Nelson Lyon (director, screenwriter); Jill Clayburgh, Sarah Kennedy, Ultra Violet (starring)Biblio.com
10 264 résultats
1969réf. 145326N.p.: n.p. 1969. Early Draft script though noted as a "Final Draft screenplay" for the 1971 film dated two years prior to its release. The number "283" is annotated in faded manuscript ink at the top right corner of the title page. A young woman receives an obscene phone call and becomes obsessed with the anonymous caller trying to track him down. An important slightly experimental X-rated comedy that is ground zero in the history early 1970s sexual climate in America predicting the more conventional porn chic that would land with the release of "Deep Throat" the following year. Set in New York City shot on location in New York City. Maroon titled studio duplicating leather wrappers. Title page present dated June 25 1969 noted as Final Draft with credits for screenwriter Nelson Lyon. 114 leaves with last page of text numbered 111. Mimeograph duplication rectos only with blue revision pages dated 10/8/69. Pages Near Fine wrapper Very Good with some soil bound with two gold screws. Vinegar Syndrome 7. n.p. unknown
1969réf. 145326N.p.: n.p. 1969. Early Draft script though noted as a "Final Draft screenplay" for the 1971 film dated two years prior to its release. The number "283" is annotated in faded manuscript ink at the top right corner of the title page. A young woman receives an obscene phone call and becomes obsessed with the anonymous caller trying to track him down. An important slightly experimental X-rated comedy that is ground zero in the history early 1970s sexual climate in America predicting the more conventional porn chic that would land with the release of "Deep Throat" the following year. Set in New York City shot on location in New York City. Maroon titled studio duplicating leather wrappers. Title page present dated June 25 1969 noted as Final Draft with credits for screenwriter Nelson Lyon. 114 leaves with last page of text numbered 111. Mimeograph duplication rectos only with blue revision pages dated 10/8/69. Pages Near Fine wrapper Very Good with some soil bound with two gold screws. Vinegar Syndrome 7. n.p. unknown books
1979réf. 156345London: Mainline 1979. Two vintage photographs from the 1979 film including one borderless and one bordered both showing actress Toyah Wilcox. One with the printed label of Mainline Pictures on the verso and one with manuscript ink and pencil annotations. From the archive of film historian and author Joel Finler. Derek Jarman's avant-garde adaptation of William Shakespeare's 17th century play fusing direct quotes from the play with camp punk and New Age sensibilities featuring previous Jarman collaborators Wilcox Karl Johnson Jack Birkett and Helen Wellington-Lloyd. Shot on location at Stoneleigh Abbey in Warwickshire. 8 x 10 inches. Near Fine. Mainline unknown books
1923réf. 167801Hollywood: Paramount Pictures 1923. Vintage program for the 1923 silent film. A wildly popular two-part Christian epic beginning with a retelling of the Book of Exodus and closing with a modern story of two brothers in the 1920s and their relationship to the Ten Commandments. Nominated for six Academy Awards including Best Picture. 9 x 12 inches. 17 leaves printed on rectos and versos. Pages Very Good wrappers Good only with an owner name on the front wrapper and moderate wear along the spine. Side-stapled. Paramount Pictures unknown
1923réf. 144857Los Angeles: Paramount Pictures 1923. Vintage photograph of Cecil B. Demille Jeanie Macpherson and Jack Holt on the set of the 1923 film. With manuscript annotations and rubber stamp of noted collector Gene Ringgold on the verso. Filmed in two parts first is the story of Moses leading the Jews out of Egypt to the Promised Land receiving the tablets and worshiping the golden calf. The second part of the film is set in modern times and follows two brothers and their mother's contrasting relationships to the Ten Commandments. Shot on location in various locations around California. 5.5 x 8 inches irregularly trimmed. Near Fine. Scorsese A Personal Journey Through American Movies. Paramount Pictures unknown
1923réf. 148294Los Angeles: Paramount Pictures 1923. Vintage borderless reference photograph from the 1923 film epic showing actors Rod La Rocque and Nita Naldi. With a seller stamp on the verso. A wildly popular two-part Christian epic beginning with a retelling of the Book of Exodus and closing with a modern story of two brothers in the 1920s and their relationship to the Ten Commandments. Nominated for six Academy Awards including Best Picture. Shot on location in California. 8 x 8 inches irregularly trimmed. Very Good with light edgewear and creasing. Paramount Pictures unknown books
1923réf. 144857Los Angeles: Paramount Pictures 1923. Vintage photograph of Cecil B. Demille Jeanie Macpherson and Jack Holt on the set of the 1923 film. With manuscript annotations and rubber stamp of noted collector Gene Ringgold on the verso. Filmed in two parts first is the story of Moses leading the Jews out of Egypt to the Promised Land receiving the tablets and worshiping the golden calf. The second part of the film is set in modern times and follows two brothers and their mother's contrasting relationships to the Ten Commandments. Shot on location in various locations around California. 5.5 x 8 inches irregularly trimmed. Near Fine. Scorsese A Personal Journey Through American Movies. Paramount Pictures unknown books
1923réf. 167801Hollywood: Paramount Pictures 1923. Vintage program for the 1923 silent film. A wildly popular two-part Christian epic beginning with a retelling of the Book of Exodus and closing with a modern story of two brothers in the 1920s and their relationship to the Ten Commandments. Nominated for six Academy Awards including Best Picture. 9 x 12 inches. 17 leaves printed on rectos and versos. Pages Very Good wrappers Good only with an owner name on the front wrapper and moderate wear along the spine. Side-stapled. Paramount Pictures unknown books
1976réf. 154967N.p.: N.p. 1976. Vintage borderless double weight reference photograph from the 1976 film showing director-actor Roman Polanski and actress Isabelle Adjani. Collection stamp on the verso. Based on the 1964 novel "Le locataire chimerique" or "The Tenant" in the US edition by Roland Topor. The third and final film in Polanski's "Apartment Trilogy" following "Repulsion" and "Rosemary's Baby" about a man who finds out that the previous tenant of his Parisian apartment attempted suicide by jumping out the window. Slowly the man becomes obsessed with the tenant taking on more and more of her habits ultimately including her attempts at self destruction. Nominated for the Palme d'Or. Set and shot on location in Paris. 9 x 6.75 inches. Near Fine. N.p. unknown
1976réf. 138189Hollywood: Paramount Pictures 1976. Vintage press kit for the 1976 film. Included in the kit are 18 vintage black-and-white studio still photographs and 58 pages of promotional and production information. Based on the 1964 novel "Le locataire chimerique" by Roland Topor. The third final film in Polanski's "Apartment Trilogy" following "Repulsion" and "Rosemary's Baby" in which Polanski plays the role of a man who finds out that the previous tenant of his Parisian apartment attempted suicide by jumping out the window. Slowly the man becomes obsessed with the tenant taking on more and more of her habits ultimately including her attempts at self destruction. Nominated for the Palme d'Or. Set in Paris and shot there on location. Photographs 8 x 10 inches. 18 pages of production information saddle stapled 8.5 x 11 inches with an additional 40 pages of corner stapled production information. All materials about Fine housed in a Very Good plus studio folder. Paramount Pictures unknown
1976réf. 154967N.p.: N.p. 1976. Vintage borderless double weight reference photograph from the 1976 film showing director-actor Roman Polanski and actress Isabelle Adjani. Collection stamp on the verso. Based on the 1964 novel "Le locataire chimerique" or "The Tenant" in the US edition by Roland Topor. The third and final film in Polanski's "Apartment Trilogy" following "Repulsion" and "Rosemary's Baby" about a man who finds out that the previous tenant of his Parisian apartment attempted suicide by jumping out the window. Slowly the man becomes obsessed with the tenant taking on more and more of her habits ultimately including her attempts at self destruction. Nominated for the Palme d'Or. Set and shot on location in Paris. 9 x 6.75 inches. Near Fine. N.p. unknown books
1976réf. 138189Hollywood: Paramount Pictures 1976. Vintage press kit for the 1976 film. Included in the kit are 18 vintage black-and-white studio still photographs and 58 pages of promotional and production information. Based on the 1964 novel "Le locataire chimerique" by Roland Topor. The third final film in Polanski's "Apartment Trilogy" following "Repulsion" and "Rosemary's Baby" in which Polanski plays the role of a man who finds out that the previous tenant of his Parisian apartment attempted suicide by jumping out the window. Slowly the man becomes obsessed with the tenant taking on more and more of her habits ultimately including her attempts at self destruction. Nominated for the Palme d'Or. Set in Paris and shot there on location. Photographs 8 x 10 inches. 18 pages of production information saddle stapled 8.5 x 11 inches with an additional 40 pages of corner stapled production information. All materials about Fine housed in a Very Good plus studio folder. Paramount Pictures unknown books
1974réf. 160750Burbank CA: Warner Brothers 1974. Collection of 43 vintage studio still photographs from the 1974 film. An unusual and prescient sci-fi thriller that was poorly distributed in the US but over time counted Stanley Kubrick and Terrence Malick among its admirers. Actor George Segal in a serious against-type role is a scientist who agrees to an experimental treatment wherein a tiny computer is implanted in his head to help control violent tendencies. The computer malfunctions probably Windows-based and he becomes a psychotic killer. When Mike Kaplan a Warner Bros international marketing executive attempted to override Warner Bros' decision not to release the film in Britain he sought Kubrick's help. After explaining the situation and how the film required a different marketing campaign Kubrick interrupted with "I've already seen it and it's terrific." The director Terrence Malick wrote to Hodges expressing how much he loved watching the film saying "I have just come from seeing The Terminal Man and want you to know what a magnificent overwhelming picture it is. You achieve moods that I've never experienced in the movies before though it's only in hope of finding them that I keep going. Your images make me understand what an image is not a pretty picture but something that should pierce one through like an arrow and speak in a language all its own." 10 x 8 inches. Very Good plus lightly curled at the edges and some with light creasing and wear to the finish. Warner Brothers unknown
1973réf. 121469Burbank CA: Warner Brothers 1973. Final script for the 1973 film based on the 1972 novel by Michael Crichton. Noted director Mike Hodges' third film and first to be made in the US after "Get Carter" in 1971 and "Pulp" in 1972. An unusual and prescient sci-fi thriller that was poorly distributed in the US but over time counted Stanley Kubrick and Terrence Malick among its admirers. Segal in a serious against-type role is a scientist who agrees to an experimental treatment wherein a tiny computer is implanted in his head to help control violent tendencies. The computer malfunctions probably Windows-based and he becomes a psychotic killer. When Mike Kaplan a Warner Brothers international marketing executive attempted to override Warner Bros' decision not to release the film in Britain he sought Kubrick's help. After explaining the situation and how the film required a different marketing campaign Kubrick interrupted with "I've already seen it and it's terrific." The director Terrence Malick wrote to Hodges expressing how much he loved watching The Terminal Man saying "I have just come from seeing The Terminal Man and want you to know what a magnificent overwhelming picture it is. You achieve moods that I've never experienced in the movies before though it's only in hope of finding them that I keep going. Your images make me understand what an image is not a pretty picture but something that should pierce one through like an arrow and speak in a language all its own." Mustard yellow titled wrappers stamped FINAL on the front wrapper and dated May 9 1973. Distribution page present with receipt intact. Title page present with a credit for screenwriter Hodges. 108 leaves mechanical duplication eye-rest green stock. Pages Near Fine wrapper Very Good plus with a diagonal crease on the front panel internally bound with two gold brads. Warner Brothers unknown
1974réf. 160750Burbank CA: Warner Brothers 1974. Collection of 43 vintage studio still photographs from the 1974 film. An unusual and prescient sci-fi thriller that was poorly distributed in the US but over time counted Stanley Kubrick and Terrence Malick among its admirers. Actor George Segal in a serious against-type role is a scientist who agrees to an experimental treatment wherein a tiny computer is implanted in his head to help control violent tendencies. The computer malfunctions probably Windows-based and he becomes a psychotic killer. When Mike Kaplan a Warner Bros international marketing executive attempted to override Warner Bros' decision not to release the film in Britain he sought Kubrick's help. After explaining the situation and how the film required a different marketing campaign Kubrick interrupted with "I've already seen it and it's terrific." The director Terrence Malick wrote to Hodges expressing how much he loved watching the film saying "I have just come from seeing The Terminal Man and want you to know what a magnificent overwhelming picture it is. You achieve moods that I've never experienced in the movies before though it's only in hope of finding them that I keep going. Your images make me understand what an image is not a pretty picture but something that should pierce one through like an arrow and speak in a language all its own." 10 x 8 inches. Very Good plus lightly curled at the edges and some with light creasing and wear to the finish. Warner Brothers unknown books
1973réf. 121469Burbank CA: Warner Brothers 1973. Final script for the 1973 film based on the 1972 novel by Michael Crichton. Noted director Mike Hodges' third film and first to be made in the US after "Get Carter" in 1971 and "Pulp" in 1972. An unusual and prescient sci-fi thriller that was poorly distributed in the US but over time counted Stanley Kubrick and Terrence Malick among its admirers. Segal in a serious against-type role is a scientist who agrees to an experimental treatment wherein a tiny computer is implanted in his head to help control violent tendencies. The computer malfunctions probably Windows-based and he becomes a psychotic killer. When Mike Kaplan a Warner Brothers international marketing executive attempted to override Warner Bros' decision not to release the film in Britain he sought Kubrick's help. After explaining the situation and how the film required a different marketing campaign Kubrick interrupted with "I've already seen it and it's terrific." The director Terrence Malick wrote to Hodges expressing how much he loved watching The Terminal Man saying "I have just come from seeing The Terminal Man and want you to know what a magnificent overwhelming picture it is. You achieve moods that I've never experienced in the movies before though it's only in hope of finding them that I keep going. Your images make me understand what an image is not a pretty picture but something that should pierce one through like an arrow and speak in a language all its own." Mustard yellow titled wrappers stamped FINAL on the front wrapper and dated May 9 1973. Distribution page present with receipt intact. Title page present with a credit for screenwriter Hodges. 108 leaves mechanical duplication eye-rest green stock. Pages Near Fine wrapper Very Good plus with a diagonal crease on the front panel internally bound with two gold brads. Warner Brothers unknown books
1980réf. 171659N.p.: N.p. 1980. Vintage reference photograph from a re-release of the 1930 film showing Fay Wray and Gary Cooper. Annotations in manuscript ink and pencil on the verso. Based on O. Henry's 1909 story "A Double-dyed Deceiver." A bandit kills a gambler in self-defense and goes on the lam. As he runs he is aided by a lawyer who demands the bandit's help in a money swindling scheme. 8 x 10 inches. Near Fine. N.p. unknown books
1974réf. 170361N.p.: N.p. 1974. Vintage borderless reference photograph from the set of the 1974 film showing the Sawyer family as played by John Dugan Gunnar Hansen Edwin Neal and Jim Siedow. Loosely based on the crimes of serial murderer and body snatcher Ed Gein. Shot on a shoestring budget with the cast mostly composed of unknown Texan actors Tobe Hooper's second feature film courted controversy upon release for its grisly violence and critical view of US politics and is now rightfully considered a slasher cult classic. Set and shot on location in Round Rock Watterson Austin and San Marcos Texas. 8 x 10 inches. Fine. Thrower Nightmare USA. N.p. unknown
1974réf. 163782N.p.: N.p. 1974. Vintage borderless color reference photograph from the 1974 film showing actor Gunnar Hansen in costume as Leatherface. Provenance labels on the verso. From the archive of film historian and author Joel Finler. Loosely based on the crimes of serial murderer and body snatcher Ed Gein. Shot on a shoestring budget with the cast mostly composed of unknown Texan actors Tobe Hooper's second feature film courted controversy upon release for its grisly violence and critical view of US politics and is now rightfully considered a slasher cult classic. Set and shot on location in Round Rock Watterson Austin and San Marcos Texas. 5 x 7 inches. Fine. Thrower Nightmare USA. N.p. unknown
1974réf. 170361N.p.: N.p. 1974. Vintage borderless reference photograph from the set of the 1974 film showing the Sawyer family as played by John Dugan Gunnar Hansen Edwin Neal and Jim Siedow. Loosely based on the crimes of serial murderer and body snatcher Ed Gein. Shot on a shoestring budget with the cast mostly composed of unknown Texan actors Tobe Hooper's second feature film courted controversy upon release for its grisly violence and critical view of US politics and is now rightfully considered a slasher cult classic. Set and shot on location in Round Rock Watterson Austin and San Marcos Texas. 8 x 10 inches. Fine. Thrower Nightmare USA. N.p. unknown books
1974réf. 163782N.p.: N.p. 1974. Vintage borderless color reference photograph from the 1974 film showing actor Gunnar Hansen in costume as Leatherface. Provenance labels on the verso. From the archive of film historian and author Joel Finler. Loosely based on the crimes of serial murderer and body snatcher Ed Gein. Shot on a shoestring budget with the cast mostly composed of unknown Texan actors Tobe Hooper's second feature film courted controversy upon release for its grisly violence and critical view of US politics and is now rightfully considered a slasher cult classic. Set and shot on location in Round Rock Watterson Austin and San Marcos Texas. 5 x 7 inches. Fine. Thrower Nightmare USA. N.p. unknown books
1986réf. 150254N.p.: Cannon Films 1986. Vintage studio still photograph of director Tobe Hooper with Dennis Hopper and Caroline Williams on the set of the 1986 film. Nearly a decade after the first installment now a slasher classic Tobe Hooper revisits his chainsaw-toting prodigy "Leatherface" but to the dismay of most critics. This feature with the great Dennis Hopper as a creepy sheriff has achieved cult status in light of its being underrated since its release. Set in and shot on location in Bastrop Prarie Dell and Austin Texas. 8 x 10 inches. Near Fine. Arrow 1494. Glover Men Women and Chainsaws. Cannon Films unknown books
1968réf. 150357Burbank CA: American Broadcasting Company ABC 1968. Vintage reference photograph of Truman Capote with child actor Michael Kearney who played Buddy based on the young Capote on the set of the 1968 television film. "The Thanksgiving Visitor" aired Thanksgiving night November 28 1968 on ABC. Mimeo snipe and "NOV 25 1968" stamp on verso. Based on Capote's 1967 autobiographical short story based on his childhood in Alabama published in the November 1967 issue of McCall's magazine later published by Random House in 1968. A sequel to Capote's 1956 autobiographical short story "A Christmas Memory" which was also the basis for an ABC television movie also directed by Frank Perry written by Truman Capote and Eleanor Perry and starring Geraldine Page which aired on December 21 1966. Geraldine Page reprises her role as the quirky Aunt Sook helping nine-year-old Buddy deal with a bully on Thanksgiving. Page won a second Emmy Award following 1966's "A Christmas Memory" for her lauded portrayal of Capote's Aunt Sook. Set in Alabama shot on location in Pike Road Alabama. 10 x 8 inches. Light edgewear else Near Fine. American Broadcasting Company [ABC] unknown
1968réf. 150357Burbank CA: American Broadcasting Company ABC 1968. Vintage reference photograph of Truman Capote with child actor Michael Kearney who played Buddy based on the young Capote on the set of the 1968 television film. "The Thanksgiving Visitor" aired Thanksgiving night November 28 1968 on ABC. Mimeo snipe and "NOV 25 1968" stamp on verso. Based on Capote's 1967 autobiographical short story based on his childhood in Alabama published in the November 1967 issue of McCall's magazine later published by Random House in 1968. A sequel to Capote's 1956 autobiographical short story "A Christmas Memory" which was also the basis for an ABC television movie also directed by Frank Perry written by Truman Capote and Eleanor Perry and starring Geraldine Page which aired on December 21 1966. Geraldine Page reprises her role as the quirky Aunt Sook helping nine-year-old Buddy deal with a bully on Thanksgiving. Page won a second Emmy Award following 1966's "A Christmas Memory" for her lauded portrayal of Capote's Aunt Sook. Set in Alabama shot on location in Pike Road Alabama. 10 x 8 inches. Light edgewear else Near Fine. American Broadcasting Company [ABC] unknown books
1967réf. 152383N.p.: N.p. 1967. Collection of 21 vintage borderless double weight photographs from the 1967 film. Many with the stamp of still photographer Vincent Rossel on the verso one with the stamp of Globe Photos and one with a provenance stamp. Based on the 1897 novel by Georges Darien. After his inheritance is stolen by his uncle a young man embarks on a life of crime to win back what was taken from him. Set and shot on location in Paris. 10 x 8 inches. Near Fine. N.p. unknown
