11 065 résultats
1963réf. 162092Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1963. Two vintage studio still photographs from the American release of the 1963 French film one showing Barbara Lass and Michel Vitold the other showing Lass and Karlheinz Böhm. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Loosely based on the 1953 novel by Auguste Le Breton. A gangster arrives in Tokyo planning on stealing a precious diamond from a bank vault but is forced to rely on a friend of a friend when his second-in-command is killed. Set and shot on location in Tokyo. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1963réf. 162092Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1963. Two vintage studio still photographs from the American release of the 1963 French film one showing Barbara Lass and Michel Vitold the other showing Lass and Karlheinz Böhm. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Loosely based on the 1953 novel by Auguste Le Breton. A gangster arrives in Tokyo planning on stealing a precious diamond from a bank vault but is forced to rely on a friend of a friend when his second-in-command is killed. Set and shot on location in Tokyo. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1980réf. 164133N.p.: N.p. 1980. Draft script for an unproduced radio play ribbon copy typescript with manuscript white-out annotations throughout. Screenwriter Sustarsic wrote frequently for sitcom television throughout the 1980s and 1990s most memorably for the television series "Alice" 1976-1985 and "The Jeffersons" 1975-1985. Sustarsic was also one of the creators of the children's animated series "The Wild Thornberrys" 1998-2004. A "Pro-Life" radio show wherein Dr. Riever who performs abortions as part of his regular practice is taken into the eighth dimension after strangling a fetus to death with his hands during an abortion and is judged by the spirits of the people he aborted. Classic Reagan-era "Pro-Life" agitprop. Front wrapper integral with the title page with credits for screenwriter Stephen Sustarsic. 47 leaves with last page of text numbered 46. Ribbon copy typescript rectos only. Pages Near Fine. Unbound. N.p. unknown
1980réf. 164133N.p.: N.p. 1980. Draft script for an unproduced radio play ribbon copy typescript with manuscript white-out annotations throughout. Screenwriter Sustarsic wrote frequently for sitcom television throughout the 1980s and 1990s most memorably for the television series "Alice" 1976-1985 and "The Jeffersons" 1975-1985. Sustarsic was also one of the creators of the children's animated series "The Wild Thornberrys" 1998-2004. A "Pro-Life" radio show wherein Dr. Riever who performs abortions as part of his regular practice is taken into the eighth dimension after strangling a fetus to death with his hands during an abortion and is judged by the spirits of the people he aborted. Classic Reagan-era "Pro-Life" agitprop. Front wrapper integral with the title page with credits for screenwriter Stephen Sustarsic. 47 leaves with last page of text numbered 46. Ribbon copy typescript rectos only. Pages Near Fine. Unbound. N.p. unknown books
1941réf. 148690Los Angeles: Twentieth Century-Fox 1941. Final Draft script for the 1942 film. Production No. 690 and copy No. 140 both rubber stamped on the front wrapper with FINAL printed at the top right corner of same. John T. Bromley Joseph Allen a young man from high society is physically humiliated by a prizefighter William Haade before his socialite sweetheart Jenny Killian Brenda Joyce. He goes to a training camp to redeem his self-respect and ensure his success in a rematch. Nominated for an Academy Award for Best Cinematography. Shot on location in Sherwood Forest California. Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 140 and production No. 690 dated OCT. 23 1941. Distribution page present with receipt intact. Title page present dated October 23 1941 noted as Final Script with credits for screenwriter Walter Bullock. 130 leaves with last page of text numbered 125. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 10/27/41 and 11/11/41. Pages Near Fine wrapper Very Good plus with a few small closed tears bound internally with two gold brads. Twentieth Century-Fox unknown
1941réf. 148690Los Angeles: Twentieth Century-Fox 1941. Final Draft script for the 1942 film. Production No. 690 and copy No. 140 both rubber stamped on the front wrapper with FINAL printed at the top right corner of same. John T. Bromley Joseph Allen a young man from high society is physically humiliated by a prizefighter William Haade before his socialite sweetheart Jenny Killian Brenda Joyce. He goes to a training camp to redeem his self-respect and ensure his success in a rematch. Nominated for an Academy Award for Best Cinematography. Shot on location in Sherwood Forest California. Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 140 and production No. 690 dated OCT. 23 1941. Distribution page present with receipt intact. Title page present dated October 23 1941 noted as Final Script with credits for screenwriter Walter Bullock. 130 leaves with last page of text numbered 125. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 10/27/41 and 11/11/41. Pages Near Fine wrapper Very Good plus with a few small closed tears bound internally with two gold brads. Twentieth Century-Fox unknown books
1971réf. 149549Mexico: Cinematografica Jalisco 1971. Vintage poster for the 1971 Mexican Western film. 26 x 36.75 inches. Very Good with pinholes to the corners starting to the creases and light toning. Folded as issued. Cinematografica Jalisco unknown
1971réf. 149549Mexico: Cinematografica Jalisco 1971. Vintage poster for the 1971 Mexican Western film. 26 x 36.75 inches. Very Good with pinholes to the corners starting to the creases and light toning. Folded as issued. Cinematografica Jalisco unknown books
1971réf. 162175N.p.: J-Cinemax International Releasing 1971. Vintage studio still photograph from the 1971 Canadian film. Provenance stamp on the verso. An irreverent comedy about the misadventures of four high school friends in their graduating year. Shot on location in Ontario Canada. 8 x 10 inches. Near Fine. J-Cinemax International Releasing unknown books
1992réf. 167496Los Angeles: Twentieth Century-Fox 1992. Revised Draft script for the 1993 film. Based on the 1992 novel by Michael Crichton. Sean Connery and Wesley Snipes star as two LAPD detectives called in to assist in an investigation of the murder of a call girl in a boardroom of a large Japanese company and act as a liason between the Japanese executives and the investigating officer played by Harvey Keitel. Set in and shot on location in Los Angeles. Yellow titled wrappers dated April 21 1992. Title page present dated April 21 1992 noted as REVISED with credits for screenwriter Philip Kaufman and author Michael Crichton. 132 leaves with last page of text numbered 131. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown
1992réf. 167496Los Angeles: Twentieth Century-Fox 1992. Revised Draft script for the 1993 film. Based on the 1992 novel by Michael Crichton. Sean Connery and Wesley Snipes star as two LAPD detectives called in to assist in an investigation of the murder of a call girl in a boardroom of a large Japanese company and act as a liason between the Japanese executives and the investigating officer played by Harvey Keitel. Set in and shot on location in Los Angeles. Yellow titled wrappers dated April 21 1992. Title page present dated April 21 1992 noted as REVISED with credits for screenwriter Philip Kaufman and author Michael Crichton. 132 leaves with last page of text numbered 131. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown books
1945réf. 146226Universal City CA: Universal Pictures 1945. Post-production Continuity and Dialogue script for the 1945 film. A sheltered young girl lives with her uncle a pawnbroker by day and unbeknownst to her the leader of a criminal ring by night. When she begins to uncover his transgressions and realizes she is now under threat of becoming his next victim she seeks out the help of a local beat cop in bringing him down. White titled self wrappers noted as CONTINUITY & DIALOGUE on the front wrapper production No. 1422 dated AUGUST 8 1945 with credits for director Charles David actors Gloria Jean John Qualen Bill Goodwin and other cast members. Title page integral with the front wrapper as issued. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus with light foxing bound with two gold brads at the top edge. Universal Pictures unknown
1945réf. 146226Universal City CA: Universal Pictures 1945. Post-production Continuity and Dialogue script for the 1945 film. A sheltered young girl lives with her uncle a pawnbroker by day and unbeknownst to her the leader of a criminal ring by night. When she begins to uncover his transgressions and realizes she is now under threat of becoming his next victim she seeks out the help of a local beat cop in bringing him down. White titled self wrappers noted as CONTINUITY & DIALOGUE on the front wrapper production No. 1422 dated AUGUST 8 1945 with credits for director Charles David actors Gloria Jean John Qualen Bill Goodwin and other cast members. Title page integral with the front wrapper as issued. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus with light foxing bound with two gold brads at the top edge. Universal Pictures unknown books
1954réf. 150271Los Angeles: Twentieth Century-Fox 1954. Vintage studio still photograph from the 1954 Western film showing actor Robert Mitchum. Loosely based on the 1948 Italian film "Bicycle Thieves." A woman hires a widowed ex-con and his son to help her navigate a river journey to search for her gambler husband. 8 x 10 inches. Near Fine. Pitts 3535. Twentieth Century-Fox unknown
1954réf. 150271Los Angeles: Twentieth Century-Fox 1954. Vintage studio still photograph from the 1954 Western film showing actor Robert Mitchum. Loosely based on the 1948 Italian film "Bicycle Thieves." A woman hires a widowed ex-con and his son to help her navigate a river journey to search for her gambler husband. 8 x 10 inches. Near Fine. Pitts 3535. Twentieth Century-Fox unknown books
1945réf. 153874N.p.: N.p. 1945. Eight vintage reference photographs from the 1945 animated film. A short film following the misadventures of the eponymous main characters a group of river workers including two animated characters in blackface. The group is given control of a Mississippi steamboat called "The Spook" but must contend with a wily ghost onboard. Sequel to the 1943 short film "Professor Small and Mr. Tall." 10 x 8 inches overall with wide margins images measuring 4.5 x 3.5 inches. Generally Near Fine. N.p. unknown
1945réf. 153874N.p.: N.p. 1945. Eight vintage reference photographs from the 1945 animated film. A short film following the misadventures of the eponymous main characters a group of river workers including two animated characters in blackface. The group is given control of a Mississippi steamboat called "The Spook" but must contend with a wily ghost onboard. Sequel to the 1943 short film "Professor Small and Mr. Tall." 10 x 8 inches overall with wide margins images measuring 4.5 x 3.5 inches. Generally Near Fine. N.p. unknown books
1963réf. 159789N.p.: N.p. 1963. Two vintage borderless reference photographs from the 1963 film showing director Pier Paolo Pasolini on the set with actor Orson Welles. Both with provenance labels on the verso and one with a printed mimeo snipe. An anthology film with four segments titled after the names of the four directors: "Illibatezza" directed by Roberto Rossellini "Il Nuovo Mondo" directed by Jean-Luc Godard "La Ricotta" directed by Pier Paolo Pasolini and "Il Pollo Ruspante" directed by Ugo Gregoretti. Pasolini's segment a scathing comic rebuke on social inequality and religious hypocrisy follows a lavish film production depicting the crucifixion of Christ in a poor region outside Rome led by Orson Welles' bombastic insufferable director. The film resulted in Pasolini being convicted of blasphemy and the film being banned in Italy. Pasolini was sentenced to a four month prison term which he avoided by paying a fine. 9.5 x 7 inches. Near Fine. Criterion Collection 236. Rosenbaum 1000. N.p. unknown
1963réf. 149379N.p.: N.p. 1963. Vintage borderless reference photograph of Orson Welles from the 1963 film. Italian "ROGOPAG / LA RIOTTA" stamp on verso. An anthology film of four short films titled after the names of the four directors: "Illibatezza" directed by Roberto Rossellini "Il Nuovo Mondo" directed by Jean-Luc Godard "La Ricotta" directed by Pier Paolo Pasolini and "Il Pollo Ruspante" directed by Ugo Gregoretti Pasolini's scathing comic rebuke on social inequality and religious hypocrisy wherein a lavish film production of the crucifixion of Christ in a poor region outside Rome finds the extra playing the "good thief" Stracci Mario Cipriani quite literally starving during the production trying everything to get some food all while being berated by the bombastic insufferable director Orson Welles. The film resulted in Pasolini being convicted of blasphemy and the film being banned in Italy. Pasolini was sentenced to a four month prison term which he avoided by paying a fine. 9.5 x 7 inches. Near Fine. Rosenbaum 1000. Criterion Collection 236. N.p. unknown
1963réf. 149379N.p.: N.p. 1963. Vintage borderless reference photograph of Orson Welles from the 1963 film. Italian "ROGOPAG / LA RIOTTA" stamp on verso. An anthology film of four short films titled after the names of the four directors: "Illibatezza" directed by Roberto Rossellini "Il Nuovo Mondo" directed by Jean-Luc Godard "La Ricotta" directed by Pier Paolo Pasolini and "Il Pollo Ruspante" directed by Ugo Gregoretti Pasolini's scathing comic rebuke on social inequality and religious hypocrisy wherein a lavish film production of the crucifixion of Christ in a poor region outside Rome finds the extra playing the "good thief" Stracci Mario Cipriani quite literally starving during the production trying everything to get some food all while being berated by the bombastic insufferable director Orson Welles. The film resulted in Pasolini being convicted of blasphemy and the film being banned in Italy. Pasolini was sentenced to a four month prison term which he avoided by paying a fine. 9.5 x 7 inches. Near Fine. Rosenbaum 1000. Criterion Collection 236. N.p. unknown books
1963réf. 159789N.p.: N.p. 1963. Two vintage borderless reference photographs from the 1963 film showing director Pier Paolo Pasolini on the set with actor Orson Welles. Both with provenance labels on the verso and one with a printed mimeo snipe. An anthology film with four segments titled after the names of the four directors: "Illibatezza" directed by Roberto Rossellini "Il Nuovo Mondo" directed by Jean-Luc Godard "La Ricotta" directed by Pier Paolo Pasolini and "Il Pollo Ruspante" directed by Ugo Gregoretti. Pasolini's segment a scathing comic rebuke on social inequality and religious hypocrisy follows a lavish film production depicting the crucifixion of Christ in a poor region outside Rome led by Orson Welles' bombastic insufferable director. The film resulted in Pasolini being convicted of blasphemy and the film being banned in Italy. Pasolini was sentenced to a four month prison term which he avoided by paying a fine. 9.5 x 7 inches. Near Fine. Criterion Collection 236. Rosenbaum 1000. N.p. unknown books
1974réf. 168066N.p.: Re-Mart International Pictures 1974. Vintage studio still photograph from the 1973 film showing actress Carol Connors in a bubble bath. Two couples on a picnic are attacked and left for dead by a gang of bikers leading one of the victims to arm himself and seek revenge. Set and shot on location in Tampa Florida. 10 x 8 inches. Near Fine. Re-Mart International Pictures unknown
1974réf. 168066N.p.: Re-Mart International Pictures 1974. Vintage studio still photograph from the 1973 film showing actress Carol Connors in a bubble bath. Two couples on a picnic are attacked and left for dead by a gang of bikers leading one of the victims to arm himself and seek revenge. Set and shot on location in Tampa Florida. 10 x 8 inches. Near Fine. Re-Mart International Pictures unknown books
1980réf. 153848N.p.: N.p. 1980. Vintage reference photograph from the 1980 film showing actress Debbie Harry playfully "drumming" empty beer bottles while Meat Loaf looks on to her left. From the archive of film historian and author Joel Finler. A rowdy beer distributor from Texas gets roped into becoming a roadie for a touring rock band. Featuring numerous cameos by real-life bands including Blondie Utopia Alice Cooper Asleep at the Wheel Hank Williams Jr. and Roy Orbison. Meat Loaf's first starring role. Shot on location in New York Texas and California. 5 x 3.5 inches. Near Fine. Carlson and Connolly Destroy All Movies. McPadden Heavy Metal Movies. N.p. unknown
1980réf. 153848N.p.: N.p. 1980. Vintage reference photograph from the 1980 film showing actress Debbie Harry playfully "drumming" empty beer bottles while Meat Loaf looks on to her left. From the archive of film historian and author Joel Finler. A rowdy beer distributor from Texas gets roped into becoming a roadie for a touring rock band. Featuring numerous cameos by real-life bands including Blondie Utopia Alice Cooper Asleep at the Wheel Hank Williams Jr. and Roy Orbison. Meat Loaf's first starring role. Shot on location in New York Texas and California. 5 x 3.5 inches. Near Fine. Carlson and Connolly Destroy All Movies. McPadden Heavy Metal Movies. N.p. unknown books