11 046 résultats
1960réf. 132490Culver City CA: National Screen Service / Columbia Pictures 1960. Eight vintage full-color British front-of-house cards from the UK release of the 1960 US film. Based on events surrounding the life of Franz Liszt his scandalous affairs and the passion he displayed while performing. Dirk Bogarde is a natural actor at the piano being himself an accomplished artist. 8 x 10 inches. Light creases overall else Near Fine. National Screen Service / Columbia Pictures unknown books
1960réf. 167899Culver City CA: Columbia Pictures 1960. Vintage studio still photograph from the 1960 film showing actors Capucine and Dirk Bogarde. A dramatization of the life of famed Hungarian composer Franz Liszt focusing on his affair with Princess Carolyne Wittgenstein. Something of a follow-up to director Charles Vidor's 1945 biographical film "A Song to Remember" caught in development hell for over ten years and ultimately delayed until 1959. Vidor died midway through filming leading producers to bring in George Cukor to finish the production. 8 x 10 inches. Very Good plus. Columbia Pictures unknown books
1999réf. 152551Los Angeles: Columbia Broadcasting System CBS 1999. Final Draft script for Season 1 Episode 6 of the 1999 television series here under the working title "Into the Black." Copy belonging to actor Benjamin Lum with a call sheet dated March 2 1999 laid in along with two signed photographs of actors James Wlcek and Marco Sanchez. Additionally INSCRIBED by Wlcek to Lum on the title page: "To Ben / Excellent Work!! / Jimmy Wlcek" and also SIGNED by Sanchez just above Wlcek's inscription. The series followed Carlos Sandoval a former police detective as he teamed up with his childhood friend Trent Malloy a martial arts expert to form a private investigation business. In this episode Trent and Carlos go undercover at a Chinese restaurant whose owner is being harassed by a gang. Originally aired on April 17 1999 on CBS. Shot on location in Texas. Green self wrappers. Title page present dated February 10 1999 noted as FINAL DRAFT with credits for screenwriter Bob Gookin. 66 leaves with last page of text numbered 55. Xerographic duplication rectos only with pink yellow and green revision pages throughout dated variously between 2/17/99 and 2/19/99. Pages Near Fine bound with two gold brads. Columbia Broadcasting System [CBS] unknown
1999réf. 152551Los Angeles: Columbia Broadcasting System CBS 1999. Final Draft script for Season 1 Episode 6 of the 1999 television series here under the working title "Into the Black." Copy belonging to actor Benjamin Lum with a call sheet dated March 2 1999 laid in along with two signed photographs of actors James Wlcek and Marco Sanchez. Additionally INSCRIBED by Wlcek to Lum on the title page: "To Ben / Excellent Work!! / Jimmy Wlcek" and also SIGNED by Sanchez just above Wlcek's inscription. The series followed Carlos Sandoval a former police detective as he teamed up with his childhood friend Trent Malloy a martial arts expert to form a private investigation business. In this episode Trent and Carlos go undercover at a Chinese restaurant whose owner is being harassed by a gang. Originally aired on April 17 1999 on CBS. Shot on location in Texas. Green self wrappers. Title page present dated February 10 1999 noted as FINAL DRAFT with credits for screenwriter Bob Gookin. 66 leaves with last page of text numbered 55. Xerographic duplication rectos only with pink yellow and green revision pages throughout dated variously between 2/17/99 and 2/19/99. Pages Near Fine bound with two gold brads. Columbia Broadcasting System [CBS] unknown books
1957réf. 154176Hollywood: Roger Corman Productions 1957. Draft script for the 1957 film. Copy belonging to actor Dick Miller who had a sizable role in the film with his name to the title page and his manuscript pencil and ink annotations throughout. The finished film runs a little over an hour so the script at 127 pages was cut down substantially in the filming and editing process leaving a remarkable amount of content for study. An alienated wealthy coed at an all-girls boarding school inflicts increasing cruelties on the other students until her manipulation goes too far. An early role for Miller who appeared in 14 films directed by legendary independent filmmaker Roger Corman between 1955 and 1961 and would continue to work with Corman throughout his career. Brown titled wrappers. Title page present undated with credits for screenwriter Ed Waters. 128 leaves with last page of text numbered 127. Mimeograph duplication rectos only. Pages and wrapper Near Fine bound internally with three silver brads. Roger Corman Productions unknown
1957réf. 154176Hollywood: Roger Corman Productions 1957. Draft script for the 1957 film. Copy belonging to actor Dick Miller who had a sizable role in the film with his name to the title page and his manuscript pencil and ink annotations throughout. The finished film runs a little over an hour so the script at 127 pages was cut down substantially in the filming and editing process leaving a remarkable amount of content for study. An alienated wealthy coed at an all-girls boarding school inflicts increasing cruelties on the other students until her manipulation goes too far. An early role for Miller who appeared in 14 films directed by legendary independent filmmaker Roger Corman between 1955 and 1961 and would continue to work with Corman throughout his career. Brown titled wrappers. Title page present undated with credits for screenwriter Ed Waters. 128 leaves with last page of text numbered 127. Mimeograph duplication rectos only. Pages and wrapper Near Fine bound internally with three silver brads. Roger Corman Productions unknown books
1975réf. 149647N.p.: N.p. 1975. Vintage reference studio still photograph of Al Goldstein Jody Maxwell and Jim Buckley from the 1975 film. Legendary pornographer and pornography activist Al Goldstein's attempt at bringing his weekly tabloid "Screw" magazine to the cinema a pastiche of sexually explicit shorts. Maxwell appears in the finale a "Tonight Show" like segment the longest segment in the film starring Buckley as host and Goldstein as sidekick. Maxwell starred in the film "Portrait" the year earlier directed by Gerard Damiano famed director of "Deep Throat" 1972 and "The Devil in Miss Jones" 1973. Shot on location in New York City Mount Vernon New York and Philadelphia Pennsylvania. 8 x 10 inches. Very Good plus with small staining on mid right and light edgewear. Manuscript ink notation of the number "60" at the bottom margin with layout annotations in manuscript pencil on verso. N.p. unknown
1975réf. 149647N.p.: N.p. 1975. Vintage reference studio still photograph of Al Goldstein Jody Maxwell and Jim Buckley from the 1975 film. Legendary pornographer and pornography activist Al Goldstein's attempt at bringing his weekly tabloid "Screw" magazine to the cinema a pastiche of sexually explicit shorts. Maxwell appears in the finale a "Tonight Show" like segment the longest segment in the film starring Buckley as host and Goldstein as sidekick. Maxwell starred in the film "Portrait" the year earlier directed by Gerard Damiano famed director of "Deep Throat" 1972 and "The Devil in Miss Jones" 1973. Shot on location in New York City Mount Vernon New York and Philadelphia Pennsylvania. 8 x 10 inches. Very Good plus with small staining on mid right and light edgewear. Manuscript ink notation of the number "60" at the bottom margin with layout annotations in manuscript pencil on verso. N.p. unknown books
1972réf. 148786Los Angeles: Twentieth Century-Fox 1972. Vintage studio still photograph from the 1972 film showing actors Paul Winfield and Kevin Hooks. With a provenance stamp to the verso crediting the Lester Glassner collection. Based on the 1970 Newberry Medal-winning novel. In the midst of the Great Depression a family of African American sharecroppers is torn apart when the patriarch is sentenced to a year in prison for stealing food to feed his family. Set and shot on location in Louisiana. 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown books
1930réf. 152397Paris: Societe Nouvelle des Acacias 1930. Vintage borderless oversize double weight reference photograph from the 1930 French film showing Pola Illery and Edmond T. Greville dancing at the bottom left corner with Gaston Modot looking on in a jealous sulk to the far right. With a provenance stamp and the stamp of Societe Nouvelle des Acacias to the verso. A seductive Romanian woman named Pola enchants working class street singer Albert but he must compete for her affections with his best friend Louis and a local gangster named Fred. 11.5 x 9.25 inches. Very Good plus with light creases to the corners. Criterion Collection 161. Rosenbaum 1000. Societe Nouvelle des Acacias unknown
1930réf. 152397Paris: Societe Nouvelle des Acacias 1930. Vintage borderless oversize double weight reference photograph from the 1930 French film showing Pola Illery and Edmond T. Greville dancing at the bottom left corner with Gaston Modot looking on in a jealous sulk to the far right. With a provenance stamp and the stamp of Societe Nouvelle des Acacias to the verso. A seductive Romanian woman named Pola enchants working class street singer Albert but he must compete for her affections with his best friend Louis and a local gangster named Fred. 11.5 x 9.25 inches. Very Good plus with light creases to the corners. Criterion Collection 161. Rosenbaum 1000. Societe Nouvelle des Acacias unknown books
1954réf. 168236Beverly Hills CA: United Artists 1954. Vintage studio still photograph from the US release of the 1953 British film seen here under the US title "The Golden Mask." An adventure film about an ancient history scholar whose obsession with finding the legendary Golden Mask of Moloch leads to conflict with dangerous tomb robbers. Set in Algeria shot on location in Djemila Algeria and in Tunis. 10 x 8 inches. Fine. United Artists unknown books
1961réf. 141016N.p.: N.p. 1961. Draft script for an unproduced film. Laid in is a letter from a producer expressing regret about not working on the production. Single annotation on the title page noting the address and signature of Ilse Lahn of the Paul Kohner Agency. A charter boat accepts a contract to go hunting for sharks while also transporting scientific equipment. They head to the island of Tonga where the indigenous inhabitants worship the Great White. Set on Tonga. Yellow titled wrappers with credits for screenwriter Jack Lewis. Title page present with credits for screenwriter Jack Lewis. 102 leaves with last page of text numbered 101. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1961réf. 141016N.p.: N.p. 1961. Draft script for an unproduced film. Laid in is a letter from a producer expressing regret about not working on the production. Single annotation on the title page noting the address and signature of Ilse Lahn of the Paul Kohner Agency. A charter boat accepts a contract to go hunting for sharks while also transporting scientific equipment. They head to the island of Tonga where the indigenous inhabitants worship the Great White. Set on Tonga. Yellow titled wrappers with credits for screenwriter Jack Lewis. Title page present with credits for screenwriter Jack Lewis. 102 leaves with last page of text numbered 101. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown books
1958réf. 140666N.p.: Regal Films 1958. Draft script for the 1958 film. Copy belonging to actress Lyn Thomas with annotations throughout relating to her character in the film Laura. A space probe returns to earth bearing an unusual extraterrestrial fungus which when accidentally mixed with human blood turns into space rust. The rust expands rapidly threatening to consume the entire planet. Produced on a tight budget $12500 with $25000 for the screenwriters and rushed to production so that the release would coincide with the Explorer launch. Shot on location in California. Red untitled wrapper lacking front wrapper. Title page present dated March 7 1958 with credits for screenwriters Daniel Mainwaring and George Worthing Yates. 108 leaves with last page of text numbered 102. mechanical duplication with blue pink and yellow revision pages throughout dated variously between 3/4/58 and 3/13/58. Pages Near Fine wrapper Near Fine lacking front wrapper. Bound with two gold brads. Regal Films unknown
1958réf. 140666N.p.: Regal Films 1958. Draft script for the 1958 film. Copy belonging to actress Lyn Thomas with annotations throughout relating to her character in the film Laura. A space probe returns to earth bearing an unusual extraterrestrial fungus which when accidentally mixed with human blood turns into space rust. The rust expands rapidly threatening to consume the entire planet. Produced on a tight budget $12500 with $25000 for the screenwriters and rushed to production so that the release would coincide with the Explorer launch. Shot on location in California. Red untitled wrapper lacking front wrapper. Title page present dated March 7 1958 with credits for screenwriters Daniel Mainwaring and George Worthing Yates. 108 leaves with last page of text numbered 102. mechanical duplication with blue pink and yellow revision pages throughout dated variously between 3/4/58 and 3/13/58. Pages Near Fine wrapper Near Fine lacking front wrapper. Bound with two gold brads. Regal Films unknown books
1985réf. 146211Berkshire England: Anderson Burr Pictures 1985. Second Draft script for "Star Laws" a never-aired 55-minute pilot episode for a proposed series called "Space Police" brainchild of "supermarionation" creator Gerry Anderson. Copy belonging to unknown crew member with a few manuscript ink annotations on the front wrapper and leaves. Screenwriter Anderson's early attempt at an intergalactic police procedural one that would would eventually become the British sci-fi series "Space Precinct" which was broadcast on October 3 1994 on Sky One. The pilot carries many similarities to the show that would eventually air-a hardboiled New York cop is transferred to the eponymous "space precinct" in Demeter City on the planet Altor in 2040-although the pilot features far fewer human characters with a greater reliance on Anderson's trademark blend of live action prosthetics puppetry a process he called "Supermarionation." Tan titled wrappers. Title page present dated November 1985 noted as SECOND DRAFT with credits for screenwriters Gerry Anderson and Tony Barwick. 86 leaves with last page of text numbered 83. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with some rust to the wrapper versos near the binding with silver prong binding. Anderson Burr Pictures unknown
1985réf. 146211Berkshire England: Anderson Burr Pictures 1985. Second Draft script for "Star Laws" a never-aired 55-minute pilot episode for a proposed series called "Space Police" brainchild of "supermarionation" creator Gerry Anderson. Copy belonging to unknown crew member with a few manuscript ink annotations on the front wrapper and leaves. Screenwriter Anderson's early attempt at an intergalactic police procedural one that would would eventually become the British sci-fi series "Space Precinct" which was broadcast on October 3 1994 on Sky One. The pilot carries many similarities to the show that would eventually air-a hardboiled New York cop is transferred to the eponymous "space precinct" in Demeter City on the planet Altor in 2040-although the pilot features far fewer human characters with a greater reliance on Anderson's trademark blend of live action prosthetics puppetry a process he called "Supermarionation." Tan titled wrappers. Title page present dated November 1985 noted as SECOND DRAFT with credits for screenwriters Gerry Anderson and Tony Barwick. 86 leaves with last page of text numbered 83. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with some rust to the wrapper versos near the binding with silver prong binding. Anderson Burr Pictures unknown books
1960réf. 166216London: Weyland Film Productions 1960. Draft script for the 1961 British film copy belonging to Art Director George Provis with manuscript pencil annotations throughout and rough pencil sketches on the versos of four pages. Seven pages with paste-ups of goldenrod revision pages with many pages cut horizontally separating scenes and many pages creased vertically as is common with working scripts. Provenance available upon request. Laid in are 43 carbon typescript leaves detailing construction costs dating from August 1960 through January 1961 a carbon typescript copy set list a carbon typescript copy construction staff requirements page a penciled layout of an October 31 to December 2 Shop Building and Shooting Stage schedule and staff requirements and a pencil layout of an Art Department construction form. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Based on the 1954 novel by Michael Croft. Max Bygraves stars as an idealistic teacher fresh from training college who begins work at a tough East London secondary school of badly-behaved impoverished students and fellow teachers who believe corporal punishment is the most effective way of controlling the students. Shot on location in Clarendon Crescent and Ravenscourt Park Preparatory School in London. Blue untitled wrappers with a die-cut window in the British fasion. Title page present dated 24th October 1960 with credits for screenwriter John Cresswell and author Michael Croft. 162 leaves with last page of text numbered 153. Mimeograph duplication rectos only with pink revision pages throughout dated 3.11.60 and undated and undated goldenrod revision paste-ups on seven pages. Pages Near Fine wrapper Near Fine bound internally with three flat metal brads. Weyland Film Productions unknown
1960réf. 166216London: Weyland Film Productions 1960. Draft script for the 1961 British film copy belonging to Art Director George Provis with manuscript pencil annotations throughout and rough pencil sketches on the versos of four pages. Seven pages with paste-ups of goldenrod revision pages with many pages cut horizontally separating scenes and many pages creased vertically as is common with working scripts. Provenance available upon request. Laid in are 43 carbon typescript leaves detailing construction costs dating from August 1960 through January 1961 a carbon typescript copy set list a carbon typescript copy construction staff requirements page a penciled layout of an October 31 to December 2 Shop Building and Shooting Stage schedule and staff requirements and a pencil layout of an Art Department construction form. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Based on the 1954 novel by Michael Croft. Max Bygraves stars as an idealistic teacher fresh from training college who begins work at a tough East London secondary school of badly-behaved impoverished students and fellow teachers who believe corporal punishment is the most effective way of controlling the students. Shot on location in Clarendon Crescent and Ravenscourt Park Preparatory School in London. Blue untitled wrappers with a die-cut window in the British fasion. Title page present dated 24th October 1960 with credits for screenwriter John Cresswell and author Michael Croft. 162 leaves with last page of text numbered 153. Mimeograph duplication rectos only with pink revision pages throughout dated 3.11.60 and undated and undated goldenrod revision paste-ups on seven pages. Pages Near Fine wrapper Near Fine bound internally with three flat metal brads. Weyland Film Productions unknown books
1976réf. 163599N.p.: N.p. 1976. Draft script for the 1976 film musical. Approximately 23 revision pages bound in at the rear of the script. Loosely based on the story of all-Black girl group the Supremes a rags-to-riches story about a trio of singing sisters from Harlem. The breakthrough performance of actress Irene Cara who would go on to appear in a number of films most prominently "Fame" 1980. Self wrappers. Missing title page presumably as issued. 101 leaves with last page of text numbered 101. Xerographic duplication rectos only with goldenrod yellow pink and blue revision pages bound in at the rear of the script dated variously between 5/7/75 and 6/19/75. Pages Near Fine bound with two gold brads. N.p. unknown
1976réf. 163599N.p.: N.p. 1976. Draft script for the 1976 film musical. Approximately 23 revision pages bound in at the rear of the script. Loosely based on the story of all-Black girl group the Supremes a rags-to-riches story about a trio of singing sisters from Harlem. The breakthrough performance of actress Irene Cara who would go on to appear in a number of films most prominently "Fame" 1980. Self wrappers. Missing title page presumably as issued. 101 leaves with last page of text numbered 101. Xerographic duplication rectos only with goldenrod yellow pink and blue revision pages bound in at the rear of the script dated variously between 5/7/75 and 6/19/75. Pages Near Fine bound with two gold brads. N.p. unknown books
1963réf. 132730London: Warner-Pathe Distributors / Elstree Distributors Limited 1963. Vintage black-and-white still photograph from the 1963 UK film. Noted director Joan Littlewood's first film credit after more than 15 years working at the Theatre Workshop an avant garde theatre she co-founded. This film centers around Charlie who returns home to find it demolished and his wife shacked up with a local bus driver. A scathing but poignant look at the real life in the East End. A story shot on location in and around London. 8 x 10 inches. A few light creases at the extremities else Near Fine. Warner-Pathe Distributors / Elstree Distributors Limited unknown
1963réf. 132730London: Warner-Pathe Distributors / Elstree Distributors Limited 1963. Vintage black-and-white still photograph from the 1963 UK film. Noted director Joan Littlewood's first film credit after more than 15 years working at the Theatre Workshop an avant garde theatre she co-founded. This film centers around Charlie who returns home to find it demolished and his wife shacked up with a local bus driver. A scathing but poignant look at the real life in the East End. A story shot on location in and around London. 8 x 10 inches. A few light creases at the extremities else Near Fine. Warner-Pathe Distributors / Elstree Distributors Limited unknown books
1982réf. 149942N.p.: N.p. 1982. Final Draft script for the 1983 television film originally aired on March 20 1983 on NBC. Manuscript ink annotations throughout most noting moments where special effects would be required. A terrorist group plants a homemade atomic bomb aboard a tugboat docked in a South Carolina harbor hoping to blackmail the US government into giving up its nuclear weapons. Presented as a series of live news broadcasts for the fictional RBS network. The first collaboration between director Ed Zwick and screenwriter Marshall Herskovitz who would later work together on the television shows "thirtysomething" 1987-1991 and "My So-Called Life" 1994-1995. Set in Charleston South Carolina and Washington DC. Black titled wrappers. Title page present dated December 20 1982 noted as FINAL DRAFT with credits for screenwriter Marshall Herskovitz. 123 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Reyes 58 106. N.p. unknown
