11 064 résultats
1987réf. 166807Los Angeles: Twentieth Century-Fox 1987. Third Draft script for the 1988 film seen here under both the release title and the working title "To Live and Drive in L.A." A summer comedy about a teenage boy who decides to take a wild joyride with his friends in his grandfather's prized Cadillac resulting in increasingly grievous damage to the vehicle. The second feature film to costar "the two Coreys" Corey Feldman and Corey Haim following "The Lost Boys" 1987. Set in Southern California shot on location in Los Angeles. Blue titled Twentieth Century-Fox wrappers dated September 21 1987. Title page present dated September 21 1987 noted as THIRD DRAFT with credit for screenwriter Neil Tolkin. 131 leaves with last page of text numbered 120. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between October 15 and October 28 1987. Pages Near Fine wrapper Near Fine bound with two gold brads. McPadden Teen Movie Hell. Twentieth Century-Fox unknown books
1965réf. 158808London: Romulus Films 1965. Four vintage studio still photographs from the 1965 film. Based in the 1962 novel by John Braine. A sequel to the 1959 film Room at the Top. After marrying the daughter of the most influential man in town a man struggles with feeling like no one in his new family has any respect for him. Set in Bradford England shot on location in Surrey Yorkshire and London. Two photographs 8 x 10 inches two photographs 10 x 8 inches. Near Fine. Romulus Films unknown books
1960réf. 150233N.p.: N.p. 1960. Vintage candid reference photograph from the 1960 film featuring members of "The Crazy Gang" director Val Guest Shirley Eaton circus impresario Billy Smart and wife and guests. "The Crazy Gang" were a much-loved British comedy troupe who performed for over three decades. Formed in the early 1930s they performed largely at the London Palladium as well as numerous Royal Command performances and made five feature films "Life is a Circus" being their last. Core members were Bud Flanagan Chesney Allen Jimmy Nervo Teddy Knox Charlie Naughton and Jimmy Gold. Billy Smart was a popular British showman and founder of Billy Smart's New World Circus. The circus was featured in two 1960 films "Life is a Circus" and Anglo-Amalgamated's "Circus of Horrors" directed by Sidney Hayers. "The Crazy Gang" save the struggling Joe Winter's Monster Circus with an Aladdin's magic lantern. 9.75 x 7.75 inches. Near Fine. N.p. unknown
1960réf. 150233N.p.: N.p. 1960. Vintage candid reference photograph from the 1960 film featuring members of "The Crazy Gang" director Val Guest Shirley Eaton circus impresario Billy Smart and wife and guests. "The Crazy Gang" were a much-loved British comedy troupe who performed for over three decades. Formed in the early 1930s they performed largely at the London Palladium as well as numerous Royal Command performances and made five feature films "Life is a Circus" being their last. Core members were Bud Flanagan Chesney Allen Jimmy Nervo Teddy Knox Charlie Naughton and Jimmy Gold. Billy Smart was a popular British showman and founder of Billy Smart's New World Circus. The circus was featured in two 1960 films "Life is a Circus" and Anglo-Amalgamated's "Circus of Horrors" directed by Sidney Hayers. "The Crazy Gang" save the struggling Joe Winter's Monster Circus with an Aladdin's magic lantern. 9.75 x 7.75 inches. Near Fine. N.p. unknown books
1944réf. 154237N.p.: N.p. 1944. Vintage reference photograph from the set of the 1944 film showing actress Tallulah Bankhead sitting and reading a newspaper that makes reference to World War II. A group of survivors are stranded on a lifeboat following a Nazi attack on their merchant ship. Tensions are high as the group negotiates food rations and tries to plot a course to land or rescue. The first film in Alfred Hitchcock's "limited setting" series followed by "Rope" 1948 "Dial M for Murder" 1954 and "Rear Window" 1954. Shot on location in Florida and California. 5 x 4.25 inches. Near Fine. Eureka Masters of Cinema 30. N.p. unknown
1944réf. 154237N.p.: N.p. 1944. Vintage reference photograph from the set of the 1944 film showing actress Tallulah Bankhead sitting and reading a newspaper that makes reference to World War II. A group of survivors are stranded on a lifeboat following a Nazi attack on their merchant ship. Tensions are high as the group negotiates food rations and tries to plot a course to land or rescue. The first film in Alfred Hitchcock's "limited setting" series followed by "Rope" 1948 "Dial M for Murder" 1954 and "Rear Window" 1954. Shot on location in Florida and California. 5 x 4.25 inches. Near Fine. Eureka Masters of Cinema 30. N.p. unknown books
1975réf. 167900Hollywood: Paramount Pictures 1975. Vintage borderless studio still photograph from the 1976 film. A beach lifeguard is forced to confront his priorities and consider changing professions when he rekindles a flame with his old high school girlfriend who is now divorced with a five-year-old son. Shot on Torrance Beach California. 10 x 8 inches. Near Fine. Paramount Pictures unknown books
1974réf. 159628N.p.: N.p. 1974. Vintage reference photograph from the 1974 film showing actors Michel Piccoli and Claudia Bianchi. Mimeo snipe and stamp of photographer Tony Crawley on the verso. An unhappily married man falls in love with his perfect woman-a sex doll. The relationship begins to sour however when he begins to project jealousy and dissatisfaction onto the mannequin. Shot on location in Paris. 10 x 8 inches. Near Fine. N.p. unknown
1974réf. 159628N.p.: N.p. 1974. Vintage reference photograph from the 1974 film showing actors Michel Piccoli and Claudia Bianchi. Mimeo snipe and stamp of photographer Tony Crawley on the verso. An unhappily married man falls in love with his perfect woman-a sex doll. The relationship begins to sour however when he begins to project jealousy and dissatisfaction onto the mannequin. Shot on location in Paris. 10 x 8 inches. Near Fine. N.p. unknown books
1962réf. 132426London: National Screen Service / MGM 1962. Nine vintage full-color British front-of-house cards from the UK release of the 1962 US film. A deep Hollywood-style romance about a young intellectually disabled girl and her distraught parents. The girl eventually falls in love with a young Italian but the parents are torn between putting the girl into institutional care or letting her marry. George Hamilton was nominated for a BAFTA 1963 for his performance. 8 x 10 inches. Light rubbing and creasing overall else Near Fine. National Screen Service / MGM unknown books
1965réf. 162623N.p.: Laurel Films 1965. Vintage portrait photograph of a young Stefanie Powers from the 1965 re-release of the 1961 film under the title "The Young Sinner." Provenance stamp on the verso. The second film written and directed by Tom Laughlin who would later go on to great success with the "Billy Jack" film series. Powers would go on to have a prolific career best known as the better half of "Hart to Hart" 1979-1984. Shot in 1960 the film received a limited release in 1961 under the original title "Like Father Like Son" and would not receive a wide release until 1965 under the title "The Young Sinner" as well as "Among the Thorns" and "We Are All Christ" as a double feature with the 1965 film "A Swingin' Summer." Told in flashbacks often in a confessional a small-town high school football star is expelled after being caught in bed with the daughter of a wealthy and influential family. Set in and shot on location in Milwaukee Wisconsin. 8 x 10 inches. Very Good plus with faint creasing overall and light soiling to the bottom right. Laurel Films unknown
1965réf. 162623N.p.: Laurel Films 1965. Vintage portrait photograph of a young Stefanie Powers from the 1965 re-release of the 1961 film under the title "The Young Sinner." Provenance stamp on the verso. The second film written and directed by Tom Laughlin who would later go on to great success with the "Billy Jack" film series. Powers would go on to have a prolific career best known as the better half of "Hart to Hart" 1979-1984. Shot in 1960 the film received a limited release in 1961 under the original title "Like Father Like Son" and would not receive a wide release until 1965 under the title "The Young Sinner" as well as "Among the Thorns" and "We Are All Christ" as a double feature with the 1965 film "A Swingin' Summer." Told in flashbacks often in a confessional a small-town high school football star is expelled after being caught in bed with the daughter of a wealthy and influential family. Set in and shot on location in Milwaukee Wisconsin. 8 x 10 inches. Very Good plus with faint creasing overall and light soiling to the bottom right. Laurel Films unknown books
1964réf. 158812Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1964. One vintage studio still photograph and one vintage reference photograph from a 1964 re-release of the 1953 film. One photograph with a mimeo snipe on the verso. Based on the 1950 short story "The Seven Souls of Clement O'Reilly" by Paul Gallico. A young girl takes up a job at a carnival in a puppet act unaware that the puppeteer is in love with her. Nominated for six Academy Awards and the Palm D'or. Set in provincial France. One photograph 8 x 10 inches one photograph 10 x 8 inches. Very Good plus with one photograph missing a chip along the left edge. Godard Histoires du cinema. Metro-Goldwyn-Mayer [MGM] unknown books
1963réf. 148780Beverly Hills CA: United Artists 1963. Collection of 18 vintage reference photographs all but one borderless and 4 vintage studio still photographs from the 1963 film. Two with provenance stamps on the verso. Based on the 1962 novel following an unemployed African American handyman conscripted by a group of Eastern European nuns into building a chapel for them in the Arizona desert. Nominated for five Academy Awards and winning one for Best Actor for Sidney Poitier making him the first African American man to receive an Oscar. Set and shot on location in Arizona. 18 photographs 9.5 x 7 inches four photographs 10 x 8 inches. Near Fine. United Artists unknown
1963réf. 148780Beverly Hills CA: United Artists 1963. Collection of 18 vintage reference photographs all but one borderless and 4 vintage studio still photographs from the 1963 film. Two with provenance stamps on the verso. Based on the 1962 novel following an unemployed African American handyman conscripted by a group of Eastern European nuns into building a chapel for them in the Arizona desert. Nominated for five Academy Awards and winning one for Best Actor for Sidney Poitier making him the first African American man to receive an Oscar. Set and shot on location in Arizona. 18 photographs 9.5 x 7 inches four photographs 10 x 8 inches. Near Fine. United Artists unknown books
1964réf. 144226Culver City CA: Columbia Pictures 1964. Vintage photograph of actors Peter Fonda Jean Seberg and Warren Beatty from the 1964 film. With manuscript annotations in pencil on the verso. Based on J. R. Salamanca's 1961 novel of the same name. Vincent Warren Beatty a recent Korean War veteran is in training at a mental institution as an occupational therapist where he becomes obsessed with Lilith Arthur Jean Seberg a schizophrenic patient whose seductive behavior stirs the order of the mental institution and destabilizes Vincent's own sense of reality. Set in Rockville Maryland. Shot on location in Virginia Long Island and Maryland. 9.75 x 7.5 inches. Near Fine. Grant US. Columbia Pictures unknown
1964réf. 144226Culver City CA: Columbia Pictures 1964. Vintage photograph of actors Peter Fonda Jean Seberg and Warren Beatty from the 1964 film. With manuscript annotations in pencil on the verso. Based on J. R. Salamanca's 1961 novel of the same name. Vincent Warren Beatty a recent Korean War veteran is in training at a mental institution as an occupational therapist where he becomes obsessed with Lilith Arthur Jean Seberg a schizophrenic patient whose seductive behavior stirs the order of the mental institution and destabilizes Vincent's own sense of reality. Set in Rockville Maryland. Shot on location in Virginia Long Island and Maryland. 9.75 x 7.5 inches. Near Fine. Grant US. Columbia Pictures unknown books
1940réf. 145329Los Angeles: Twentieth Century-Fox 1940. Vintage photograph of director Irving Cummings cinematographer Leon Shamroy and actresses Alice Faye and Helen Westley on the set of the 1940 film. Mimeo snipe on the verso. The life story of the 19th century American musical star. 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown books
1952réf. 135028Beverly Hills CA: United Artists 1952. Vintage US program for the 1952 film. Autobiographically reflective of Chaplin's fears of being left behind in the fading vaudeville and silent film era "Limelight" depicts the final years of a washed up stage clown who briefly maintains an impossible relationship with a young dancer representative of a new generation of performers. The first and only time that Charlie Chaplin and fellow silent film star Buster Keaton would appear onscreen together "Limelight" is also notable for being the only Chaplin picture to win an Academy Award albeit for the original score of the 1972 re-release. 9 x 12 inches 16 pages saddle stapled two-color wrappers. Very Good plus with light rubbing at the extremities. Criterion Collectiopn 756. United Artists unknown
1952réf. 157989N.p.: N.p. 1952. Vintage reference photograph from the 1952 film showing actor and director Charlie Chaplin in costume as a clown. From the archive of film historian and author Joel Finler. Autobiographically reflective of screen icon Charlie Chaplin's fears of being left behind in the fading vaudeville and silent film era depicting the final years of a washed-up stage clown who briefly maintains an impossible relationship with a young dancer representative of a new generation of performers. The first and only time that Chaplin and fellow silent film star Buster Keaton would appear onscreen together and the only Chaplin picture to win an Academy Award albeit for the original score of the 1972 re-release. 10 x 8 inches with wide margins image measuring 5 x 6.25 inches. Very Good plus lightly toned. Criterion Collection 756. Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown
1952réf. 153204N.p.: N.p. 1952. Vintage reference photograph from the 1952 film showing a ballet performance from the perspective of the audience with the orchestra pit and conductor visible in the foreground. From the archive of film historian and author Joel Finler. Autobiographically reflective of screen icon Charlie Chaplin's fears of being left behind in the fading vaudeville and silent film era depicting the final years of a washed-up stage clown who briefly maintains an impossible relationship with a young dancer representative of a new generation of performers. The first and only time that Chaplin and fellow silent film star Buster Keaton would appear onscreen together and the only Chaplin picture to win an Academy Award albeit for the original score of the 1972 re-release. 10 x 8 inches. Very Good plus overall. Criterion Collection 756. Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown
1952réf. 135028Beverly Hills CA: United Artists 1952. Vintage US program for the 1952 film. Autobiographically reflective of Chaplin's fears of being left behind in the fading vaudeville and silent film era "Limelight" depicts the final years of a washed up stage clown who briefly maintains an impossible relationship with a young dancer representative of a new generation of performers. The first and only time that Charlie Chaplin and fellow silent film star Buster Keaton would appear onscreen together "Limelight" is also notable for being the only Chaplin picture to win an Academy Award albeit for the original score of the 1972 re-release. 9 x 12 inches 16 pages saddle stapled two-color wrappers. Very Good plus with light rubbing at the extremities. Criterion Collectiopn 756. United Artists unknown books
1952réf. 157989N.p.: N.p. 1952. Vintage reference photograph from the 1952 film showing actor and director Charlie Chaplin in costume as a clown. From the archive of film historian and author Joel Finler. Autobiographically reflective of screen icon Charlie Chaplin's fears of being left behind in the fading vaudeville and silent film era depicting the final years of a washed-up stage clown who briefly maintains an impossible relationship with a young dancer representative of a new generation of performers. The first and only time that Chaplin and fellow silent film star Buster Keaton would appear onscreen together and the only Chaplin picture to win an Academy Award albeit for the original score of the 1972 re-release. 10 x 8 inches with wide margins image measuring 5 x 6.25 inches. Very Good plus lightly toned. Criterion Collection 756. Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown books
1952réf. 153204N.p.: N.p. 1952. Vintage reference photograph from the 1952 film showing a ballet performance from the perspective of the audience with the orchestra pit and conductor visible in the foreground. From the archive of film historian and author Joel Finler. Autobiographically reflective of screen icon Charlie Chaplin's fears of being left behind in the fading vaudeville and silent film era depicting the final years of a washed-up stage clown who briefly maintains an impossible relationship with a young dancer representative of a new generation of performers. The first and only time that Chaplin and fellow silent film star Buster Keaton would appear onscreen together and the only Chaplin picture to win an Academy Award albeit for the original score of the 1972 re-release. 10 x 8 inches. Very Good plus overall. Criterion Collection 756. Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown books
1973réf. 163693Los Angeles: Wolper Productions 1973. Treatment script for the 1974 television movie seen here under the working title "Trial By Fire." Originally aired on January 20 1974 on ABC. A dramatization of the struggle for power between President Abraham Lincoln and General George McClellan focusing on the events leading to the Emancipation Proclamation. Gray untitled Wolper Productions wrappers with a die-cut title window on the front wrapper. Title page present dated July 6 1973 with credit for screenwriter Theodore Strauss. 56 leaves with last page of text numbered 55. Xerographic duplication rectos only. Pages Near Fine wrapper about Near Fine lightly faded on the fore-edges with a black Velo binding. Wolper Productions unknown
