11 047 résultats
1938réf. 140293Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1938. Draft script for the 1938 film. Based on the short story "Private Pettigrew's Girl" by Dana Burnet and published in "The Saturday Evening Post" on September 14 1918. Copy belonging to an unknown crew member with manuscript pencil annotations throughout. Jimmy Stewart plays an idealistic soldier who convinces a Broadway star Margaret Sullavan to pretend they're dating in order to impress his other soldier friends. Meanwhile Sullivan's manager Walter Pidgeon has always been in love with her and objects to the pair's closeness even as they decide to get married before Stewart is shipped out to France. Stewart and Sullivan pull off surprisingly believable roles for a plot of such sickly sweetness in this their second on-screen pairing. The third film based on Burnet's "Saturday Evening Post" story the first two being the 1919 George Melford silent film "Pettigrew's Girl" and Richard Wallace's part-talkie "The Shopworn Angel" 1928 starring Gary Cooper. Set in New York. Goldenrod titled wrappers rubber-stamped copy No. 2268 and production No. 25077 dated 3/16/38 with credits for producer Joseph L. Mankiewicz and screenwriter Waldo Salt. Distribution receipt laid into the script. Title page integral with the first page of the text as issued. 108 leaves with last page of text numbered 108. Mimeograph duplication. Pages Near Fine wrapper Very Good bound with two gold brads. Warner Archive. Metro-Goldwyn-Mayer [MGM] unknown books
1938réf. 140293Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1938. Draft script for the 1938 film. Based on the short story "Private Pettigrew's Girl" by Dana Burnet and published in "The Saturday Evening Post" on September 14 1918. Copy belonging to an unknown crew member with manuscript pencil annotations throughout. Jimmy Stewart plays an idealistic soldier who convinces a Broadway star Margaret Sullavan to pretend they're dating in order to impress his other soldier friends. Meanwhile Sullivan's manager Walter Pidgeon has always been in love with her and objects to the pair's closeness even as they decide to get married before Stewart is shipped out to France. Stewart and Sullivan pull off surprisingly believable roles for a plot of such sickly sweetness in this their second on-screen pairing. The third film based on Burnet's "Saturday Evening Post" story the first two being the 1919 George Melford silent film "Pettigrew's Girl" and Richard Wallace's part-talkie "The Shopworn Angel" 1928 starring Gary Cooper. Set in New York. Goldenrod titled wrappers rubber-stamped copy No. 2268 and production No. 25077 dated 3/16/38 with credits for producer Joseph L. Mankiewicz and screenwriter Waldo Salt. Distribution receipt laid into the script. Title page integral with the first page of the text as issued. 108 leaves with last page of text numbered 108. Mimeograph duplication. Pages Near Fine wrapper Very Good bound with two gold brads. Warner Archive. Metro-Goldwyn-Mayer [MGM] unknown
1960réf. 173034Burbank CA: Walt Disney 1960. Two vintage British front-of-house cards from the 1960 Disney film. Based on the 1913 novel by Eleanor H. Porter. An orphaned girl goes to live with her rich and powerful aunt who is in conflict with the local townspeople over a defunct orphanage. Winner of an Academy Award. Shot on location in Northern California. 8 x 10 inches. Near Fine. Walt Disney unknown books
1960réf. 173034Burbank CA: Walt Disney 1960. Two vintage British front-of-house cards from the 1960 Disney film. Based on the 1913 novel by Eleanor H. Porter. An orphaned girl goes to live with her rich and powerful aunt who is in conflict with the local townspeople over a defunct orphanage. Winner of an Academy Award. Shot on location in Northern California. 8 x 10 inches. Near Fine. Walt Disney unknown
1969réf. 147586Hollywood: Paramount Pictures 1969. Five vintage studio still photographs from the 1969 film. A semi-documentary dramatization of the violence that surrounded the 1968 Democratic National Convention and a film that questions the politics inherent in journalism and image-making "Medium Cool" is a remarkable directorial accomplishment highlighting the political unrest of the late 1960s in part by using real footage. 8 x 10 inches. Near Fine one uniformly faded. Paramount Pictures unknown books
1969réf. 168073Los Angeles: Paramount Pictures 1969. Vintage reference photograph from the 1969 film showing Haskell Wexler capturing a scene with Robert Forster. Annotations in manuscript pencil on the verso. A hardened and dubiously ethical television cameraman finds out he is being watched by the FBI amidst the tumultuous protests taking place around the 1968 Democratic National Convention. Highly influential for its groundbreaking use of factual historical events interspersed with fictional narrative and its frank depiction of the contemporary countercultural movement. Featuring early music by Frank Zappa's band Mothers of Invention. Due to its startlingly political narrative as well as nudity and language the film was originally given an X rating by the MPAA though by 1970 this would be downgraded to an R. 10 x 8 inches. Near Fine. Criterion Collection 658. Spicer US Neo-Noir. Paramount Pictures unknown books
1969réf. 149604Los Angeles: Paramount Pictures 1969. Three vintage borderless reference photographs from the 1969 film a highlight of early New Hollywood cinema. One shows actor Harold Blankenship the other with actors Robert Forster Peter Bonerz and Janet Langhart. One with a printed mimeo snipe affixed to the verso along with the stamp of Paramount Pictures the other with the stamp of Israel Film Archive on the verso. A hardened and dubiously ethical television cameraman finds out he is being watched by the FBI amidst the tumultuous protests taking place around the 1968 Democratic National Convention. Highly influential for its groundbreaking use of factual historical events interspersed with fictional narrative. Featuring early music by Frank Zappa's band Mothers of Invention and addressing underlying social issues of race gender and poverty the film frankly depicted much of the growing countercultural movement of the late 1960s even going so far as to use real-life footage of civil disobedience occurring in 1968 Chicago. Due to its startlingly political narrative as well as nudity and language the film was originally given an X rating by the MPAA though by 1970 this would be downgraded to an R. One photograph 10 x 8 inches one photograph 9.5 x 7.25 inches. Near Fine. Criterion Collection 658. Spicer US Neo-Noir. Paramount Pictures unknown books
1969réf. 168073Los Angeles: Paramount Pictures 1969. Vintage reference photograph from the 1969 film showing Haskell Wexler capturing a scene with Robert Forster. Annotations in manuscript pencil on the verso. A hardened and dubiously ethical television cameraman finds out he is being watched by the FBI amidst the tumultuous protests taking place around the 1968 Democratic National Convention. Highly influential for its groundbreaking use of factual historical events interspersed with fictional narrative and its frank depiction of the contemporary countercultural movement. Featuring early music by Frank Zappa's band Mothers of Invention. Due to its startlingly political narrative as well as nudity and language the film was originally given an X rating by the MPAA though by 1970 this would be downgraded to an R. 10 x 8 inches. Near Fine. Criterion Collection 658. Spicer US Neo-Noir. Paramount Pictures unknown
1969réf. 149604Los Angeles: Paramount Pictures 1969. Three vintage borderless reference photographs from the 1969 film a highlight of early New Hollywood cinema. One shows actor Harold Blankenship the other with actors Robert Forster Peter Bonerz and Janet Langhart. One with a printed mimeo snipe affixed to the verso along with the stamp of Paramount Pictures the other with the stamp of Israel Film Archive on the verso. A hardened and dubiously ethical television cameraman finds out he is being watched by the FBI amidst the tumultuous protests taking place around the 1968 Democratic National Convention. Highly influential for its groundbreaking use of factual historical events interspersed with fictional narrative. Featuring early music by Frank Zappa's band Mothers of Invention and addressing underlying social issues of race gender and poverty the film frankly depicted much of the growing countercultural movement of the late 1960s even going so far as to use real-life footage of civil disobedience occurring in 1968 Chicago. Due to its startlingly political narrative as well as nudity and language the film was originally given an X rating by the MPAA though by 1970 this would be downgraded to an R. One photograph 10 x 8 inches one photograph 9.5 x 7.25 inches. Near Fine. Criterion Collection 658. Spicer US Neo-Noir. Paramount Pictures unknown
1969réf. 147586Hollywood: Paramount Pictures 1969. Five vintage studio still photographs from the 1969 film. A semi-documentary dramatization of the violence that surrounded the 1968 Democratic National Convention and a film that questions the politics inherent in journalism and image-making "Medium Cool" is a remarkable directorial accomplishment highlighting the political unrest of the late 1960s in part by using real footage. 8 x 10 inches. Near Fine one uniformly faded. Paramount Pictures unknown
1986réf. 129815Burbank CA: Warner Brothers 1986. First Draft script for an unproduced television pilot in a post-feminist mode about a pair of women named Maureen and Estelle. Gray titled wrappers. Title page present dated November 11 1986 noted as First Draft with credit for screenwriter Miller. 36 leaves mechanical duplication. Pages Fine wrapper Near Fine bound with two gold brads. Warner Brothers unknown books
1973réf. 157664N.p.: N.p. 1973. Vintage borderless color reference photograph from the 1973 film. Based on the 1959 novel by John Buell about a police detective who uncovers the demonic force responsible for the death of a heroin-addicted sex worker. Set and shot on location in Montreal. 9.5 x 7.15 inches. Near Fine. N.p. unknown books
1974réf. 143719Los Angeles: Quinn Martin Productions 1974. Final Draft script for the 1974 television film originally aired November 20 1974 on ABC. Three armed men take over a private train car determined to rob and murder all of the passengers. Yellow titled wrappers noted as Final Draft on the front wrapper dated Aug 13 1974. Title page present dated Aug 13 1974 noted as Final Draft with credits for screenwriter Eugene Price. 106 leaves with last page of text numbered 105. mechanical duplication with blue pink yellow and green revision pages throughout dated variously between 8/19/74 and 9/11/74. Pages Near Fine wrapper Very Good plus bound with two gold brads. Reyes 127 Deal 121 122. Quinn Martin Productions unknown books
1974réf. 143719Los Angeles: Quinn Martin Productions 1974. Final Draft script for the 1974 television film originally aired November 20 1974 on ABC. Three armed men take over a private train car determined to rob and murder all of the passengers. Yellow titled wrappers noted as Final Draft on the front wrapper dated Aug 13 1974. Title page present dated Aug 13 1974 noted as Final Draft with credits for screenwriter Eugene Price. 106 leaves with last page of text numbered 105. mechanical duplication with blue pink yellow and green revision pages throughout dated variously between 8/19/74 and 9/11/74. Pages Near Fine wrapper Very Good plus bound with two gold brads. Reyes 127 Deal 121 122. Quinn Martin Productions unknown
1973réf. 157664N.p.: N.p. 1973. Vintage borderless color reference photograph from the 1973 film. Based on the 1959 novel by John Buell about a police detective who uncovers the demonic force responsible for the death of a heroin-addicted sex worker. Set and shot on location in Montreal. 9.5 x 7.15 inches. Near Fine. N.p. unknown
1968réf. 161742N.p.: International Film Artists 1968. Two vintage studio still photographs from the 1969 film also released under the title "The Vixens." Each photograph with a provenance stamp on the verso. Bob slips to his death off a dam bridge. His wife Betty reconstructs recent events to the police flashing back to a series of trysts and couple swapping that have nothing to do with Bob's accident. Shot on location in Connecticut and New York. 8 x 10 inches. Very Good plus with light creasing at the extremities and edgewear. International Film Artists unknown books
1968réf. 162564N.p.: International Film Artists 1968. Vintage studio still photograph from the 1969 film. Prrovenance stamp on the verso. Also released under the title "Friends and Lovers." Bob slips to his death off a dam bridge. His wife Betty reconstructs recent events to the police flashing back to a series of trysts and couple swapping that have nothing to do with Bob's accident. Shot on location in Connecticut and New York. 8 x 10 inches. Very Good plus with light edgewear and pinholes in the top margin. International Film Artists unknown books
1968réf. 162604N.p.: International Film Artists 1968. Three vintage studio still photographs from the 1969 film here under the release title "The Women" also released under the titles "The Vixens" and "Friends and Lovers." Two photographs with provenance stamps on the versos. Bob slips to his death off a dam bridge. His wife Betty reconstructs recent events to the police flashing back to a series of trysts and couple swapping that have nothing to do with Bob's accident. Shot on location in Connecticut and New York. 8 x 10 inches. Very Good plus one photograph with a wax pencil annotation to the top right margin and a crease and a small closed tear in the bottom margin. International Film Artists unknown books
1968réf. 161742N.p.: International Film Artists 1968. Two vintage studio still photographs from the 1969 film also released under the title "The Vixens." Each photograph with a provenance stamp on the verso. Bob slips to his death off a dam bridge. His wife Betty reconstructs recent events to the police flashing back to a series of trysts and couple swapping that have nothing to do with Bob's accident. Shot on location in Connecticut and New York. 8 x 10 inches. Very Good plus with light creasing at the extremities and edgewear. International Film Artists unknown
1968réf. 162564N.p.: International Film Artists 1968. Vintage studio still photograph from the 1969 film. Prrovenance stamp on the verso. Also released under the title "Friends and Lovers." Bob slips to his death off a dam bridge. His wife Betty reconstructs recent events to the police flashing back to a series of trysts and couple swapping that have nothing to do with Bob's accident. Shot on location in Connecticut and New York. 8 x 10 inches. Very Good plus with light edgewear and pinholes in the top margin. International Film Artists unknown
1968réf. 162604N.p.: International Film Artists 1968. Three vintage studio still photographs from the 1969 film here under the release title "The Women" also released under the titles "The Vixens" and "Friends and Lovers." Two photographs with provenance stamps on the versos. Bob slips to his death off a dam bridge. His wife Betty reconstructs recent events to the police flashing back to a series of trysts and couple swapping that have nothing to do with Bob's accident. Shot on location in Connecticut and New York. 8 x 10 inches. Very Good plus one photograph with a wax pencil annotation to the top right margin and a crease and a small closed tear in the bottom margin. International Film Artists unknown
1966réf. 161814N.p.: William Mishkin Motion Pictures 1966. Two vintage studio still photographs from the 1966 film. Each photograph with a provenance stamp on the verso. Jennifer Laird stars as a delivery girl who begins a romance with a photographer whose inclination to violence begins to grow as her interest in him wanes. Set in and shot on location in New York City. 8 x 10 inches. Light edgewear else Near Fine. William Mishkin Motion Pictures unknown books
1966réf. 161814N.p.: William Mishkin Motion Pictures 1966. Two vintage studio still photographs from the 1966 film. Each photograph with a provenance stamp on the verso. Jennifer Laird stars as a delivery girl who begins a romance with a photographer whose inclination to violence begins to grow as her interest in him wanes. Set in and shot on location in New York City. 8 x 10 inches. Light edgewear else Near Fine. William Mishkin Motion Pictures unknown
1958réf. 158954Universal City CA: Universal Pictures 1958. Vintage studio still photograph from the 1958 Western film. A judge wishes to hang a man for murder though the man's family will do possibly anything to commute the sentence. Unfortunately for the judge his sheriff is in love with the murderer's fiancée. 10 x 8 inches. About Fine. Pitts 979. Universal Pictures unknown books
1957réf. 138536Universal City CA: Unviersal International Pictures 1957. Vintage black-and-white studio still photograph from the 1957 film featuring Lee Van Cleef Ann Doran and Skip Homeier. Mimeo snipe affixed to the verso. Judge Jim Scott MacMurray contends with the relatives of a sentenced murder and with his unfaithful wife. 8 x 10 inches. About Near Fine. Pitts 979. Unviersal International Pictures unknown books
