11 160 résultats
1986réf. 162438Los Angeles: Paramount Pictures 1986. Fourth Draft script for the 1987 film. Included with the script is a small promotional sign for the film featuring an illustration of a swimsuit-clad woman lounging at the beach. A high school gym teacher finds himself saddled with the task of teaching remedial English for summer school in order to get tenure. Shot on location in San Pedro Los Angeles and Santa Monica. Red Paramount titled wrappers. Title page present dated July 14 1986 noted as FOURTH DRAFT with credit for screenwriter Jeff Franklin. 119 leaves with last page of text numbered 118. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Sign measures 14 x 6 inches. Very Good plus lightly edgeworn and soiled. McPadden Teen Movie Hell. Paramount Pictures unknown books
réf. 153819N.p.: N.p. 1975. Draft script for the 1975 film. Copy belonging to actor Dick Miller with his name in manuscript ink annotation to the title page and his manuscript ink annotations throughout. From the estate of Dick Miller. Directed by noted 1970s filmmaker Barbara Peeters during her tutelage period with Roger Corman. A well received film both upon its release and in retrospect that while exploitative of course has a notably feminist bent with strong and decisive female characters. Yellow untitled wrappers with a small manuscript pencil annotation to the top right corner of the front wrapper noting copy No. 26. Title page present dated March 4 1975 with credits for director and screenwriter Barbara Peeters. 101 leaves with last page of text numbered 99. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown books
1975réf. 162263N.p.: New World Pictures 1975. Two vintage studio still photographs from the 1975 film. Both photographs with provenance stamps on the versos. An exploitation comedy with a women's liberation bent directed by Barbara Peeters for Roger Corman's New World Pictures featuring the exploits of three young Iowa girls who move to California for the summer rent an apartment together and teach at the same high school. Shot on location in Los Angles San Fernando Valley and Pacoima California. 8 x 10 inches. Near Fine. New World Pictures unknown books
1953réf. 162394N.p.: N.p. 1953. Vintage borderless double weight reference photograph from the 1953 film. Cahiers du Cinéma stamp on the verso. Based on Per Anders Fogelstrom's 1951 novel. Two young lovers from Stockholm steal a boat and run away together but are forced to return home as the summer ends. The first film to star director Ingmar Bergman's longtime leading lady Harriet Andersson who would later appear in Bergman's "Sawdust and Tinsel" 1953 "Smiles of a Summer Night" 1955 "Through a Glass Darkly" 1961 and "Cries and Whispers" 1972. Set in Sweden. 10 x 8 inches. Near Fine. Criterion Collection 614. N.p. unknown
1953réf. 150143Stockholm: Svensk Filmindustri 1953. Vintage borderless reference photograph of Harriet Andersson from the 1983 film. Printed Swedish Svensk Filmindustri snipe featuring full cast and crew credits affixed and folded "Svensk Filmindustri" stamp and small barcode label all on verso. Based on the 1951 Swedish novel "Sommaren med Monika" by Per Anders Fogelstrom. Conceived as a vehicle for Andersson by Ingmar Bergman who were intimately involved at the time it was Andersson's first major role and would make her an international star. Bergman and Andersson would continue working together for the next three decades Andersson starring in some of Bergman's most acclaimed films. Two disaffected youths Harry Lars Ekborg and Monicka Andersson fall in love and run away for a fleeting idyllic summer in a remote archipelago. Controversial at the time of it's release for its then ground-breaking nudity its US rights were purchased by Exploitation film presenter Kroger Babb in 1955 editing out over a third of the film to emphasize the nudity and renaming the film "Monika the Story of a Bad Girl." Set in and shot on location in Stockholm Sweden. 6.25 x 4.75 inches. Near Fine. Criterion Collection 614. Godard Histoires du Cinema. Svensk Filmindustri unknown
1953réf. 151452London: Mondial Films 1953. Three vintage reference photographs from the 1953 film. With printed mimeo snipes specific to the film's UK release affixed to the verso. Based on Per Anders Fogelstrom's 1951 novel. Two young lovers from Stockholm steal a boat and run away together but are forced to return home as the summer ends. The first film to star director Ingmar Bergman's longtime leading lady Harriet Andersson who would later appear in Bergman's "Sawdust and Tinsel" 1953 "Smiles of a Summer Night" 1955 "Through a Glass Darkly" 1961 and "Cries and Whispers" 1972. Set in Sweden. 10 x 8 inches. Near Fine. Criterion Collection 614. Mondial Films unknown
1953réf. 162394N.p.: N.p. 1953. Vintage borderless double weight reference photograph from the 1953 film. Cahiers du Cinéma stamp on the verso. Based on Per Anders Fogelstrom's 1951 novel. Two young lovers from Stockholm steal a boat and run away together but are forced to return home as the summer ends. The first film to star director Ingmar Bergman's longtime leading lady Harriet Andersson who would later appear in Bergman's "Sawdust and Tinsel" 1953 "Smiles of a Summer Night" 1955 "Through a Glass Darkly" 1961 and "Cries and Whispers" 1972. Set in Sweden. 10 x 8 inches. Near Fine. Criterion Collection 614. N.p. unknown books
1953réf. 150143Stockholm: Svensk Filmindustri 1953. Vintage borderless reference photograph of Harriet Andersson from the 1983 film. Printed Swedish Svensk Filmindustri snipe featuring full cast and crew credits affixed and folded "Svensk Filmindustri" stamp and small barcode label all on verso. Based on the 1951 Swedish novel "Sommaren med Monika" by Per Anders Fogelstrom. Conceived as a vehicle for Andersson by Ingmar Bergman who were intimately involved at the time it was Andersson's first major role and would make her an international star. Bergman and Andersson would continue working together for the next three decades Andersson starring in some of Bergman's most acclaimed films. Two disaffected youths Harry Lars Ekborg and Monicka Andersson fall in love and run away for a fleeting idyllic summer in a remote archipelago. Controversial at the time of it's release for its then ground-breaking nudity its US rights were purchased by Exploitation film presenter Kroger Babb in 1955 editing out over a third of the film to emphasize the nudity and renaming the film "Monika the Story of a Bad Girl." Set in and shot on location in Stockholm Sweden. 6.25 x 4.75 inches. Near Fine. Criterion Collection 614. Godard Histoires du Cinema. Svensk Filmindustri unknown books
1953réf. 151452London: Mondial Films 1953. Three vintage reference photographs from the 1953 film. With printed mimeo snipes specific to the film's UK release affixed to the verso. Based on Per Anders Fogelstrom's 1951 novel. Two young lovers from Stockholm steal a boat and run away together but are forced to return home as the summer ends. The first film to star director Ingmar Bergman's longtime leading lady Harriet Andersson who would later appear in Bergman's "Sawdust and Tinsel" 1953 "Smiles of a Summer Night" 1955 "Through a Glass Darkly" 1961 and "Cries and Whispers" 1972. Set in Sweden. 10 x 8 inches. Near Fine. Criterion Collection 614. Mondial Films unknown books
1955réf. 166095Beverly Hills CA: United Artists 1955. Vintage reference photograph from the 1955 film showing actress Katharine Hepburn holding a large glass goblet. Date stamp and annotations in manuscript ink and pencil on the verso. Based on Arthur Laurents' 1952 play "The Time of the Cuckoo" about a lonely middle-aged secretary who takes a solo vacation to Venice where she falls in love with an antiques dealer. Set and shot on location in Venice. 8 x 10 inches. Near Fine. United Artists unknown
1955réf. 166095Beverly Hills CA: United Artists 1955. Vintage reference photograph from the 1955 film showing actress Katharine Hepburn holding a large glass goblet. Date stamp and annotations in manuscript ink and pencil on the verso. Based on Arthur Laurents' 1952 play "The Time of the Cuckoo" about a lonely middle-aged secretary who takes a solo vacation to Venice where she falls in love with an antiques dealer. Set and shot on location in Venice. 8 x 10 inches. Near Fine. United Artists unknown books
1963réf. 131631Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1963. Collection of 3 vintage black-and-white still photographs from the 1963 film. Ditto-style mimeograph still credits printed on the verso of each photo. Eileen is 22 and is smarting from her breakup with Russ. She comes to New York to visit her brother Adam who is an airline pilot. Eileen confides to her brother that she thinks she may be the only 22 year old virgin left in the world. Adam assures her that sex is not what all men look for and insists he hasn't slept around. Of course Adam is lying and is in hot pursuit of a tryst with his occasional girlfriend Mona. However Adam's date with Mona has a series of job related interruptions. Meanwhile Eileen decides to see if she can have some fun for herself in New York and seems to find the perfect candidate in Mike a man she meets on the bus. But things get complicated when Russ pops in with a proposal and a mistaken assumption. 8 x 10 inches. Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1962réf. 168175N.p.: Davis-Royal Films 1962. Three vintage studio still photographs from the US release of the 1962 French film. Based on the 1958 novel by Bernard Eschassériaux who also co-wrote the screenplay. A neglected eleven-year-old girl befriends a traumatized amnesiac veteran although their unusual relationship begins to concern the members of their community. Winner of the Best Foreign Language Film Academy Award. Set and shot on location in Ville-d'Avray Paris. 10 x 8 inches. Near Fine. Davis-Royal Films unknown books
1949réf. 159641Hollywood: Paramount Pictures 1949. Vintage studio still photograph from the 1950 film showing actors Cecil B. DeMille and Gloria Swanson talking on the set. A down-on-his-luck screenwriter stumbles into the home of a forgotten silent film star quickly becoming enmeshed in her deranged plan for a comeback. A kingpin in the pantheon of films about fame and Hollywood and Billy Wilder's urban noir counterpart to the daylight rural world of "Ace in the Hole" 1951. Winner of three Academy Awards and nominated for another eight including Best Picture. Set and shot on location in Los Angeles. 10 x 8 inches. Near Fine. National Film Registry. Ebert I. Godard Histoires du cinema. Grant US. Penzler 101. Rosenbaum 1000. Selby US Masterwork. Silver and Ward Classic Noir. Spicer U. Paramount Pictures unknown
1950réf. 158503Hollywood: Paramount Pictures 1950. Vintage reference photograph from the 1950 film showing actor and real-life director Erich von Stroheim with a camera crew preparing to capture the film's iconic final scene. Annotations in manuscript ink on the verso. From the archive of film historian and author Joel Finler. A down-on-his-luck screenwriter stumbles into the home of a forgotten silent film star quickly becoming enmeshed in her deranged plan for a comeback. A kingpin in the pantheon of films about fame and Hollywood and Billy Wilder's urban noir counterpart to the daylight rural world of "Ace in the Hole" 1951. Winner of three Academy Awards and nominated for another eight including Best Picture. Set and shot on location in Los Angeles. 10 x 8 inches. About Near Fine. National Film Registry. Ebert I. Godard Histoires du cinema. Grant US. Penzler 101. Rosenbaum 1000. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Paramount Pictures unknown
1950réf. 157665Hollywood: Paramount Pictures 1950. Vintage studio still photograph from the 1950 film showing director Billy Wilder smoking a cigarette with actor William Holden between takes. Annotations in manuscript pencil on the verso along with the stamp of Cinéma magazine. A down-on-his-luck screenwriter stumbles into the home of a forgotten silent film star quickly becoming enmeshed in her deranged plan for a comeback. A kingpin in the pantheon of films about fame and Hollywood Wilder's urban noir counterpart to the daylight rural world of "Ace in the Hole" 1951. Winner of three Academy Awards and nominated for another eight including Best Picture. Set and shot on location in Los Angeles. 10 x 8 inches. Near Fine. National Film Registry. Ebert I. Godard Histoires du cinema. Grant US. Penzler 101. Rosenbaum 1000. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Paramount Pictures unknown
1950réf. 151310Los Angeles: Paramount Pictures 1950. Vintage studio still photograph from the 1950 film showing the "wax works" card party composed of actress Gloria Swanson and actors Anna Q. Nilsson H.B. Warner and Buster Keaton playing themselves. From the archive of film historian and author Joel Finler. A down-on-his-luck screenwriter stumbles into the home of a forgotten silent film star quickly becoming enmeshed in her deranged plan for a comeback. A kingpin in the pantheon of films about fame and Hollywood Wilder's urban noir counterpart to the daylight rural world of "Ace in the Hole" 1951. Winner of three Academy Awards and nominated for another eight including Best Picture. Set and shot on location in Los Angeles. 10 x 8 inches with wide margins photograph measuring 4.75 x 3.5 inches. National Film Registry. Ebert I. Godard Histoires du cinema. Grant US. Penzler 101. Rosenbaum 1000. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Paramount Pictures unknown
1949réf. 159641Hollywood: Paramount Pictures 1949. Vintage studio still photograph from the 1950 film showing actors Cecil B. DeMille and Gloria Swanson talking on the set. A down-on-his-luck screenwriter stumbles into the home of a forgotten silent film star quickly becoming enmeshed in her deranged plan for a comeback. A kingpin in the pantheon of films about fame and Hollywood and Billy Wilder's urban noir counterpart to the daylight rural world of "Ace in the Hole" 1951. Winner of three Academy Awards and nominated for another eight including Best Picture. Set and shot on location in Los Angeles. 10 x 8 inches. Near Fine. National Film Registry. Ebert I. Godard Histoires du cinema. Grant US. Penzler 101. Rosenbaum 1000. Selby US Masterwork. Silver and Ward Classic Noir. Spicer U. Paramount Pictures unknown books
1950réf. 151310Los Angeles: Paramount Pictures 1950. Vintage studio still photograph from the 1950 film showing the "wax works" card party composed of actress Gloria Swanson and actors Anna Q. Nilsson H.B. Warner and Buster Keaton playing themselves. From the archive of film historian and author Joel Finler. A down-on-his-luck screenwriter stumbles into the home of a forgotten silent film star quickly becoming enmeshed in her deranged plan for a comeback. A kingpin in the pantheon of films about fame and Hollywood Wilder's urban noir counterpart to the daylight rural world of "Ace in the Hole" 1951. Winner of three Academy Awards and nominated for another eight including Best Picture. Set and shot on location in Los Angeles. 10 x 8 inches with wide margins photograph measuring 4.75 x 3.5 inches. National Film Registry. Ebert I. Godard Histoires du cinema. Grant US. Penzler 101. Rosenbaum 1000. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Paramount Pictures unknown books
1950réf. 158503Hollywood: Paramount Pictures 1950. Vintage reference photograph from the 1950 film showing actor and real-life director Erich von Stroheim with a camera crew preparing to capture the film's iconic final scene. Annotations in manuscript ink on the verso. From the archive of film historian and author Joel Finler. A down-on-his-luck screenwriter stumbles into the home of a forgotten silent film star quickly becoming enmeshed in her deranged plan for a comeback. A kingpin in the pantheon of films about fame and Hollywood and Billy Wilder's urban noir counterpart to the daylight rural world of "Ace in the Hole" 1951. Winner of three Academy Awards and nominated for another eight including Best Picture. Set and shot on location in Los Angeles. 10 x 8 inches. About Near Fine. National Film Registry. Ebert I. Godard Histoires du cinema. Grant US. Penzler 101. Rosenbaum 1000. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Paramount Pictures unknown books
1950réf. 157665Hollywood: Paramount Pictures 1950. Vintage studio still photograph from the 1950 film showing director Billy Wilder smoking a cigarette with actor William Holden between takes. Annotations in manuscript pencil on the verso along with the stamp of Cinéma magazine. A down-on-his-luck screenwriter stumbles into the home of a forgotten silent film star quickly becoming enmeshed in her deranged plan for a comeback. A kingpin in the pantheon of films about fame and Hollywood Wilder's urban noir counterpart to the daylight rural world of "Ace in the Hole" 1951. Winner of three Academy Awards and nominated for another eight including Best Picture. Set and shot on location in Los Angeles. 10 x 8 inches. Near Fine. National Film Registry. Ebert I. Godard Histoires du cinema. Grant US. Penzler 101. Rosenbaum 1000. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Paramount Pictures unknown books
1987réf. 171907N.p.: N.p. 1987. Draft script for the 1988 film. Copy belonging to stunt coordinator Joe Dunne with his annotations in manuscript ink on several pages indicating stunt sequences. Crew contact list and eight white revision pages bound in at the rear of the script. Based on an unpublished novel by Rod Amateau. In Hollywood during the transition to sound film US Marshal Wyatt Earp and Western actor Tom Mix team up to solve a murder involving a violent gangster. The second film in which James Garner portrayed Wyatt Earp following "Hour of the Gun" in 1967. Cream titled pictorial wrappers. Title page present dated March 20 1987 with credits for Amateau and screenwriter Blake Edwards. 138 leaves with last page of text numbered 133. Xerographic duplication rectos only with blue and pink revision pages throughout dated 3/27/87 and 3/30/87 respectively. Pages Near Fine wrapper Very Good plus extremities lightly toned bound internally with two gold brads. N.p. unknown
1987réf. 171907N.p.: N.p. 1987. Draft script for the 1988 film. Copy belonging to stunt coordinator Joe Dunne with his annotations in manuscript ink on several pages indicating stunt sequences. Crew contact list and eight white revision pages bound in at the rear of the script. Based on an unpublished novel by Rod Amateau. In Hollywood during the transition to sound film US Marshal Wyatt Earp and Western actor Tom Mix team up to solve a murder involving a violent gangster. The second film in which James Garner portrayed Wyatt Earp following "Hour of the Gun" in 1967. Cream titled pictorial wrappers. Title page present dated March 20 1987 with credits for Amateau and screenwriter Blake Edwards. 138 leaves with last page of text numbered 133. Xerographic duplication rectos only with blue and pink revision pages throughout dated 3/27/87 and 3/30/87 respectively. Pages Near Fine wrapper Very Good plus extremities lightly toned bound internally with two gold brads. N.p. unknown books
1935réf. 164515Culver City CA: Columbia Pictures 1935. Vintage reference photograph of Florence Rice from the 1935 film with a stamp crediting photographer Ray Jones and a mimeo snipe on the verso. Not to be confused with the 1925 silent film directed by Al Rogell and starring Reed Howes and Mildred Davis. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. A scientist invents a "superspeed" formula for race cars that everyone is soon fighting to own. 8 x 10 inches. Near Fine. Columbia Pictures unknown
1935réf. 164515Culver City CA: Columbia Pictures 1935. Vintage reference photograph of Florence Rice from the 1935 film with a stamp crediting photographer Ray Jones and a mimeo snipe on the verso. Not to be confused with the 1925 silent film directed by Al Rogell and starring Reed Howes and Mildred Davis. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. A scientist invents a "superspeed" formula for race cars that everyone is soon fighting to own. 8 x 10 inches. Near Fine. Columbia Pictures unknown books
