1960réf. 105121960 N° 114 - tome XIX (décembre 1960) - In-4 broché - Couverture illustrée, nombreuses reproductions photographiques dans l'ouvrage - 72 pages
1965réf. 0208210120th Century Fox 1965. 1st Edition . No Binding. Fine. First Printing. A vintage original Finnish cinema-foyer POSTER for the first screening in Finland March 1965 of the celebrated film Zorba the Greek starring Anthony Quinn and Alan Bates. A rolled poster i.e. no folding creases in Fine condition approximate size is 23.5 inches by 16 inches standard Finnish A2 format. With minor signs of use: one very short tear to right edge and similar to bottom edge neither immediately noticeable. Minor print-soiling to verso where there is also a small pen inscription of film-title and date. Minor handling creases to the corners and some minor dings along the left edge of the poster suggesting that it may have been mounted with clips - there are neither pin-holes nor tape residue marks. In fantastic clean condition otherwise Fine or better. Artist-signed in the plate. For best appreciation of condition please examine the high-resolution image which accompanies this listing. 20th Century Fox unknown
1966réf. 161784New York: CIP 1966. Vintage still photograph from the 1966 film. Two labels on the verso. Joyana Frederics stars as Poontang Plenty a secret agent dedicted to defeating evil and cracking the secret of invisibility. Set in and shot on location in New York City. 8 x 10 inches. Very Good plus with faint creasing. CIP unknown books
1966réf. 161784New York: CIP 1966. Vintage still photograph from the 1966 film. Two labels on the verso. Joyana Frederics stars as Poontang Plenty a secret agent dedicted to defeating evil and cracking the secret of invisibility. Set in and shot on location in New York City. 8 x 10 inches. Very Good plus with faint creasing. CIP unknown
réf. 146424Los Angeles: Mohawk Film Company Unknown. Draft script for an unproduced film. A British martial arts master is hired to protect a young woman after her wealthy father's death not knowing that the girl herself is involved in the scheme. Set in California. White generic studio wrappers. Title page present with credit for screenwriter C. Arthur Rivers. 126 leaves with last page of text numbered 125. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Mohawk Film Company unknown books
réf. 146424Los Angeles: Mohawk Film Company Unknown. Draft script for an unproduced film. A British martial arts master is hired to protect a young woman after her wealthy father's death not knowing that the girl herself is involved in the scheme. Set in California. White generic studio wrappers. Title page present with credit for screenwriter C. Arthur Rivers. 126 leaves with last page of text numbered 125. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Mohawk Film Company unknown
1970réf. 141824Los Angeles: Mohawk Film Company 1970. Draft script for an unproduced film. A British shipping clerk is laid off from his position in Los Angeles but is shortly thereafter offered a job as a bodyguard. Set in Los Angeles. Gray untitled wrappers. Title page present with credit for screenwriter C. Arthur Rivers. 126 leaves with last page of text numbered 125. Xerographic duplication rectos only. Pages Near Fine wrappers Good with front wrapper detached bound with three silver brads. Mohawk Film Company unknown books
1970réf. 141824Los Angeles: Mohawk Film Company 1970. Draft script for an unproduced film. A British shipping clerk is laid off from his position in Los Angeles but is shortly thereafter offered a job as a bodyguard. Set in Los Angeles. Gray untitled wrappers. Title page present with credit for screenwriter C. Arthur Rivers. 126 leaves with last page of text numbered 125. Xerographic duplication rectos only. Pages Near Fine wrappers Good with front wrapper detached bound with three silver brads. Mohawk Film Company unknown
1979réf. 149493Burbank CA: Cougar Films LTD 1979. Draft script for the 1981 film here under the working title "Butcher Baker Candlestick Maker." Annotations on several pages in manuscript marker and pencil on all dialogue and action for the character Ross Walters played by Greg Palmer. Laid in is a Call Sheet dated for "Mon. May 12 80" with annotations in manuscript ink and pencil and a copied hand-drawn map for directions to the Paramount Ranch the location of the Western town set. Not to be confused with the 1996 film directed by Wes Craven and starring David Arquette and Neve Campbell. Twelve campers on a rafting trip down the Rio Grande decide to set up camp in an old Western ghost town when an unknown killer begins to eliminate them one by one. Set in the Rio Grande shot on location in Lake Piru and Paramount Ranch California. Yellow titled wrappers. Title page present dated 1979 with credits for screenwriter Byron Quisenberry. 80 leaves with last page of text numbered 79. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus with some creasing and edgewear bound with two gold brads. Thrower Nightmare USA. Cougar Films, LTD unknown books
1979réf. 149493Burbank CA: Cougar Films LTD 1979. Draft script for the 1981 film here under the working title "Butcher Baker Candlestick Maker." Annotations on several pages in manuscript marker and pencil on all dialogue and action for the character Ross Walters played by Greg Palmer. Laid in is a Call Sheet dated for "Mon. May 12 80" with annotations in manuscript ink and pencil and a copied hand-drawn map for directions to the Paramount Ranch the location of the Western town set. Not to be confused with the 1996 film directed by Wes Craven and starring David Arquette and Neve Campbell. Twelve campers on a rafting trip down the Rio Grande decide to set up camp in an old Western ghost town when an unknown killer begins to eliminate them one by one. Set in the Rio Grande shot on location in Lake Piru and Paramount Ranch California. Yellow titled wrappers. Title page present dated 1979 with credits for screenwriter Byron Quisenberry. 80 leaves with last page of text numbered 79. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus with some creasing and edgewear bound with two gold brads. Thrower Nightmare USA. Cougar Films, LTD unknown
1967réf. 162229N.p.: Sonney-Friedman Pictures 1967. Two vintage still photographs from the 1967 film. One photograph with provenance stamps on the verso. An unofficial exploitation remake of the 1932 classic "Freaks" directed by Tod Browning. Claire Brennen stars as Jade Cochran a frustrated waitress who seduces carnival owner and freakshow overseer Steve St. John for his money and control over the carnival. Shot on location in Ventura Bakersfield Piru and Los Angeles California. 8 x 10 inches. Near Fine. Sonney-Friedman Pictures unknown books
1967réf. 162229N.p.: Sonney-Friedman Pictures 1967. Two vintage still photographs from the 1967 film. One photograph with provenance stamps on the verso. An unofficial exploitation remake of the 1932 classic "Freaks" directed by Tod Browning. Claire Brennen stars as Jade Cochran a frustrated waitress who seduces carnival owner and freakshow overseer Steve St. John for his money and control over the carnival. Shot on location in Ventura Bakersfield Piru and Los Angeles California. 8 x 10 inches. Near Fine. Sonney-Friedman Pictures unknown
1948réf. 159336Beverly Hills CA: United Artists 1948. Vintage studio still photograph from the 1949 film. With a blindstamp for the National Screen Service on the bottom right corner. A suitcase full of money is thrown into the back seat of a moving car owned by a married couple. The couple fights about if they should keep the money or not while being pursued by its intended recipient Set in and shot on location in Los Angeles. 8 x 10 inches. Very Good. Flicker Alley 46. Grant US. Selby US Canon. Silver and Ward Classic Noir. Spicer US. United Artists unknown books
1948réf. 159336Beverly Hills CA: United Artists 1948. Vintage studio still photograph from the 1949 film. With a blindstamp for the National Screen Service on the bottom right corner. A suitcase full of money is thrown into the back seat of a moving car owned by a married couple. The couple fights about if they should keep the money or not while being pursued by its intended recipient Set in and shot on location in Los Angeles. 8 x 10 inches. Very Good. Flicker Alley 46. Grant US. Selby US Canon. Silver and Ward Classic Noir. Spicer US. United Artists unknown
1975réf. 139600Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1975. Vintage black-and-white studio still photograph from the 1975 television movie. With MGM front folding snipe attached to the verso. Based on the autobiography of famous female athlete Babe Didrikson Zaharias who competed in the 1932 Olympics and won two gold medals in track and field. The film won a Golden Globe for Best Motion Picture made for Television. Babe is played by actresses Susan Clarke pictured in the studio still. 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1933réf. 172202N.p.: N.p. 1933. Vintage reference photograph from the 1933 pre-Code comedy film showing Buster Keaton surrounded by wreckage. Annotation in manuscript pencil on the verso noting the film title. With the end of Prohibition in sight two men decide to open a brewery and begin selling their home brewed beer but the resultant product is so weak that they're let off even after a police raid. 10 x 8 inches. Near Fine. N.p. unknown books
1939réf. 172228Los Angeles: Twentieth Century-Fox 1939. Vintage studio still photograph from the 1939 film showing a gloomy Buster Keaton. A comedy set during the early days of film about a young Broadway star who is chosen to be an ingenue of the silent screen. Keaton appeared in a cameo in the film as did numerous other icons of the silent era including Ben Turpin Mack Sennett and Chester Conklin. 8 x 10 inches. Very Good lightly toned with offsetting to the recto. Twentieth Century-Fox unknown books
1928réf. 162823N.p.: N.p. 1928. Vintage borderless publicity portrait photograph of actor Buster Keaton Jr. in his shirtsleeves issued to promote the 1928 silent comedy film. Contemporary dealer stamp on the verso. The last film Keaton would make with United Artists before moving to Metro-Goldwyn-Mayer. The film was a commercial and critical failure upon release but has since been reevaluated as one of Keaton's masterpieces. From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. 6.25 x 9.5 inches archivally mounted in a white mat measuring 11 x 14 inches. Very Good with moderate wear at the bottom corners. N.p. unknown books
1927réf. 172197Beverly Hills CA: United Artists 1927. Vintage studio still photograph from the 1927 silent film showing actor Buster Keaton standing behind a large pile of sporting gear. Annotations in manuscript ink on the verso. Seen by some as a reply to Harold Lloyd's "The Freshman" 1925 and a follow-up to Keaton's masterpiece "The General" 1926 about a nerdy undergraduate who follows his crush to a sports-focused college. Shot on location at Bovard Field and Exposition Park in Los Angeles. Poor with a large dampstain affecting the bottom right portion of the image and a diagonal crease to the top right corner repaired with old cello tape on the verso. United Artists unknown books
1929réf. 164250N.p.: N.p. 1929. Vintage reference photograph from the 1929 silent film showing actors Buster Keaton and Edward Earle shaking hands. Provenance stamp on the verso. A humble dry cleaner believes he's lucked out when a famous actress agrees to marry him-unaware that he is being used to make her ex-lover jealous. The film was released in two editions: a mute print for silent-only theaters and a "synchronized" version for sound theaters accompanied by an orchestra score and sound effects. Shot on location through Los Angeles and Santa Monica. 10 x 8 inches. Near Fine. N.p. unknown books
1929réf. 172235Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1929. Vintage oversize borderless reference photograph from the 1929 silent comedy film showing Dorothy Sebastian and Buster Keaton on horseback. A dry-cleaning employee finds himself the subject of a famous stage actress' affections although she is secretly using him to make another man jealous. Keaton's second film with MGM. 14 x 11 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1929réf. 172226Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1929. Vintage publicity photograph from the 1929 silent comedy film showing Dorothy Sebastian wooing a wary Buster Keaton. Spanish mimeo snipe on the verso. A dry-cleaning employee finds himself the subject of a famous stage actress' affections although she is secretly using him to make another man jealous. Keaton's second film with MGM. 10 x 8 inches. Very Good moderately toned with touchups to the recto. Metro-Goldwyn-Mayer [MGM] unknown books
1928réf. 172232Beverly Hills CA: United Artists 1928. Vintage studio still photograph from the 1928 silent film an amazing shot showing crowds of onlookers gathering at the harbor to welcome a steamer ship. The effete son of a hardened steamer captain falls in love with the daughter of his father's rival. Keaton's last independent film made under his creative control before his move to Metro-Goldwyn-Mayer later in the year. The film is perhaps best remembered today for Keaton's most famous stunt in which the facade of a house falls down around him while he avoids being flattened by inadvertently standing underneath an open window. 8 x 10 inches. Very Good with three pinholes to the margins and a diagonal chip to the top left corner. Complete collation details available on request. National Film Registry. United Artists unknown books
1926réf. 172200Beverly Hills CA: United Artists 1926. Vintage reference photograph from the 1926 film showing actor Buster Keaton as Johnny Gray the train engineer. During the Civil War an engineer must work to save the two loves of his life: a woman named Annabelle Lee and a train named The General. A box office disappointment upon release but long since reconsidered and now ranked among the the finest of Keaton's films. Shot on location in California and Oregon. 10 x 8 inches. Very Good plus with a few short closed tears to the top margin. National Film Registry. Ebert I. Eureka Masters of Cinema 173. Godard Histoires du cinema. Rosenbaum 1000. Schrader 60. United Artists unknown books
1926réf. 157682N.p.: N.p. 1926. Vintage reference photograph from the 1926 film showing actor Buster Keaton in an elevator wearing a jaunty hat. From the archive of film historian and author Joel Finler. During the Civil War an engineer must work to save the two loves of his life: a woman named Annabelle Lee and a train named The General. A box office disappointment upon release but long since reconsidered and now ranked among the the finest of Keaton's films. Shot on location in California and Oregon. 8 x 10 inches. About Near Fine. National Film Registry. Ebert I. Eureka Masters of Cinema 173. Godard Histoires du cinema. Rosenbaum 1000. Schrader 60. N.p. unknown books