11 046 résultats
1966réf. 161479New York: Cambist Films 1966. Two vintage studio still photographs from the 1966 late noir sexploitation film. One photograph with two provenance stamps on the verso one on a label obscuring a previous provenance stamp. A sex maniac is killing prostitutes in Manhattan and it's up to a rogue cop to catch him before he kills again. Set in and shot on location in New York City. 8 x 10 inches. Very Good plus. Grant US. Cambist Films unknown
1966réf. 161479New York: Cambist Films 1966. Two vintage studio still photographs from the 1966 late noir sexploitation film. One photograph with two provenance stamps on the verso one on a label obscuring a previous provenance stamp. A sex maniac is killing prostitutes in Manhattan and it's up to a rogue cop to catch him before he kills again. Set in and shot on location in New York City. 8 x 10 inches. Very Good plus. Grant US. Cambist Films unknown books
1953réf. 152724N.p.: N.p. 1953. Vintage oversize borderless matte-finish double weight photograph of Charlton Heston receiving a massage on the set of the 1953 film. With the stamp of photographer Bill Avery on the verso. A Chief of Scouts mistrusts the Apache tribe after the chief refuses to sign a peace treaty but his concerns are disregarded by the US Army. Bill Avery worked as a photographer at Columbia Pictures in the early twentieth century with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill and occasionally worked as a freelance publicity photographer shooting iconic images of Elvis Presley Jack Lemmon Katharine and Audrey Hepburn and Shirley MacLaine among many others. Shot on location in Texas. 9 x 13.5 inches. Near Fine. Pitts 166. N.p. unknown
1953réf. 152724N.p.: N.p. 1953. Vintage oversize borderless matte-finish double weight photograph of Charlton Heston receiving a massage on the set of the 1953 film. With the stamp of photographer Bill Avery on the verso. A Chief of Scouts mistrusts the Apache tribe after the chief refuses to sign a peace treaty but his concerns are disregarded by the US Army. Bill Avery worked as a photographer at Columbia Pictures in the early twentieth century with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill and occasionally worked as a freelance publicity photographer shooting iconic images of Elvis Presley Jack Lemmon Katharine and Audrey Hepburn and Shirley MacLaine among many others. Shot on location in Texas. 9 x 13.5 inches. Near Fine. Pitts 166. N.p. unknown books
1983réf. 149305Rome: 2T Produzione Film 1983. Vintage grande French poster for the 1983 erotic film. Inspired by Ovid's 2 AD collection of poems "Ars Amatoria" "The Art of Love". Set in ancient Rome the poet Ovid teaches courses in the art of love. One of his students sets out to test his newfound skill on a woman whose husband has gone to war. 47 x 63 inches. One panel. Folded as issued. Near Fine. Bier 96. 2T Produzione Film unknown
1983réf. 149305Rome: 2T Produzione Film 1983. Vintage grande French poster for the 1983 erotic film. Inspired by Ovid's 2 AD collection of poems "Ars Amatoria" "The Art of Love". Set in ancient Rome the poet Ovid teaches courses in the art of love. One of his students sets out to test his newfound skill on a woman whose husband has gone to war. 47 x 63 inches. One panel. Folded as issued. Near Fine. Bier 96. 2T Produzione Film unknown books
1966réf. 135639Paris: C.A.P.A.C. 1966. Collection of 3 vintage borderless black-and-white reference photographs from the French release of the 1966 film. With reference information in manual type on the verso of each photograph. 5 x 7 inches. Near Fine. Criterion Collection 655. C.A.P.A.C. unknown
1966réf. 142191Paris: C.A.P.A.C. 1966. Vintage borderless photograph from the 1966 film. A compendium of four short films from the master French comedian a contemporary and collaborator with legends such as Jacques Tati and Jerry Lewis who legacy was threatened with obscurity when ongoing legal disputes kept his work from being available for almost 40 years. 5 x 7 inches. Near Fine. Criterion Collection 655. C.A.P.A.C. unknown books
1966réf. 135640Paris: C.A.P.A.C. 1966. Vintage black-and-white reference photograph from the Spanish release of the 1966 film. With a few contemporary annotations in manuscript ink on the verso. Pictured are Etaix and actress Sabine Sun the former courting the latter. 8 x 10 inches. About Near Fine. Criterion Collection 655. C.A.P.A.C. unknown books
1966réf. 135639Paris: C.A.P.A.C. 1966. Collection of 3 vintage borderless black-and-white reference photographs from the French release of the 1966 film. With reference information in manual type on the verso of each photograph. 5 x 7 inches. Near Fine. Criterion Collection 655. C.A.P.A.C. unknown books
1980réf. 164140N.p.: N.p. 1980. Draft script for an unproduced television series with manuscript marker annotations on one page. Screenwriter Stephen Sustarsic wrote frequently for sitcom television throughout the 1980s and 1990s most memorably for the television series "Alice" 1976-1985 and "The Jeffersons" 1975-1985. Sustarsic was also one of the creators of the children's animated series "The Wild Thornberrys" 1998-2004. An outrageous satire of a soap opera wherein a half dozen characters fall in and out of love with each other and cheat on each other. Front wrapper integral with goldenrod title page with credits for screenwriter Stephen Sustarsic. 20 leaves with last page of text numbered 19. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown
1980réf. 164140N.p.: N.p. 1980. Draft script for an unproduced television series with manuscript marker annotations on one page. Screenwriter Stephen Sustarsic wrote frequently for sitcom television throughout the 1980s and 1990s most memorably for the television series "Alice" 1976-1985 and "The Jeffersons" 1975-1985. Sustarsic was also one of the creators of the children's animated series "The Wild Thornberrys" 1998-2004. An outrageous satire of a soap opera wherein a half dozen characters fall in and out of love with each other and cheat on each other. Front wrapper integral with goldenrod title page with credits for screenwriter Stephen Sustarsic. 20 leaves with last page of text numbered 19. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown books
1985réf. 146958N.p.: N.p. 1985. Final Draft script for the 1986 film. Based on Winston Groom's 1980 novel. In the late 1950s an elderly Black woman fights to keep the land she was given by the former owner of the plantation where she worked for years. Set in southern Louisiana shot on location in Valdosta Georgia. White untitled wrappers. Title page present dated FEBRUARY 28 1985 noted as FINAL DRAFT with credits for screenwriter Jeff Andrus. 131 leaves with last page of text numbered 129. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good lightly dampstained on the front wrapper bound with three gold brads. N.p. unknown
1985réf. 146958N.p.: N.p. 1985. Final Draft script for the 1986 film. Based on Winston Groom's 1980 novel. In the late 1950s an elderly Black woman fights to keep the land she was given by the former owner of the plantation where she worked for years. Set in southern Louisiana shot on location in Valdosta Georgia. White untitled wrappers. Title page present dated FEBRUARY 28 1985 noted as FINAL DRAFT with credits for screenwriter Jeff Andrus. 131 leaves with last page of text numbered 129. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good lightly dampstained on the front wrapper bound with three gold brads. N.p. unknown books
1973réf. 132733Hollywood: Paramount Pictures 1973. Vintage black-and-white still photograph from the 1973 US film. Mimeograph snipe affixed to the verso. Taylor stars as a woman attempting to save her marriage by opting to surgically alter her face so she sets off for Switzerland to have the operation. Her husband seems uninterested after all but she still hopes to salvage their relationship even in light of all the young men now finding her new looks quite tempting. A story set in Switzerland shot in Italy. 8 x 9.5 inches. Faint foxing on the verso else Near Fine. Paramount Pictures unknown books
1979réf. 132907Burbank CA: Warner Brothers 1979. Collection of 3 vintage black-and-white still photographs from the 1979 UK release of the 1979 French film. Based on Alberto Vasquez-Figueroa's novel "Ebano" starring Michael Caine as Dr. Linderby whose wife is kidnapped on a medical mission in Africa by a slave trader. A story set in Africa shot on location in Israel Italy and Kenya. 8 x 10 inches with no borders as issued. Ink annotations on the versos and rectos else Near Fine. Warner Brothers unknown books
1961réf. 148730New York: Janus Films 1961. Three vintage studio still photographs from the 1958 film. Based on the 1948 novel by Jerzy Andrzejewski. The last film in the "war" trilogy that began Polish director Wajda's career as a director preceded by "Pokolenie" 1955 and "Kanal" 1957. A strong anti-war statement framed in the personae of two men given orders - from the part of the resistance that opposes the new Communist regime and on the last day of World War II in Poland - to murder a leading communist. One of Wajda's favorite performers and a friend Zbigniew Cybulski plays the man who eventually pulls the trigger and kills the communist leader with unexpected results. 8 x 10 inches. Near Fine. Rosenbaum 1000. Criterion Collection 282. Janus Films unknown
1961réf. 148730New York: Janus Films 1961. Three vintage studio still photographs from the 1958 film. Based on the 1948 novel by Jerzy Andrzejewski. The last film in the "war" trilogy that began Polish director Wajda's career as a director preceded by "Pokolenie" 1955 and "Kanal" 1957. A strong anti-war statement framed in the personae of two men given orders - from the part of the resistance that opposes the new Communist regime and on the last day of World War II in Poland - to murder a leading communist. One of Wajda's favorite performers and a friend Zbigniew Cybulski plays the man who eventually pulls the trigger and kills the communist leader with unexpected results. 8 x 10 inches. Near Fine. Rosenbaum 1000. Criterion Collection 282. Janus Films unknown books
1970réf. 147267Munich: Roxy Film 1970. Draft script for an unproduced film. Text in English. Based on the 1971 novel "Don't Ask Me if I Love" by Israeli film director and writer Amos Kollek. The son of a wealthy military arms manufacturer intends to pursue a life as a writer after serving in the Israeli Army in spite of his father's wishes that he become a politician. Set in Israel. Housed in a gray envelope. Title page present with credits for director Wolfgang Petersen screenwriter Manfred Purzer and novelist Amos Kollek. 109 leaves with last page of text numbered 107. Xerographic duplication rectos only. Pages Very Good with a light tide mark to the left edge unbound. Roxy Film unknown
1970réf. 147267Munich: Roxy Film 1970. Draft script for an unproduced film. Text in English. Based on the 1971 novel "Don't Ask Me if I Love" by Israeli film director and writer Amos Kollek. The son of a wealthy military arms manufacturer intends to pursue a life as a writer after serving in the Israeli Army in spite of his father's wishes that he become a politician. Set in Israel. Housed in a gray envelope. Title page present with credits for director Wolfgang Petersen screenwriter Manfred Purzer and novelist Amos Kollek. 109 leaves with last page of text numbered 107. Xerographic duplication rectos only. Pages Very Good with a light tide mark to the left edge unbound. Roxy Film unknown books
1966réf. 150731Los Angeles: Paramount Pictures 1966. Complete set of eight vintage color studio still photographs from the 1966 film. Based on Jack Finney's 1959 novel. A group of adventurers pull up a World War II submarine and plan to use it to rob the RMS Queen Mary a large cruise liner. Set in the Bahamas. 10 x 8 inches. One with light wear and pinholes to the corners else Near Fine. Paramount Pictures unknown
1966réf. 150731Los Angeles: Paramount Pictures 1966. Complete set of eight vintage color studio still photographs from the 1966 film. Based on Jack Finney's 1959 novel. A group of adventurers pull up a World War II submarine and plan to use it to rob the RMS Queen Mary a large cruise liner. Set in the Bahamas. 10 x 8 inches. One with light wear and pinholes to the corners else Near Fine. Paramount Pictures unknown books
1966réf. 132176Hollywood: National Screen Service / Paramount Pictures 1966. Vintage full-color still photograph from the 1966 film. Based on the 1959 novel by Jack Finney. A band of incompetent treasure hunters including Frank Sinatra unsuccessfully attempt to highjack the Queen Mary by utilizing an old World War II Nazi submarine that they find sunk in the Bahamas. 8 x 10 inches. Near Fine. National Screen Service / Paramount Pictures unknown books
1966réf. 161505N.p.: N.p. 1966. Five vintage studio still photographs from the 1966 film. Four with provenance stamps on the verso one with a label obscuring a previous provenance stamp. Hank and Rob go to New York City in search of adventure and sexual exploits until Hank meets the seductive Carol and Rob a woman who is more shy and inexperienced. Shot on location in New York. 8 x 10 inches. Near Fine. N.p. unknown
1966réf. 161505N.p.: N.p. 1966. Five vintage studio still photographs from the 1966 film. Four with provenance stamps on the verso one with a label obscuring a previous provenance stamp. Hank and Rob go to New York City in search of adventure and sexual exploits until Hank meets the seductive Carol and Rob a woman who is more shy and inexperienced. Shot on location in New York. 8 x 10 inches. Near Fine. N.p. unknown books
