11 066 résultats
réf. 146809N.p.: N.p. Unknown. Draft script for an unproduced film. In post-apocalyptic America a former drive-in movie theatre owner tries to keep his land from the predatory bankers who now hold a monopoly on the nation's resources. Screenwriters Rod Amateau and Harold Nebenzal were best known for co-writing "The Wilby Conspiracy" 1975. Set in the American West. Blue untitled wrappers. Title page present with credits for screenwriters Rod Amateau and Harold Nebenzal. 117 leaves with last page of text numbered 112. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
réf. 146809N.p.: N.p. Unknown. Draft script for an unproduced film. In post-apocalyptic America a former drive-in movie theatre owner tries to keep his land from the predatory bankers who now hold a monopoly on the nation's resources. Screenwriters Rod Amateau and Harold Nebenzal were best known for co-writing "The Wilby Conspiracy" 1975. Set in the American West. Blue untitled wrappers. Title page present with credits for screenwriters Rod Amateau and Harold Nebenzal. 117 leaves with last page of text numbered 112. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1957réf. 144985Beverly Hills CA: Russ-Field Productions 1957. Vintage photograph of actors Una Merkel Ralph Meeker and members of the crew on the set of the 1957 film. With manuscript annotations on the verso. Laurel Srevens Jane Russel an actress is kidnapped by a couple of inexperienced crooks Mike Valla Ralph Meeker and "Dandy" Keenan Wynn on the night of the premier of her film "The Kidnapped Bride." Laurel worries that the kidnapping will appear to be a publicity stunt and damage her career so she begins to aide them in the crime. 10 x 8 inches. Lightly faded else Very Good plus overall with a crease at one corner. Russ-Field Productions unknown books
1967réf. 149023N.p.: Royal Films International 1967. Vintage one sheet poster for the US release of the 1966 French film. A modern adaptation of the 1872 Emile Zola play "La Curee." Pampered young Renee Saccard Jane Fonda married to the older wealthy industrialist Alexandre Saccard Michel Piccoli is tricked out of her fortune when she falls for his son Maxime Peter McEnery. The second of four films Vadim and Fonda would make together. Set in Paris. 27 x 41 inches. Folded as issued. Very Good plus some splitting to three of the folds. Royal Films International unknown
1966réf. 142164France: Les Films Marceau-Cocinor / Mega Film 1966. Four vintage press photographs from the 1966 film. Each with the stamp of Robert Levy on the verso and two with the stamp of press agency Parimage. One image shows director Roger Vadim carrying a smiling Jane Fonda whom he married just prior to the start of filming. A modern adaptation of the 1872 novel "La Curee" by Emil Zola about a wealthy young woman who marries and older man only to be tricked out of her fortune when she falls for his son. The second of four films Vadim and Fonda would make together. 9.25 x 7.25 inches three photographs with wide bottom margins. Near Fine. Les Films Marceau-Cocinor / Mega Film unknown
1966réf. 142164France: Les Films Marceau-Cocinor / Mega Film 1966. Four vintage press photographs from the 1966 film. Each with the stamp of Robert Levy on the verso and two with the stamp of press agency Parimage. One image shows director Roger Vadim carrying a smiling Jane Fonda whom he married just prior to the start of filming. A modern adaptation of the 1872 novel "La Curee" by Emil Zola about a wealthy young woman who marries and older man only to be tricked out of her fortune when she falls for his son. The second of four films Vadim and Fonda would make together. 9.25 x 7.25 inches three photographs with wide bottom margins. Near Fine. Les Films Marceau-Cocinor / Mega Film unknown books
1967réf. 149023N.p.: Royal Films International 1967. Vintage one sheet poster for the US release of the 1966 French film. A modern adaptation of the 1872 Emile Zola play "La Curee." Pampered young Renee Saccard Jane Fonda married to the older wealthy industrialist Alexandre Saccard Michel Piccoli is tricked out of her fortune when she falls for his son Maxime Peter McEnery. The second of four films Vadim and Fonda would make together. Set in Paris. 27 x 41 inches. Folded as issued. Very Good plus some splitting to three of the folds. Royal Films International unknown books
1970réf. 147475Los Angeles: Twentieth Century-Fox 1970. Vintage double weight borderless candid photograph of actor-singer Charles Aznavour and his wife Ulla Thorsell on the set of the 1970 film. Based on the 1968 novel by Hugh Atkinson. The story of four marathon runners from different countries as they prepare to compete in the Olympic games in Rome. Set and shot on location in Austria Denmark England Australia Italy and Japan. 8 x 10.5 inches. Light curling with two small imperfections to the top edge else Near Fine. Twentieth Century-Fox unknown
1968réf. 161749N.p.: Joseph Brenner Associates 1968. Four vintage studio still photographs from the US release of the 1963 Argentinian film. Released in Argentina as "La cigarra no es un bicho" The Cicada is Not a Bug. Provenance stamps and labels on the versos. Six couples arrive at a Buenos Aires hostel called La Cigarra and are quarantined because of an outbreak of bubonic plague-leading to sex in every imaginable combination. Shot on location in Buenos Aires. 8 x 10 inches. Near Fine overall. Joseph Brenner Associates unknown
1968réf. 153241London: Twentieth Century-Fox 1968. Revised Draft script for the 1970 film. Copy belonging to crew member Bert Lea with his name in manuscript ink annotation to the title page. Playfully altered on the front wrapper with two images from the film. Based on the 1968 novel by Hugh Atkinson. The story of four marathon runners from different countries as they prepare to compete in the Olympic games in Rome. Set and shot on location in Austria Denmark England Australia Italy and Japan. Maroon untitled wrappers with a die-cut title window in the British style. Title page present dated 20.10.68 noted as Revised with credits for screenwriter Erich Segal and novelist Hugh Atkinson. 141 leaves with last page of text numbered 139. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Twentieth Century-Fox unknown
1968réf. 161749N.p.: Joseph Brenner Associates 1968. Four vintage studio still photographs from the US release of the 1963 Argentinian film. Released in Argentina as "La cigarra no es un bicho" The Cicada is Not a Bug. Provenance stamps and labels on the versos. Six couples arrive at a Buenos Aires hostel called La Cigarra and are quarantined because of an outbreak of bubonic plague-leading to sex in every imaginable combination. Shot on location in Buenos Aires. 8 x 10 inches. Near Fine overall. Joseph Brenner Associates unknown books
1970réf. 147475Los Angeles: Twentieth Century-Fox 1970. Vintage double weight borderless candid photograph of actor-singer Charles Aznavour and his wife Ulla Thorsell on the set of the 1970 film. Based on the 1968 novel by Hugh Atkinson. The story of four marathon runners from different countries as they prepare to compete in the Olympic games in Rome. Set and shot on location in Austria Denmark England Australia Italy and Japan. 8 x 10.5 inches. Light curling with two small imperfections to the top edge else Near Fine. Twentieth Century-Fox unknown books
1968réf. 153241London: Twentieth Century-Fox 1968. Revised Draft script for the 1970 film. Copy belonging to crew member Bert Lea with his name in manuscript ink annotation to the title page. Playfully altered on the front wrapper with two images from the film. Based on the 1968 novel by Hugh Atkinson. The story of four marathon runners from different countries as they prepare to compete in the Olympic games in Rome. Set and shot on location in Austria Denmark England Australia Italy and Japan. Maroon untitled wrappers with a die-cut title window in the British style. Title page present dated 20.10.68 noted as Revised with credits for screenwriter Erich Segal and novelist Hugh Atkinson. 141 leaves with last page of text numbered 139. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Twentieth Century-Fox unknown books
1947réf. 148425Los Angeles: Allied Artists 1947. Vintage US lobby card from the 1947 film noir. With a few brief annotations to the verso. Based on the 1937 novel following a small-town racketeer who suffers a mental breakdown when his turf is threatened by a ruthless sinister gangster. Set in the fictional boardwalk town of Neptune Beach Brooklyn. 14 x 11 inches. Very Good with a two-inch tear to the top edge and light toning and two tape reinforcements to the top and bottom edges of the verso. Allied Artists unknown
1980réf. 167451Universal City: Universal Television 1980. Draft script for the fourth episode of the 1981 NBC mini-series here under the working title "The Gangster Chronicles: An American Story: Chapter IV" which aired on February 21 1981. Copy with a manuscript marker annotations of "role:- Aiello" on the title page and the underlining of "Narrative" on the first and last page of the script. The thirteen part critically-acclaimed Emmy Award-winning mini-series was an attempt at presenting an historically accurate crime drama about the lives of Bugsy Siegel Joe Penny Lucky Luciano Michael Nouri and Meyer Lansky Brian Benben beginning in 1907 and spanning seven decades. The series premiered on February 12 1981 and was aired over nine nights ending on May 8 1981. Later released in an edited 121-minute version on videocassette entitled "Gangster Wars." Shot on location in Capitola and Santa Cruz California. Front wrapper integral with title page dated October 21 1980 with credits for screenwriter Richard Alan Simmons. 53 leaves with last page of text numbered 237 with the script beginning on page 194. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. Universal Television unknown
1980réf. 167451Universal City: Universal Television 1980. Draft script for the fourth episode of the 1981 NBC mini-series here under the working title "The Gangster Chronicles: An American Story: Chapter IV" which aired on February 21 1981. Copy with a manuscript marker annotations of "role:- Aiello" on the title page and the underlining of "Narrative" on the first and last page of the script. The thirteen part critically-acclaimed Emmy Award-winning mini-series was an attempt at presenting an historically accurate crime drama about the lives of Bugsy Siegel Joe Penny Lucky Luciano Michael Nouri and Meyer Lansky Brian Benben beginning in 1907 and spanning seven decades. The series premiered on February 12 1981 and was aired over nine nights ending on May 8 1981. Later released in an edited 121-minute version on videocassette entitled "Gangster Wars." Shot on location in Capitola and Santa Cruz California. Front wrapper integral with title page dated October 21 1980 with credits for screenwriter Richard Alan Simmons. 53 leaves with last page of text numbered 237 with the script beginning on page 194. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. Universal Television unknown books
1947réf. 148425Los Angeles: Allied Artists 1947. Vintage US lobby card from the 1947 film noir. With a few brief annotations to the verso. Based on the 1937 novel following a small-town racketeer who suffers a mental breakdown when his turf is threatened by a ruthless sinister gangster. Set in the fictional boardwalk town of Neptune Beach Brooklyn. 14 x 11 inches. Very Good with a two-inch tear to the top edge and light toning and two tape reinforcements to the top and bottom edges of the verso. Allied Artists unknown books
1978réf. 126628Cambridge Film Production 1978. Very Good. 8 original color lobby cards for the adult film about a drug smuggling operation that goes awry. Yachts topless women acrobatic rope tricks. All aboard! 8 x 10 inches tiny white border. Near Fine overall. Cambridge Film Production unknown
1980réf. 162166Japan: Herald Ace / Nippon Herald Films 1980. Vintage pressbook for the 1980 film. A Japanese-Italian coproduction with text in both Japanese and Italian. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A pickpocket meets and falls in love with a naive wealthy girl at an art museum and the couple go to a deserted beach to live together. Director Yasuzô Masumura's penultimate film and only western production. 8.5 x 11.75 inches. Ten leaves in side-stapled pictorial wrappers. Near Fine. Herald Ace / Nippon Herald Films unknown
1980réf. 162166Japan: Herald Ace / Nippon Herald Films 1980. Vintage pressbook for the 1980 film. A Japanese-Italian coproduction with text in both Japanese and Italian. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A pickpocket meets and falls in love with a naive wealthy girl at an art museum and the couple go to a deserted beach to live together. Director Yasuzô Masumura's penultimate film and only western production. 8.5 x 11.75 inches. Ten leaves in side-stapled pictorial wrappers. Near Fine. Herald Ace / Nippon Herald Films unknown books
1957réf. 172431Culver City CA: Columbia Pictures 1957. Collection of seven vintage studio still photographs from the 1957 film. Based on a July 1955 Reader's Digest article "Gangsters in the Dress Business" by Lester Velie. Gangsters hired to union-bust for a garment company continue to gravely injure and kill union organizers and people in the company who question their presence. Shot on location in Los Angeles CA and New York City. 8 x 10 inches. Six photographs Very Good plus to Near Fine one photograph Very Good with a loss at the top right corner and chips from the right edge. Grant US. Selby US. Silver and Ward Classic Noir. Spicer US. Columbia Pictures unknown
1957réf. 172431Culver City CA: Columbia Pictures 1957. Collection of seven vintage studio still photographs from the 1957 film. Based on a July 1955 Reader's Digest article "Gangsters in the Dress Business" by Lester Velie. Gangsters hired to union-bust for a garment company continue to gravely injure and kill union organizers and people in the company who question their presence. Shot on location in Los Angeles CA and New York City. 8 x 10 inches. Six photographs Very Good plus to Near Fine one photograph Very Good with a loss at the top right corner and chips from the right edge. Grant US. Selby US. Silver and Ward Classic Noir. Spicer US. Columbia Pictures unknown books
1959réf. 144110Paris: Cinedis 1959. Collection of 269 vintage black-and-white photographs for the 1959 French film. The collection consists of two unique and complimentary pieces one being a film still keybook with 68 contact prints of small format negatives most with 12 images per print amounting to over 800 images captured. Nearly all images with series number bordering the image and credits at the top for photo laboratory Tele-Photo film studio Cinedis film title and photographer Rosselle housed in a 2-ring paper binder with original French titles. The other piece is nearly 170 smaller photographs elegantly presented mounted with cello tape on thick stock in a "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper. Series numbers and small "x" annotations in manuscript ink on the pages several with small white borders and several with series number on the verso in manuscript pencil. Photos without borders also have series number at the edges etched in the original film negative before photo development as on the keybook prints. Nearly all photographs have numerical annotations in manuscript pencil on the versos a few smaller photographs have rubber-stamps on the versos crediting Richard Pierre film titles director Bastia and costars Alfred Adam and Noel Roquevart. Also included are 27 loose photographs a few with rubber-stamps on the verso crediting starring actors and French film titles and a small press packet from Cinedis detailing film credits synopsis and star biographies. Starring actors Richard and Pierre are amply represented in the collection and seen in nearly every image mostly in their official uniforms. Actress Zuber is equally present in striking high-contrast images cuddling bunnies fishing at a river and wielding a rifle. The notebook depicts images seen in the film while the keybook depicts on-the-set sequences test shots candid moments and images of the crew; the loose photos show both candid and action shots. An expansive perspective of a little seen comedy about a gendarme who travels to a small town looking for a disappeared woman a town known for its distrust of police officers. Director Bastia was an assistant director in the 1940s and 1950s when he worked almost exclusively with director Jean Boyer until his debut with "Nous autres à Champignol" 1957 the first in this series involving gendarmes and Champignol followed by this film and finally "The Boss of Champignol" 1966. Photographs in large quarto notebook 3.5 x 4.75 inches keybook contact prints 8.25 x 10.5 inches 2-hole punched several trimmed and loose photos range from 4.75 x 6.75 inches to 7 x 9.25 inches. Photographs about Near Fine with light curling a handful with short creases press packet Near Fine notebook Near Fine and binder Very Good. Cinedis unknown
1959réf. 144110Paris: Cinedis 1959. Collection of 269 vintage black-and-white photographs for the 1959 French film. The collection consists of two unique and complimentary pieces one being a film still keybook with 68 contact prints of small format negatives most with 12 images per print amounting to over 800 images captured. Nearly all images with series number bordering the image and credits at the top for photo laboratory Tele-Photo film studio Cinedis film title and photographer Rosselle housed in a 2-ring paper binder with original French titles. The other piece is nearly 170 smaller photographs elegantly presented mounted with cello tape on thick stock in a "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper. Series numbers and small "x" annotations in manuscript ink on the pages several with small white borders and several with series number on the verso in manuscript pencil. Photos without borders also have series number at the edges etched in the original film negative before photo development as on the keybook prints. Nearly all photographs have numerical annotations in manuscript pencil on the versos a few smaller photographs have rubber-stamps on the versos crediting Richard Pierre film titles director Bastia and costars Alfred Adam and Noel Roquevart. Also included are 27 loose photographs a few with rubber-stamps on the verso crediting starring actors and French film titles and a small press packet from Cinedis detailing film credits synopsis and star biographies. Starring actors Richard and Pierre are amply represented in the collection and seen in nearly every image mostly in their official uniforms. Actress Zuber is equally present in striking high-contrast images cuddling bunnies fishing at a river and wielding a rifle. The notebook depicts images seen in the film while the keybook depicts on-the-set sequences test shots candid moments and images of the crew; the loose photos show both candid and action shots. An expansive perspective of a little seen comedy about a gendarme who travels to a small town looking for a disappeared woman a town known for its distrust of police officers. Director Bastia was an assistant director in the 1940s and 1950s when he worked almost exclusively with director Jean Boyer until his debut with "Nous autres à Champignol" 1957 the first in this series involving gendarmes and Champignol followed by this film and finally "The Boss of Champignol" 1966. Photographs in large quarto notebook 3.5 x 4.75 inches keybook contact prints 8.25 x 10.5 inches 2-hole punched several trimmed and loose photos range from 4.75 x 6.75 inches to 7 x 9.25 inches. Photographs about Near Fine with light curling a handful with short creases press packet Near Fine notebook Near Fine and binder Very Good. Cinedis unknown books
1958réf. 162944New York: Pictorial Parade 1958. Vintage oversize satin finish photograph from the set of the 1959 film showing actor Sal Mineo in costume as Gene Krupa. Stamps of photographer Jack Albin and "Pictorial Parade" on the verso. A dramatization of the life of legendary jazz drummer and bandleader Gene Krupa whose ostentatious lifestyle and drug and alcohol addictions nearly wrecked his career. From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. 10.25 x 13.5 inches archivally matted in a 20 x 16 inch 8-ply white mat. Very Good plus. Pictorial Parade unknown
