11 065 résultats
1971réf. 170548Culver City CA: Columbia Pictures 1971. Vintage reference photograph from the 1971 film showing actress Julie Christie sporting a fringed shawl and riding a bicycle on the set. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 8 x 10 inches. Near Fine. Vogel Film as a Subversive Art. Columbia Pictures unknown
1971réf. 170553Culver City CA: Columbia Pictures 1971. Vintage studio still photograph from the 1971 film showing Julie Christie in costume. Provenance stamp on the verso. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 8 x 10 inches. Near Fine. Vogel Film as a Subversive Art. Columbia Pictures unknown
1971réf. 159155London: EMI Films 1971. Vintage borderless reference photograph of director Joseph Losey actor Dominic Guard and crew members on the set of the 1971 film. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 10 x 8 inches with a wide bottom margin. About Near Fine slightly wavy on the bottom edge. Vogel Film as a Subversive Art. EMI Films unknown
1971réf. 152387London: EMI Films 1971. Vintage borderless double weight photograph of director Joseph Losey actor Michael Redgrave and a camera crew on the set of the 1971 film. With a printed mimeo snipe affixed to the verso along with a provenance stamp. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 10 x 8 inches with a wide bottom margin. Near Fine. Vogel Film as a Subversive Art. EMI Films unknown
1971réf. 149438London: EMI Films 1971. Vintage borderless double weight photograph of director Joseph Losey filming a scene on location in Norwich with actor Dominic Guard with cast and crew members looking on. With two printed mimeo snipes affixed to the verso. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 10 x 7 inches. Near Fine. Vogel Film as a Subversive Art. EMI Films unknown
1971réf. 170553Culver City CA: Columbia Pictures 1971. Vintage studio still photograph from the 1971 film showing Julie Christie in costume. Provenance stamp on the verso. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 8 x 10 inches. Near Fine. Vogel Film as a Subversive Art. Columbia Pictures unknown books
1971réf. 159155London: EMI Films 1971. Vintage borderless reference photograph of director Joseph Losey actor Dominic Guard and crew members on the set of the 1971 film. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 10 x 8 inches with a wide bottom margin. About Near Fine slightly wavy on the bottom edge. Vogel Film as a Subversive Art. EMI Films unknown books
1971réf. 152387London: EMI Films 1971. Vintage borderless double weight photograph of director Joseph Losey actor Michael Redgrave and a camera crew on the set of the 1971 film. With a printed mimeo snipe affixed to the verso along with a provenance stamp. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 10 x 8 inches with a wide bottom margin. Near Fine. Vogel Film as a Subversive Art. EMI Films unknown books
1971réf. 149438London: EMI Films 1971. Vintage borderless double weight photograph of director Joseph Losey filming a scene on location in Norwich with actor Dominic Guard with cast and crew members looking on. With two printed mimeo snipes affixed to the verso. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 10 x 7 inches. Near Fine. Vogel Film as a Subversive Art. EMI Films unknown books
1971réf. 170548Culver City CA: Columbia Pictures 1971. Vintage reference photograph from the 1971 film showing actress Julie Christie sporting a fringed shawl and riding a bicycle on the set. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 8 x 10 inches. Near Fine. Vogel Film as a Subversive Art. Columbia Pictures unknown books
1972réf. 152114N.p.: N.p. 1972. Two vintage borderless reference photographs from Wim Wenders' first film. With the stamp of distributor MK2 on the verso. Based on the 1970 novel by Peter Handke. A goalkeeper is sent home from a game for foul play leaving the field and spending the night with a cinema cashier whom he proceeds to murder. Shot on location in Vienna. 9.5 x 7 inches. Very Good plus faintly toned. Vogel Film as a Subversive Art. N.p. unknown
1972réf. 152114N.p.: N.p. 1972. Two vintage borderless reference photographs from Wim Wenders' first film. With the stamp of distributor MK2 on the verso. Based on the 1970 novel by Peter Handke. A goalkeeper is sent home from a game for foul play leaving the field and spending the night with a cinema cashier whom he proceeds to murder. Shot on location in Vienna. 9.5 x 7 inches. Very Good plus faintly toned. Vogel Film as a Subversive Art. N.p. unknown books
1958réf. 154873Culver City CA: Columbia Pictures 1958. Vintage one sheet poster for the 1958 film. Screenwriter Paddy Chayefsky reportedly modeled the story on the lives of Marilyn Monroe and Ava Gardner with elements taken from the lives of Joan Crawford and Judy Garland. An in-depth character study of a girl who overcomes her traumatic and bleak childhood and attains her dream of being an adored film star only to find her personal life miserable and unfulfilled. Featuring an outstanding and primal performance by Kim Stanley in her first film role. Nominated for an Academy Award for Best Screenplay. Shot on location in Ellicott City Maryland. 27 x 41 inches. Linen backed and rolled. Near Fine with some professional restoration and repair at the original folds. Columbia Pictures unknown
1958réf. 154873Culver City CA: Columbia Pictures 1958. Vintage one sheet poster for the 1958 film. Screenwriter Paddy Chayefsky reportedly modeled the story on the lives of Marilyn Monroe and Ava Gardner with elements taken from the lives of Joan Crawford and Judy Garland. An in-depth character study of a girl who overcomes her traumatic and bleak childhood and attains her dream of being an adored film star only to find her personal life miserable and unfulfilled. Featuring an outstanding and primal performance by Kim Stanley in her first film role. Nominated for an Academy Award for Best Screenplay. Shot on location in Ellicott City Maryland. 27 x 41 inches. Linen backed and rolled. Near Fine with some professional restoration and repair at the original folds. Columbia Pictures unknown books
1972réf. 170735N.p.: N.p. 1972. Vintage borderless reference photograph from the 1972 film the final outdoor scene with Marlon Brando and Al Pacino. Annotations in manuscript ink in French on the verso. Based on the 1969 novel by Mario Puzo who co-wrote the screenplay with director Francis Ford Coppola. Widely considered one of the finest films ever made and an inescapable influence on the portrayal of organized crime in film and television. Nominated for eleven Academy Awards winning for Best Picture Best Adapted Screenplay and Best Actor for Marlon Brando. Set in New York New Jersey Los Angeles Las Vegas Sicily and Cuba shot on location in New York New Jersey Los Angeles Las Vegas Sicily and the Dominican Republic. 10 x 8 inches. About Near Fine lightly edgeworn. National Film Registry. Ebert I. Penzler 101. Schrader Canon Fodder 16. Sight and Sound 2022. N.p. unknown
1972réf. 154934London: Paramount Pictures 1972. Vintage British program for the 1972 film with black and white and color film still photographs throughout. Based on the 1969 novel by Mario Puzo who co-wrote the screenplay with director Francis Ford Coppola. Widely considered one of the finest films ever made and an inescapable influence on the portrayal of organized crime in film and television. Nominated for eleven Academy Awards winning three for Best Picture Best Adapted Screenplay and Best Actor for Brando. Set in New York New Jersey Los Angeles Las Vegas Sicily and Cuba and shot on location in New York New Jersey Los Angeles Las Vegas Sicily and the Dominican Republic. 8.5 x 11 inches. Side-stapled in illustrated card wrappers. Very Good plus. Wrappers with light rubbing overall light horizontal creasing at spine fold and a bump to the top right corner. National Film Registry. Ebert I. Penzler 101. Schrader 16. Paramount Pictures unknown
1972réf. 154934London: Paramount Pictures 1972. Vintage British program for the 1972 film with black and white and color film still photographs throughout. Based on the 1969 novel by Mario Puzo who co-wrote the screenplay with director Francis Ford Coppola. Widely considered one of the finest films ever made and an inescapable influence on the portrayal of organized crime in film and television. Nominated for eleven Academy Awards winning three for Best Picture Best Adapted Screenplay and Best Actor for Brando. Set in New York New Jersey Los Angeles Las Vegas Sicily and Cuba and shot on location in New York New Jersey Los Angeles Las Vegas Sicily and the Dominican Republic. 8.5 x 11 inches. Side-stapled in illustrated card wrappers. Very Good plus. Wrappers with light rubbing overall light horizontal creasing at spine fold and a bump to the top right corner. National Film Registry. Ebert I. Penzler 101. Schrader 16. Paramount Pictures unknown books
1972réf. 170735N.p.: N.p. 1972. Vintage borderless reference photograph from the 1972 film the final outdoor scene with Marlon Brando and Al Pacino. Annotations in manuscript ink in French on the verso. Based on the 1969 novel by Mario Puzo who co-wrote the screenplay with director Francis Ford Coppola. Widely considered one of the finest films ever made and an inescapable influence on the portrayal of organized crime in film and television. Nominated for eleven Academy Awards winning for Best Picture Best Adapted Screenplay and Best Actor for Marlon Brando. Set in New York New Jersey Los Angeles Las Vegas Sicily and Cuba shot on location in New York New Jersey Los Angeles Las Vegas Sicily and the Dominican Republic. 10 x 8 inches. About Near Fine lightly edgeworn. National Film Registry. Ebert I. Penzler 101. Schrader Canon Fodder 16. Sight and Sound 2022. N.p. unknown books
1990réf. 167934Culver City CA: Columbia Pictures 1990. Five vintage studio still photographs from the US release of the 1989 South American-US film. Sequel to the beloved 1980 comedy film about the unlikely convergence of six people from different continents in the Kalahari desert. 10 x 8 inches. Fine. Columbia Pictures unknown books
1983réf. 156225N.p.: N.p. 1983. Two vintage reference photographs from the 1983 film. One photograph with a small label with manuscript ink annotations affixed to the verso. Sally Potter's directorial debut an avant-garde film about the experiences of two women as they seek to escape capitalism and objectification in a dystopian world. 10 x 8 inches. Fine. N.p. unknown
1983réf. 156225N.p.: N.p. 1983. Two vintage reference photographs from the 1983 film. One photograph with a small label with manuscript ink annotations affixed to the verso. Sally Potter's directorial debut an avant-garde film about the experiences of two women as they seek to escape capitalism and objectification in a dystopian world. 10 x 8 inches. Fine. N.p. unknown books
1987réf. 137769Rome: Eldorado Films 1987. Original treatment script for the 1987 film "The Gold Rimmed Glasses" here under the working title "The Gold-Rimmed Spectacles." Based on Giorgio Bassani's 1958 novel "Gli occhili d'oro." Dr. Fadigati Noiret is a homosexual doctor living in Fascist Italy where he befriends a Jewish family. Bassani also helped write the screenplay for Michelangelo Antonioni's 1953 film "I vinti" as well as Luchino Visconti's 1954 film "Senso." Self titled wrappers with a credit for writer Bassani on the front wrapper. Title page integral with front wrapper. 85 leaves with last page of text numbered 82. Xerographically reproduced. Very Good plus bound with string. Eldorado Films unknown
1987réf. 137769Rome: Eldorado Films 1987. Original treatment script for the 1987 film "The Gold Rimmed Glasses" here under the working title "The Gold-Rimmed Spectacles." Based on Giorgio Bassani's 1958 novel "Gli occhili d'oro." Dr. Fadigati Noiret is a homosexual doctor living in Fascist Italy where he befriends a Jewish family. Bassani also helped write the screenplay for Michelangelo Antonioni's 1953 film "I vinti" as well as Luchino Visconti's 1954 film "Senso." Self titled wrappers with a credit for writer Bassani on the front wrapper. Title page integral with front wrapper. 85 leaves with last page of text numbered 82. Xerographically reproduced. Very Good plus bound with string. Eldorado Films unknown books
réf. 151997N.p.: N.p. Unknown. Vintage reference photograph from the 1942 re-release of the 1925 film showing actors Charlie Chaplin and Mack Swain in a tense moment. With manuscript ink annotations to the verso along with a stamp indicating that the photo came from the library of noted film historian and tastemaker Maurice Bessy. A bravely optimistic gold prospector Chaplin struggles to survive in the Klondike where prospectors face starvation sickness loneliness and animal attack. Frequently considered Chaplin's greatest work a masterpiece of the silent film era. Set in Alaska. 8 x 10 inches. Very Good plus overall with a short nick to the left edge. National Film Registry. Criterion Collection 615. Rosenbaum 1000. N.p. unknown books
réf. 146830N.p.: N.p. Unknown. Treatment script for an unproduced film. A jazz cornet player finally finds love but when his wife dies giving birth to their first child the musician's life is changed forever. Set in New Orleans New Jersey New York and Chicago. Blue untitled wrappers. Title page present with credit for screenwriter Herbert Baker. 29 leaves with last page of text numbered 28. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with light offsetting on the front wrapper bound with a single gold brad. N.p. unknown
