11 067 résultats
1977réf. 137086Universal City CA: Steve Krantz Productions / American International Pictures AIP 1977. Third Revised Draft script for the 1978 film. Based on a story by producer Steve Krantz. Jennifer Pelikan is a young woman just entering a new private school where the other students torment her to the breaking point. Her only course of action is revenge which she enacts by communicating telepathically with snakes. A beautiful example of exploitation at its best borrowing from both from its obvious antecedent "Carrie" 1976 and another mind-over-animal film "Willard" 1971 where rats became tools of justice. Green titled wrappers. Title page present dated October 26 1977 noted as THIRD REVISION with credits for screenwriter Johnson and story writer Krantz. 118 leaves with last page of text numbered 102. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with three gold brads. Muir 1970s. Steve Krantz Productions / American International Pictures [AIP] unknown books
1977réf. 137086Universal City CA: Steve Krantz Productions / American International Pictures AIP 1977. Third Revised Draft script for the 1978 film. Based on a story by producer Steve Krantz. Jennifer Pelikan is a young woman just entering a new private school where the other students torment her to the breaking point. Her only course of action is revenge which she enacts by communicating telepathically with snakes. A beautiful example of exploitation at its best borrowing from both from its obvious antecedent "Carrie" 1976 and another mind-over-animal film "Willard" 1971 where rats became tools of justice. Green titled wrappers. Title page present dated October 26 1977 noted as THIRD REVISION with credits for screenwriter Johnson and story writer Krantz. 118 leaves with last page of text numbered 102. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with three gold brads. Muir 1970s. Steve Krantz Productions / American International Pictures [AIP] unknown
1987réf. 171564N.p.: Tri-Star Television / Lycanthrope Productions Inc 1987. Draft script for an Season 1 Episode 22 of the 1987-1988 television series here under the working title "Hawk Moon." Originally aired January 24 1988 on Fox. With a few manuscript ink annotations on the first two leaves. Series following a college student who is on a quest to end the curse that made him a werewolf. In this episode after a number of murders committed by werewolves the local Native American community begins to suspect skinwalkers. Generic brown manila wrappers with tape affixed to the front wrapper with manuscript ink annotation indicating the series and episode title with credits for screenwriter Christian Darren. Title page present dated November 18 1987 with credits for screenwriter Christian Darren. 33 leaves with last page of text numbered 30. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. Tri-Star Television / Lycanthrope Productions Inc unknown books
1987réf. 171564N.p.: Tri-Star Television / Lycanthrope Productions Inc 1987. Draft script for an Season 1 Episode 22 of the 1987-1988 television series here under the working title "Hawk Moon." Originally aired January 24 1988 on Fox. With a few manuscript ink annotations on the first two leaves. Series following a college student who is on a quest to end the curse that made him a werewolf. In this episode after a number of murders committed by werewolves the local Native American community begins to suspect skinwalkers. Generic brown manila wrappers with tape affixed to the front wrapper with manuscript ink annotation indicating the series and episode title with credits for screenwriter Christian Darren. Title page present dated November 18 1987 with credits for screenwriter Christian Darren. 33 leaves with last page of text numbered 30. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. Tri-Star Television / Lycanthrope Productions Inc unknown
réf. 140830N.p.: N.p. Draft script for an unproduced film. With a single notation in manuscript ink. Pete is a freeloader who makes a little money at the swap meet but has a keen propensity for getting laid off and living off his current wife. When wife number two tells him he has to keep his job for six months so that she won't run out on him with their child he gets fired in a matter of weeks for insulting a receptionist and being a bad bowler. Rather than go home he hitches to Las Vegas and is picked up by a smut dealer who robs him before he gets to his destination. After getting fired from a restaurant he ends up at Caesar's Palace looking for his ex-wife who is getting too old to be a showgirl and wants nothing to do with Pete. Set in California and Nevada. White titled self wrapper lacking rear wrapper with credits for screenwriter Brian Mori. 147 leaves with last page of text numbered 145. Xerographic duplication. Pages Near Fine wrapper Near Fine bound with a comb binding. N.p. unknown books
réf. 140830N.p.: N.p. Draft script for an unproduced film. With a single notation in manuscript ink. Pete is a freeloader who makes a little money at the swap meet but has a keen propensity for getting laid off and living off his current wife. When wife number two tells him he has to keep his job for six months so that she won't run out on him with their child he gets fired in a matter of weeks for insulting a receptionist and being a bad bowler. Rather than go home he hitches to Las Vegas and is picked up by a smut dealer who robs him before he gets to his destination. After getting fired from a restaurant he ends up at Caesar's Palace looking for his ex-wife who is getting too old to be a showgirl and wants nothing to do with Pete. Set in California and Nevada. White titled self wrapper lacking rear wrapper with credits for screenwriter Brian Mori. 147 leaves with last page of text numbered 145. Xerographic duplication. Pages Near Fine wrapper Near Fine bound with a comb binding. N.p. unknown
2000réf. 163294N.p.: N.p. 2000. Writer's First Draft script for an unproduced episode of the 2000 television series. In this one season procedural a cop moves from Los Angeles to an eccentric town in Arizona after the mysterious death of his wife. In this episode a man's wife goes missing and he suspects she has been having an affair. Set in Manhattan Arizona. White titled self-wrappers noted as Writer's First Draft on the front wrapper dated June 26 2000 with credits for screenwriter Lorraine Vos. Title page integral with front wrapper. 29 leaves with last page of text numbered 29. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with damp staining to the front wrapper bound with two gold brads. N.p. unknown books
2000réf. 163294N.p.: N.p. 2000. Writer's First Draft script for an unproduced episode of the 2000 television series. In this one season procedural a cop moves from Los Angeles to an eccentric town in Arizona after the mysterious death of his wife. In this episode a man's wife goes missing and he suspects she has been having an affair. Set in Manhattan Arizona. White titled self-wrappers noted as Writer's First Draft on the front wrapper dated June 26 2000 with credits for screenwriter Lorraine Vos. Title page integral with front wrapper. 29 leaves with last page of text numbered 29. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with damp staining to the front wrapper bound with two gold brads. N.p. unknown
1964réf. 173037Burbank CA: Walt Disney Productions 1964. Three vintage double weight British front-of-house cards from the 1964 Disney film. Based on the 1960 novel by Ian Niall. A little girl wants to save an escaped circus tiger after it escapes in a residential town and the National Guard has orders to kill it on sight. 8 x 10 inches. Very Good plus with pinholes and slight creasing at the corners. One card with creasing at the left margin. Walt Disney Productions unknown books
1962réf. 173024Burbank CA: Walt Disney 1962. Vintage hand-tinted British front-of-house card from the 1962 film. Based on the 1960 novel "Starfire" by Robert Buckner. An air force captain who is supposed to make the first flight around the moon is put under protection by the FBI when he encounters an alien. Shot on location in San Francisco CA. 8 x 10 inches. About Near Fine. Walt Disney unknown books
1974réf. 160034Hollywood: Paramount Television / Leda Productions 1974. Second Draft script for Season 1 Episode 1 of the 1975 television series. Copy belonging to an uncredited sound engineer with his name and title on the front wrapper in manuscript ink. The first adaptation to celluloid of hardboiled Southern California private eye Lew Archer a character originally created by novelist Ross Macdonald. In this episode Archer investigates a con man exploiting naive teenagers out of their parents' money. Originally aired on January 30 1975 on NBC. Orange titled wrappers noted as SECOND DRAFT on the front wrapper dated December 9 1974. Title page present noted as SECOND DRAFT dated December 9 1974 with credits for screenwriter David P. Harmon and novelist Ross Macdonald. 66 leaves with last page of text numbered 61. Xerographic duplication rectos only with blue revision pages throughout dated 12/12/74. Pages Near Fine wrapper Near Fine bound with two gold brads. Paramount Television / Leda Productions unknown books
1964réf. 173037Burbank CA: Walt Disney Productions 1964. Three vintage double weight British front-of-house cards from the 1964 Disney film. Based on the 1960 novel by Ian Niall. A little girl wants to save an escaped circus tiger after it escapes in a residential town and the National Guard has orders to kill it on sight. 8 x 10 inches. Very Good plus with pinholes and slight creasing at the corners. One card with creasing at the left margin. Walt Disney Productions unknown
1974réf. 160034Hollywood: Paramount Television / Leda Productions 1974. Second Draft script for Season 1 Episode 1 of the 1975 television series. Copy belonging to an uncredited sound engineer with his name and title on the front wrapper in manuscript ink. The first adaptation to celluloid of hardboiled Southern California private eye Lew Archer a character originally created by novelist Ross Macdonald. In this episode Archer investigates a con man exploiting naive teenagers out of their parents' money. Originally aired on January 30 1975 on NBC. Orange titled wrappers noted as SECOND DRAFT on the front wrapper dated December 9 1974. Title page present noted as SECOND DRAFT dated December 9 1974 with credits for screenwriter David P. Harmon and novelist Ross Macdonald. 66 leaves with last page of text numbered 61. Xerographic duplication rectos only with blue revision pages throughout dated 12/12/74. Pages Near Fine wrapper Near Fine bound with two gold brads. Paramount Television / Leda Productions unknown
1980réf. 152392N.p.: Warner Columbia Film 1980. Archive of material from the screening of the 1980 British film at the 1980 Cannes Film Festival including three borderless reference photographs one pressbook and one xerographically reproduced competition sheet. All text in French. A young punk singer from London rises to stardom but discovers that fame comes at the expense of her friends and integrity. The directorial debut of Brian Gibson who would go on to direct a plethora of films focusing on rock musicians most notably "What's Love Got to Do with It" 1993 and "Still Crazy" 1998. Set and shot on location in London. Photographs 9.5 x 7 inches. Pressbook 8.25 x 11.5 inches 15 leaves. All materials Near Fine. Carlson and Connolly Destroy All Movies. Olive Films 309. Warner Columbia Film unknown books
1980réf. 152392N.p.: Warner Columbia Film 1980. Archive of material from the screening of the 1980 British film at the 1980 Cannes Film Festival including three borderless reference photographs one pressbook and one xerographically reproduced competition sheet. All text in French. A young punk singer from London rises to stardom but discovers that fame comes at the expense of her friends and integrity. The directorial debut of Brian Gibson who would go on to direct a plethora of films focusing on rock musicians most notably "What's Love Got to Do with It" 1993 and "Still Crazy" 1998. Set and shot on location in London. Photographs 9.5 x 7 inches. Pressbook 8.25 x 11.5 inches 15 leaves. All materials Near Fine. Carlson and Connolly Destroy All Movies. Olive Films 309. Warner Columbia Film unknown
2006réf. 156849Columbia NC: HPE Rights 2006. Shooting script for the 2007 neo-noir film. Based on the 1975 novel by Brian Garfield the sequel to his 1972 novel "Death Wish." Kevin Bacon seeks revenge after seeing his son killed in a gang initiation. Set in Columbia South Carolina shot on location in Columbia South Carolina and Los Angeles. Front wrapper dated 8/11/06 noted as Shooting Script with credits for screenwriter Ian Mackenzie Jeffers. 126 leaves with last page of text numbered 106. Xerographic duplication rectos only with pink and yellow revision pages throughout dated variously between 9/13/06 and 9/14/06. Pages Near Fine bound with two gold brads. Grant US Neo-Noir. HPE Rights unknown books
2006réf. 156849Columbia NC: HPE Rights 2006. Shooting script for the 2007 neo-noir film. Based on the 1975 novel by Brian Garfield the sequel to his 1972 novel "Death Wish." Kevin Bacon seeks revenge after seeing his son killed in a gang initiation. Set in Columbia South Carolina shot on location in Columbia South Carolina and Los Angeles. Front wrapper dated 8/11/06 noted as Shooting Script with credits for screenwriter Ian Mackenzie Jeffers. 126 leaves with last page of text numbered 106. Xerographic duplication rectos only with pink and yellow revision pages throughout dated variously between 9/13/06 and 9/14/06. Pages Near Fine bound with two gold brads. Grant US Neo-Noir. HPE Rights unknown
1984réf. 150934N.p.: N.p. 1984. Vintage reference photograph of Brian DePalma on the set of the 1984 film. The fourth of a quartet of films made by Brian De Palma in the 1980s that paid homage to Alfred Hitchcock while adding elements of pop culture and the grotesque. "Body Double" was by far the funniest of these though no less compelling. Shot on location in Los Angeles Long Beach and Hollywood California. 8 x 9.75 inches. Near Fine. Clover Men Women and Chainsaws. Destroy All Movies The Complete Guide to Punks on Film. Spicer Neo-Noir US. N.p. unknown books
réf. 153222N.p. Two vintage color reference photographs of director Brian De Palma and actress Angie Dickinson along with a camera crew on the set of the 1980 film. A defining De Palma film suspenseful in the vein of Alfred Hitchcock and opening with an homage to the famous shower scene in Hitchcock's "Psycho." The sixth of nine highly distinctive films De Palma made between 1973 and 1984. Set in New York shot on location in New York and Pennsylvania. 10 x 8 inches. Near Fine. Arrow 842. Criterion Collection 770. Grant US. Spicer US Neo-Noir. unknown books
1974réf. 148219Los Angeles: Twentieth Century-Fox 1974. Eight vintage color lobby cards from the 1974 film. One of the greatest and most garish rock musicals ever made imposing a wild psychedelic pop veneer on the "Phantom of the Opera" and Faust stories and updating them to the present-day of 1970s mega-record-label-dominated culture. Written and directed by De Palma at the beginning of his "classic" period of the 1970s and 1980s on the heels of "Sisters" 1973. Singer Paul Williams is unforgettably ambitiously nasty as Swan the head of an evil conglomerate that ruins the life of young Winslow William Finley with a teeth-clenching opening narration by Rod Serling. Twentieth Century-Fox bought the film for two million dollars the largest sum ever paid by the company for an independent film but failed to properly market it and the film did not reach a large audience. "Phantom" did please the critics however notably Pauline Kael who called the film "a new Guignol in a modern idiom out of the Guignol of the past." Shot on location in Beverly Hills California and Dallas Texas. 14 x 11 inches. Near Fine. Twentieth Century-Fox unknown books
1973réf. 133031Los Angeles: American International Pictures AIP 1973. Two vintage black-and-white still photographs from the 1973 US film. De Palma does "Rear Window" sort of in the breakthrough film that would signal his move toward both Hollywood and the psycho-sexual thrillers that would come to be his signature as much as his virtuosic visual style. Set and shot on location in New York City. 8 x 10 inches. Near Fine with some light toning. Arrow 919. Criterion Collection 89. Grant US. Spicer US. American International Pictures [AIP] unknown books
1981réf. 151952N.p.: Filmways 1981. Vintage reference photograph of Brian De Palma on the set of the 1981 film. Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 1980s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 8 x 10 inches. Near Fine. Clover Men Women and Chainsaws. Criterion Collection 562. Grant US. Spicer Neo-Noir. Filmways unknown books
1981réf. 132103N.p.: Filmways Pictures 1981. Vintage black-and-white still photograph of John Travolta from the 1981 film. A De Palma highspot with influences from Antonioni's "Blow-Up" and Francis Ford Coppola's "The Conversation." A fine role for John Travolta who would experience a slight career dip and bounce back hard with Quentin Tarantino's "Pulp Fiction." 8 x 10 inches. About Near Fine. Filmways Pictures unknown books
1981réf. 142167US: Cinema 77 / Geria Productions / Filmways 1981. Eight vintage borderless color photographs from the 1981 film. Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 80s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 7 x 9.5 inches. Fine. Criterion Collection 562. Grant US. Spicer US Neo-Noir. Cinema 77 / Geria Productions / Filmways unknown books
1981réf. 127394N.p.: Filmways 1981. Vintage one sheet poster for the 1981 film. Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 1980s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 27 x 41 inches. Very Good plus with light splashing to the top third. Clover Men Women and Chainsaws. Criterion Collection 562. Grant US. Spicer Neo-Noir. Filmways unknown books
