Nan Crawford (screenwriter)Biblio.com
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1980Best.-Nr. 152192N.p.: N.p. 1980. Draft script for an unproduced film. A discontented isolated writer befriends and falls in love with a mermaid named Merda. Set in California. Green titled wrappers. Title page present undated with credits for screenwriter Nan Crawford. 189 leaves with last page of text numbered 188. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
1980Best.-Nr. 152192N.p.: N.p. 1980. Draft script for an unproduced film. A discontented isolated writer befriends and falls in love with a mermaid named Merda. Set in California. Green titled wrappers. Title page present undated with credits for screenwriter Nan Crawford. 189 leaves with last page of text numbered 188. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown books
1971Best.-Nr. 150685Culver City CA: Columbia Pictures 1971. Seven vintage studio still photographs from the 1971 film. A security consultant teams up with a call girl to steal a fortune in dirty money from criminals' safe deposit boxes which are stored in a high-tech bank vault. Set and shot on location in Hamburg West Germany. 10 x 8 inches. Near Fine. Lee The Heist Film. Columbia Pictures unknown books
1971Best.-Nr. 150684Culver City CA: Columbia Pictures 1971. Seven vintage studio still photographs from the 1971 film. A security consultant teams up with a call girl to steal a fortune in dirty money from criminals' safe deposit boxes which are stored in a high-tech bank vault. Set and shot on location in Hamburg West Germany. 10 x 8 inches. Near Fine. Lee The Heist Film. Columbia Pictures unknown books
Best.-Nr. 18371The Writers' Guild of Great Britain 430 Edgware Road London. Two items on Pulman's letterhead 31 Steele's Road London. 1968. Six items relating to Pulman's arbitration including 'a careful breakdown by him of scene continuity of the Bourguignon script the Duncan script and the final shooting script' these three breakdowns Items Two to Four below totalling 8pp. In his four-page arbitration Pulman gives a detailed account of the process of the film's composition of all the more interest as coming from a master screenwriter and contemporary. All six items in good condition lightly aged. ONE: Carbon copy of Pulman's signed four-page 'Arbitration - "GIRL ON A MOTORCYLE" Writers involved - S. Bourguignon Ronald Duncan Jack Cardiff Gillian Freeman'. A full description of the case in fourteen numbered sections giving a great deal of detail regarding the composition of the script beginning with a list of six 'writing stages' and Pulman's reasons for reaching his conclusion. He describes the film as 'a story done very much in the style of “Un Homme et Une Femme” using a very similar continuity of flashback and throught sic track'. On reading through the material presented to him Pulman found that 'one impression emerged clearer than ever – that the final shooting script 6 differed very little from Bourguignon's adaptation which Cardiff says could “never be used on a professional basis.” To see whether this impression was correct or not I made a careful breakdown of scene continuity of the Bouguignon script the Duncan script and the final shooting script and compared them. These are enclosed with this opinion.' The are Items Two to Four below. He does not 'believe that anyone comparing these breakdowns could come to any conclusion other than that the screenplay credit belongs niether sic to Cardiff nor Duncan but solely to Bourguignon'. Since Bourguignon 'seems to be claiming no credit' he proposes to amend the credit to: 'SCREENPLAY by S. Bourguignon. Additional Scenes by Ronald Duncan and Jack Cardiff.' TWO: Two-page typescript headed 'Continuity - BOURGIGNON sic'. Twenty-four points beginning with 'Rebecca rises from her husband's bed puts on her black suit takes her motorcycle and sets off to see her lover Daniel.' Last point: '24. She leaves the cafe and gets on her motor cycle again. She is going very fast. She is killed in a collision.' THREE: Three-page typescript headed 'Ronald DUNCAN - Continuity. Second Draft'. Twenty-seven numbered points beginning with: '1. Rebecca rises from her husband's bed takes her black suit and motorcycle and sets off for her lover.' Last point: '27. She leaves the grass verge and drives on. She arrives at Daniels. He is not present but she sees the photo frame this time with the woman in it which is sic obviously always takes out when he visits her. She walks out of his life leaving the motor cycle there.' FOUR: Three-page typescript headed 'Continuity - Final Script Jack Cardiff'. Thirty-one points beginning with: '1. Rebecca asleep with her husband has a dream about him and Daniel.' Last point: '31. She leaves the grass verge and gets back on the road again. Thinking of Daniel she has a collision with a car and is killed.' FIVE: Copy of typed 'postscript to my opinion dated 29th April 1968' by Pulman. On his letterhead. Dated 6 May 1968. 1p. 4to. Amending his proposed credit following a discussion 'at some length with Dick Sharples' to 'Screenplay by - RONALD DUNCAN Adapted by - JACK CARDIFF'. SIX: Copy of letter from Alan Griffiths General Secretary of the Writers' Guild to Stuart Freeman 14 May 1968. 1p. 4to. With Griffiths' compliments slip. [ The Writers' Guild of Great Britain, 430 Edgware Road, London. ] Two items on Pulman's letterhead, 31 Steele's Road, London. 1 unknown
1974Best.-Nr. 169951Los Angeles: Rankin/Bass Productions 1974. Draft script for the 1974 animated Christmas television special originally aired on CBS on December 8 1974. From the archive of screenwriter Jerome Coopersmith. A children's Christmas tale loosely based on Clement Moore's classic 1823 poem. Although produced in the US the special was animated in Japan by Topcraft an animation studio later linked to Studio Ghibli. Topcraft would collaborate numerous times with Rankin/Bass throughout the 1970s and 1980s most notably on "The Hobbit" 1977 and "The Last Unicorn" 1982. Script housed in a mylar folder with a navy blue binding. Pink titled William Morris Agency wrappers. Title page present dated 3-12-74 with credits for Moore and screenwriter Jerome Coopersmith. 36 leaves with last page of text numbered 34. Mimeograph duplication rectos only. Pages Near Fine wrappers Near Fine bound internally with three silver brads. Rankin/Bass Productions unknown
1974Best.-Nr. 169951Los Angeles: Rankin/Bass Productions 1974. Draft script for the 1974 animated Christmas television special originally aired on CBS on December 8 1974. From the archive of screenwriter Jerome Coopersmith. A children's Christmas tale loosely based on Clement Moore's classic 1823 poem. Although produced in the US the special was animated in Japan by Topcraft an animation studio later linked to Studio Ghibli. Topcraft would collaborate numerous times with Rankin/Bass throughout the 1970s and 1980s most notably on "The Hobbit" 1977 and "The Last Unicorn" 1982. Script housed in a mylar folder with a navy blue binding. Pink titled William Morris Agency wrappers. Title page present dated 3-12-74 with credits for Moore and screenwriter Jerome Coopersmith. 36 leaves with last page of text numbered 34. Mimeograph duplication rectos only. Pages Near Fine wrappers Near Fine bound internally with three silver brads. Rankin/Bass Productions unknown books
1956Best.-Nr. 159036Paris: Cocinor 1956. Vintage studio still photograph from the 1956 film. The culmination of director Roger Vadim's fascination with Brigitte Bardot. The pair had been dating since 1950 when she was 15 years old and he was 22 and were married in 1952. The film remains one of the most single-minded tributes to an actress by a film auteur and in twentieth century film-obsessed France there was perhaps never a more celebrated cinematic couple. The two would part ways the following year amidst rumors of affairs but remained close friends. Shot on location in Saint-Tropez France. 10 x 8 inches. Very Good plus with a small tear at the center of the bottom edge. Criterion Collection 77. Cocinor unknown books
1973Best.-Nr. 133026London: Amicus Productions 1973. Eight vintage black-and-white still photographs from the 1973 UK film based on the novel "Fengriffen" by David Case. The ghost and severed hand of a 18th century servant terrorizes the descendant of the nobleman who maimed him along with the descendant's new wife. A darker and more serious film than the typical Amicus horror films of the era. A story shot on location in the UK. 8 x 10 inches. Photos slightly wavy Near Fine. Amicus Productions unknown
1973Best.-Nr. 133026London: Amicus Productions 1973. Eight vintage black-and-white still photographs from the 1973 UK film based on the novel "Fengriffen" by David Case. The ghost and severed hand of a 18th century servant terrorizes the descendant of the nobleman who maimed him along with the descendant's new wife. A darker and more serious film than the typical Amicus horror films of the era. A story shot on location in the UK. 8 x 10 inches. Photos slightly wavy Near Fine. Amicus Productions unknown books
1937Best.-Nr. 135949Los Angeles: David O. Selznick 1937. Treatment script for an unproduced film. Based on the novel by William Vaughan Wilkins initially published on May 3 1937 by Jonathan Cape. A romantic adventure story set in the 19th century involving a poor girl who falls in love with a boy descended from royalty resulting in the usual problems. Blue titled wrappers with credits for novelist William Vaughan Wilkins. Title page present dated April 20 1937 for the treatment submission and May 3 1937 for the novel's publishing date with credits for novelist William Vaughan Wilkins. 46 leaves with last page of text numbered 41. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. David O. Selznick unknown books
Best.-Nr. 146397Los Angeles: Pomegranate Productions Unknown. Draft script for an unproduced film. With a Pomegranate Productions business card belonging to president Robert French stapled to the title page. When her abusive mother dies in a freak accident young Sylvia believes she's lucked out and will be able to finally live as a family with her caring stepfather. Nobody else will accept the mother's death as an accident however and even Sylvia begins to believe her stepfather is guilty fomenting discord between the two. Set in Los Angeles. Black titled wrappers. Title page present with credits for screenwriter William J. Cassidy. 163 leaves with last page of text numbered 113. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Pomegranate Productions unknown
Best.-Nr. 146397Los Angeles: Pomegranate Productions Unknown. Draft script for an unproduced film. With a Pomegranate Productions business card belonging to president Robert French stapled to the title page. When her abusive mother dies in a freak accident young Sylvia believes she's lucked out and will be able to finally live as a family with her caring stepfather. Nobody else will accept the mother's death as an accident however and even Sylvia begins to believe her stepfather is guilty fomenting discord between the two. Set in Los Angeles. Black titled wrappers. Title page present with credits for screenwriter William J. Cassidy. 163 leaves with last page of text numbered 113. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Pomegranate Productions unknown books
1969Best.-Nr. 153882N.p.: N.p. 1969. Vintage oversize borderless satin-finish reference photograph of Jim Brown and Raquel Welch between takes on the set of the 1969 film. A Native American man robs a bank in the US in order to buy guns for his people who are being repressed by the government. A lawman quickly sets out into Mexico to capture him but the two eventually create an alliance. Set in Mexico shot on location in Spain. 11.5 x 9 inches. Near Fine. Pitts 2903. N.p. unknown
1969Best.-Nr. 153882N.p.: N.p. 1969. Vintage oversize borderless satin-finish reference photograph of Jim Brown and Raquel Welch between takes on the set of the 1969 film. A Native American man robs a bank in the US in order to buy guns for his people who are being repressed by the government. A lawman quickly sets out into Mexico to capture him but the two eventually create an alliance. Set in Mexico shot on location in Spain. 11.5 x 9 inches. Near Fine. Pitts 2903. N.p. unknown books
1963Best.-Nr. 162466N.p.: Cinema Syndicate 1963. Vintage studio still photograph from the 1963 film. Provenance stamp on the verso. A "nudie cutie" from exploitation director Barry Mahon. An art dealer is attempting to create a scandalous art exhibition on the subject of the female form and asks local artists for paintings of nude women. Shot on location in New York City. 8 x 10 inches. Very Good with an opaque residue from a remove label over the actress' breast on the recto. Cinema Syndicate unknown books
Best.-Nr. DVD3917Rimini Editions Photos sur demande.DVD TRES BON ETAT.
1974Best.-Nr. 142572Beverly Hills CA: EK / United Artists 1974. Early Draft British script for the 1974 British heist film. Based on Gerald Browne's 1972 novel adapted by Charles Grodin. Howard Chesser Grodin is a diamond merchant supervising the cutting of a large and rare diamond. When the diamond is stolen he is blackmailed and pulled into a jewel heist at 11 Harrowhouse. Set in London shot there on location and in Warwickshire England. Burnt orange titled wrappers. Title page present noted as Revised Screenplay with credits for screenwriter Bloom. 130 leaves with last page of text numbered 129. Mechanical duplication. Pages and wrapper Near Fine bound with two gold brads. Lee The Heist Film. EK / United Artists unknown
1974Best.-Nr. 168008Los Angeles: Twentieth Century-Fox 1974. Vintage studio still photograph from the 1974 film showing Candice Bergen. A smalltime diamond merchant is blackmailed into carrying out a major heist aided by his heiress girlfriend. Set and shot on location in Buckinghamshire and London. 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown books
1974Best.-Nr. 142572Beverly Hills CA: EK / United Artists 1974. Early Draft British script for the 1974 British heist film. Based on Gerald Browne's 1972 novel adapted by Charles Grodin. Howard Chesser Grodin is a diamond merchant supervising the cutting of a large and rare diamond. When the diamond is stolen he is blackmailed and pulled into a jewel heist at 11 Harrowhouse. Set in London shot there on location and in Warwickshire England. Burnt orange titled wrappers. Title page present noted as Revised Screenplay with credits for screenwriter Bloom. 130 leaves with last page of text numbered 129. Mechanical duplication. Pages and wrapper Near Fine bound with two gold brads. Lee The Heist Film. EK / United Artists unknown books
1959Best.-Nr. 130326Los Angeles: Luna Productions 1959. Shooting Final script for the 1960 film. A low-budget space exploration film about a spaceship carrying a multinational group of scientists engineers and researchers to the moon where they discover an entire civilization of peace-loving extraterrestrials. Though working with a pitiable budget the producers at Luna Productions managed to hire noted cameraman John Alton then nearing the end of his career. Alton worked on every manner of film but is best remembered for his work in film noir salient examples being "Hollow Triumph" 1948 "The Amazing Mr. X" 1948 "The Big Combo" 1955 and a number of important noir entries by director Anthony Mann. Red titled wrappers noted as SHOOTING FINAL on the front wrapper dated March 31 1959. Title page present dated March 31 1959 with credits for screenwriter Bodeen story writer/producer F. O. Gebhardt director Bradley and associate producer Fox. 104 leaves mimeograph duplication. Pages about Fine wrapper about Fine bound internally with three gold brads. Lentz US. Mystery Science Theater 524. Luna Productions unknown
1959Best.-Nr. 130326Los Angeles: Luna Productions 1959. Shooting Final script for the 1960 film. A low-budget space exploration film about a spaceship carrying a multinational group of scientists engineers and researchers to the moon where they discover an entire civilization of peace-loving extraterrestrials. Though working with a pitiable budget the producers at Luna Productions managed to hire noted cameraman John Alton then nearing the end of his career. Alton worked on every manner of film but is best remembered for his work in film noir salient examples being "Hollow Triumph" 1948 "The Amazing Mr. X" 1948 "The Big Combo" 1955 and a number of important noir entries by director Anthony Mann. Red titled wrappers noted as SHOOTING FINAL on the front wrapper dated March 31 1959. Title page present dated March 31 1959 with credits for screenwriter Bodeen story writer/producer F. O. Gebhardt director Bradley and associate producer Fox. 104 leaves mimeograph duplication. Pages about Fine wrapper about Fine bound internally with three gold brads. Lentz US. Mystery Science Theater 524. Luna Productions unknown books
1936Best.-Nr. 150762Los Angeles: Paramount Pictures 1936. Vintage press photograph of Mitchell Leisen Myrna Loy and John Howard from the preview party at Leisen's house for the 1936 film. Mimeo snipe on verso. What should be a routine transcontinental flight from New York to San Francisco is complicated by its shady passengers which include three jewel thieves a strange nobleman and a beautiful socialite. Shot on location in Alhambra California and Beaver Dam Wisconsin. 10 x 8 inches. Near Fine. Paramount Pictures unknown
1936Best.-Nr. 150762Los Angeles: Paramount Pictures 1936. Vintage press photograph of Mitchell Leisen Myrna Loy and John Howard from the preview party at Leisen's house for the 1936 film. Mimeo snipe on verso. What should be a routine transcontinental flight from New York to San Francisco is complicated by its shady passengers which include three jewel thieves a strange nobleman and a beautiful socialite. Shot on location in Alhambra California and Beaver Dam Wisconsin. 10 x 8 inches. Near Fine. Paramount Pictures unknown books
2017Best.-Nr. 100073421TF1 Studio 2017 14x18x1cm. 2017. DVD.
