11 049 résultats
1998réf. 141593Santa Monica: Artisan Entertainment 1998. Draft script for the 1999 film. With a single notation in manuscript ink on the front wrapper. Based on the 1958 novel by Richard Matheson. A man is hypnotized by his sister-in-law leading to haunted visions and the complete breakdown of his family life. Set in Chicago shot on location there. Yellow titled self wrappers dated August 14 1998 with credits for screenwriter David Koepp and author Richard Matheson. Title page integral with front wrapper. 116 leaves with last page of text numbered 113. Xerographic duplication with yellow and pink revision pages throughout dated variously between September 9 1998 and September 18 1998. Pages Near Fine wrapper Near Fine bound with two gold brads. Artisan Entertainment unknown
1998réf. 141593Santa Monica: Artisan Entertainment 1998. Draft script for the 1999 film. With a single notation in manuscript ink on the front wrapper. Based on the 1958 novel by Richard Matheson. A man is hypnotized by his sister-in-law leading to haunted visions and the complete breakdown of his family life. Set in Chicago shot on location there. Yellow titled self wrappers dated August 14 1998 with credits for screenwriter David Koepp and author Richard Matheson. Title page integral with front wrapper. 116 leaves with last page of text numbered 113. Xerographic duplication with yellow and pink revision pages throughout dated variously between September 9 1998 and September 18 1998. Pages Near Fine wrapper Near Fine bound with two gold brads. Artisan Entertainment unknown books
1992réf. 150013Atlanta GA: Sander/Moses 1992. Revised Shooting script for the 1993 television film here under the working title "Stolen Children" originally aired on March 25 on Lifetime Network. A dramatization of the true story of the Tennessee Children's Home Society an adoption agency which secretly operated as a black market baby trafficking ring in the early 20th century overseen by elusive socialite Georgia Tann Mary Tyler Moore. Set in Tennessee and shot on location in Macon Georgia. Self wrappers. Title page integral with front wrapper dated November 23 1992 noted as Revised White Shooting Script with credits for screenwriter Sharon Elizabeth Doyle. 114 leaves with last page of text numbered 101. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 11/27/92 and 12/17/92. Pages Near Fine bound with two gold brads. Full provenance available. Sander/Moses unknown
1992réf. 150013Atlanta GA: Sander/Moses 1992. Revised Shooting script for the 1993 television film here under the working title "Stolen Children" originally aired on March 25 on Lifetime Network. A dramatization of the true story of the Tennessee Children's Home Society an adoption agency which secretly operated as a black market baby trafficking ring in the early 20th century overseen by elusive socialite Georgia Tann Mary Tyler Moore. Set in Tennessee and shot on location in Macon Georgia. Self wrappers. Title page integral with front wrapper dated November 23 1992 noted as Revised White Shooting Script with credits for screenwriter Sharon Elizabeth Doyle. 114 leaves with last page of text numbered 101. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 11/27/92 and 12/17/92. Pages Near Fine bound with two gold brads. Full provenance available. Sander/Moses unknown books
1969réf. 150979N.p.: N.p. 1969. Vintage oversize borderless reference photograph of Claude Jade from the 1969 film. "Raymond Depardon-Gamma" photographer stamp on verso. Raymond Depardon is a Pulitzer Prize winning photojournalist who in 1966 co-founded the prestigious photojournalism agency Gamma and became director in 1973. He also the director of several documentary shorts and feature films having directed 17 films since 1969 including the 1990 documentary short "La Captive du Desert" which was nominated for the Palm d'Or at the 1990 Cannes Film Festival. The third of Truffaut's series of five films wherein Léaud portrays Truffaut's semi-autobiographical Antoine Doinel. Set in and shot on location in Paris France. 8 x 11.75 inches. Light creasing else Near Fine. Criterion Collection 186. Rosenbaum 1000. N.p. unknown
1968réf. 167502N.p.: N.p. 1968. Vintage reference photograph from the American release of the 1968 French film. American release information affixed to the verso. From the archive of film historian and author Joel Finler. A follow-up to director François Truffaut's 1959 film "The 400 Blows" continuing the story of Antoine Doinel who-now an adult-has been dishonorably discharged from the army. Set and shot on location in Paris. 10 x 8 inches. Near Fine. Criterion Collection 186. N.p. unknown
1968réf. 162096N.p.: N.p. 1968. Vintage borderless reference photograph from the American release of the 1968 French film showing actors Claude Jade and Jean-Pierre Léaud. Newspaper clipping 1970 date stamp and annotations in manuscript ink on the verso. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A follow-up to director François Truffaut's 1959 film "The 400 Blows" continuing the story of Antoine Doinel who-now an adult-has been dishonorably discharged from the army. Set and shot on location in Paris. 10 x 8 inches. About Fine. Criterion Collection 186. N.p. unknown
1969réf. 150979N.p.: N.p. 1969. Vintage oversize borderless reference photograph of Claude Jade from the 1969 film. "Raymond Depardon-Gamma" photographer stamp on verso. Raymond Depardon is a Pulitzer Prize winning photojournalist who in 1966 co-founded the prestigious photojournalism agency Gamma and became director in 1973. He also the director of several documentary shorts and feature films having directed 17 films since 1969 including the 1990 documentary short "La Captive du Desert" which was nominated for the Palm d'Or at the 1990 Cannes Film Festival. The third of Truffaut's series of five films wherein Léaud portrays Truffaut's semi-autobiographical Antoine Doinel. Set in and shot on location in Paris France. 8 x 11.75 inches. Light creasing else Near Fine. Criterion Collection 186. Rosenbaum 1000. N.p. unknown books
1968réf. 167502N.p.: N.p. 1968. Vintage reference photograph from the American release of the 1968 French film. American release information affixed to the verso. From the archive of film historian and author Joel Finler. A follow-up to director François Truffaut's 1959 film "The 400 Blows" continuing the story of Antoine Doinel who-now an adult-has been dishonorably discharged from the army. Set and shot on location in Paris. 10 x 8 inches. Near Fine. Criterion Collection 186. N.p. unknown books
1968réf. 162096N.p.: N.p. 1968. Vintage borderless reference photograph from the American release of the 1968 French film showing actors Claude Jade and Jean-Pierre Léaud. Newspaper clipping 1970 date stamp and annotations in manuscript ink on the verso. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A follow-up to director François Truffaut's 1959 film "The 400 Blows" continuing the story of Antoine Doinel who-now an adult-has been dishonorably discharged from the army. Set and shot on location in Paris. 10 x 8 inches. About Fine. Criterion Collection 186. N.p. unknown books
réf. 147264N.p.: N.p. Unknown. Treatment script for an unproduced television documentary short film or television special. A proposed documentary short addressing the dangers of driving while visually impaired. Screenwriter Rudy Makoul suffered from macular degeneration an incurable eye disease which worsens with age. Brown titled wrappers. Title page present noted as An outline for a Documentary Special with credits for screenwriter Rudy Makoul. 9 leaves with last page of text numbered 7. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with a small paper clip on the front wrapper bound with two gold brads. N.p. unknown
réf. 147264N.p.: N.p. Unknown. Treatment script for an unproduced television documentary short film or television special. A proposed documentary short addressing the dangers of driving while visually impaired. Screenwriter Rudy Makoul suffered from macular degeneration an incurable eye disease which worsens with age. Brown titled wrappers. Title page present noted as An outline for a Documentary Special with credits for screenwriter Rudy Makoul. 9 leaves with last page of text numbered 7. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with a small paper clip on the front wrapper bound with two gold brads. N.p. unknown books
1956réf. 131647Culver City CA: Columbia Pictures 1956. Original pressbook for the 1956 film starring Davis as a small town librarian branded as a communist and a subversive for refusing to remove a controversial book from the shelves. With striking poster and ad designs by the legendary Saul Bass. 16 pages 12 x 16 inches. Very Good plus with some light rubbing else a bright front wrapper. Columbia Pictures unknown
1956réf. 131647Culver City CA: Columbia Pictures 1956. Original pressbook for the 1956 film starring Davis as a small town librarian branded as a communist and a subversive for refusing to remove a controversial book from the shelves. With striking poster and ad designs by the legendary Saul Bass. 16 pages 12 x 16 inches. Very Good plus with some light rubbing else a bright front wrapper. Columbia Pictures unknown books
1956réf. 158827Culver City CA: Columbia Pictures 1956. Vintage studio still photograph from the 1956 film. Based on A.E.W. Mason's 1902 novel "The Four Feathers" previously adapted by Korda in 1939 under the title "The Four Feathers." A British lieutenant resigns in order to remain with his fiancee but this choice brands him a coward leading him to travel to the Sudan to fight incognito as a show of courage. Set and shot on location in Sudan. 8 x 10 inches. Very Good plus with light toning at the extremities and two faint diagonal creases at the bottom left and top right corners. Columbia Pictures unknown
1956réf. 158827Culver City CA: Columbia Pictures 1956. Vintage studio still photograph from the 1956 film. Based on A.E.W. Mason's 1902 novel "The Four Feathers" previously adapted by Korda in 1939 under the title "The Four Feathers." A British lieutenant resigns in order to remain with his fiancee but this choice brands him a coward leading him to travel to the Sudan to fight incognito as a show of courage. Set and shot on location in Sudan. 8 x 10 inches. Very Good plus with light toning at the extremities and two faint diagonal creases at the bottom left and top right corners. Columbia Pictures unknown books
1970réf. 138153Simi Valley CA: Self published 1970. Draft script for an unproduced film circa 1970s. Written by Lincoln Demyan whose film credits as actor include episodes of "Bonanza" and "The Big Valley" "The Great Impostor" 1961 "Man's Favorite Sport" 1964 "The Brass Bottle" 1964 and "White Lightning" 1973. Set in post WWII West Virginia where Stosh and his buddies gamble on billiards games. Stosh's father is interred at a sanitarium with a black man named Catfish a friend to Stosh. The young pool hustler gets involved with the law smuggling moonshine and fist-fights with his friends. Untitled tan wrappers with a label for the Paul Kohner Agency on the front wrapper and the title page. Title page present undated noted as Registered: WGAw with a credit for Demyan. Last leaf of text numbered 123. Xerographic duplication with photocopied punch holes. Pages and wrapper Near Fine green velo binding. Self published unknown
1970réf. 138153Simi Valley CA: Self published 1970. Draft script for an unproduced film circa 1970s. Written by Lincoln Demyan whose film credits as actor include episodes of "Bonanza" and "The Big Valley" "The Great Impostor" 1961 "Man's Favorite Sport" 1964 "The Brass Bottle" 1964 and "White Lightning" 1973. Set in post WWII West Virginia where Stosh and his buddies gamble on billiards games. Stosh's father is interred at a sanitarium with a black man named Catfish a friend to Stosh. The young pool hustler gets involved with the law smuggling moonshine and fist-fights with his friends. Untitled tan wrappers with a label for the Paul Kohner Agency on the front wrapper and the title page. Title page present undated noted as Registered: WGAw with a credit for Demyan. Last leaf of text numbered 123. Xerographic duplication with photocopied punch holes. Pages and wrapper Near Fine green velo binding. Self published unknown books
1957réf. 162185Los Angeles: Paramount Pictures 1957. Vintage lobby card for the 1957 British film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A middle-aged alcoholic ship captain falls in love with a beautiful Spanish stowaway. 14 x 11 inches. Very Good plus with a few closed tears at the left and right edges. Paramount Pictures unknown
1957réf. 162185Los Angeles: Paramount Pictures 1957. Vintage lobby card for the 1957 British film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A middle-aged alcoholic ship captain falls in love with a beautiful Spanish stowaway. 14 x 11 inches. Very Good plus with a few closed tears at the left and right edges. Paramount Pictures unknown books
1960réf. 143981Strasbourg France: Jean Jungmann 1960. Archive of 5 vintage single weight press photographs from a press gala for the 1960 French film here under the original French title. All rubber-stamped on the verso crediting photographer Jungmann and all but one show director Lamorisse on-stage behind a microphone with an official from the gala with one photo featuring smiling colleagues seated at a dining table. Housed in an original Jungmann mailing envelope addressed to Maryse Martres in manuscript ink with a memo on Cinedis parchment from "F. Willkomm" signed by him in manuscript ink and dated December 30 1960 noting that the images portray Lamorisse while he visited Strasbourg for the gala. Also included is a carbon typescript letter from Martres to Lamorisse citing the inclusion of travel tickets to Strasbourg and Marseilles and various press events to occur. A welcome addition to the director's mostly unseen oeuvre. Little is known of Willkomm but the memo does bear his rubber-stamp crediting him as the Cinedis director of the Strasbourg location. Martres Martin was a prolific French actress since 1948 notably "Girl on the Third Floor" 1955 and "The Happy Road" 1957 and she was later involved in press relations at Cinedis a notable film agency in operation since the Silent Film era. Kishi was born in 1932 and became a Japanese actress and writer. She married director Ciampi in 1957. Since 1996 she has been a Goodwill Ambassador for the United Nations Population Fund UNFPA. Photographer Jungmann is equally obscure but seems to have been prolific in the 1960s mostly for press relations. Director Lamorisse starred his own son Pascal as a boy who stows away on his grandfather's Gille hot-air balloon that is less controllable than suspected. They narrowly escape church spires and snag clotheslines and party guests Pascal enjoying every minute. Lemmon narrated the English version and subsequently bought the rights to the film. Winner of an OCIC Award at the 1960 Venice Film Festival. Photos 5 x 7 inches small white borders Near Fine. Envelope and memo slightly larger Very Good plus overall. Carbon typescript 8.25 x 10.5 inches pink stock Very Good plus. Jean Jungmann unknown
1960réf. 143981Strasbourg France: Jean Jungmann 1960. Archive of 5 vintage single weight press photographs from a press gala for the 1960 French film here under the original French title. All rubber-stamped on the verso crediting photographer Jungmann and all but one show director Lamorisse on-stage behind a microphone with an official from the gala with one photo featuring smiling colleagues seated at a dining table. Housed in an original Jungmann mailing envelope addressed to Maryse Martres in manuscript ink with a memo on Cinedis parchment from "F. Willkomm" signed by him in manuscript ink and dated December 30 1960 noting that the images portray Lamorisse while he visited Strasbourg for the gala. Also included is a carbon typescript letter from Martres to Lamorisse citing the inclusion of travel tickets to Strasbourg and Marseilles and various press events to occur. A welcome addition to the director's mostly unseen oeuvre. Little is known of Willkomm but the memo does bear his rubber-stamp crediting him as the Cinedis director of the Strasbourg location. Martres Martin was a prolific French actress since 1948 notably "Girl on the Third Floor" 1955 and "The Happy Road" 1957 and she was later involved in press relations at Cinedis a notable film agency in operation since the Silent Film era. Kishi was born in 1932 and became a Japanese actress and writer. She married director Ciampi in 1957. Since 1996 she has been a Goodwill Ambassador for the United Nations Population Fund UNFPA. Photographer Jungmann is equally obscure but seems to have been prolific in the 1960s mostly for press relations. Director Lamorisse starred his own son Pascal as a boy who stows away on his grandfather's Gille hot-air balloon that is less controllable than suspected. They narrowly escape church spires and snag clotheslines and party guests Pascal enjoying every minute. Lemmon narrated the English version and subsequently bought the rights to the film. Winner of an OCIC Award at the 1960 Venice Film Festival. Photos 5 x 7 inches small white borders Near Fine. Envelope and memo slightly larger Very Good plus overall. Carbon typescript 8.25 x 10.5 inches pink stock Very Good plus. Jean Jungmann unknown books
1960réf. 143892Paris: Films Montsouris 1960. Original French premiere invitation for two people from the 1960 French film here under the original French title. Illustration recalling the design of the film's posters printed on card stock in orange green and blue noting the date and location of showing Wednesday September 14 9 pm at the Marignan theatre in Paris. The film was presented by Cinedis and Pathe Cinema its distributors with music credited to Jean Prodromides and filmed in "Helivision: La Camera Volante" The Flying Camera. Director Lamorisse starred his own son Pascal as a boy who stows away on his grandfather's Gille hot-air balloon that is less controllable than suspected. They narrowly escape church spires and snag clotheslines and party guests Pascal enjoying every minute. Lemmon narrated the English version and subsequently bought the rights to the film. Winner of an OCIC Award at the 1960 Venice Film Festival. 6.5 x 8.25 inches printed recto. Near Fine. Films Montsouris unknown books
1960réf. 160310Paris: Cinedis / Pathe Cinema 1960. Vintage invitation to the French premiere of the 1960 film seen here under the French title "Le Voyage en ballon" on September 14 1960 at the Hotel Marignan in Paris. A young boy is very interested in his grandfather's hot air balloon. When the grandfather tries to take the the balloon on a demonstration flight the little boy sneaks into the basket joining the adventure. 8.25 x 6.5 inches. Near Fine. Cinedis / Pathe Cinema unknown books
1970réf. 153160N.p.: N.p. 1970. Draft script for an unproduced film. In order to force their brother's release from prison two dimwitted men decide to steal the Liberty Bell. Set in Philadelphia. Brown wrappers with a printed title label affixed to the bottom right corner of the front wrapper. Title page present undated with credits for screenwriter Gene Fiskin. 105 leaves with last page of text numbered 104. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a black Velo binding. N.p. unknown
