11 065 résultats
réf. 163898Los Angeles: Gramercy Pictures / Propaganda Films / Fleece Films / Volcanic Films 1997. Draft script for the 1998 film seen here under the working title "The Fine Art of Living." Working copy belonging to director Neil LaBute with his extensive annotations throughout noting deletions and revisions to dialogue. Bound in a three-ring binder with numerous production documents including contact sheets scene breakdowns memos legal documents shooting and post-production schedules location and vendor lists and edits of promotional material. LaBute's second feature following "In the Company of Men" 1997 about two middle-class couples who lie and cheat in their struggles to find satisfaction in their empty relationships. Title page present dated 9/19/97 with credit for LaBute. 111 leaves with last page of text numbered 110. Xerographic duplication rectos only. Pages Near Fine binder about Near Fine. Gramercy Pictures / Propaganda Films / Fleece Films / Volcanic Films unknown books
1997réf. 157411Hollywood: Volcanic Films 1997. Revised Draft script for the 1998 film. A pitch-black comedy about two middle-class couples who lie and cheat in their struggles to find satisfaction in their empty relationships. Neil LaBute's second feature following "In the Company of Men" 1997. Gray titled wrappers with credit for director-screenwriter Neil LaBute. Title page present dated 10/20/97 noted as Revised with credits for screenwriter Neil LaBute. 125 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages Fine wrapper about Fine bound with two gold brads. Volcanic Films unknown books
réf. 163896Hollywood: Mépris Films / Pretty Pictures 2001. Revised Draft script for the 2003 film. Working copy belonging to director and producer Neil LaBute annotated throughout bound in a three-ring binder with numerous production documents including handwritten shot sequences color photos contact sheets shooting and post-production schedules and location and vendor lists. Laid in with the binder are three borderless wardrobe test photographs of actor Paul Rudd in costume an additional white set of revision pages a manuscript shot breakdown in LaBute's hand and three xerographically duplicated images of Rudd with a prosthetic neck. Laid into the front of the binder is a full-page newspaper advertisement for LaBute's play. Based on the 2001 play written by LaBute. A pitch-black comedy about a frumpy literature major whose personality and appearance begins to change as he is wooed by a beautiful graduate art student. Title page present dated December 12 2001 with credit for LaBute. 134 leaves with last page of text numbered 112. Xerographic duplication rectos only with blue yellow and pink revision pages throughout dated variously between January 21 and February 8 2002. Pages Near Fine binder Near Fine. Mépris Films / Pretty Pictures unknown books
1961réf. 141895N.p.: N.p. 1961. Fifth Draft script for an unproduced film. Neil Paterson is an Academy Award-winning screenwriter from Scotland who won the award for Best Adapted Screenplay for "Room at the Top" 1959. Additional films he wrote for include "High Tide at Noon" 1957 and "The Spiral Road" 1962. He also had a successful career as a soccer player in his native Scotland. Pink titled self wrappers noted as 5TH DRAFT on the front wrapper rubber-stamped copy No. 14 and production No. 3649 dated February 27 1961 with credits for producer Henry Blanke and screenwriter Neil Paterson. Title page integral with front wrapper. 141 leaves with last page of text numbered 130. Mechanical duplication with green and pink revision pages throughout dated variously between February 20 1961 and February 27 1961. Pages Very Good plus front wrapper Good only now preserved in archival mylar rear wrapper Very Good plus bound with two gold brads. N.p. unknown
1961réf. 141895N.p.: N.p. 1961. Fifth Draft script for an unproduced film. Neil Paterson is an Academy Award-winning screenwriter from Scotland who won the award for Best Adapted Screenplay for "Room at the Top" 1959. Additional films he wrote for include "High Tide at Noon" 1957 and "The Spiral Road" 1962. He also had a successful career as a soccer player in his native Scotland. Pink titled self wrappers noted as 5TH DRAFT on the front wrapper rubber-stamped copy No. 14 and production No. 3649 dated February 27 1961 with credits for producer Henry Blanke and screenwriter Neil Paterson. Title page integral with front wrapper. 141 leaves with last page of text numbered 130. Mechanical duplication with green and pink revision pages throughout dated variously between February 20 1961 and February 27 1961. Pages Very Good plus front wrapper Good only now preserved in archival mylar rear wrapper Very Good plus bound with two gold brads. N.p. unknown books
1968réf. 141318Hollywood: Paramount Pictures 1968. Vintage color British front-of-house card from the 1968 film. Two friends with completely different lifestyles decide to become roommates with predictably problematic results. Starring Jack Lemmon Walter Matthau and John Fiedler. Shot on location in New York City. 8 x 10 inches. Near Fine. Paramount Pictures unknown books
1969réf. 145326N.p.: n.p. 1969. Early Draft script though noted as a "Final Draft screenplay" for the 1971 film dated two years prior to its release. The number "283" is annotated in faded manuscript ink at the top right corner of the title page. A young woman receives an obscene phone call and becomes obsessed with the anonymous caller trying to track him down. An important slightly experimental X-rated comedy that is ground zero in the history early 1970s sexual climate in America predicting the more conventional porn chic that would land with the release of "Deep Throat" the following year. Set in New York City shot on location in New York City. Maroon titled studio duplicating leather wrappers. Title page present dated June 25 1969 noted as Final Draft with credits for screenwriter Nelson Lyon. 114 leaves with last page of text numbered 111. Mimeograph duplication rectos only with blue revision pages dated 10/8/69. Pages Near Fine wrapper Very Good with some soil bound with two gold screws. Vinegar Syndrome 7. n.p. unknown
1969réf. 145326N.p.: n.p. 1969. Early Draft script though noted as a "Final Draft screenplay" for the 1971 film dated two years prior to its release. The number "283" is annotated in faded manuscript ink at the top right corner of the title page. A young woman receives an obscene phone call and becomes obsessed with the anonymous caller trying to track him down. An important slightly experimental X-rated comedy that is ground zero in the history early 1970s sexual climate in America predicting the more conventional porn chic that would land with the release of "Deep Throat" the following year. Set in New York City shot on location in New York City. Maroon titled studio duplicating leather wrappers. Title page present dated June 25 1969 noted as Final Draft with credits for screenwriter Nelson Lyon. 114 leaves with last page of text numbered 111. Mimeograph duplication rectos only with blue revision pages dated 10/8/69. Pages Near Fine wrapper Very Good with some soil bound with two gold screws. Vinegar Syndrome 7. n.p. unknown books
réf. DADAX0367151510New unknown
réf. DADAX0367151588New unknown
1971réf. 146396Beverly Hills CA: Ronald S. Dunas - Paul Leserman 1971. Draft script for an unproduced Western film. Included with the script is a typed letter reviewing the screenplay dated 12-8-71 ostensibly from a reader within the Paul Kohner Casting Agency. On the US-Mexico border Captain Lucas Randall and his posse of ex-Texas Ranger bounty hunters believe they have killed the notorious bandit "Mano Rojo" Castinares and his band of criminals Los Hermanos Perdidos. When members of the posse start turning up dead however the gang realizes the bloodthirsty Castinares is indeed alive and seeking vengeance. A bizarre story most memorably featuring a number of heads preserved in pickling jars death by scorpion and a final Black Mass-style shootout in a mission church turned Satanic temple. Set on the US-Mexico border. Green untitled wrappers. Title page present with credits for screenwriter N.G. Lao. 147 leaves with last page of text numbered 146. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two silver brads. Ronald S. Dunas - Paul Leserman unknown
1971réf. 146396Beverly Hills CA: Ronald S. Dunas - Paul Leserman 1971. Draft script for an unproduced Western film. Included with the script is a typed letter reviewing the screenplay dated 12-8-71 ostensibly from a reader within the Paul Kohner Casting Agency. On the US-Mexico border Captain Lucas Randall and his posse of ex-Texas Ranger bounty hunters believe they have killed the notorious bandit "Mano Rojo" Castinares and his band of criminals Los Hermanos Perdidos. When members of the posse start turning up dead however the gang realizes the bloodthirsty Castinares is indeed alive and seeking vengeance. A bizarre story most memorably featuring a number of heads preserved in pickling jars death by scorpion and a final Black Mass-style shootout in a mission church turned Satanic temple. Set on the US-Mexico border. Green untitled wrappers. Title page present with credits for screenwriter N.G. Lao. 147 leaves with last page of text numbered 146. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two silver brads. Ronald S. Dunas - Paul Leserman unknown books
1970réf. 147351N.p.: N.p. 1970. Draft script for an unproduced film. Based on Nicholas Blake's 1968 novel "The Private Wound" about the struggles of a young Irish writer to resist seduction by the wife of the hot-tempered local squire. Set in West Ireland. Black titled faux-leather wrappers. Title page present dated June 1970 with credits for screenwriter Clifford Hanley and novelist Nicholas Blake. 104 leaves with last page of text numbered 103. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good bound with two gold brads. N.p. unknown
1970réf. 147351N.p.: N.p. 1970. Draft script for an unproduced film. Based on Nicholas Blake's 1968 novel "The Private Wound" about the struggles of a young Irish writer to resist seduction by the wife of the hot-tempered local squire. Set in West Ireland. Black titled faux-leather wrappers. Title page present dated June 1970 with credits for screenwriter Clifford Hanley and novelist Nicholas Blake. 104 leaves with last page of text numbered 103. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good bound with two gold brads. N.p. unknown books
1980réf. 160792Santa Monica: Hermes Productions 1980. Draft script for an unproduced film. Noted as "MASTER" in manuscript ink and copy No. 8 in manuscript pencil on the title page. A military drama about a coed group of US Marine recruits in San Diego. Screenwriter Nicholas Corea better known for his work on "The Incredible Hulk" television series enlisted as a Marine during the Vietnam War and was awarded a Purple Heart. Red titled wrappers with credit for screenwriter Nicholas Corea. Title page present undated with credit for screenwriter Nicholas Corea. 131 leaves with last page of text numbered 129. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Hermes Productions unknown
1980réf. 160792Santa Monica: Hermes Productions 1980. Draft script for an unproduced film. Noted as "MASTER" in manuscript ink and copy No. 8 in manuscript pencil on the title page. A military drama about a coed group of US Marine recruits in San Diego. Screenwriter Nicholas Corea better known for his work on "The Incredible Hulk" television series enlisted as a Marine during the Vietnam War and was awarded a Purple Heart. Red titled wrappers with credit for screenwriter Nicholas Corea. Title page present undated with credit for screenwriter Nicholas Corea. 131 leaves with last page of text numbered 129. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Hermes Productions unknown books
1970réf. 140884Century City CA: M.B.M. Enterprises 1970. First Draft script for an unproduced film. The government orders a group of scientists to dose the swine flu vaccine with a brainwashing chemical. The resultant vaccine is tested on a soldier who is promptly sent off to murder the last scientist with knowledge of the brainwashing chemical. Set in Bethesda and Los Angeles. Blue titled wrappers. Title page present noted as First Draft with credit for screenwriter Nicholas Niciphor. 129 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. M.B.M. Enterprises unknown
1970réf. 140884Century City CA: M.B.M. Enterprises 1970. First Draft script for an unproduced film. The government orders a group of scientists to dose the swine flu vaccine with a brainwashing chemical. The resultant vaccine is tested on a soldier who is promptly sent off to murder the last scientist with knowledge of the brainwashing chemical. Set in Bethesda and Los Angeles. Blue titled wrappers. Title page present noted as First Draft with credit for screenwriter Nicholas Niciphor. 129 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. M.B.M. Enterprises unknown books
1958réf. 132462Culver City CA: Waterlow and Sons / Columbia Pictures 1958. Eight vintage black-and-white still photographs from the 1958 UK release of the 1957 French-American film first released at the 1957 Venice Film Festival. Based on the French novel by Rene Hardy about a group of WWII British commandos who have raided a German outpost at Benghazi. They make their way across the desert facing starvation thirst and the delusions of their leader Captain Brand. 8 x 10 inches. Light toning and creasing overall else Near Fine. Waterlow and Sons / Columbia Pictures unknown
1961réf. 158839N.p.: Samuel Bronston Productions 1961. Two vintage reference photographs from the 1961 film with mimeo snipe and one provenance stamp on the verso of each. A dramatization of the life of Jesus Christ from his birth in Bethlehem to his crucifixion and subsequent resurrection. Shot on location in Madrid Spain. 10 x 8 inches. Near Fine. Samuel Bronston Productions unknown
1960réf. 150871Hollywood: Paramount Pictures 1960. Post-production Release Dialogue screenplay for the 1960 film. Laid in with the script is a single revision page. Based on Hans Ruesch's 1953 novel "Top of the World." An Inuit hunter kills a white missionary after misinterpreting the man's intentions and is pursued by police through the Arctic. Set and shot on location in the Canadian Arctic. Tall white titled wrappers dated AUGUST 26 1960. Title page integral with the front wrapper as issued. Mimeograph duplication rectos only. Pages Very Good plus overall with light dampstaining to the top edges bound with two staples. Olive Films 1349. Rosenbaum 1000. Paramount Pictures unknown
1948réf. 170586Los Angeles: RKO Radio Pictures 1948. Collection of 4 vintage studio still photographs from the 1948 film noir. An interesting historical artifact in that each of these has a label with a corrected title reading "They Live By Night" pasted over the original release title "The Twisted Road." One of the four photos has this label roughly removed in a demonstrative fashion see images. Based on Edward Anderson's 1937 novel "Thieves Like Us" about an escaped convict who falls in love with a woman who nurses him back to health after he is injured in a robbery. Nicholas Ray's directorial debut a "doomed lovers" tale that is considered by many to be a forerunner to "Bonnie and Clyde" 1967. Generally 10 x 8 inches. Very Good plus to Near Fine. Criterion Collection 880. Grant US. Rosenbaum 1000. Selby US Canon. Silver and Ward Classic Noir. Spicer US. RKO Radio Pictures unknown
1956réf. 134020London: Twentieth Century-Fox 1956. Two vintage British front-of-house cards from the UK release of the 1956 US film. Based on an article by Burton Roueche about a schoolteacher who becomes dependent on a "miracle" drug with unexpected side effects to his sanity. Credited as screenwriters were Cyril Hume and Richard Maibaum however the shooting script was entirely reworked by director Nicholas Ray and actor/producer James Mason who added the first 20 minutes of the film depicting Ed Avery's daily life before being hospitalized. 8 x 10 inches. Very Good plus several stills with scratches and a few closed tears. Twentieth Century-Fox unknown books
1948réf. 170586Los Angeles: RKO Radio Pictures 1948. Collection of 4 vintage studio still photographs from the 1948 film noir. An interesting historical artifact in that each of these has a label with a corrected title reading "They Live By Night" pasted over the original release title "The Twisted Road." One of the four photos has this label roughly removed in a demonstrative fashion see images. Based on Edward Anderson's 1937 novel "Thieves Like Us" about an escaped convict who falls in love with a woman who nurses him back to health after he is injured in a robbery. Nicholas Ray's directorial debut a "doomed lovers" tale that is considered by many to be a forerunner to "Bonnie and Clyde" 1967. Generally 10 x 8 inches. Very Good plus to Near Fine. Criterion Collection 880. Grant US. Rosenbaum 1000. Selby US Canon. Silver and Ward Classic Noir. Spicer US. RKO Radio Pictures unknown books
1958réf. 133567Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1958. Two vintage color still photographs from the 1958 film noir directed by Nicholas Ray. 8 x 10 inches. Near Fine. Grant US. Silver and Ward Classic Noir. Spicer US. Metro-Goldwyn-Mayer [MGM] unknown books
