GE Moore (screenwriter) G EBiblio.com
11 045 résultats
1950réf. 142338N.p.: N.p. 1950. Treatment script for an unproduced film. Ribbon copy typescript. An Irish comedy involving a small village which finds itself on the border between the Republic of Ireland and Northern Ireland i.e. the British Empire. A man and a woman on opposite sides of the border fall in love. Set in Ireland. Green titled wrappers with typescript title label affixed to the front wrapper. Title page present with credits for screenwriter G.E. Moore. 33 leaves with last leaf of text numbered 27. Ribbon copy typescript with type in black and red. Pages Near Fine wrapper Near fine bound with string binding. N.p. unknown
1950réf. 142338N.p.: N.p. 1950. Treatment script for an unproduced film. Ribbon copy typescript. An Irish comedy involving a small village which finds itself on the border between the Republic of Ireland and Northern Ireland i.e. the British Empire. A man and a woman on opposite sides of the border fall in love. Set in Ireland. Green titled wrappers with typescript title label affixed to the front wrapper. Title page present with credits for screenwriter G.E. Moore. 33 leaves with last leaf of text numbered 27. Ribbon copy typescript with type in black and red. Pages Near Fine wrapper Near fine bound with string binding. N.p. unknown books
1961réf. 152439N.p.: N.p. 1961. Cut Version Draft script for Season 1 Episode 12 "Trick or Treason" of the NBC anthology series "The DuPont Show of the Week" which aired on December 17 1961 and is today presumably lost. Copy belonging to uncredited associate producer Milt Myers with script housed in spring binder with Myers name in gilt on lower right. Annotations in manuscript pencil throughout with first name of Monique van Vooren who played Krys written boldly and underlined on top of title page. Script is preceded by a six page "teaser" for the episode. Missing five pages likely as used or issued. From the estate of actress Monique van Vooren. American OSS captain DiLuca Martin Gabel who has fallen in love with the Dutch spy Krys is fed erroneous invasion plans through Holland which Krys reveals to the Nazis confusing them as the Allies prepare for the Battle of Normandy. "The Dupont Show of the Week" was a comedy drama and musical television anthology series which aired on NBC for three seasons from September 17 1961 to August 30 1964 and was nominated for eight Primetime Emmy Awards. Black untitled wrappers. Title page present dated 10/25/61 noted as CUT VERSION with credits for screenwriter Leon Tokatyan. 87 leaves with last page of text numbered IV-23. Mimeograph duplication with the exception of four leaves IV6 - IV-8 and IV-19 which are carbon typescript on onionskin stock rectos only. Pages Near Fine wrapper Very Good plus. Spring binder Near Fine. N.p. unknown
1961réf. 152439N.p.: N.p. 1961. Cut Version Draft script for Season 1 Episode 12 "Trick or Treason" of the NBC anthology series "The DuPont Show of the Week" which aired on December 17 1961 and is today presumably lost. Copy belonging to uncredited associate producer Milt Myers with script housed in spring binder with Myers name in gilt on lower right. Annotations in manuscript pencil throughout with first name of Monique van Vooren who played Krys written boldly and underlined on top of title page. Script is preceded by a six page "teaser" for the episode. Missing five pages likely as used or issued. From the estate of actress Monique van Vooren. American OSS captain DiLuca Martin Gabel who has fallen in love with the Dutch spy Krys is fed erroneous invasion plans through Holland which Krys reveals to the Nazis confusing them as the Allies prepare for the Battle of Normandy. "The Dupont Show of the Week" was a comedy drama and musical television anthology series which aired on NBC for three seasons from September 17 1961 to August 30 1964 and was nominated for eight Primetime Emmy Awards. Black untitled wrappers. Title page present dated 10/25/61 noted as CUT VERSION with credits for screenwriter Leon Tokatyan. 87 leaves with last page of text numbered IV-23. Mimeograph duplication with the exception of four leaves IV6 - IV-8 and IV-19 which are carbon typescript on onionskin stock rectos only. Pages Near Fine wrapper Very Good plus. Spring binder Near Fine. N.p. unknown books
1960réf. C63709London 1960. First Edition. Hardback. Dust Jacket. Near fine in slightly toned slightly marked at rear very good plus dust jacket. 8vo. pp 271. Colour dust jacket illustrated by Biro. Original publisher's green buckram cloth lettered white at spine. Ownership signature and address at front flyleaf of Karl Tunberg who wrote the screenplay for the film ""The 7th Dawn"" 1964 based on this novel and directed by Lewis Gilbert. hardcover
1948réf. 151699N.p.: N.p. 1948. Vintage borderless reference photograph of director Jean Cocteau in conversation with actress Silvia Monfort while cinematographer Christian Matras looks on to the left. With the stamp of Le Parisien archive on the verso. Based on Cocteau's 1946 play. In nineteenth-century Europe a suicidal anarchist poet falls in love with the long-secluded queen who has been absent from the public eye for ten years due to her grief over her husband's death. Set in the fictional country of Krantz. 7 x 5.25 inches. Near Fine. N.p. unknown
1925réf. 137138Beverly Hills CA: United Artists 1925. Vintage reference photograph from the set of the 1925 film with a mimeo snipe and photographer's stamp on the verso. Based on the unfinished 1832 novel "Dubrovsky" by Alexander Pushkin. A posed shot showing director Brown and stars Valentino and Banky with painter Federico Beltran Masses a well known figure in Hollywood because of his friendship with William Randolph Hearst. 10 x 8 inches. Very Good with diagonal chips missing from two corners but the image largely unaffected. United Artists unknown
1925réf. 137138Beverly Hills CA: United Artists 1925. Vintage reference photograph from the set of the 1925 film with a mimeo snipe and photographer's stamp on the verso. Based on the unfinished 1832 novel "Dubrovsky" by Alexander Pushkin. A posed shot showing director Brown and stars Valentino and Banky with painter Federico Beltran Masses a well known figure in Hollywood because of his friendship with William Randolph Hearst. 10 x 8 inches. Very Good with diagonal chips missing from two corners but the image largely unaffected. United Artists unknown books
1948réf. 151699N.p.: N.p. 1948. Vintage borderless reference photograph of director Jean Cocteau in conversation with actress Silvia Monfort while cinematographer Christian Matras looks on to the left. With the stamp of Le Parisien archive on the verso. Based on Cocteau's 1946 play. In nineteenth-century Europe a suicidal anarchist poet falls in love with the long-secluded queen who has been absent from the public eye for ten years due to her grief over her husband's death. Set in the fictional country of Krantz. 7 x 5.25 inches. Near Fine. N.p. unknown books
1958réf. 139786Burbank CA: National Broadcasting Company NBC 1958. Revised Final Draft script for the 1958 television episode of "The Ed Wynn Show." Copy belonging to actor Tom Irish with his name in green manuscript ink on the front wrapper and notation in green ink to a single page. Irish played an uncredited bit part named "Biff." In 1958 veteran vaudeville comedian Ed Wynn creator of the innovative live skit-based 1949 television show of the same name tried his hand at a third television series: a short-lived sitcom that would last only one season. Though Wynn was one of few beloved vaudevillians to make a successful transition to the small screen with his first show featuring high profile Hollywood guests and winning a Primetime Emmy Award for Best Live Show in 1950 his success would not last indefinitely. As television grew he would shift towards more serious dramatic roles. The 1958 iteration of "The Ed Wynn Show" would be the last series he put his name on before taking a spate of guest appearances and dramatic roles in various television shows and films. Yellow titled wrappers noted as production No. 4477 dated October 29 1958 with credits for screenwriters Laurence Marks and Milton Pascal. Title page present dated October 29 1958 noted as REVISED FINAL DRAFT with credits for screenwriters Marks and Pascal. 43 leaves with last page of text numbered 38. Mimeograph on eye-rest green stock with yellow revision pages throughout dated October 31 1958. Pages Very Good plus wrapper Very Good bound with two gold brads. National Broadcasting Company [NBC] unknown
1958réf. 139786Burbank CA: National Broadcasting Company NBC 1958. Revised Final Draft script for the 1958 television episode of "The Ed Wynn Show." Copy belonging to actor Tom Irish with his name in green manuscript ink on the front wrapper and notation in green ink to a single page. Irish played an uncredited bit part named "Biff." In 1958 veteran vaudeville comedian Ed Wynn creator of the innovative live skit-based 1949 television show of the same name tried his hand at a third television series: a short-lived sitcom that would last only one season. Though Wynn was one of few beloved vaudevillians to make a successful transition to the small screen with his first show featuring high profile Hollywood guests and winning a Primetime Emmy Award for Best Live Show in 1950 his success would not last indefinitely. As television grew he would shift towards more serious dramatic roles. The 1958 iteration of "The Ed Wynn Show" would be the last series he put his name on before taking a spate of guest appearances and dramatic roles in various television shows and films. Yellow titled wrappers noted as production No. 4477 dated October 29 1958 with credits for screenwriters Laurence Marks and Milton Pascal. Title page present dated October 29 1958 noted as REVISED FINAL DRAFT with credits for screenwriters Marks and Pascal. 43 leaves with last page of text numbered 38. Mimeograph on eye-rest green stock with yellow revision pages throughout dated October 31 1958. Pages Very Good plus wrapper Very Good bound with two gold brads. National Broadcasting Company [NBC] unknown books
1972réf. 171235Los Angeles: Twentieth Century-Fox 1972. Rehearsal Draft script for the 1972 film. Production memo laid in with the script noting changes to shooting location for two scenes. Based on the Pulitzer Prize-winning 1964 play by Paul Zindel about an eccentric middle-aged mother struggling to raise her two daughters. Starring director Paul Newman's wife Joanne Woodward and one of their real-life daughters Nell Potts as Beatrice and Matilda respectively. Winner of Best Actress at Cannes for Woodward. Shot on location in Bridgeport Connecticut. Yellow titled wrappers. Title page present dated March 14 1972 noted as Rehearsal Draft with credit for screenwriter Alvin Sargent. 110 leaves with last page of text numbered 109. Mimeograph duplication rectos only. Pages Good wrapper Good with dampstaining affecting the last 50 leaves and rear wrapper bound with two gold brads. Twentieth Century-Fox unknown
1972réf. 171235Los Angeles: Twentieth Century-Fox 1972. Rehearsal Draft script for the 1972 film. Production memo laid in with the script noting changes to shooting location for two scenes. Based on the Pulitzer Prize-winning 1964 play by Paul Zindel about an eccentric middle-aged mother struggling to raise her two daughters. Starring director Paul Newman's wife Joanne Woodward and one of their real-life daughters Nell Potts as Beatrice and Matilda respectively. Winner of Best Actress at Cannes for Woodward. Shot on location in Bridgeport Connecticut. Yellow titled wrappers. Title page present dated March 14 1972 noted as Rehearsal Draft with credit for screenwriter Alvin Sargent. 110 leaves with last page of text numbered 109. Mimeograph duplication rectos only. Pages Good wrapper Good with dampstaining affecting the last 50 leaves and rear wrapper bound with two gold brads. Twentieth Century-Fox unknown books
1947réf. 164461Universal City: Universal-International 1947. Vintage studio still photograph from the 1947 film showing actors Claudette Colbert and Fred MacMurray. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901. Jones worked for Paramount Pictures in the early 1930s and was the first still photographer to win an Academy Award. He went on to be the head of the still photography department at Universal Pictures where he worked well into the 1950s. Based on the 1945 memoir by Betty MacDonald about a young couple who decide to become chicken farmers leading to a number of humorous mishaps. Colbert was nominated for a Best Actress Oscar for her performance. 10 x 8 inches. About Near Fine. Universal-International unknown
1947réf. 164461Universal City: Universal-International 1947. Vintage studio still photograph from the 1947 film showing actors Claudette Colbert and Fred MacMurray. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901. Jones worked for Paramount Pictures in the early 1930s and was the first still photographer to win an Academy Award. He went on to be the head of the still photography department at Universal Pictures where he worked well into the 1950s. Based on the 1945 memoir by Betty MacDonald about a young couple who decide to become chicken farmers leading to a number of humorous mishaps. Colbert was nominated for a Best Actress Oscar for her performance. 10 x 8 inches. About Near Fine. Universal-International unknown books
1971réf. 161697N.p.: N.p. 1971. Two vintage studio still photographs from the 1971 film. Both photographs with provenance stamps on the versos one on a label obscuring a previous provenance stamp. A girl from the country escapes her abusive step father to Florida and is introduced into the world of prostitution by two seasoned working girls. 8 x 10 inches. Near Fine. N.p. unknown
1971réf. 161697N.p.: N.p. 1971. Two vintage studio still photographs from the 1971 film. Both photographs with provenance stamps on the versos one on a label obscuring a previous provenance stamp. A girl from the country escapes her abusive step father to Florida and is introduced into the world of prostitution by two seasoned working girls. 8 x 10 inches. Near Fine. N.p. unknown books
1980réf. 152544London: Columbia-EMI-Warner Distributors 1980. Vintage program for the UK release of the 1980 film. A lush production directed in a neoclassical style by David Lynch based on two nonfiction accounts by Sir Frederick Treves "The Elephant Man and Other Reminiscences" and Ashley Montagu "The Elephant Man: A Study in Human Dignity". The true story of Joseph Merrick a gentle and intelligent man reviled for his severe deformities. Nominated for eight Academy Awards including Best Picture Best Director and Best Screenplay. Set and shot on location in London. 8.25 x 11.5 inches. Bi-fold. Near Fine. Criterion Collection 1051. Columbia-EMI-Warner Distributors unknown
1980réf. 152544London: Columbia-EMI-Warner Distributors 1980. Vintage program for the UK release of the 1980 film. A lush production directed in a neoclassical style by David Lynch based on two nonfiction accounts by Sir Frederick Treves "The Elephant Man and Other Reminiscences" and Ashley Montagu "The Elephant Man: A Study in Human Dignity". The true story of Joseph Merrick a gentle and intelligent man reviled for his severe deformities. Nominated for eight Academy Awards including Best Picture Best Director and Best Screenplay. Set and shot on location in London. 8.25 x 11.5 inches. Bi-fold. Near Fine. Criterion Collection 1051. Columbia-EMI-Warner Distributors unknown books
1962réf. 151080N.p.: N.p. 1962. Five vintage borderless reference photographs from the 1962 film including one of Jean Renoir sitting amongst the cast on the set of the film. Layout annotations in manuscript pencil provenance stamp and label of film historian "Maurice Bessy" and "Le Caporal Epingle" stamp all on verso. Two photos shown please inquire to see others. Based on the 1947 novel by Jacques Perret. A comedic account of a French aristocrat's repeated attempts to escape from a German POW camp during WWII. A companion piece to Renoir's earlier WWI set masterpiece "Le Grande Illusion" 1937. Shot on location in Paris France and Vienna Austria. 9.5 x 7 inches. Some light edgewear else Near Fine. N.p. unknown
1962réf. 140952France: Les Films du Cyclope / Omnia Films 1962. Vintage photograph from the 1962 film showing Jean Renoir directing star Jean-Pierre Cassel and some supporting actors during an outdoor shot with the boom operator in the background. Manuscript pencil notation on the verso identifying the subjects and film. Based on Jacques Perret's 1947 novel a comedic account of a French aristocrat's repeated attempts to escape from a German POW camp during WWII and a companion piece to Renoir's earlier WWI set masterpiece "Le Grande Illusion" 1937. 10.75 x 8.25 inches. Light creasing to the borders Near Fine. Les Films du Cyclope / Omnia Films unknown
1962réf. 151080N.p.: N.p. 1962. Five vintage borderless reference photographs from the 1962 film including one of Jean Renoir sitting amongst the cast on the set of the film. Layout annotations in manuscript pencil provenance stamp and label of film historian "Maurice Bessy" and "Le Caporal Epingle" stamp all on verso. Two photos shown please inquire to see others. Based on the 1947 novel by Jacques Perret. A comedic account of a French aristocrat's repeated attempts to escape from a German POW camp during WWII. A companion piece to Renoir's earlier WWI set masterpiece "Le Grande Illusion" 1937. Shot on location in Paris France and Vienna Austria. 9.5 x 7 inches. Some light edgewear else Near Fine. N.p. unknown books
1962réf. 140952France: Les Films du Cyclope / Omnia Films 1962. Vintage photograph from the 1962 film showing Jean Renoir directing star Jean-Pierre Cassel and some supporting actors during an outdoor shot with the boom operator in the background. Manuscript pencil notation on the verso identifying the subjects and film. Based on Jacques Perret's 1947 novel a comedic account of a French aristocrat's repeated attempts to escape from a German POW camp during WWII and a companion piece to Renoir's earlier WWI set masterpiece "Le Grande Illusion" 1937. 10.75 x 8.25 inches. Light creasing to the borders Near Fine. Les Films du Cyclope / Omnia Films unknown books
1985réf. 168039Los Angeles: Embassy Films 1985. Six vintage publicity photographs for the US release of the 1985 British film. After his family moves to Brazil for his father's engineering job an American boy is kidnapped by an indigenous tribe and raised in the Amazon jungle. 8 x 10 inches. Very Good plus to Near Fine. Embassy Films unknown
1985réf. 168039Los Angeles: Embassy Films 1985. Six vintage publicity photographs for the US release of the 1985 British film. After his family moves to Brazil for his father's engineering job an American boy is kidnapped by an indigenous tribe and raised in the Amazon jungle. 8 x 10 inches. Very Good plus to Near Fine. Embassy Films unknown books
