10 264 résultats
1968réf. 141612Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1968. Collection of nine vintage studio still photographs from the 1968 film. Snipe printed to the verso. A semi-biographical film based on Bernard Malamud's novel of the same name. The story of a Russian-Jew unjustly prisoned on accusations of blood libel. Set in Russia shot on location in Hungary. 8 x 10 inches. Near Fine. Light wear to the top margin. Metro-Goldwyn-Mayer [MGM] unknown books
1968réf. 144528Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1968. Vintage borderless photograph of screenwriter Dalton Trumbo and director John Frankenheimer on the set of the 1968 film. With manuscript annotations and agency stamp on the verso. Directed by Frankenheimer based on the 1966 Pulitzer Prize-winning novel by Bernard Malamud written for the screen by Dalton Trumbo and starring Alan Bates Dirk Bogarde and Ian Holm. Set in the era of Czarist Russia Frankeheimer's adaptation is a brutal realization of Malamud's novel wherein a poor Jew named Yakov Bok assumes the identity of a Gentile after moving from the country to Kiev in order to secure a job working for a drunken anti-Semite. When Bok is wrongfully accused of murder he winds up having to go to prison to avoid stigmatizing the entire Jewish community. Alan Bates was nominated for an Academy Award for Best Actor for his portrayal of Bok. Set in Russia shot on location in Hungary 8.5 x 6 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1967réf. 129429Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1967. Draft script for the 1968 British film. Based on Bernard Malamud's 1966 Pulitzer Prize and National Book Award-winning novel. Set in Czarist Russia Frankeheimer's adaptation is a brutal realization of Malamud's novel wherein a poor Jew named Yakov Bok assumes the identity of a Gentile after moving from the country to Kiev in order to secure a job working for a drunken anti-Semite. When Bok is wrongfully accused of murder he must go to prison to avoid stigmatizing the entire Jewish community. Alan Bates was nominated for an Academy Award for Best Actor for his portrayal of Bok. By 1960 the blacklisted Trumbo one of the Hollywood Ten began to receive credit for his work in Hollywood after serving time in a federal penitentiary for his conviction in the House Un-American Committee hearings to impugn possible Communists in the US. Shot on location in Hungary. Light blue titled wrappers dated September 7 1967 with a credit for screenwriter Trumbo. 138 leaves with least leaf of text numbered 129. Xerogaphic duplication dated variously between 9/6/67 and 9/7/67 with a revision page dated 8/7/67. Pages Near Fine wrapper Very Good bound with two gold brads. Rear wrapper now encapsulated in mylar. Metro-Goldwyn-Mayer [MGM] unknown books
1968réf. 171040N.p.: N.p. 1968. Two vintage borderless reference photographs of Dalton Trumbo on the set of the 1968 film. Based on the 1966 Pulitzer Prize-winning novel by Bernard Malamud. A poor Jewish man assumes the identity of a gentile after moving from the country to Kiev in order to secure a job working for a drunken prejudiced man. When the man is wrongfully accused of murder he winds up having to go to prison to avoid stigmatizing the entire Jewish community. Nominated for an Academy Award for Alan Bates. Set in Czarist Russia shot on location in Hungary 9 x 7 inches. About Near Fine. N.p. unknown books
1963réf. 161726N.p.: Alexander Beck Presentation 1963. Two vintage photographs one a borderless reference photo and one a studio still from the US release of the 1963 Swedish film. Both photographs with provenance stamps on the versos. A day in the life of three Swedish girls in Paris who work as nude models in an art school to make money. Shot on location in Paris. 8 x 10 inches. Very Good plus one with pinholes in the margins. Alexander Beck Presentation unknown
1963réf. 161726N.p.: Alexander Beck Presentation 1963. Two vintage photographs one a borderless reference photo and one a studio still from the US release of the 1963 Swedish film. Both photographs with provenance stamps on the versos. A day in the life of three Swedish girls in Paris who work as nude models in an art school to make money. Shot on location in Paris. 8 x 10 inches. Very Good plus one with pinholes in the margins. Alexander Beck Presentation unknown books
1941réf. 164378Universal City: Universal Pictures 1941. Vintage publicity photograph from the 1941 film showing actor Mischa Auer. Date stamp photographer's stamp and provenance stamp on the verso. In 1841 New Orleans a young woman seeks the fortune of a wealthy banker through marriage while romancing a handsome but poor sailor. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Slightly wavy else about Near Fine. Universal Pictures unknown books
1947réf. 150905Hollywood: Republic Pictures 1947. Vintage studio still publicity portrait photograph of actress Blanche Yurka from the 1947 film noir. A young man concocts a plan to murder his wealthy half-brother Barry with the help of his girlfriend but is unprepared for the consequences when his girlfriend falls in love with Barry. 8 x 10 inches. Near Fine. Grant US. Selby US. Spicer US. Republic Pictures unknown books
1991réf. 143062Italy: MMD 1991. Vintage borderless double weight photograph from the 1991 film. With a stamp on the verso identifying the film and photographer. A black comedy in which a divorced man falls for a beautiful woman who uses magic to turn him into a sex slave. He doesn't seem to mind until she gets bored and wants to leave him and the things take a darker turn. Nominated for the Palme d'Or at Cannes. 11.75 x 7.5 inches. Light creasing to the corners else Near Fine. MMD unknown
1991réf. 143062Italy: MMD 1991. Vintage borderless double weight photograph from the 1991 film. With a stamp on the verso identifying the film and photographer. A black comedy in which a divorced man falls for a beautiful woman who uses magic to turn him into a sex slave. He doesn't seem to mind until she gets bored and wants to leave him and the things take a darker turn. Nominated for the Palme d'Or at Cannes. 11.75 x 7.5 inches. Light creasing to the corners else Near Fine. MMD unknown books
1984réf. 140989New York: Rick Leed 1984. Draft script for an unproduced film. Laid in is a letter from screenwriter and playwright Christopher Humble to John Huston of the Paul Kohner Agency. Based on Humble's 1984 play based in turn on a true event in Irish history wherein the Earls of Tyrone and Tyrconnell fled Ireland with 90 of their followers to escape British rule and establish an army to invade Ireland a venture which failed and ultimately brought Protestant rule to Northern Ireland. Set in Ireland. White titled wrappers. Title page present dated 1984 with credit for screenwriter and playwright Christopher Humble. 127 leaves with last page of text numbered 125. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a black Velo binding. Rick Leed unknown
1965réf. 132451Los Angeles: Twentieth Century-Fox 1965. First Draft script for the 1965 film. Included are production notes dated November 1965 laid in and an architectural sketch of the "sky truck" noted as "REVISED / APR. 22. '65" As deluxe a script for this film as we have seen and a highspot for noted director Robert Aldrich. One of the great adventure films of the twentieth century wherein a cargo plane with fewer than a dozen men goes down in the Sahara in a sandstorm. One of the men is an airplane designer who comes up with the idea of ripping off the undamaged wing and using it as the basis for an airplane they will build to escape before food and water are depleted. Black titled wrappers noted as 2ND DRAFT on the front wrapper dated April 6th. Distribution page present with receipt removed. Title page present with credits for screenwriter Heller and novelist Trevor. 178 leaves mechanical duplication with blue and pink revision pages throughout dated variously between 4/15/65 and 4/27/65. Pages Near Fine wrapper about Near Fine with a small fingernail-size bruise at the top left corner of the front wrapper. Bound internally with three gold brads. Twentieth Century-Fox unknown
1984réf. 140989New York: Rick Leed 1984. Draft script for an unproduced film. Laid in is a letter from screenwriter and playwright Christopher Humble to John Huston of the Paul Kohner Agency. Based on Humble's 1984 play based in turn on a true event in Irish history wherein the Earls of Tyrone and Tyrconnell fled Ireland with 90 of their followers to escape British rule and establish an army to invade Ireland a venture which failed and ultimately brought Protestant rule to Northern Ireland. Set in Ireland. White titled wrappers. Title page present dated 1984 with credit for screenwriter and playwright Christopher Humble. 127 leaves with last page of text numbered 125. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a black Velo binding. Rick Leed unknown books
1965réf. 132451Los Angeles: Twentieth Century-Fox 1965. First Draft script for the 1965 film. Included are production notes dated November 1965 laid in and an architectural sketch of the "sky truck" noted as "REVISED / APR. 22. '65" As deluxe a script for this film as we have seen and a highspot for noted director Robert Aldrich. One of the great adventure films of the twentieth century wherein a cargo plane with fewer than a dozen men goes down in the Sahara in a sandstorm. One of the men is an airplane designer who comes up with the idea of ripping off the undamaged wing and using it as the basis for an airplane they will build to escape before food and water are depleted. Black titled wrappers noted as 2ND DRAFT on the front wrapper dated April 6th. Distribution page present with receipt removed. Title page present with credits for screenwriter Heller and novelist Trevor. 178 leaves mechanical duplication with blue and pink revision pages throughout dated variously between 4/15/65 and 4/27/65. Pages Near Fine wrapper about Near Fine with a small fingernail-size bruise at the top left corner of the front wrapper. Bound internally with three gold brads. Twentieth Century-Fox unknown books
1966réf. 132843London: Twentieth Century-Fox 1966. Two vintage black-and-white still photographs from the 1966 UK release of the 1965 US film. Mimeograph snipes and rubber-stamps on the versos layout annotations on the recto of 1 still. One of the great adventure films of the twentieth century wherein a cargo plane with fewer than a dozen men goes down in the Sahara in a sandstorm. One of the men is an airplane designer who comes up with the idea of ripping off the undamaged wing and using it as the basis for an airplane they will build to escape before food and water are depleted. A story set in the Sahara desert shot on location in California and Arizona. 8 x 10 inches. About Near Fine. Twentieth Century-Fox unknown books
1986réf. 169589Paris: Sipa Press 1986. Eight vintage color slides from the French release of the 1986 film. Based on the 1957 short story by George Langelaan and a remake of the 1958 film directed by Kurt Neumann. A classic work of body horror about an eccentric inventor who begins to undergo unexpected and horrific mutations when a common house fly slips into his newly invented teleportation device. Winner of an Academy Award. 1.5 x 1 inches in the original 2 x 2 cardboard sleeves. About Fine. Carlson Destroy All Movies. Sipa Press unknown
1986réf. 158427N.p.: Twentieth Century-Fox 1986. Eight vintage glossy Italian Photobusta posters for the 1986 film. Based on the 1957 short story by George Langelaan. Remake of the 1958 film directed by Kurt Neumann and starring Al Hedison Patricia Owens and Vincent Price. Director David Cronenberg's classic remake wherein eccentric inventor Seth Brundle Jeff Goldblum begins to undergo unexpected and horrific mutatio when a common house fly slips into his newly invented teleportation device. Winner of an Academy Award. 26.25 x 18.25 inches. Near Fine overall. Carlson Destroy All Movies. McPadden Heavy Metal Movies. Twentieth Century-Fox unknown books
1986réf. 169589Paris: Sipa Press 1986. Eight vintage color slides from the French release of the 1986 film. Based on the 1957 short story by George Langelaan and a remake of the 1958 film directed by Kurt Neumann. A classic work of body horror about an eccentric inventor who begins to undergo unexpected and horrific mutations when a common house fly slips into his newly invented teleportation device. Winner of an Academy Award. 1.5 x 1 inches in the original 2 x 2 cardboard sleeves. About Fine. Carlson Destroy All Movies. Sipa Press unknown books
1977réf. 156017N.p.: N.p. 1977. Vintage borderless reference photograph of director Dino Risi and actress Anicée Alvina on the set of the 1977 film. Stamp of Israel Film Archive on the verso. Based on the 1966 novel "Un'anima persa" by Giovanni Arpino. An amateur painter discovers that his aunt and uncle's run-down mansion is home to a number of strange and macabre secrets. Risi's second adaptation of Arpino's novel following "Profumo di donna" in 1974. Set and shot on location in Venice. 9 x 7 inches. Near Fine. N.p. unknown books
1966réf. 136089Beverly Hills CA: United Artists 1966. Five vintage borderless black-and-white studio still photographs from the set of the 1966 film. All photographs show Billy Wilder giving direction including scenes in a bedroom on a football field in a cemetery and more. Walter Matthau won an Academy Award for his role in the film. 8 x 10 inches. Near Fine. United Artists unknown
1966réf. 136089Beverly Hills CA: United Artists 1966. Five vintage borderless black-and-white studio still photographs from the set of the 1966 film. All photographs show Billy Wilder giving direction including scenes in a bedroom on a football field in a cemetery and more. Walter Matthau won an Academy Award for his role in the film. 8 x 10 inches. Near Fine. United Artists unknown books
1954réf. 139626Glendale CA: Allied Artists 1954. Two vintage black-and-white reference studio still photographs from the 1954 film. Bill Elliott stars as Sam Nelson a California based federal agent hunting for his friend's murderers. Virginia Grey pictured in the stills makes a cameo as the wife of one of the fugitive killers. Shot on location in California. 8 x 10 inches. Very Good plus with light toning overall to one of the images and light creasing to the recto of both. Allied Artists unknown books
1915réf. 171490N.p.: N.p. 1915. Two vintage reference photographs from the 1915 silent film one showing Edward Martindel and Mary Pickford the other showing Martindel Pickford and Mildred Morris. Contemporary annotations in manuscript pencil on the versos. Years after abandoning his daughter to an orphanage a wealthy painter attempts a reconciliation. The original film premiered in 1915 directed by Allan Dwan but was destroyed in a fire shortly after its release and is today considered lost. The film was re-made with the same cast directed by John B. O'Brien and released in 1916. One 8.75 x 8 inches the other 10 x 8 inches. Good edgeworn with chips at two corners moderately toned. N.p. unknown
1915réf. 171490N.p.: N.p. 1915. Two vintage reference photographs from the 1915 silent film one showing Edward Martindel and Mary Pickford the other showing Martindel Pickford and Mildred Morris. Contemporary annotations in manuscript pencil on the versos. Years after abandoning his daughter to an orphanage a wealthy painter attempts a reconciliation. The original film premiered in 1915 directed by Allan Dwan but was destroyed in a fire shortly after its release and is today considered lost. The film was re-made with the same cast directed by John B. O'Brien and released in 1916. One 8.75 x 8 inches the other 10 x 8 inches. Good edgeworn with chips at two corners moderately toned. N.p. unknown books
1949réf. 161687Burbank CA: Warner Brothers 1949. Four vintage studio still photographs from the 1949 film. In approaching the film adaptation of Ayn Rand's 1943 work director King Vidor dispensed with typical Hollywood production techniques and focused on creating an expressionistic film one that literally echoed the architectural underpinnings of its characters' philosophies motives and ambitions. Unusual choices included modernist cinematography expressionistic set designs and wardrobe and having Rand herself write the heady screenplay. 8 x 10 inches. Near Fine. Warner Brothers unknown
