograph of Jane Fonda from the 1968 film with a "David Hurn-magnum" photographer's stamp on the verso. Based on the adult comic book by Jean-Claude Forest published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. Set in outer space and shot in Rome. 10.5 x 8.25 inches. Near Fine. Vogel Film as a Subversive Art. Magnum unknown
1979réf. 168998Paris: Sygma 1979. Vintage oversize borderless photograph of Richard Gere and Paul Schrader from the set of the 1980 film with Sygma stamps and printed French and English mimeo snipes on the verso. A slick Los Angeles prostitute enjoys a lavish lifestyle funded by a stable of rich older female clients. When one of his clients is found murdered his world begins to crumble. Paul Schrader's third film as director and screenwriter and one of four films Schrader refers to as his "double bookends" "Taxi Driver" 1976 bookended by "Light Sleeper" 1992 and "American Gigolo" bookended by "The Walker" 2007. Set in Los Angeles shot on location throughout California. 8 x 11.75 inches. Near Fine. Spicer US Neo-Noir. Sygma unknown
1969réf. 168995Paris: Apis-Paris 1969. Vintage borderless photograph of Romy Schneider on the set of the 1969 film. Photograph with French "APIS" stamps on the verso. A searing erotic thriller set in the dead of summer at a villa on the Côte d'Azur where a couple's holiday is unexpectedly interrupted by the arrival of the wife's ex-lover and his beautiful teenage daughter-with violent consequences. Written by the noted screenwriter Jean-Claude Carriere who penned some of Luis Buñuel's finest work. Shot on location at Côte d'Azur and Saint-Tropez France. 8.5 x 10.5 inches. Near Fine. Criterion Collection 1088. Grant France. Apis-Paris unknown
réf. 169006N.p.: N.p. 1990. Shooting script for the 1991 neo-noir film here under the working title "Riders on the Storm" written by screenwriters James Cameron and Kathryn Bigelow "from the screenplay by W. Peter Iliff." Laid in are two gatherings of revision pages 31 pink pages dated 7/2/90 and 25 green revision pages dated July 10 1990 both also noted as written by screenwriters James Cameron and Kathryn Bigelow "from the screenplay by W. Peter Iliff." Script and revision pages noted on the title pages as "Eyes Only - Not For Duplication." The breakthrough film for Kathryn Bigelow and today a cult classic certified neo-noir and keystone surfing film. Bigelow went on to become the first female director win an Academy Award with "The Hurt Locker" in 2008. Set primarily in Southern California shot on location throughout California in Malibu Redondo Beach Dockweiler Beach Ecola State Park Los Angeles Manhattan Beach Pacific Palisades Santa Monica Culver City and Venice Pier as well as Hawaii Oahu Lake Powell Utah and Wheeler Oregon. Front wrapper integral with title page dated 6/6/90 with 7/1/90 revisions noted as ORIGINAL SHOOTING SCRIPT with credits for screenwriters James Cameron and Kathryn Bigelow "from the screenplay by W. Peter Iliff" with story credits for Rick King and W. Peter Iliff. 122 leaves with last page of text numbered 121. Xerograhic duplication on blue leaves rectos only. Pages Very Good plus with the title page partially detached bound with two gold brads. Pink Revision Pages: Front wrapper integral with title page dated 6/6/90 with 7/1/90 and 7/2/90 revisions noted as ORIGINAL SHOOTING SCRIPT with credits for screenwriters James Cameron and Kathryn Bigelow "from the screenplay by W. Peter Iliff" with story credits for Rick King and W. Peter Iliff. Xerographic duplication on pink leaves rectos only. Pages Near Fine bound with a single gold brad. Green Revision Pages: Front wraper integral with memo dated July 10 1990. Title page present dated 6/6/90 with 7/1/90 7/2/90 and 7/10/90 revisions noted as ORIGINAL SHOOTING SCRIPT with credits for screenwriters James Cameron and Kathryn Bigelow "from the screenplay by W. Peter Iliff" with story credits for Rick King and W. Peter Iliff. Xerographic duplication on green leaves rectos only. Pages Very Good plus with a rust stain from a previous paper clip to the top left unbound. Carlson Destroy All Movies. Grant US. Silver and Ursini American Neo-Noir. Spicer US Neo-Noir. N.p. unknown
1960réf. 168999N.p.: N.p. 1960. Two vintage oversize borderless reference photographs of Lourdes de Oliveira from the 1960 film. Director Marcel Camus' second Brazil-themed film following his 1959 classic "Black Orpheus" also starring de Oliveira. A French diamond miner shot robbed and left for dead by a friend embarks on a quest for vengeance and falls in love with a Brazilian woman de Oliveira along the way. 12 x 9.5 inches. Light edgewear else Near Fine. N.p. unknown
1981réf. 168974N.p.: N.p. 1981. Vintage oversize borderless photograph of Francis Ford Coppola Nastassja Kinski and Frederic Forrest on the set of the 1981 film with a French snipe printed on the verso. Francis Ford Coppola's first directorial effort after his 1979 Vietnam masterpiece "Apocalypse Now" shot on strikingly stylized sets at his newly opened Zoetrope Studios. Screenwriter Bernstein had originally planned the story to be set in Chicago but the setting moved to Las Vegas at Coppola's insistence viewing the western city as a more romantic atmosphere. Hank Forrest and Franny Garr live on the outskirts of Las Vegas but after five years their relationship has deteriorated and they both yearn for new love. Hank meets Leila Kinski a beautiful high-wire artist and Franny meets Ray Julia a dashing actor-waiter. Throughout their separation Hank and Franny still love each other and their search for romance brings them back to each other. Singer-songwriter Tom Waits received an Oscar nomination for his original score performed with country singer Crystal Gayle. 11.75 x 8 inches. Near Fine. N.p. unknown
1991réf. 169054N.p.: Castle Rock Entertainment 1991. Rainbow Revision Shooting script for the 1992 film. Copy with the marker annotations of "Set Copy / Please Do Not Take" written on the front wrapper and a manuscript marker annotation of copy number "193" on the top of the title page. Billy Crystal's directorial debut about the rise and fall of a standup comedian named Buddy Young Jr. The film was adapted for the stage in 2021 with Crystal reprising his performance as Young. Beige untitled wrappers. Title page present dated September 26 1991 noted as SHOOTING SCRIPT with credits for screenwriters Billy Crystal Lowell Ganz and Babloo Mandel. 155 leaves with last page of text numbered 121. Xerographic duplication rectos only with blue pink yellow green goldenrod and white revision pages throughout dated variously between 9/27/91 and 10/31/91. Pages Near Fine wrapper Near Fine bound with two gold brads. Castle Rock Entertainment unknown
réf. 169036Los Angeles: Tri-Star TriStar Pictures 1980. Draft script for an unproduced film written by noted horror and mystery writer Robert Bloch. Based on Gordon R. Dickson and Poul Anderson's "Hoka" comedy science fiction stories first compiled in the 1957 collection "Earthman's Burden" about a race of aliens who resemble teddy bears. Robert Bloch is best known for penning Alfred Hitchcock's "Psycho" 1959 although his six-decade writing career encompassed novels short stories radio cinema and television. A protégé of H.P. Lovecraft Bloch received the Hugo Award the Bram Stoker Award and the World Fantasy Award and served as the president of the Mystery Writers of America in 1970. Navy Tri-Star Pictures wrappers with a title label affixed to the front wrapper. Lacking title page presumably as issued. 167 leaves with last page of text numbered 167. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Tri-Star [TriStar] Pictures unknown
1980réf. 164140N.p.: N.p. 1980. Draft script for an unproduced television series with manuscript marker annotations on one page. Screenwriter Stephen Sustarsic wrote frequently for sitcom television throughout the 1980s and 1990s most memorably for the television series "Alice" 1976-1985 and "The Jeffersons" 1975-1985. Sustarsic was also one of the creators of the children's animated series "The Wild Thornberrys" 1998-2004. An outrageous satire of a soap opera wherein a half dozen characters fall in and out of love with each other and cheat on each other. Front wrapper integral with goldenrod title page with credits for screenwriter Stephen Sustarsic. 20 leaves with last page of text numbered 19. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown
1970réf. 148340Los Angeles: Twentieth Century-Fox 1970. Vintage studio still photograph of Edy Williams and David Gurian from the 1970 film. Based on an original story by Roger Ebert who also helped write the screenplay. Three girls come to Hollywood to make it big with their rock band "The Kelly Affair" stopping first to visit Kelly MacNamara's 1966 Playboy Playmate Dolly Read estranged aunt. Kelly's aunt introduces the band comprised of Kelly Read Casey Anderson 1968 Playboy Playmate Cynthia Myers and Petronella Danforth Marcia McBroom to a flamboyant producer named Ronnie "Z-Man" Barzell John LaZar who changes their name to "The Carrie Nations" and has them perform at one of his orgiastic parties after a set by Strawberry Alarm Clock. Throughout the success of the new band the girls use drugs and alcohol attempt to maintain romantic relationships even a lesbian tryst with Erica Gavin director Meyer's "Vixen" and find "Z-Man" to be a murderous transsexual. The film proved to be sexploitation and exploitation to its psychedelic limits at the time was Meyer's biggest box-office draw to date and gave the director a new audience: mainstream filmgoers in mainstream cinemas. Originally intended as a sequel to "Valley of the Dolls" 1967 with an original screenplay by Jacqueline Susann Twentieth Century-Fox found the script unsatisfactory and sought new material. The film was released as part of a settlement with Susann with the disclaimer "This is not a sequel to VALLEY OF THE DOLLS." One of few X-rated films released by Twentieth Century-Fox another being "Myra Breckenridge" 1970. Pam Grier got her start in this film as an uncredited party attendant. Meyer regulars like Charles Napier Lavelle Roby and Haji all make appearances. Set in Los Angeles. 8 x 10 inches. CONDITION. Criterion Collection 836. Meyer US. Twentieth Century-Fox unknown
1977réf. 161031N.p.: N.p. 1977. Revised Draft script for the 1978 film copy belonging to unidentified cast or crew member George Santander with the manuscript ink annotation of "Geo. Santander" and the manuscript marker annotation of copy number "96" on the front wrapper with manuscript ink and red pencil annotations on 15 pages and four groupings of two and three pages bound with paperclips on pages 36 through 46. Loosely based on the 1974 off-Broadway play "Sgt. Pepper's Lonely Hearts Club Band on the Road" with a book by Robin Wagner and Tom O'Horgan and directed by O'Horgan. The Beatles' legendary 1967 masterwork is turned into a 1970s film musical represented by a star-studded ensemble with appearances by Donald Pleasence George Burns the only actor with speaking lines not accompanied by song Steve Martin Alice Cooper Jack Bruce Keith Carradine Carol Channing Donovan Leif Garrett Etta James Dr. John and music groups Aerosmith as the "Future Villain Band" and Earth Wind and Fire. The Fab Four are conceptually represented by Peter Frampton and the Bee Gees. White titled wrappers. Title page present dated July 21 1977 noted as REVISED DRAFT. 77 leaves with last page of text numbered 75. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Carlson Destroy All Movies. McPadden Heavy Metal Movies. N.p. unknown
1969réf. 148270Paris: Cocinor 1969. Vintage French lobby card from the 1969 film. As a theater group prepares for a production of Racine's "Andromanque" we follow the collapse of the marriage between Claire Bulle Ogier the actress and Sebastien Jean-Pierre Kalfon the director of the production. 11.75 x 9.5 inches. Very Good plus eleven with pinholes at corners. Rosenbaum 1000. Cocinor unknown
1989réf. 169082Los Angeles: Paramount Pictures 1989. Revised First Draft script for the beloved 1990 film. Patrick Swayze stars as a murdered Manhattan banker whose spirit remains behind to help protect his lover Demi Moore from the person who arranged his murder with the help of a psychic played by Whoopi Goldberg. Winner of two Academy Awards for Best Screenplay and Best Supporting Actress for Goldberg nominated for three other Academy Awards including Best Picture. Shot on location in New York City and Los Angeles. Front wrapper integral with title page dated June 23 1989 noted as Revised First Draft with credits for screenwriter Bruce Joel Rubin. 149 leaves with last page of text numbered 129. Xerographic duplication rectos only with blue revision pages throughout dated 7/13/89. Pages Very Good plus with creasing and edgewear to the title page and final leaf bound with two gold brads. Clover Men Women and Chainsaws. Paramount Pictures unknown
1977réf. 132299N.p.: N.p. 1977. Original Polish one sheet poster for the Polish release of the 1975 British/American film designed by Anna Mikke. Based on the 1973 play by Adrian Mitchell which was based on the classic 1719 novel "Robinson Crusoe" by Daniel Defoe. A post-civil rights movement take on the Defoe classic wherein Crusoe finds himself stranded on an island with a black islander whom he names Friday and finds himself incapable of seeing the islander beyond his narrow and racist colonialist worldview. Nominated for the Palm d'Or. 23 x 32.5 inches. Very Good with light dampstaining to the right side. N.p. unknown
1968réf. 148283N.p.: Athos Films 1968. Two vintage French color lobby cards from the 1968 film one with a stamp reading "P. Valadier" on the verso. Loosely based on the 1871 novel "Demons" by Fyodor Dostoyevsky. Godard's wry improvisational take on politics of the late 1960s follows five disaffected students studying the teachings of Mao Zedong and debating the use of terrorism to achieve revolution. Set in and shot on location in Paris. 11.75 x 9.5 inches. Very Good plus with pinholes at corners and edgewear. Rosenbaum 1000. Athos Films unknown
1984réf. 169090Universal City: Universal Pictures 1984. Third Draft Revised script for the 1985 film. Laid in is a Shooting Call sheet dated 5/7/84. Loosely based on the life of Roy L. "Rocky" Dennis played by Eric Stoltz a boy with a rare skeletal disorder causing disfigurement and a shortened life expectancy who along with his mother Cher attempts to live a normal life regardless of people's preconceptions. Winner of an Academy Award and nominated for the Palme d'Or. Shot on location in southern California. Goldenrod titled wrappers noted as THIRD DRAFT REVISED SCREENPLAY on the front wrapper dated April 19 1984. Title page present dated April 191984 noted as Third Draft Revised Screenplay with credits for screenwriter Anna Hamilton Phelan. 113 leaves with last page of text numbered 111. Xerographic duplication on pale green leaves rectos only with pink revision pages throughout dated 4/27/84. Pages Near Fine wrapper Very Good plus bound with two gold brads. Universal Pictures unknown
1986réf. 169088N.p.: N.p. 1986. Draft script for the 1988 film. Dated December 24 1986 only five days before the commencement of production on December 29 according to the AFI Catalog. Sydney Poitier stars as an FBI agent working to uncover Soviet sleeper agents posing as an all-American family living in San Diego and develops a friendship with their unsuspecting son played by River Phoenix. Shot on location in San Diego San Ysidro Monrovia and La Mesa California. Red titled wrappers. Title page present dated December 24 1986 with credits for screenwriter Bo Goldman. 129 leaves with last page of text numbered 127. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1982réf. 169091N.p.: N.p. 1982. Final Draft script for the 1983 film. Blake Edwards remake of Francois Truffaut's 1977 film about sculptor David Fowler Burt Reynolds whose obsessive love of women leads to his eventual death told from the perspective of his analyst and eventual lover Marianna Julie Andrews. Shot on location in Texas New York and California. Front wrapper integral with title page dated October 1982 noted as FINAL DRAFT with credits for screenwriters Blake Edwards Geoffrey Edwards Milton Wexler. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only with blue and pink revision pages throughout dated 11/2/82 and 2/23/83. Pages Near Fine bound with two gold brads. N.p. unknown
1962réf. 156287Tokyo: Shochiku 1962. Vintage program for the US release of the classic 1962 Japanese film. Text and titles in English. A down-on-his-luck veteran searching for a place to commit suicide wanders into the courtyard of a feudal lord where he is forced to reveal the story behind his current circumstances. Director Masaki Kobayashi's masterpiece considered one of the finest samurai films ever made skewering the hypocrisy of the feudal system and the empty glory of samurai culture. Shot on location in Kyoto. 8 x 11 inches. 8 pages folded. Very Good plus lightly creased. Criterion Collection 302. Ebert IV. Eureka Masters of Cinema 20. Shochiku unknown
réf. 160091Los Angeles: Twentieth Century-Fox 1988. Shooting script for the classic 1989 film. Cameron Crowe's directorial debut about the post-graduation romance that develops between an awkward but noble army brat and the beautiful class valedictorian. One of the defining high school films of the 1980s and a breakthrough role for actor John Cusack. Shot on location in Los Angeles and Seattle. Gray titled Twentieth Century-Fox wrappers dated February 29 1988. Title page present noted as SHOOTING SCRIPT dated February 29 1988 with credit for director and screenwriter Cameron Crowe. 121 leaves with last page of text numbered 119. Xerographic duplication on green stock rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. McPadden Teen Movie Hell. Twentieth Century-Fox unknown
