George Armitage (director, screenwriter); Katherine Cannon, Joyce Williams, Pegi Boucher (starring)ABAA
11 067 résultats
1971réf. 141803Los Angeles: New World Pictures 1971. Vintage one sheet poster for the 1971 film. The second film in producer Roger Corman's "nurse quartet" preceded by "Student Nurses" 1970 and followed by"Night Call Nurses" 1972 and "Candy Stripe Nurses" 1974. Also the second film released by Corman's New World Picutres. Set and shot on location in Manhattan Beach and South Bay Los Angeles. 27 x 41 inches. Folded. Very Good plus with minor starting the intersections of the folds and light soil. New World Pictures unknown books
1971réf. 152448N.p.: N.p. 1971. Shooting Draft script for the 1971 film here under the working title "Sunshine Ladies." The second film in producer Roger Corman's "nurse quartet" preceded by "Student Nurses" 1970 and followed by "Night Call Nurses" 1972 and "Candy Stripe Nurses" 1974. George Armitage's directorial debut and the second film released by Corman's New World Pictures. Set and shot on location in Manhattan Beach and South Bay Los Angeles. Green titled wrappers. Title page present dated February 2 1971 noted as SHOOTING SCRIPT with credits for screenwriter George Armitage. 97 leaves with last page of text numbered 84. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown books
1990réf. 157884Beverly Hills CA: Orion Pictures 1990. Four vintage studio still photographs from the 1990 film. Based on Charles Willeford's 1984 novel the first Hoke Moseley book. A newly released inmate is set loose upon the city of Miami deciding to steal the badge of a local police detective to aid him in his criminal dealings. Set and shot on location in Miami and Kendall Florida. 8 x 10 inches. Fine. Grant US. Silver and Ward Neo-Noir. Spicer US Neo-Noir. Orion Pictures unknown books
1971réf. 152448N.p.: N.p. 1971. Shooting Draft script for the 1971 film here under the working title "Sunshine Ladies." The second film in producer Roger Corman's "nurse quartet" preceded by "Student Nurses" 1970 and followed by "Night Call Nurses" 1972 and "Candy Stripe Nurses" 1974. George Armitage's directorial debut and the second film released by Corman's New World Pictures. Set and shot on location in Manhattan Beach and South Bay Los Angeles. Green titled wrappers. Title page present dated February 2 1971 noted as SHOOTING SCRIPT with credits for screenwriter George Armitage. 97 leaves with last page of text numbered 84. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1971réf. 141803Los Angeles: New World Pictures 1971. Vintage one sheet poster for the 1971 film. The second film in producer Roger Corman's "nurse quartet" preceded by "Student Nurses" 1970 and followed by"Night Call Nurses" 1972 and "Candy Stripe Nurses" 1974. Also the second film released by Corman's New World Picutres. Set and shot on location in Manhattan Beach and South Bay Los Angeles. 27 x 41 inches. Folded. Very Good plus with minor starting the intersections of the folds and light soil. New World Pictures unknown
1976réf. 146803N.p.: The Corman Company 1976. Draft script for the 1976 film. A Vietnam vet is hired to deal with a group of rowdy oil workers causing trouble in a small town and decides to occupy the town with his mercenary buddies in order to provide a solution. A low budget action film shot in just 30 days after producer Gene Corman came up with the title and nothing else. White titled wrappers. Title page present with credits for screenwriter George Armitage. 117 leaves with last page of text numbered 114. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. The Corman Company unknown
1929réf. 150997Culver City CA: Columbia Pictures 1929. Vintage publicity photograph from the 1929 film showing actress Ruth Taylor posing in a backless gown. With a mimeo snipe on the verso. Taylor was best known for her performance as Lorelei Lee in Malcom St. Clair's adaptation of Anita Loos' "Gentleman Prefer Blondes" alongside actors Alice White and Ford Sterling. Taylor also appeared in "Butter Fingers" 1925 "Flirty Four-Flushers" 1926 and "Just Married" 1928. 8 x 10 inches. Very Good plus overall with a few nicks along the bottom edge. Columbia Pictures unknown books
1929réf. 150997Culver City CA: Columbia Pictures 1929. Vintage publicity photograph from the 1929 film showing actress Ruth Taylor posing in a backless gown. With a mimeo snipe on the verso. Taylor was best known for her performance as Lorelei Lee in Malcom St. Clair's adaptation of Anita Loos' "Gentleman Prefer Blondes" alongside actors Alice White and Ford Sterling. Taylor also appeared in "Butter Fingers" 1925 "Flirty Four-Flushers" 1926 and "Just Married" 1928. 8 x 10 inches. Very Good plus overall with a few nicks along the bottom edge. Columbia Pictures unknown
1973réf. 146856Rome: Audiovisual Editorial Programs 1973. Treatment script for an unproduced thirteen-part documentary series. Laid in with the script is a prospective budget for the film in English and an overview of the film in Italian as well as a typed letter from producer Sam Marx to casting agent Paul Kohner with manuscript ink annotations likely written by Kohner. Screenwriter George A. Vicas was best known for his documentary films for television especially for his involvement in the 1963 film "The Kremlin" notable for being the first time an American film crew was allowed to enter and record footage of Soviet Russia's government. "The Peoples of the USS.R." was intended to follow in its footsteps with each episode focusing on a different region of Russia. Set in the USSR. Green untitled wrappers. Title page present with credits for screenwriter GEORGE A. VICAS. 49 leaves with last page of text numbered XIII/45. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with light offsetting on the front and rear wrappers bound internally with two gold brads. Audiovisual Editorial Programs unknown books
1973réf. 146856Rome: Audiovisual Editorial Programs 1973. Treatment script for an unproduced thirteen-part documentary series. Laid in with the script is a prospective budget for the film in English and an overview of the film in Italian as well as a typed letter from producer Sam Marx to casting agent Paul Kohner with manuscript ink annotations likely written by Kohner. Screenwriter George A. Vicas was best known for his documentary films for television especially for his involvement in the 1963 film "The Kremlin" notable for being the first time an American film crew was allowed to enter and record footage of Soviet Russia's government. "The Peoples of the USS.R." was intended to follow in its footsteps with each episode focusing on a different region of Russia. Set in the USSR. Green untitled wrappers. Title page present with credits for screenwriter GEORGE A. VICAS. 49 leaves with last page of text numbered XIII/45. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with light offsetting on the front and rear wrappers bound internally with two gold brads. Audiovisual Editorial Programs unknown
1968réf. 170416N.p.: Continental 1968. Vintage studio still photograph from the 1968 film showing actors Charles Craig and Frank Doak as television anchormen breaking the bad news of the Living Dead. One of the earliest scariest and most influential zombie films shot in black and white on a shoestring budget. Romero's feature film debut criticized upon release for its unprecedented explicit gore and now rightfully considered a cult classic. Shot on location throughout Pennsylvania near Evans City in Butler County. 10 x 8 inches. Near Fine. Continental unknown books
1981réf. 169556Beverly Hills CA: United Artists 1981. Vintage studio still photograph from the 1981 film showing director George A. Romero talking with actors Ed Harris and Amy Ingersoll on the set. Provenance stamp and annotations in manuscript ink and pencil on the verso. A retelling of the Arthurian legend set amongst the members of a traveling renaissance fair troupe that jousts on motorcycles. A rare departure from the horror genre for Romero. Shot on location in Pittsburgh. 10 x 8 inches. Near Fine. United Artists unknown books
1981réf. 169556Beverly Hills CA: United Artists 1981. Vintage studio still photograph from the 1981 film showing director George A. Romero talking with actors Ed Harris and Amy Ingersoll on the set. Provenance stamp and annotations in manuscript ink and pencil on the verso. A retelling of the Arthurian legend set amongst the members of a traveling renaissance fair troupe that jousts on motorcycles. A rare departure from the horror genre for Romero. Shot on location in Pittsburgh. 10 x 8 inches. Near Fine. United Artists unknown
1968réf. 170416N.p.: Continental 1968. Vintage studio still photograph from the 1968 film showing actors Charles Craig and Frank Doak as television anchormen breaking the bad news of the Living Dead. One of the earliest scariest and most influential zombie films shot in black and white on a shoestring budget. Romero's feature film debut criticized upon release for its unprecedented explicit gore and now rightfully considered a cult classic. Shot on location throughout Pennsylvania near Evans City in Butler County. 10 x 8 inches. Near Fine. Continental unknown
1943réf. 149399N.p.: N.p. 1943. Vintage borderless reference photograph of Georg Wilhelm G.W. Pabst on the set of the 1943 German film. Production stamps on verso. Made to celebrate the 400th anniversary of the death of Paracelsus. Story of the 16th century Swiss physician/alchemist/astrologer Paracelsus Theophrastus Bombastus von Hohenheim played by Werner Krauss. Made under the auspices of the Third Reich Pabst's second film upon his forced return to Germany after a period in France Paracelsus took on a new vogue in early 1940s Germany attributing Nazi ideals and a hyper-Germanness to the Swiss alchemist and physician. After the collapse of the Third Reich Pabst would go on to forcefully denounce Nazism. Shot on location in Old Town Prague Czech Republic. 7 x 9.75 inches. Light creasing and edgewear else Near Fine. N.p. unknown books
1943réf. 168061N.p.: N.p. 1943. Vintage borderless reference photograph from the 1943 film showing director G.W. Pabst with a camera crew on the set. Photographer's stamp and annotations in manuscript ink and pencil on the verso. A dramatization of the life of Renaissance-era Swiss physician Paracelsus Aureolus Theophrastus Bombastus von Hohenheim focusing on his work during the plague. Released in honor of the 400th anniversary of Paracelsus' death in 1541. 7 x 9.25 inches. Very Good plus with light toning affecting the top right portion of the photograph. N.p. unknown books
1943réf. 168061N.p.: N.p. 1943. Vintage borderless reference photograph from the 1943 film showing director G.W. Pabst with a camera crew on the set. Photographer's stamp and annotations in manuscript ink and pencil on the verso. A dramatization of the life of Renaissance-era Swiss physician Paracelsus Aureolus Theophrastus Bombastus von Hohenheim focusing on his work during the plague. Released in honor of the 400th anniversary of Paracelsus' death in 1541. 7 x 9.25 inches. Very Good plus with light toning affecting the top right portion of the photograph. N.p. unknown
1943réf. 149399N.p.: N.p. 1943. Vintage borderless reference photograph of Georg Wilhelm G.W. Pabst on the set of the 1943 German film. Production stamps on verso. Made to celebrate the 400th anniversary of the death of Paracelsus. Story of the 16th century Swiss physician/alchemist/astrologer Paracelsus Theophrastus Bombastus von Hohenheim played by Werner Krauss. Made under the auspices of the Third Reich Pabst's second film upon his forced return to Germany after a period in France Paracelsus took on a new vogue in early 1940s Germany attributing Nazi ideals and a hyper-Germanness to the Swiss alchemist and physician. After the collapse of the Third Reich Pabst would go on to forcefully denounce Nazism. Shot on location in Old Town Prague Czech Republic. 7 x 9.75 inches. Light creasing and edgewear else Near Fine. N.p. unknown
1965réf. 137571Bulgaria: Boyana Films 1965. Vintage reference photograph of actor Guy Madison from the 1965 Bulgarian film with dialogue in German based on the 1892 story by Karl May "Das Vermachtnis des Inka" originally published in the German magazine "Der Gute Kamerad." Following the cancellation of "The Adventures of Wild Bill Hitchcock" in 1957 Guy Madison moved to Europe where he found a second career in Euro Westerns and sword and sandal pictures. Set in Peru and shot on location there as well as Spain and Bulgaria. 9.5 x 7 inches. Near Fine. Boyana Films unknown books
1965réf. 137570Bulgaria: Boyana Films 1965. Three vintage reference photographs of actor Guy Madison from the 1965 Bulgarian film with dialogue in German based on the 1892 story by Karl May "Das Vermachtnis des Inka" originally published in the German magazine "Der Gute Kamerad." Following the cancellation of "The Adventures of Wild Bill Hickok" in 1957 Guy Madison moved to Europe where he found a second career in Italian Euro Westerns and sword and sandal pictures. Set in Peru and shot on location there as well as Spain and Bulgaria. 9.5 x 7 inches. Near Fine. Boyana Films unknown books
1965réf. 137570Bulgaria: Boyana Films 1965. Three vintage reference photographs of actor Guy Madison from the 1965 Bulgarian film with dialogue in German based on the 1892 story by Karl May "Das Vermachtnis des Inka" originally published in the German magazine "Der Gute Kamerad." Following the cancellation of "The Adventures of Wild Bill Hickok" in 1957 Guy Madison moved to Europe where he found a second career in Italian Euro Westerns and sword and sandal pictures. Set in Peru and shot on location there as well as Spain and Bulgaria. 9.5 x 7 inches. Near Fine. Boyana Films unknown
1973réf. 159298Los Angeles CA: Andrew J. Fenady Productions 1973. Two vintage color studio still photographs and one vintage studio still photograph from the 1973 film. In the 1890s the owner of a London wax museum is murdered after a series of murders of guests on the property. The police launch an investigation. Set in London. 8 x 10 inches. Near Fine. Thrower Nightmare USA. Weldon 1983. Andrew J. Fenady Productions unknown books
1967réf. 134381Los Angeles: Twentieth Century-Fox 1967. First Draft script for an unproduced film written by Marvin H. Albert based on the 1960 Geoffrey Household novel about an ex-military man with a dark past that comes back to haunt him. "Frances Richardson" in manuscript pencil on the front wrapper but this person's role in the film is undetermined. An interesting script with several "storyboard" pages throughout detailing scenery. A story set in Middleburg Virginia circa 1869 just after the defeat of the Confederate Army and nearing the end of the Civil War. Blue studio wrappers noted as FIRST DRAFT SCREENPLAY on the front wrapper copy No. 120 dated January 19 1967. Title page present dated January 19 1967 noted as First Draft Screenplay with credits for screenwriter Albert and novelist Household. 148 leaves mechanical duplication on eye-rest green stock with 5 storyboard leaves on white stock. Toning to the wrapper and storyboard leaves and a few light creases to the wrapper else pages and wrapper Near Fine bound with three gold brads. Twentieth Century-Fox unknown books
1967réf. 134381Los Angeles: Twentieth Century-Fox 1967. First Draft script for an unproduced film written by Marvin H. Albert based on the 1960 Geoffrey Household novel about an ex-military man with a dark past that comes back to haunt him. "Frances Richardson" in manuscript pencil on the front wrapper but this person's role in the film is undetermined. An interesting script with several "storyboard" pages throughout detailing scenery. A story set in Middleburg Virginia circa 1869 just after the defeat of the Confederate Army and nearing the end of the Civil War. Blue studio wrappers noted as FIRST DRAFT SCREENPLAY on the front wrapper copy No. 120 dated January 19 1967. Title page present dated January 19 1967 noted as First Draft Screenplay with credits for screenwriter Albert and novelist Household. 148 leaves mechanical duplication on eye-rest green stock with 5 storyboard leaves on white stock. Toning to the wrapper and storyboard leaves and a few light creases to the wrapper else pages and wrapper Near Fine bound with three gold brads. Twentieth Century-Fox unknown
réf. 018267Georges Conchon (1925-1990), écrivain, journaliste, scénariste. P.A.S., 26 mars 1968, 1p in-12. Extrait d'un album, « en souvenir des Hommes de la Guerre, l'Etat sauvage et les Grandes Lessives ». [422]
