11 065 résultats
1939réf. 129771N.p.: N.p. 1939. Draft script for an unproduced film. A kind but reclusive woman inherits the fortune of her father a man of dubious morals who was well known at Tammany Hall and with the assistance of the Devil believes she can help put things to rights in part by funding a performance of "Faust." Written by Sidney Howard who received widespread fame for his work on "Gone with the Wind." Red titled wrappers. Title page present dated June 15 1939 with credits for screenwriter Howard. 141 leaves mimeograph on onionskin stock. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown books
1953réf. 144522Paris: Franco London Films 1953. Vintage test photograph of Charles Boyer as "General Andre de." in the 1953 French-Italian film. In the film he wears a mustache not so in this image and likely this session occurred just before or after filming was complete. Based on de Vilmorin's 1951 novel. Generally considered to be Max Ophuls' masterpiece the third of four acclaimed films he made after his return to France in 1950 and a 1950s masterpiece. Nominated for an Academy Award for Best Costume Black-and-White Rosine Delamare and Georges Annenkov. 11.5 x 14.75 inches small white border double weight full-color printed on Agfa photo paper. Very Good with moderate rubbing and curling a few short tears and creases. Criterion Collection. Ebert II. Godard Histoires du cinema. Rosenbaum 1000. Franco London Films unknown
1953réf. 144522Paris: Franco London Films 1953. Vintage test photograph of Charles Boyer as "General Andre de." in the 1953 French-Italian film. In the film he wears a mustache not so in this image and likely this session occurred just before or after filming was complete. Based on de Vilmorin's 1951 novel. Generally considered to be Max Ophuls' masterpiece the third of four acclaimed films he made after his return to France in 1950 and a 1950s masterpiece. Nominated for an Academy Award for Best Costume Black-and-White Rosine Delamare and Georges Annenkov. 11.5 x 14.75 inches small white border double weight full-color printed on Agfa photo paper. Very Good with moderate rubbing and curling a few short tears and creases. Criterion Collection. Ebert II. Godard Histoires du cinema. Rosenbaum 1000. Franco London Films unknown books
1961réf. 160054New South Wales: Cine-Alliance / Embassy Pictures 1961. Seven vintage borderless reference photographs from the 1961 film. Based on the 1893 play by Victorien Sardou and Émile Moreau. A laundry woman in France follows her husband to the battlefield inadvertently helping Napoleon win a battle. They are both given the title of Duke and Duchess though she does not understand and/or comply with the social manners of courtly life. Set in France shot on location in Tuscany Italy and Madrid Spain. 7 x 9.25 inches. Very Good plus with some wear to the finish and light offsetting adhesive residue on the verso. Cine-Alliance / Embassy Pictures unknown
1961réf. 160054New South Wales: Cine-Alliance / Embassy Pictures 1961. Seven vintage borderless reference photographs from the 1961 film. Based on the 1893 play by Victorien Sardou and Émile Moreau. A laundry woman in France follows her husband to the battlefield inadvertently helping Napoleon win a battle. They are both given the title of Duke and Duchess though she does not understand and/or comply with the social manners of courtly life. Set in France shot on location in Tuscany Italy and Madrid Spain. 7 x 9.25 inches. Very Good plus with some wear to the finish and light offsetting adhesive residue on the verso. Cine-Alliance / Embassy Pictures unknown books
1970réf. 161907N.p.: Audubon Films 1970. Vintage studio still photograph from the US release of the 1967 Japanese film. Provenance stamp and a label obscuring a previous provenance stamp on the verso. Based on the 1970 novel by Michael DeForrest published under the pseudonym T. Horoku. Brutally gang raped as a young girl Saeko develops a deep hatred toward men. Years later Saeko is a doctor by day and at night picks up men as a street walker and kills them. The pattern continues until she falls in love with a physician who she discovers has a troubling secret of his own. 8 x 10 inches. Light edgewear else Near Fine. Sharp Behind the Pink Curtain. Audubon Films unknown books
1971réf. 154802Santa Monica: Barry Oringer Productions 1971. Archive of material from the 1972 British television movie including two First Draft scripts and a Revised Draft script dated variously between April 12 and May 28 1971. Screenplays belonging to screenwriter Barry Oringer with his annotations throughout. A campy and humorous espionage film about the titular Madame Sin a sinister woman who kidnaps a former CIA agent and forces him to hijack a submarine in order to attain a secret nuclear weapon. One of many films cashing in on the popularity of the James Bond films originally intended as a television pilot but aired instead as a feature film on ABC on January 15 1972 followed by the UK in April of the same year. Shot on location in London and in Argyll and Bute in Scotland. First Draft script April 12 1971: Blue untitled Barry Oringer Productions wrappers with a die-cut window. Title page present dated April 12 1971 noted as FIRST DRAFT with credits for screenwriter Barry Oringer. 95 leaves with last page of text numbered 90. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. First Draft script April 25 1971: Blue untitled Barry Oringer Productions wrappers with a die-cut window. Title page present dated April 25 1971 noted as FIRST DRAFT with credits for screenwriter Barry Oringer. 100 leaves with last page of text numbered 97. Xerographic duplication with three pages ribbon copy typescript on onionskin stock rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Revised Draft Script May 28 1971: Red untitled wrappers. Title page present dated May 28 1971 noted as REVISED DRAFT with credits for screenwriter Barry Oringer. 109 leaves with last page of text numbered 104. Xerographic duplication with two pages ribbon copy typescript on green paper rectos only. Pages Near Fine wrapper Near Fine bound with two silver screw brads. Barry Oringer Productions unknown
1971réf. 154802Santa Monica: Barry Oringer Productions 1971. Archive of material from the 1972 British television movie including two First Draft scripts and a Revised Draft script dated variously between April 12 and May 28 1971. Screenplays belonging to screenwriter Barry Oringer with his annotations throughout. A campy and humorous espionage film about the titular Madame Sin a sinister woman who kidnaps a former CIA agent and forces him to hijack a submarine in order to attain a secret nuclear weapon. One of many films cashing in on the popularity of the James Bond films originally intended as a television pilot but aired instead as a feature film on ABC on January 15 1972 followed by the UK in April of the same year. Shot on location in London and in Argyll and Bute in Scotland. First Draft script April 12 1971: Blue untitled Barry Oringer Productions wrappers with a die-cut window. Title page present dated April 12 1971 noted as FIRST DRAFT with credits for screenwriter Barry Oringer. 95 leaves with last page of text numbered 90. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. First Draft script April 25 1971: Blue untitled Barry Oringer Productions wrappers with a die-cut window. Title page present dated April 25 1971 noted as FIRST DRAFT with credits for screenwriter Barry Oringer. 100 leaves with last page of text numbered 97. Xerographic duplication with three pages ribbon copy typescript on onionskin stock rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Revised Draft Script May 28 1971: Red untitled wrappers. Title page present dated May 28 1971 noted as REVISED DRAFT with credits for screenwriter Barry Oringer. 109 leaves with last page of text numbered 104. Xerographic duplication with two pages ribbon copy typescript on green paper rectos only. Pages Near Fine wrapper Near Fine bound with two silver screw brads. Barry Oringer Productions unknown books
1966réf. 139824Universal City CA: Universal Pictures 1966. Two vintage studio still photographs from the 1966 film noir. Snipe printed on the verso of one image. Based on the stage play by Alexandre Bisson popularized in novel form by J.W. McConaughy and the seventh film version. Holly Parker Turner is married to respected diplomat Clay Anderson Forsythe but they rarely get to see each other leading Holly to pursue other men notably carefree playboy Phil Benton Montalban. Phil soon dies in an accident and Holly panicked flees to Mexico leaving behind her young son. Addicted to drugs and making a living as a prostitute in a cheap hotel in Mexico she meets Dan Sullivan Meredith a criminal who tries to involve Holly in a blackmail scheme. When she discovers her husband Clay is the target she kills Sullivan. Unable to afford a lawyer she is assigned a dedicated young public defender whom she soon recognizes as her son. Keeping her identity secret so as not to tarnish her son's image of her Holly is tried as "Madame X." Shot on location in California. 8 x 10 inches. Very Good plus light toning and light edgewear. Grant US. Universal Pictures unknown books
1939réf. 162797New York: N.p. 1939. Vintage borderless reference photograph from the set of the 1939 film showing actors Carole Lombard and James Stewart. PIX agency stamp on the verso crediting noted photographer Alfred Eisenstaedt as well as a Westport Public Library stamp. During the Depression an ambitious lawyer finds himself torn between his high-powered career the demands of his difficult mother and his life with his young wife and child. German-born photographer Alfred Eisenstaedt was one of the original staff photographers of "Life" magazine after it was purchased by "Time" founder Henry Luce in 1936. He published nearly 2500 photo stories for the magazine with 90 of his images used for the magazine's covers but is perhaps best remembered today for the iconic "V-J Day in Times Square" photograph. From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. 10 x 8 inches archivally mounted in a white mat measuring 17 x 14 inches. Near Fine. N.p. unknown
1939réf. 158591Culver City CA: Selznick International 1939. Vintage reference photograph from the set of the 1939 film showing director John Cromwell and crew members watching as Carole Lombard and James Stewart rehearse a scene. Printed mimeo snipe affixed to the verso. During the Depression an ambitious lawyer finds himself torn between his high-powered career the demands of his difficult mother and his life with his young wife and child. 10 x 8 inches. Near Fine. Selznick International unknown
1939réf. 162797New York: N.p. 1939. Vintage borderless reference photograph from the set of the 1939 film showing actors Carole Lombard and James Stewart. PIX agency stamp on the verso crediting noted photographer Alfred Eisenstaedt as well as a Westport Public Library stamp. During the Depression an ambitious lawyer finds himself torn between his high-powered career the demands of his difficult mother and his life with his young wife and child. German-born photographer Alfred Eisenstaedt was one of the original staff photographers of "Life" magazine after it was purchased by "Time" founder Henry Luce in 1936. He published nearly 2500 photo stories for the magazine with 90 of his images used for the magazine's covers but is perhaps best remembered today for the iconic "V-J Day in Times Square" photograph. From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. 10 x 8 inches archivally mounted in a white mat measuring 17 x 14 inches. Near Fine. N.p. unknown books
1939réf. 158591Culver City CA: Selznick International 1939. Vintage reference photograph from the set of the 1939 film showing director John Cromwell and crew members watching as Carole Lombard and James Stewart rehearse a scene. Printed mimeo snipe affixed to the verso. During the Depression an ambitious lawyer finds himself torn between his high-powered career the demands of his difficult mother and his life with his young wife and child. 10 x 8 inches. Near Fine. Selznick International unknown books
1965réf. 160276N.p.: Documento Film / Royal Films International 1965. Vintage borderless reference photograph from the 1965 film. An anthology that follows a group of Italian tourists and immigrants during their time on a trip to Sweden. Set in Sweden shot on location in Italy. 7.5 x 6.75 inches trimmed. Near Fine with a crease at the top right corner. Documento Film / Royal Films International unknown books
1966réf. 152710Paris: Lux Films 1966. Vintage French pressbook for the 1966 French film. Loosely based on Howard Hawks' 1946 film "The Big Sleep" in turn based on the 1939 novel by Raymond Chandler. A young woman from Paris goes into the countryside to meet her lover but soon realizes he has been killed by gangsters leading her to investigate. Bi-fold 6.5 x 8.5 inches. Very Good plus lightly toned overall. Lux Films unknown
1966réf. 152710Paris: Lux Films 1966. Vintage French pressbook for the 1966 French film. Loosely based on Howard Hawks' 1946 film "The Big Sleep" in turn based on the 1939 novel by Raymond Chandler. A young woman from Paris goes into the countryside to meet her lover but soon realizes he has been killed by gangsters leading her to investigate. Bi-fold 6.5 x 8.5 inches. Very Good plus lightly toned overall. Lux Films unknown books
1976réf. 146910N.p.: Italgema Roma 1976. Vintage borderless color photograph of Nathalie Baye and Ottavia Piccolo from the 1976 film. Simon Leotard Michel Piccoli is trying to retain his business after his partner Julien commits suicide over uncontrollable debt. Simon's disreputable rival Lepidon Julien Guiomar is offering to save him by buying the company but Simon may have figured a way out with the help of the beautiful and mysterious prostitute Mado Piccolo. 7 x 4.75 inches. Near Fine. Italgema Roma unknown
1976réf. 146910N.p.: Italgema Roma 1976. Vintage borderless color photograph of Nathalie Baye and Ottavia Piccolo from the 1976 film. Simon Leotard Michel Piccoli is trying to retain his business after his partner Julien commits suicide over uncontrollable debt. Simon's disreputable rival Lepidon Julien Guiomar is offering to save him by buying the company but Simon may have figured a way out with the help of the beautiful and mysterious prostitute Mado Piccolo. 7 x 4.75 inches. Near Fine. Italgema Roma unknown books
1965réf. 146545N.p.: N.p. 1965. Draft script for the 1965 Yugoslavian made-for-television film first aired on November 15 1965. With a few manuscript ink annotations throughout mostly noting deletions and grammatical revisions. Text in English. An aging actor recalls his experiences twenty years earlier during World War II in particular remembering an older artist nicknamed "Maestro" who encouraged him to pursue his dream of acting. Set and shot on location in Warsaw. White untitled wrappers. Title page present with credits for director Jerzy Antczak and story credits to Zdzislaw Skowronski. 65 leaves with last page of text numbered 64. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus with light rusting on the front wrapper likely from a paper clip bound with two silver brads. N.p. unknown
1965réf. 146545N.p.: N.p. 1965. Draft script for the 1965 Yugoslavian made-for-television film first aired on November 15 1965. With a few manuscript ink annotations throughout mostly noting deletions and grammatical revisions. Text in English. An aging actor recalls his experiences twenty years earlier during World War II in particular remembering an older artist nicknamed "Maestro" who encouraged him to pursue his dream of acting. Set and shot on location in Warsaw. White untitled wrappers. Title page present with credits for director Jerzy Antczak and story credits to Zdzislaw Skowronski. 65 leaves with last page of text numbered 64. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus with light rusting on the front wrapper likely from a paper clip bound with two silver brads. N.p. unknown books
1985réf. 141557Berlin: Silent Night GbR 1985. Draft script for the 1988 film. Here under the working title "Silent Night." The true story of how Father Joseph Mohr an Austrian priest falls in love with a prostitute hopes to reform her does not and ends up composing the popular Christmas hymn "Silent Night" with schoolteacher Franz Gruber in 1818. Set in Austria. Red untitled wrappers. Title page present dated 1985 with credits for screenwriter Monica Teuber. 122 leaves with last page of text numbered 121. Xerographic duplication. Pages Near Fine wrapper Near Fine bound with three gold brads. Silent Night GbR unknown
1985réf. 141557Berlin: Silent Night GbR 1985. Draft script for the 1988 film. Here under the working title "Silent Night." The true story of how Father Joseph Mohr an Austrian priest falls in love with a prostitute hopes to reform her does not and ends up composing the popular Christmas hymn "Silent Night" with schoolteacher Franz Gruber in 1818. Set in Austria. Red untitled wrappers. Title page present dated 1985 with credits for screenwriter Monica Teuber. 122 leaves with last page of text numbered 121. Xerographic duplication. Pages Near Fine wrapper Near Fine bound with three gold brads. Silent Night GbR unknown books
1977réf. 139658Los Angeles: Twentieth Century-Fox 1977. Original scenario artwork for the 1978 horror film. Depicting the interior of Peggy Ann Snow's Catskills home. Based on the 1976 novel by William Goldman who also wrote the screenplay for the film. A young Anthony Hopkins plays a mentally disturbed magician who rises to fame when he begins utilizing a ventriloquist dummy. He rekindles a romance with a now-married ex-girlfriend Peggy Ann Snow Ann-Margret much to the chagrin of her hotheaded husband his agent and his surprisingly violent ventriloquist dummy. Gouache and pencil on illustration board. Artwork 19.5 x 14 inches housed in an off-white 24.5 x 19.5 inch mat. Light adhesive residue on the top and bottom edges else the illustration is Near Fine. Mat in Very Good condition with light bumps and soil. Twentieth Century-Fox unknown
1977réf. 139658Los Angeles: Twentieth Century-Fox 1977. Original scenario artwork for the 1978 horror film. Depicting the interior of Peggy Ann Snow's Catskills home. Based on the 1976 novel by William Goldman who also wrote the screenplay for the film. A young Anthony Hopkins plays a mentally disturbed magician who rises to fame when he begins utilizing a ventriloquist dummy. He rekindles a romance with a now-married ex-girlfriend Peggy Ann Snow Ann-Margret much to the chagrin of her hotheaded husband his agent and his surprisingly violent ventriloquist dummy. Gouache and pencil on illustration board. Artwork 19.5 x 14 inches housed in an off-white 24.5 x 19.5 inch mat. Light adhesive residue on the top and bottom edges else the illustration is Near Fine. Mat in Very Good condition with light bumps and soil. Twentieth Century-Fox unknown books
1964réf. 162488N.p.: Fairway International Pictures 1964. Vintage studio still photograph from the 1964 re-release of the 1961 film here under the alternate release title "Tickled Pink." Tommy Holden stars as both Dr. Paul Ner De Nude the Parisian scientist who invents glasses which can see through clothing and Angus Farnsworth an awkward Hollywood advertising whose life changes when he discovers the glasses years later. 8 x 10 inches. Near Fine. Fairway International Pictures unknown books
