11 046 résultats
1966réf. 161982Los Angeles: Olympic International Films 1966. Four vintage studio still photographs from the 1966 film. Provenance stamps and labels on the verso. "Documentary" exploitation classic featuring mostly faked travelogue footage including a Kyoto message parlor a Lebanese white slavery auction the Los Angeles art and peace scene and spring breakers on Balboa Island. Shot on location in Los Angeles and Newport Beach California Kyoto and Nassau Bahamas. 8 x 10 inches. Near Fine overall. Olympic International Films unknown
1966réf. 161982Los Angeles: Olympic International Films 1966. Four vintage studio still photographs from the 1966 film. Provenance stamps and labels on the verso. "Documentary" exploitation classic featuring mostly faked travelogue footage including a Kyoto message parlor a Lebanese white slavery auction the Los Angeles art and peace scene and spring breakers on Balboa Island. Shot on location in Los Angeles and Newport Beach California Kyoto and Nassau Bahamas. 8 x 10 inches. Near Fine overall. Olympic International Films unknown books
1974réf. 158069N.p.: N.p. 1974. Draft script for an unproduced Blaxploitation film. Laid in with the script is a typed letter signed from screenwriter Mario Licu to producer Frank Saletri dated May 18 1974 introducing the script. Letter paper clipped to a manila return envelope. A young Black teenager arrives in a remote western town where he inadvertently involves himself in the gang dealings of a former plantation owner. Purple titled wrappers. Title page present undated with credits for screenwriter Mario Licu. 121 leaves with last page of text numbered 118. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
1974réf. 158069N.p.: N.p. 1974. Draft script for an unproduced Blaxploitation film. Laid in with the script is a typed letter signed from screenwriter Mario Licu to producer Frank Saletri dated May 18 1974 introducing the script. Letter paper clipped to a manila return envelope. A young Black teenager arrives in a remote western town where he inadvertently involves himself in the gang dealings of a former plantation owner. Purple titled wrappers. Title page present undated with credits for screenwriter Mario Licu. 121 leaves with last page of text numbered 118. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown books
1966réf. 152053California: Eve Productions 1966. Vintage pressbook for the 1966 film. A sexploitation "documentary" following several buxom strippers as they discuss their lives in 1960s San Francisco. One leaf bi-fold. 11 x 17 inches. Folded once horizontally. Very Good plus overall. Eve Productions unknown
1966réf. 152053California: Eve Productions 1966. Vintage pressbook for the 1966 film. A sexploitation "documentary" following several buxom strippers as they discuss their lives in 1960s San Francisco. One leaf bi-fold. 11 x 17 inches. Folded once horizontally. Very Good plus overall. Eve Productions unknown books
1988réf. 167913Los Angeles: Orion Pictures 1988. Nine vintage studio still photographs from the 1988 horror film including seven compilation photographs. Based on the 1983 novel by Michael Stewart about a service monkey's increasingly murderous obsession with her owner a quadriplegic man. Director George Romero's second feature film produced with major studio backing after "Creepshow" 1982. Shot on location in Pittsburgh. 8 x 10 inches. Generally Near Fine to Fine. Orion Pictures unknown
1988réf. 167913Los Angeles: Orion Pictures 1988. Nine vintage studio still photographs from the 1988 horror film including seven compilation photographs. Based on the 1983 novel by Michael Stewart about a service monkey's increasingly murderous obsession with her owner a quadriplegic man. Director George Romero's second feature film produced with major studio backing after "Creepshow" 1982. Shot on location in Pittsburgh. 8 x 10 inches. Generally Near Fine to Fine. Orion Pictures unknown books
1966réf. 173036Burbank CA: Walt Disney Productions 1966. Four vintage British front-of-house cards from the 1967 Disney film. Based on the 1962 novel "The Monkeys" by G.K. Wilkinson. An American who inherits an olive farm in France uses chimpanzees as workers instead of having to pay for labor. Set in Provence France. 8 x 10 inches. Very Good plus. Walt Disney Productions unknown
1966réf. 173036Burbank CA: Walt Disney Productions 1966. Four vintage British front-of-house cards from the 1967 Disney film. Based on the 1962 novel "The Monkeys" by G.K. Wilkinson. An American who inherits an olive farm in France uses chimpanzees as workers instead of having to pay for labor. Set in Provence France. 8 x 10 inches. Very Good plus. Walt Disney Productions unknown books
1959réf. 167610Berlin: Bakros International 1959. Four vintage studio still photographs from the US release of the 1957 West German film. Based on the 1937 novel by Gábor Vaszary. In Paris a Hungarian artist falls in love with a girl who claims to have come from a wealthy background only to later discover that she's made up her past in order to impress him. An early performance by actress Romy Schneider released only a year after her breakthrough performance in "Sissi-The Young Empress" 1956. Shot on location in Paris. 10 x 8 inches. Good all four photographs wavy and dampstained and three with rust marks at each corner see images. Bakros International unknown books
1954réf. 166109N.p.: N.p. 1954. Vintage oversize borderless reference photograph from the classic 1954 film showing Jacques Tati on the tennis court. Dutch blindstamp on the top right corner and Dutch provenance label on the verso. Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. Shot on location on the coast of France. 12 x 9.5 inches. Very Good plus. Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown
1954réf. 162412N.p.: N.p. 1954. Vintage oversize borderless reference photograph from the classic 1954 film showing Jacques Tati on the beach. Number stamp and annotations in manuscript ink on the verso. Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. Shot on location on the coast of France. 9.25 x 11.25 inches. Very Good plus with light wear at the corners and a couple of tiny bruises at the bottom right corner. Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown
1954réf. 160512N.p.: N.p. 1954. Vintage borderless reference photograph of Jacques Tati as Monsieur Hulot from the classic 1954 film. Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. Shot on location on the coast of France. 6.75 x 9 inches. Very Good plus with pinholes at the corners and light creasing on the bottom edge. Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown
1954réf. 149741N.p.: N.p. 1954. Four vintage borderless reference photographs from the 1954 film. With agency labels on the verso along with manuscript ink and pencil annotations regarding layout. Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. Shot on location on the coast of France. 7 x 5 inches. Very Good plus. Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown
1954réf. 144577France: DisCina 1954. Vintage borderless photograph of director Jacques Tati during on a promotional tour for his 1953 film. Mimeo snipe on the verso. The film that introduced Jacques Tati's bumbling and hilarious Monsieur Hulot to the world. Nominated for an Academy Award. Shot on location on the coast of France. 5 x 7 inches. Near Fine. Criterion Collection 110. Ebert I. Rosenbaum 1000. DisCina unknown
1954réf. 166109N.p.: N.p. 1954. Vintage oversize borderless reference photograph from the classic 1954 film showing Jacques Tati on the tennis court. Dutch blindstamp on the top right corner and Dutch provenance label on the verso. Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. Shot on location on the coast of France. 12 x 9.5 inches. Very Good plus. Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown books
1954réf. 162412N.p.: N.p. 1954. Vintage oversize borderless reference photograph from the classic 1954 film showing Jacques Tati on the beach. Number stamp and annotations in manuscript ink on the verso. Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. Shot on location on the coast of France. 9.25 x 11.25 inches. Very Good plus with light wear at the corners and a couple of tiny bruises at the bottom right corner. Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown books
1954réf. 160512N.p.: N.p. 1954. Vintage borderless reference photograph of Jacques Tati as Monsieur Hulot from the classic 1954 film. Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. Shot on location on the coast of France. 6.75 x 9 inches. Very Good plus with pinholes at the corners and light creasing on the bottom edge. Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown books
1954réf. 149741N.p.: N.p. 1954. Four vintage borderless reference photographs from the 1954 film. With agency labels on the verso along with manuscript ink and pencil annotations regarding layout. Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. Shot on location on the coast of France. 7 x 5 inches. Very Good plus. Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown books
1954réf. 144577France: DisCina 1954. Vintage borderless photograph of director Jacques Tati during on a promotional tour for his 1953 film. Mimeo snipe on the verso. The film that introduced Jacques Tati's bumbling and hilarious Monsieur Hulot to the world. Nominated for an Academy Award. Shot on location on the coast of France. 5 x 7 inches. Near Fine. Criterion Collection 110. Ebert I. Rosenbaum 1000. DisCina unknown books
1947réf. 171760Beverly Hills CA: United Artists 1947. Vintage reference photograph from the 1947 film showing Charlie Chaplin standing on the sidewalk outside a cafe in Paris. Annotation in manuscript pencil on the verso noting the film title. A black comedy featuring a rare villainous turn by Chaplin as the titular Henri Verdoux a bigamist serial killer loosely based on real-life French killer Henri Désiré Landru. Chaplin was at the time facing accusations of being a Communist and the film was met with boycotts and picketing by the public and hostility by the press. 10 x 8 inches. Lightly toned else about Fine. United Artists unknown
1947réf. 171760Beverly Hills CA: United Artists 1947. Vintage reference photograph from the 1947 film showing Charlie Chaplin standing on the sidewalk outside a cafe in Paris. Annotation in manuscript pencil on the verso noting the film title. A black comedy featuring a rare villainous turn by Chaplin as the titular Henri Verdoux a bigamist serial killer loosely based on real-life French killer Henri Désiré Landru. Chaplin was at the time facing accusations of being a Communist and the film was met with boycotts and picketing by the public and hostility by the press. 10 x 8 inches. Lightly toned else about Fine. United Artists unknown books
1951réf. 157122Culver City CA: Columbia Pictures 1951. Revised Final Draft script for the 1952 film. Copy belonging to actor Lon McCallister with his name in manuscript ink on the front wrapper. A young prospector witnesses a group of bandits murder a miner and his son and resolves to help the law stop the gang unaware that the sheriff is secretly working as the bandit leader. Set in Montana. White titled wrappers noted as REVISED FINAL DRAFT on the front wrapper dated Sept. 21 1951. Title page present dated September 18 1951 noted as REVISED FINAL DRAFT with credits for screenwriter Barry Shipman. 102 leaves with last page of text numbered 100. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with light creasing on the fore-edges of the first four leaves bound with two gold brads. Columbia Pictures unknown
1951réf. 157122Culver City CA: Columbia Pictures 1951. Revised Final Draft script for the 1952 film. Copy belonging to actor Lon McCallister with his name in manuscript ink on the front wrapper. A young prospector witnesses a group of bandits murder a miner and his son and resolves to help the law stop the gang unaware that the sheriff is secretly working as the bandit leader. Set in Montana. White titled wrappers noted as REVISED FINAL DRAFT on the front wrapper dated Sept. 21 1951. Title page present dated September 18 1951 noted as REVISED FINAL DRAFT with credits for screenwriter Barry Shipman. 102 leaves with last page of text numbered 100. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with light creasing on the fore-edges of the first four leaves bound with two gold brads. Columbia Pictures unknown books
