11 045 résultats
1975réf. 169540N.p.: N.p. 1975. Four vintage borderless reference photographs from the 1975 film. Snipes in German affixed to the verso noting the film's German release title "Parasiten-Mörder." A high-rise apartment building is infected by a parasite that turns its victims into sex-crazed maniacs with the infection spreading at the slightest touch. An early influential entry in the body horror canon. Shot on location in a single high-rise building at Nuns' Island. 7 x 5 inches. Near Fine. Arrow 1497. Canuxploitation Complete. N.p. unknown books
1976réf. 163767Saint-Ouen France: Société Nouvelle de Doublage SND 1976. Vintage press kit for the 1976 French release of the 1975 Canadian film. White pocketed folder containing three black-and-white photographs 13 leaves of promotional reading material six color lobby cards and a German promotional leaflet. A high-rise apartment building is infected by a parasite that turns its victims into sex-crazed maniacs with the infection spreading at the slightest touch. An early influential entry in the body horror canon. Shot on location at Nuns' Island. Folder photographs and promotional material Near Fine. Arrow 1497. Canuxploitation Complete. Société Nouvelle de Doublage [SND] unknown
1976réf. 163767Saint-Ouen France: Société Nouvelle de Doublage SND 1976. Vintage press kit for the 1976 French release of the 1975 Canadian film. White pocketed folder containing three black-and-white photographs 13 leaves of promotional reading material six color lobby cards and a German promotional leaflet. A high-rise apartment building is infected by a parasite that turns its victims into sex-crazed maniacs with the infection spreading at the slightest touch. An early influential entry in the body horror canon. Shot on location at Nuns' Island. Folder photographs and promotional material Near Fine. Arrow 1497. Canuxploitation Complete. Société Nouvelle de Doublage [SND] unknown books
1975réf. 144464Montreal: Canadian Film Development Corporation CFDC 1975. Three vintage borderless photographs from the 1975 film. With manuscript annotations on the versos. A high-rise apartment building is infected by a parasite that turns its victims into sex-crazed maniacs that can infect with the slightest touch. Shot on location in Montreal Canada. 7 x 5 inches. Near Fine. Arrow 1497. Canuxploitation Complete. Canadian Film Development Corporation [CFDC] unknown
1975réf. 144464Montreal: Canadian Film Development Corporation CFDC 1975. Three vintage borderless photographs from the 1975 film. With manuscript annotations on the versos. A high-rise apartment building is infected by a parasite that turns its victims into sex-crazed maniacs that can infect with the slightest touch. Shot on location in Montreal Canada. 7 x 5 inches. Near Fine. Arrow 1497. Canuxploitation Complete. Canadian Film Development Corporation [CFDC] unknown books
1990réf. 160931Los Angeles: NOMA Productions 1990. Final Draft script for the 1991 film here under the working title "Angel of Death." Copy belonging to actor Aldo Ray with his name in manuscript ink on the front wrapper and annotations on eleven pages in the script relating to his character Tony. A remake of the Robert Johnson meeting the devil at the crossroads tale in the wake of hair metal wherein a loser enlists the help of a voodoo priestess in selling his soul to the devil for rock star immortality. Featuring Traci Lords in one of her first post-adult film roles. Set and shot on location in Los Angeles California. Titled yellow wrappers noted as FINAL DRAFT on the front wrapper with credits for screenwriters Mark Freed Dave Tedder and Andrew Cross. 91 leaves with last page of text numbered 91. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. Carlson Destroy All Movies. McPadden Heavy Metal Movies. Olive Films. NOMA Productions unknown
1990réf. 160931Los Angeles: NOMA Productions 1990. Final Draft script for the 1991 film here under the working title "Angel of Death." Copy belonging to actor Aldo Ray with his name in manuscript ink on the front wrapper and annotations on eleven pages in the script relating to his character Tony. A remake of the Robert Johnson meeting the devil at the crossroads tale in the wake of hair metal wherein a loser enlists the help of a voodoo priestess in selling his soul to the devil for rock star immortality. Featuring Traci Lords in one of her first post-adult film roles. Set and shot on location in Los Angeles California. Titled yellow wrappers noted as FINAL DRAFT on the front wrapper with credits for screenwriters Mark Freed Dave Tedder and Andrew Cross. 91 leaves with last page of text numbered 91. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. Carlson Destroy All Movies. McPadden Heavy Metal Movies. Olive Films. NOMA Productions unknown books
1963réf. 171051Glendale CA: Allied Artists 1963. Collection of 27 vintage reference photographs from the 1963 film including four photographs showing proposed advertising material for the film. All but the advertising promos photos have provenance labels on the versos. With a pink mimeograph production sheet laid in showing credits and a brief synopsis. Samuel Fuller's hallucinatory tour-de-force about a Daily Globe journalist who in an attempt to win a Pulitzer Prize has himself institutionalized in an asylum recently implicated in a murder case. 10 x 8 inches. Generally Near Fine with some faint toning to the margins and light curling and studio still photographs with manuscript ink and pencil layout annotations and numeric annotations on the rectos. National Film Registry. Criterion Collection 19. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Spicer US. Grant US. Allied Artists unknown
1963réf. 163824Glendale CA: Allied Artists 1963. Vintage insert poster for the 1963 film. Samuel Fuller's hallucinatory tour-de-force wherein Daily Globe journalist Johnny Barrett Peter Breck determined to win a Pulitzer Prize has himself institutionalized in an asylum to solve a case where an inmate had recently been murdered. 14 x 36 inches. Very Good plus with three horizontal creases from being previously folded and light edgewear. National Film Registry. Criterion Collection 19. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Spicer US. Grant US. Allied Artists unknown
1963réf. 171051Glendale CA: Allied Artists 1963. Collection of 27 vintage reference photographs from the 1963 film including four photographs showing proposed advertising material for the film. All but the advertising promos photos have provenance labels on the versos. With a pink mimeograph production sheet laid in showing credits and a brief synopsis. Samuel Fuller's hallucinatory tour-de-force about a Daily Globe journalist who in an attempt to win a Pulitzer Prize has himself institutionalized in an asylum recently implicated in a murder case. 10 x 8 inches. Generally Near Fine with some faint toning to the margins and light curling and studio still photographs with manuscript ink and pencil layout annotations and numeric annotations on the rectos. National Film Registry. Criterion Collection 19. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Spicer US. Grant US. Allied Artists unknown books
1963réf. 163824Glendale CA: Allied Artists 1963. Vintage insert poster for the 1963 film. Samuel Fuller's hallucinatory tour-de-force wherein Daily Globe journalist Johnny Barrett Peter Breck determined to win a Pulitzer Prize has himself institutionalized in an asylum to solve a case where an inmate had recently been murdered. 14 x 36 inches. Very Good plus with three horizontal creases from being previously folded and light edgewear. National Film Registry. Criterion Collection 19. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Spicer US. Grant US. Allied Artists unknown books
1973réf. 145320Burbank CA: A.J. Films 1973. Vintage borderless photograph of actor Alain Delon nude along with various members of the cast on a beach location during shooting of the 1973 film. With manuscript annotations on the verso. After a breakup Helene Masson Annie Girardot takes her vacation at a rejuvenation clinic run by Dr. Devilers Alain Delon and his partner Dr. Berbard Michel Duchausso to prevent aging. Although the treatment helps Helene feel well she is disgusted when she realizes the disturbing source of the revitalizing formula. Shot on location in France. 9.5 x 7 inches. Near Fine. A.J. Films unknown
1973réf. 145320Burbank CA: A.J. Films 1973. Vintage borderless photograph of actor Alain Delon nude along with various members of the cast on a beach location during shooting of the 1973 film. With manuscript annotations on the verso. After a breakup Helene Masson Annie Girardot takes her vacation at a rejuvenation clinic run by Dr. Devilers Alain Delon and his partner Dr. Berbard Michel Duchausso to prevent aging. Although the treatment helps Helene feel well she is disgusted when she realizes the disturbing source of the revitalizing formula. Shot on location in France. 9.5 x 7 inches. Near Fine. A.J. Films unknown books
1974réf. 156669Tokyo: Toei 1974. Six vintage borderless studio still photographs from the 1974 Japanese pinku pink film. 6 x 4.5 inches. Near Fine. Toei unknown
1974réf. 156669Tokyo: Toei 1974. Six vintage borderless studio still photographs from the 1974 Japanese pinku pink film. 6 x 4.5 inches. Near Fine. Toei unknown books
1971réf. 163565Universal City: Universal Pictures 1971. Two vintage reference photographs of actor Gregory Peck on the set of the 1971 Western film including one borderless and one bordered. Annotations in manuscript ink and pencil on the versos. Based on Will James' 1930 novel "The Lone Cowboy" about a bank robber who is forced to care for a young girl while searching for his duplicitous former partner. Shot on location in Santa Fe Cerrillos Chama and Los Alamos New Mexico and in Lake Crowley Inyo National Forest and Round Valley California. One 8 x 10 inches the other 7.5 x 9.75 inches. About Near Fine. Universal Pictures unknown
1971réf. 163565Universal City: Universal Pictures 1971. Two vintage reference photographs of actor Gregory Peck on the set of the 1971 Western film including one borderless and one bordered. Annotations in manuscript ink and pencil on the versos. Based on Will James' 1930 novel "The Lone Cowboy" about a bank robber who is forced to care for a young girl while searching for his duplicitous former partner. Shot on location in Santa Fe Cerrillos Chama and Los Alamos New Mexico and in Lake Crowley Inyo National Forest and Round Valley California. One 8 x 10 inches the other 7.5 x 9.75 inches. About Near Fine. Universal Pictures unknown books
1960réf. 163339N.p.: N.p. 1960. Vintage oversize borderless reference photograph of actor Charles Aznavour and director François Truffaut on the set of the 1960 film. Annotations in manuscript ink and a printed provenance label on the verso. Aznavour spends half his time playing saloon piano and half his time on the run in this early Truffaut masterpiece one of the great French noirs based on the 1956 hard-boiled novel "Down There" by American pulp author David Goodis. Criterion notes: "François Truffaut is drunk on the possibilities of cinema in this his most playful film. Part thriller part comedy part tragedy Shoot the Piano Player relates the adventures of mild-mannered piano player Charlie Charles Aznavour in a triumph of hangdog deadpan as he stumbles into the criminal underworld and a whirlwind love affair. Loaded with gags guns clowns and thugs this razor-sharp homage to the American gangster film is pure nouvelle vague." 9 x 11.25 inches. Very Good plus. Criterion Collection 315. Grant France. N.p. unknown
1960réf. 144417Paris: Les Films de la Pleiade 1960. Vintage oversize borderless double weight photograph of Charles Aznavour and Michele Mercier from the 1960 film. With manuscript annotations on the verso. Aznavour spends half his time playing saloon piano and half his time on the run in this early Truffaut masterpiece one of the great French noirs based on the 1956 hard-boiled novel "Down There" by American pulp author David Goodis. Criterion notes: "François Truffaut is drunk on the possibilities of cinema in this his most playful film. Part thriller part comedy part tragedy Shoot the Piano Player relates the adventures of mild-mannered piano player Charlie Charles Aznavour in a triumph of hangdog deadpan as he stumbles into the criminal underworld and a whirlwind love affair. Loaded with gags guns clowns and thugs this razor-sharp homage to the American gangster film is pure nouvelle vague." 11.5 x 9 inches. Near Fine. Criterion Collection. Grant France. Les Films de la Pleiade unknown
1981réf. 127385Beverly Hills CA: MGM / United Artists 1981. Vintage one sheet poster for the 1982 film. George Albert Finney is caught in an affair by his wife Faith Diane Keaton destroying their already fragile marriage and devastating their four children. Nominated for the Palme d'Or. Set in Marin County California shot on location in California. 27 x 41 inches. Folded as issued. Near Fine. MGM / United Artists unknown books
1981réf. 148070Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1981. Two vintage studio still photographs from the 1982 film one of Dana Hill and one of Dana Hill Viveka Davis Tracey Gold and Tina Yothers . George Albert Finney is caught in an affair by his wife Faith Diane Keaton destroying their already fragile marriage and devastating their four children. Nominated for the Palme d'Or. Set in Marin County California shot on location in California. 8 x 10 inches. One Near Fine one Very Good plus with 1 inch bruise in upper left corner. Metro-Goldwyn-Mayer [MGM] unknown books
1960réf. 163339N.p.: N.p. 1960. Vintage oversize borderless reference photograph of actor Charles Aznavour and director François Truffaut on the set of the 1960 film. Annotations in manuscript ink and a printed provenance label on the verso. Aznavour spends half his time playing saloon piano and half his time on the run in this early Truffaut masterpiece one of the great French noirs based on the 1956 hard-boiled novel "Down There" by American pulp author David Goodis. Criterion notes: "François Truffaut is drunk on the possibilities of cinema in this his most playful film. Part thriller part comedy part tragedy Shoot the Piano Player relates the adventures of mild-mannered piano player Charlie Charles Aznavour in a triumph of hangdog deadpan as he stumbles into the criminal underworld and a whirlwind love affair. Loaded with gags guns clowns and thugs this razor-sharp homage to the American gangster film is pure nouvelle vague." 9 x 11.25 inches. Very Good plus. Criterion Collection 315. Grant France. N.p. unknown books
1960réf. 144417Paris: Les Films de la Pleiade 1960. Vintage oversize borderless double weight photograph of Charles Aznavour and Michele Mercier from the 1960 film. With manuscript annotations on the verso. Aznavour spends half his time playing saloon piano and half his time on the run in this early Truffaut masterpiece one of the great French noirs based on the 1956 hard-boiled novel "Down There" by American pulp author David Goodis. Criterion notes: "François Truffaut is drunk on the possibilities of cinema in this his most playful film. Part thriller part comedy part tragedy Shoot the Piano Player relates the adventures of mild-mannered piano player Charlie Charles Aznavour in a triumph of hangdog deadpan as he stumbles into the criminal underworld and a whirlwind love affair. Loaded with gags guns clowns and thugs this razor-sharp homage to the American gangster film is pure nouvelle vague." 11.5 x 9 inches. Near Fine. Criterion Collection. Grant France. Les Films de la Pleiade unknown books
1918réf. 158606N.p.: N.p. 1918. Vintage borderless vernacular photograph of actor Charlie Chaplin writer Upton Sinclair and editor and publisher Rob Wagner on the set of the 1918 silent film. Annotations in manuscript ink on the verso identifying subjects. Wagner was the editor and publisher of "Script" a left-leaning weekly literary film magazine published in Beverly Hills between 1929 and 1949. A lifelong Socialist and advocate for progressive causes Wagner used "Script" to give a voice to blacklisted screenwriters including Dalton Trumbo and Gordon Kahn and prominent leftists including Sinclair Max Eastman and William C. deMille. Wagner served as something of a father figure to Chaplin who was about 17 years Wagner's junior after the two men met sometime in the mid-1910s. The pair formed a close friendship with Wagner serving as Chaplin's part-time secretary for a period and accompanying the actor on his Third Liberty Loan tour through the American south in 1918. Wagner introduced Chaplin to Sinclair and Max Eastman and together the three writers exerted a strong influence over Chaplin's political world view. Chaplin would go on to co-found the Motion Picture Relief Fund which later became the Motion Picture and Television Fund with Wagner in 1929. Approximately 5 x 4 inches. About Near Fine lightly age toned. N.p. unknown
1918réf. 158606N.p.: N.p. 1918. Vintage borderless vernacular photograph of actor Charlie Chaplin writer Upton Sinclair and editor and publisher Rob Wagner on the set of the 1918 silent film. Annotations in manuscript ink on the verso identifying subjects. Wagner was the editor and publisher of "Script" a left-leaning weekly literary film magazine published in Beverly Hills between 1929 and 1949. A lifelong Socialist and advocate for progressive causes Wagner used "Script" to give a voice to blacklisted screenwriters including Dalton Trumbo and Gordon Kahn and prominent leftists including Sinclair Max Eastman and William C. deMille. Wagner served as something of a father figure to Chaplin who was about 17 years Wagner's junior after the two men met sometime in the mid-1910s. The pair formed a close friendship with Wagner serving as Chaplin's part-time secretary for a period and accompanying the actor on his Third Liberty Loan tour through the American south in 1918. Wagner introduced Chaplin to Sinclair and Max Eastman and together the three writers exerted a strong influence over Chaplin's political world view. Chaplin would go on to co-found the Motion Picture Relief Fund which later became the Motion Picture and Television Fund with Wagner in 1929. Approximately 5 x 4 inches. About Near Fine lightly age toned. N.p. unknown books
