11 045 résultats
1956réf. 141754France: Illria Film 1956. Draft script for the 1956 film. Based on the 1876 oft-produced novel by Jules Verne of the same title. Michael Strogoff is the courier of the Tsar tasked to deliver a very important message to the Tsar's brother who is in Siberia cut off from the main army due to the Tatar Army during the Crimean War. Set in the Russian Empire shot on location in Serbia. 203 leaves with last page of text numbered 203. Mechanical duplication. Pages Very Good plus lacking front wrapper bound with a silver prong binding. Illria Film unknown
1956réf. 141754France: Illria Film 1956. Draft script for the 1956 film. Based on the 1876 oft-produced novel by Jules Verne of the same title. Michael Strogoff is the courier of the Tsar tasked to deliver a very important message to the Tsar's brother who is in Siberia cut off from the main army due to the Tatar Army during the Crimean War. Set in the Russian Empire shot on location in Serbia. 203 leaves with last page of text numbered 203. Mechanical duplication. Pages Very Good plus lacking front wrapper bound with a silver prong binding. Illria Film unknown books
réf. 18367No address letterhead reads 'Memorandum from Michael Winner'. Dated 25 November 1969. 1p. 4to. In fair condition lightly aged and a little ruckled at edges. Winner's signature in blue ink is somewhat stylised. The document deals with eleven points raised at the meeting which relates to a film project which was not realised the first of which gives a feel of the tone: '1. We could do something in scene 305 with LEONARD who is not too full of character at this point. This applies also through that section to the end of scene 308. In this scene Leonard is a little too on-the-ball and decisive. He should be more concerned with JUANNA's feelings.' From the Jack Pulman papers. No address (letterhead reads 'Memorandum from Michael Winner'). Dated 25 November 1969. unknown
1965réf. 151447N.p.: N.p. 1965. Vintage borderless reference photograph of director Arthur Penn and actress Alexandra Stewart on the set of the 1965 film. From the archive of film historian and author Joel Finler. After angering the Mafia a stand-up comedian Warren Beatty finds himself on the run taking on an alias and heading to Chicago. The film received spotty reviews upon release but has since been reconsidered as a cult classic heavily influenced by the New Wave and presaging Penn and Beatty's collaboration in "Bonnie and Clyde" two years later. Grant US. Spicer US. N.p. unknown
1965réf. 151447N.p.: N.p. 1965. Vintage borderless reference photograph of director Arthur Penn and actress Alexandra Stewart on the set of the 1965 film. From the archive of film historian and author Joel Finler. After angering the Mafia a stand-up comedian Warren Beatty finds himself on the run taking on an alias and heading to Chicago. The film received spotty reviews upon release but has since been reconsidered as a cult classic heavily influenced by the New Wave and presaging Penn and Beatty's collaboration in "Bonnie and Clyde" two years later. Grant US. Spicer US. N.p. unknown books
1965réf. 135450Culver City CA: Florin / Columbia Pictures 1965. Three vintage black-and-white studio still photographs from the 1965 film. Featuring images of Warren Beatty and Alexandra Stewart. Some say that the New Hollywood era began with "Bonnie and Clyde" in 1967 others say "Mickey One" in 1965. Either way you look at it the director was Arthur Penn. Beatty was not only the muse for Penn's avant-garde tale of a comic who runs afoul of the mob but also the crazed youngster who would get Penn assigned to Bonnie and Clyde and initiate the second golden age of cinema. Stan Getz laid improvisations onto the progressive and somewhat classical score for the film against the backdrop of a full orchestra. Set in Chicago and shot on location there. 8 x 10 inches. CONDITION. Florin / Columbia Pictures unknown books
1984réf. 140554Culver City CA: Columbia Pictures 1984. Draft script for the 1984 film. With a few annotations in manuscript ink throughout. Rob Salinger Moore works as a television reporter and his wife Micki Reinking is a lawyer who is having difficulty getting pregnant to the chagrin of Rob. While working Rob meets a cellist Maude Irving who he begins dating without mentioning his wife. She soon becomes pregnant as well as his current wife and he ends up marrying Maude as well. To hide his bigamy he uses work as an excuse to spend days with one woman and nights with another. The women eventually find out about each other as they go into labor at the same time and are at the same hospital on the same floor. Self wrappers. Title page integral with front wrapper is present dated March 7 1984 with a credit for screenwriter Jonathan Reynolds. 127 leaves with last page of text numbered 122. Later generation photocopy with revision pages throughout dated variously between March 6 1984 and March 22 1984. Pages Very Good plus wrapper missing bound with two gold brads. Columbia Pictures unknown
1984réf. 140554Culver City CA: Columbia Pictures 1984. Draft script for the 1984 film. With a few annotations in manuscript ink throughout. Rob Salinger Moore works as a television reporter and his wife Micki Reinking is a lawyer who is having difficulty getting pregnant to the chagrin of Rob. While working Rob meets a cellist Maude Irving who he begins dating without mentioning his wife. She soon becomes pregnant as well as his current wife and he ends up marrying Maude as well. To hide his bigamy he uses work as an excuse to spend days with one woman and nights with another. The women eventually find out about each other as they go into labor at the same time and are at the same hospital on the same floor. Self wrappers. Title page integral with front wrapper is present dated March 7 1984 with a credit for screenwriter Jonathan Reynolds. 127 leaves with last page of text numbered 122. Later generation photocopy with revision pages throughout dated variously between March 6 1984 and March 22 1984. Pages Very Good plus wrapper missing bound with two gold brads. Columbia Pictures unknown books
1984réf. 171899N.p.: Blake Edwards Entertainment 1984. Draft script for the 1984 film seen here under the working title "Mickey and Maude." With rainbow revisions. A tabloid television reporter is torn between his wife and his girlfriend both of whom have recently announced that they are pregnant. Ann Reinking's final film performance. Silver generic Blake Edwards Entertainment wrappers. Title page present dated March 7 1984 with credit for screenwriter Jonathan Reynolds. 128 leaves with last page of text numbered 121. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between March 7 and 22 2984. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Blake Edwards Entertainment unknown
1984réf. 171899N.p.: Blake Edwards Entertainment 1984. Draft script for the 1984 film seen here under the working title "Mickey and Maude." With rainbow revisions. A tabloid television reporter is torn between his wife and his girlfriend both of whom have recently announced that they are pregnant. Ann Reinking's final film performance. Silver generic Blake Edwards Entertainment wrappers. Title page present dated March 7 1984 with credit for screenwriter Jonathan Reynolds. 128 leaves with last page of text numbered 121. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between March 7 and 22 2984. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Blake Edwards Entertainment unknown books
1969réf. 155789Beverly Hills CA: United Artists 1969. Vintage studio still photograph from the 1969 film showing actors Jon Voight Paul Rossilli Viva and Dustin Hoffman. French distributor stamp on the verso. Based on the 1965 novel by James Leo Herlihy. One of the earliest films to receive an X rating and the only X-rated release to ever win an Academy Award for Best Picture also winning for Best Director and Best Screenplay. Nominated for four other Academy Awards including Best Actor for both Hoffman and Voight and Best Supporting Actress for Sylvia Miles. Set and shot on location in Big Spring Texas New York City and Miami Florida. 10 x 8 inches. Very Good plus with pinholes at the corners. National Film Registry. United Artists unknown
1980réf. 168011Beverly Hills CA: United Artists 1980. Vintage reference photograph from a 1980 re-release of the 1969 film. Based on the 1965 novel by James Leo Herlihy about the unlikely friendship between a would-be gigolo and an ailing con artist. Cornerstone film of the New Hollywood cinema nominated for seven Academy Awards winning Best Screenplay Best Director and Best Picture. Set in New York City shot on location in Miami Manhattan and Big Spring Texas. 10 x 8 inches. About Fine. National Film Registry. United Artists unknown books
1969réf. 155789Beverly Hills CA: United Artists 1969. Vintage studio still photograph from the 1969 film showing actors Jon Voight Paul Rossilli Viva and Dustin Hoffman. French distributor stamp on the verso. Based on the 1965 novel by James Leo Herlihy. One of the earliest films to receive an X rating and the only X-rated release to ever win an Academy Award for Best Picture also winning for Best Director and Best Screenplay. Nominated for four other Academy Awards including Best Actor for both Hoffman and Voight and Best Supporting Actress for Sylvia Miles. Set and shot on location in Big Spring Texas New York City and Miami Florida. 10 x 8 inches. Very Good plus with pinholes at the corners. National Film Registry. United Artists unknown books
1960réf. 141947N.p.: N.p. 1960. Draft script for an unproduced film. Annotations in manuscript ink on several pages. A people-pleasing Hollywood director is torn between the conflicting wishes of his secretary and her estranged husband. Screenwriter Henry J. Staudigl is best known for his work on "Strike it Rich" 1948. Blue titled wrappers. Title page present with credit for screenwriter Henry J. Staudigl. 118 leaves with last page of text numbered 114. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. N.p. unknown
1960réf. 141947N.p.: N.p. 1960. Draft script for an unproduced film. Annotations in manuscript ink on several pages. A people-pleasing Hollywood director is torn between the conflicting wishes of his secretary and her estranged husband. Screenwriter Henry J. Staudigl is best known for his work on "Strike it Rich" 1948. Blue titled wrappers. Title page present with credit for screenwriter Henry J. Staudigl. 118 leaves with last page of text numbered 114. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. N.p. unknown books
1949réf. 156358Culver City CA: RKO Radio Pictures 1949. Vintage reference photograph from the 1949 film showing the titular gorilla facing off against a man on a rearing horse. Printed mimeo snipe and RKO Radio Pictures stamp on the verso. From the archive of film historian and author Joel Finler. A stop-motion monster fantasy film created in the wake of the massive success of Radio Pictures' "King Kong" 1933 even using the same director-screenwriter-producer team. A young woman heads to Hollywood with her pet gorilla named Joseph hoping to make enough money to save her ranch home in Africa. When a seedy nightclub entrepreneur proposes the gorilla be used as part of his nightclub's entertainment it seems like an easy way to make money-but Joe is miserable as he is mistreated and unhappy in America. Received an Academy Award in 1950 for Best Special Effects. Set in Hollywood. 10 x 8 inches. About Very Good plus with short closed tears at the edges and creases at the corners. RKO Radio Pictures unknown
1949réf. 156358Culver City CA: RKO Radio Pictures 1949. Vintage reference photograph from the 1949 film showing the titular gorilla facing off against a man on a rearing horse. Printed mimeo snipe and RKO Radio Pictures stamp on the verso. From the archive of film historian and author Joel Finler. A stop-motion monster fantasy film created in the wake of the massive success of Radio Pictures' "King Kong" 1933 even using the same director-screenwriter-producer team. A young woman heads to Hollywood with her pet gorilla named Joseph hoping to make enough money to save her ranch home in Africa. When a seedy nightclub entrepreneur proposes the gorilla be used as part of his nightclub's entertainment it seems like an easy way to make money-but Joe is miserable as he is mistreated and unhappy in America. Received an Academy Award in 1950 for Best Special Effects. Set in Hollywood. 10 x 8 inches. About Very Good plus with short closed tears at the edges and creases at the corners. RKO Radio Pictures unknown books
1945réf. 149678Burbank CA: Warner Brothers 1945. Vintage reference photograph of director Michael Curtiz wielding a megaphone on location for an suburban exterior shot for the 1945 film. With a printed mimeo snipe on the verso providing detail regarding same. Based on James M. Cain's 1941 novel which follows a newly divorced woman as she begins a career as a baker to provide for her family to the shame of her spoiled ungrateful firstborn daughter. A career-reviving role for Joan Crawford who won an Academy Award for her performance following her 1943 departure from Metro-Goldwyn-Mayer. Shot on location in Glendale Los Angeles and Malibu California. 7.25 x 9.25 inches. Very Good with light dryness and cracking to the finish and light wear to the bottom corners. National Film Registry. Criterion Collection 860. Selby US Canon. Grant US. Spicer US. Silver and Ward Classic Noir. Warner Brothers unknown
1945réf. 149678Burbank CA: Warner Brothers 1945. Vintage reference photograph of director Michael Curtiz wielding a megaphone on location for an suburban exterior shot for the 1945 film. With a printed mimeo snipe on the verso providing detail regarding same. Based on James M. Cain's 1941 novel which follows a newly divorced woman as she begins a career as a baker to provide for her family to the shame of her spoiled ungrateful firstborn daughter. A career-reviving role for Joan Crawford who won an Academy Award for her performance following her 1943 departure from Metro-Goldwyn-Mayer. Shot on location in Glendale Los Angeles and Malibu California. 7.25 x 9.25 inches. Very Good with light dryness and cracking to the finish and light wear to the bottom corners. National Film Registry. Criterion Collection 860. Selby US Canon. Grant US. Spicer US. Silver and Ward Classic Noir. Warner Brothers unknown books
réf. 146518N.p.: N.p. Unknown. Treatment script for an unproduced film. With a manuscript ink annotation to the title page stating "ROUGH TRANSLATION / VERY ROUGH" and a few small proofreader's annotations. Text in English. Incomplete apparentlhy as issued. An assassin becomes involved with a solitary young woman and gives her a handgun to protect herself while he's out of the country on an assignment-a gift which invariably only lands her in deeper trouble. Screenwriters Eugenio Martin and Jose G. Maesso were best known for their work on "The Ugly Ones" 1968 a violent heavily influential Euro Western film. Set in the US and Uruguay. Tan untitled side stapled wrappers. Title page present with credits for screenwriters Jose G. Maesso and Eugenio Martin. 52 leaves with last page of text numbered 51. Carbon typescript rectos only. Pages Very Good wrapper Very Good plus with the final few leaves loose from the binding. Pitts 4631. N.p. unknown
réf. 146518N.p.: N.p. Unknown. Treatment script for an unproduced film. With a manuscript ink annotation to the title page stating "ROUGH TRANSLATION / VERY ROUGH" and a few small proofreader's annotations. Text in English. Incomplete apparentlhy as issued. An assassin becomes involved with a solitary young woman and gives her a handgun to protect herself while he's out of the country on an assignment-a gift which invariably only lands her in deeper trouble. Screenwriters Eugenio Martin and Jose G. Maesso were best known for their work on "The Ugly Ones" 1968 a violent heavily influential Euro Western film. Set in the US and Uruguay. Tan untitled side stapled wrappers. Title page present with credits for screenwriters Jose G. Maesso and Eugenio Martin. 52 leaves with last page of text numbered 51. Carbon typescript rectos only. Pages Very Good wrapper Very Good plus with the final few leaves loose from the binding. Pitts 4631. N.p. unknown books
1975réf. 171761N.p.: N.p. 1975. Three vintage studio still photographs from the 1975 film. One with layout annotations in manuscript pencil on the verso. An experimental portrait of American citizens of various stripes-indigenous people immigrants hippies activists and more-as they reflect on changing life in the 1970s. Directors John Douglas and Robert Kramer were previously associated with Newsreel a revolutionary filmmaking collective founded in New York in 1967. 8 x 10 inches. Near Fine with light soil and toning to the margins. N.p. unknown
1975réf. 171761N.p.: N.p. 1975. Three vintage studio still photographs from the 1975 film. One with layout annotations in manuscript pencil on the verso. An experimental portrait of American citizens of various stripes-indigenous people immigrants hippies activists and more-as they reflect on changing life in the 1970s. Directors John Douglas and Robert Kramer were previously associated with Newsreel a revolutionary filmmaking collective founded in New York in 1967. 8 x 10 inches. Near Fine with light soil and toning to the margins. N.p. unknown books
1998réf. 165385London: Gummfluh Films 1998. First Production Draft script for the 1999 film. Copy belonging to an unidentified crew member with his first name in manuscript ink on the title page and his annotations regarding camera work throughout. Bound in at the front and rear of the script are several production documents including shooting schedules a contact sheet a map indicating filming locations and information regarding lodging during production. Not to be confused with the 2008 film of the same name. A motley group of siblings return to their family home after their mother's death ostensibly to grieve but in actuality in order to determine who will inherit the largest portion of her wealth. Self wrappers. Title page present dated 30 September 1998 with credit for screenwriter William Brookfield. 113 leaves with last page of text numbered 105. Xerographic duplication rectos only with pink and blue revision pages throughout dated October 6 and November 2 1998 respectively. Pages Very Good plus bound with a silver prong. Gummfluh Films unknown
1998réf. 165385London: Gummfluh Films 1998. First Production Draft script for the 1999 film. Copy belonging to an unidentified crew member with his first name in manuscript ink on the title page and his annotations regarding camera work throughout. Bound in at the front and rear of the script are several production documents including shooting schedules a contact sheet a map indicating filming locations and information regarding lodging during production. Not to be confused with the 2008 film of the same name. A motley group of siblings return to their family home after their mother's death ostensibly to grieve but in actuality in order to determine who will inherit the largest portion of her wealth. Self wrappers. Title page present dated 30 September 1998 with credit for screenwriter William Brookfield. 113 leaves with last page of text numbered 105. Xerographic duplication rectos only with pink and blue revision pages throughout dated October 6 and November 2 1998 respectively. Pages Very Good plus bound with a silver prong. Gummfluh Films unknown books
