11 160 résultats
1970réf. 147608Beverly Hills CA: United Artists 1970. Five vintage studio still photographs from the US release of the 1970 UK film one with mimeo snipe on the verso. Based on the 1937 collection of personal correspondence between Pytor Ilyich Tchaikovsky and his patron Nadezha von Meck edited by her granddaughter Barbara von Meck and Catherine Drinker Bowen. Director Ken Russell's dramatic and visually stunning depiction of composer Tchaikovsky's turbulent life where his passion for his music spills over into his personal life as well. Presented largely in flashbacks nightmares and fantasy sequences the film illustrates the true stories of his nymphomaniac wife his homosexual feelings for Count Anton Chiluvsky and his unusual relationship with his widowed patron to whom he never spoke. Shot on location in Somerset England. 8 x 10 inches. Near Fine one with small closed tear in left margin and small chip to bottom left margin. United Artists unknown books
1970réf. 152098Beverly Hills CA: United Artists 1970. Original photographic mock-up from the 1970 film showing actor Richard Chamberlain in character with the background retouched in gray paint matted and mounted on illustration board. With annotations to the mat and board in manuscript ink and pencil. Based on the 1937 collection of personal correspondence between Pytor Ilyich Tchaikovsky and his patron Nadezha von Meck edited by her granddaughter Barbara von Meck and Catherine Drinker Bowen. Director Ken Russell's dramatic and visually stunning depiction of composer Tchaikovsky's turbulent life. Presented largely in flashbacks nightmares and fantasy sequences the film illustrates the true stories of his nymphomaniac wife his homosexual feelings for Count Anton Chiluvsky and his unusual relationship with his widowed patron to whom he never spoke. Shot on location in Somerset England. Photograph 8 x 10 inches board 10 x 15 inches. Generally Very Good plus lightly age-toned with faint soil to the bottom right corner. United Artists unknown books
1970réf. 138454Beverly Hills CA: United Artists 1970. Vintage studio still photograph from the US release of the 1970 UK film. Featuring an image of Glenda Jackson seated looking pensive in a nightdress. Hand-retouched affixed to a backing board and prepared for use in advertising. Based on the 1937 collection of personal correspondence between Pytor Ilyich Tchaikovsky and his patron Nadezha von Meck edited by her granddaughter Barbara von Meck and Catherine Drinker Bowen. Director Ken Russell's dramatic and visually stunning depiction of composer Tchaikovsky's turbulent life where his passion for his music spills over into his personal life as well. Presented largely in flashbacks nightmares and fantasy sequences the film illustrates the true stories of his nymphomaniac wife his homosexual feelings for Count Anton Chiluvsky and his unusual relationship with his widowed patron to whom he never spoke. Shot on location in Somerset England. Photo 8 x 10 inches on 10 x 15 inch mat board. Very Good plus. United Artists unknown books
1935réf. 129885N.p.: Grand National Pictures 1935. Early Draft script for the 1939 film "The Mysterious Mr. Reeder" here under the working title and the title Monogram Pictures used for its 1940 re-release "The Mind of Mr. Reeder." Copy belonging to screenwriter Bryan Edgar Wallace Edgar Wallace's son with his name and manuscript annotations in pencil on the front wrapper. Based on the 1925 collection of short stories "The Mind of Mr. J.G. Reeder" by Edgar Wallace. The second Mr. Reeder film this time seeing the absentminded detective investigate a gang of counterfeiters. Tan titled wrappers. Title page present dated October 1 1935 with credit for writer Wallace. 78 leaves mimeograph duplication. Pages Near Fine wrapper Near Fine bound with a teal cord. Okuda 71. Grand National Pictures unknown
1957réf. 151605New York: Metro-Goldwyn-Mayer MGM 1957. Vintage press kit for the US release of the 1957 Japanese film here called an "editor's portfolio." Full-color illustrated pocketed folder containing ten black and white photographs and four gatherings of promotional reading material. A giant alien robot destroys an entire village an event which is shortly followed by the invasion of the Mysterians a pacifist alien race who request a small piece of land on Earth and the right to marry human women. Folder photographs and promotional material Near Fine. BFI 679. Metro-Goldwyn-Mayer [MGM] unknown
1929réf. 148879Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1929. Two vintage studio still photographs from the 1929 part-talkie film. Mimeo snipes on the versos. Loosely based on the 1874 novel by Jules Verne. The benevolent scientist-leader of a volcanic island is attacked by an evil baron leading to a submarine chase in which they discover a race of water-bound humanoids. Shooting for the film began in 1926 but the advent of talkies and bad weather would slow production ultimately delaying release until 1929. Lauded as an impressive cinematic feat the astronomical price tag of the production-over $1 million in 1929-all but guaranteed the film would be a financial disaster at the box office turning studios off to the idea of science fiction for many years. All color copies were believed lost but in 2013 one existing color print was discovered in Prague and has since been restored through a collaboration between US film experts and the Czech National Film Archive. 8 x 10 inches. With even fading else Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1957réf. 151605New York: Metro-Goldwyn-Mayer MGM 1957. Vintage press kit for the US release of the 1957 Japanese film here called an "editor's portfolio." Full-color illustrated pocketed folder containing ten black and white photographs and four gatherings of promotional reading material. A giant alien robot destroys an entire village an event which is shortly followed by the invasion of the Mysterians a pacifist alien race who request a small piece of land on Earth and the right to marry human women. Folder photographs and promotional material Near Fine. BFI 679. Metro-Goldwyn-Mayer [MGM] unknown books
1929réf. 148879Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1929. Two vintage studio still photographs from the 1929 part-talkie film. Mimeo snipes on the versos. Loosely based on the 1874 novel by Jules Verne. The benevolent scientist-leader of a volcanic island is attacked by an evil baron leading to a submarine chase in which they discover a race of water-bound humanoids. Shooting for the film began in 1926 but the advent of talkies and bad weather would slow production ultimately delaying release until 1929. Lauded as an impressive cinematic feat the astronomical price tag of the production-over $1 million in 1929-all but guaranteed the film would be a financial disaster at the box office turning studios off to the idea of science fiction for many years. All color copies were believed lost but in 2013 one existing color print was discovered in Prague and has since been restored through a collaboration between US film experts and the Czech National Film Archive. 8 x 10 inches. With even fading else Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1935réf. 129885N.p.: Grand National Pictures 1935. Early Draft script for the 1939 film "The Mysterious Mr. Reeder" here under the working title and the title Monogram Pictures used for its 1940 re-release "The Mind of Mr. Reeder." Copy belonging to screenwriter Bryan Edgar Wallace Edgar Wallace's son with his name and manuscript annotations in pencil on the front wrapper. Based on the 1925 collection of short stories "The Mind of Mr. J.G. Reeder" by Edgar Wallace. The second Mr. Reeder film this time seeing the absentminded detective investigate a gang of counterfeiters. Tan titled wrappers. Title page present dated October 1 1935 with credit for writer Wallace. 78 leaves mimeograph duplication. Pages Near Fine wrapper Near Fine bound with a teal cord. Okuda 71. Grand National Pictures unknown books
1964réf. 170562N.p.: N.p. 1964. Collection of 23 vintage reference photographs from the 1964 film. All but one with mimeo snipes affixed to the verso. Director Samuel Fuller's bizarre outrageous and perverse pulp masterwork. A former call girl tries to make good in a new town nursing handicapped children only to fall in love with a seemingly saintly businessman who has a dark secret of his own. Set in the fictional town of Grantville USA. 10 x 8 inches. Generally Near Fine to Fine one Very Good plus with a light crease and short closed tear. Criterion Collection 18. Scorsese A Personal Journey Through American Movies. Spicer US. Silver and Ward US. Grant US. N.p. unknown
1967réf. 168188Burbank CA: Warner Brothers 1967. Three vintage studio still photographs from the 1967 film. Frank Sinatra's last film with Warner Brothers. Based on the 1966 novel by Francis Clifford about an industrialist who is pulled into a Cold War espionage scheme. Shot on location in London and Copenhagen. 10 x 8 inches. Two Near Fine one Very Good plus. Warner Brothers unknown
1970réf. 162000N.p.: R and S Film Enterprises 1970. Two vintage studio still photographs from the 1970 film. Both photographs with provenance stamps on the versos. A rare pair of photographs from Rita Hayworth's low-budget wanderings between 1967-1970 during which she worked with French and Italian genre filmmakers as well as the likes of William Grefè in the US. Note however that Ms. Hayworth is not present in either of these images. A psychedelic exploitation film in which Hayworth stars as a wealthy matron married to a wheelchair-bound husband. She has an affair with a young author triggering disastrous results. Shot on location in Florida. 8 x 10 inches. Near Fine. R and S Film Enterprises unknown
1964réf. 170562N.p.: N.p. 1964. Collection of 23 vintage reference photographs from the 1964 film. All but one with mimeo snipes affixed to the verso. Director Samuel Fuller's bizarre outrageous and perverse pulp masterwork. A former call girl tries to make good in a new town nursing handicapped children only to fall in love with a seemingly saintly businessman who has a dark secret of his own. Set in the fictional town of Grantville USA. 10 x 8 inches. Generally Near Fine to Fine one Very Good plus with a light crease and short closed tear. Criterion Collection 18. Scorsese A Personal Journey Through American Movies. Spicer US. Silver and Ward US. Grant US. N.p. unknown books
1967réf. 168188Burbank CA: Warner Brothers 1967. Three vintage studio still photographs from the 1967 film. Frank Sinatra's last film with Warner Brothers. Based on the 1966 novel by Francis Clifford about an industrialist who is pulled into a Cold War espionage scheme. Shot on location in London and Copenhagen. 10 x 8 inches. Two Near Fine one Very Good plus. Warner Brothers unknown books
1970réf. 162000N.p.: R and S Film Enterprises 1970. Two vintage studio still photographs from the 1970 film. Both photographs with provenance stamps on the versos. A rare pair of photographs from Rita Hayworth's low-budget wanderings between 1967-1970 during which she worked with French and Italian genre filmmakers as well as the likes of William Grefè in the US. Note however that Ms. Hayworth is not present in either of these images. A psychedelic exploitation film in which Hayworth stars as a wealthy matron married to a wheelchair-bound husband. She has an affair with a young author triggering disastrous results. Shot on location in Florida. 8 x 10 inches. Near Fine. R and S Film Enterprises unknown books
1970réf. 137527N.p.: N.p. 1970. Draft script for an unproduced film adapted from the collaborative novel written by Joseph Conrad and Ford Maddox Ford in 1909 but not published until after Conrad's death in 1924. The third of three collaborations by the two novelists. Black stiff generic report wrappers with a red-and-white title label on the front wrapper crediting screenwriter Lowe and novelists Conrad and Ford. Title page present with credits for screenwriter Lowe and novelists Conrad and Ford. 129 leaves with last page of text numbered 126. Photocopied. Toning to the title page else pages Fine wrapper Near Fine bound with a silver prong binding. N.p. unknown
1970réf. 137527N.p.: N.p. 1970. Draft script for an unproduced film adapted from the collaborative novel written by Joseph Conrad and Ford Maddox Ford in 1909 but not published until after Conrad's death in 1924. The third of three collaborations by the two novelists. Black stiff generic report wrappers with a red-and-white title label on the front wrapper crediting screenwriter Lowe and novelists Conrad and Ford. Title page present with credits for screenwriter Lowe and novelists Conrad and Ford. 129 leaves with last page of text numbered 126. Photocopied. Toning to the title page else pages Fine wrapper Near Fine bound with a silver prong binding. N.p. unknown books
1973réf. 150197Los Angeles: Twentieth Century-Fox 1973. Vintage studio still photograph of Ben Gazzara from the 1973 film. Canadian production company Quadrant Films known for horror films here married the then popular disaster movie with science fiction wherein an advanced submarine is sent to find an underwater laboratory lost in an earthquake. Shot on location in Cayman Islands Bahamas and Nova Scotia and Ontario Canada. 8 x 10 inches. Very Good with creasing. Canuxploitation Complete. Twentieth Century-Fox unknown books
1971réf. 160221Culver City CA: Columbia Pictures 1971. Revised Draft script for the 1972 film. Based on the 1971 debut novel of Joseph Wambaugh who wrote almost exclusively about the day-to-day lives and work of Los Angeles police officers. The film follows three rookies entering the Los Angeles police department as they are paired with veteran partners and experience their first hardships on the challenging city beat. The first of four Wambaugh adaptations in the 1970s. White pictorial titled wrappers undated. Title page present dated August 6 1971 noted as Revised with credit for screenwriter Stirling Silliphant. 128 leaves with last page of text numbered 127. Xerographic duplication on eye-rest green stock rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. Columbia Pictures unknown
1971réf. 160221Culver City CA: Columbia Pictures 1971. Revised Draft script for the 1972 film. Based on the 1971 debut novel of Joseph Wambaugh who wrote almost exclusively about the day-to-day lives and work of Los Angeles police officers. The film follows three rookies entering the Los Angeles police department as they are paired with veteran partners and experience their first hardships on the challenging city beat. The first of four Wambaugh adaptations in the 1970s. White pictorial titled wrappers undated. Title page present dated August 6 1971 noted as Revised with credit for screenwriter Stirling Silliphant. 128 leaves with last page of text numbered 127. Xerographic duplication on eye-rest green stock rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. Columbia Pictures unknown books
1990réf. 167034Universal City: The Arthur Company 1990. Final Draft script for the thirteenth episode of the second season of the 1989-1991 syndicated television series which aired on June 17 1990. Script with manuscript ink annotations on one page page 23 underlining dialog. Based on the seminal 1967-1970 police procedural television series created by and starring Jack Webb. The revival series which was aired in tandem with "The New Adam-12" was a humorous re-imagining of the series with entirely different characters and starred Jeff Osterhage as Detective Vic Daniels Bernard White as Detective Carl Monia and Don Stroud as Captain Lussen. The series aired for two seasons and 52 episodes premiering on October 24 1998 and ending on September 9 1990. In this episode Sgt. Daniels poses as a killer-for-hire to break up a marijuana smuggling operation. Front wrapper integral with title page dated 03/01/90 noted as FINAL DRAFT with credits for screenwriter Stan Berkowitz. 31 leaves with last page of text numbered 25. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. The Arthur Company unknown
1990réf. 167034Universal City: The Arthur Company 1990. Final Draft script for the thirteenth episode of the second season of the 1989-1991 syndicated television series which aired on June 17 1990. Script with manuscript ink annotations on one page page 23 underlining dialog. Based on the seminal 1967-1970 police procedural television series created by and starring Jack Webb. The revival series which was aired in tandem with "The New Adam-12" was a humorous re-imagining of the series with entirely different characters and starred Jeff Osterhage as Detective Vic Daniels Bernard White as Detective Carl Monia and Don Stroud as Captain Lussen. The series aired for two seasons and 52 episodes premiering on October 24 1998 and ending on September 9 1990. In this episode Sgt. Daniels poses as a killer-for-hire to break up a marijuana smuggling operation. Front wrapper integral with title page dated 03/01/90 noted as FINAL DRAFT with credits for screenwriter Stan Berkowitz. 31 leaves with last page of text numbered 25. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. The Arthur Company unknown books
1929réf. 165828Universal City: Universal Pictures 1929. Vintage borderless portrait photograph of "Sunny" Jim McKeen by photographer Ray Jones from the 1929 comedy short. Jones' signature etched in the negative on the lower right with children's illustrations also etched into the negative about the child. With a mimeo snipe on the verso here under the working title "The Newlyweds and Their Child." From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Based on the George McManus comic strip "The Newlyweds" created in 1904. One of a series of 39 comic shorts which featured "Sunny" Jim McKeen as Baby Snookums. 8 x 10 inches. Near Fine. Universal Pictures unknown
1929réf. 165828Universal City: Universal Pictures 1929. Vintage borderless portrait photograph of "Sunny" Jim McKeen by photographer Ray Jones from the 1929 comedy short. Jones' signature etched in the negative on the lower right with children's illustrations also etched into the negative about the child. With a mimeo snipe on the verso here under the working title "The Newlyweds and Their Child." From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Based on the George McManus comic strip "The Newlyweds" created in 1904. One of a series of 39 comic shorts which featured "Sunny" Jim McKeen as Baby Snookums. 8 x 10 inches. Near Fine. Universal Pictures unknown books
1968réf. 162020N.p.: Inter-American Film Distributors 1968. Four vintage studio still photographs from the 1968 film. Provenance stamps and labels variously on the verso of each. Two vice detective trade stories of their sleazy encounters unaware that a French novelist is eavesdropping in hopes of ideas for his latest novel. Shot on location in Florida. 8 x 10 inches. About Near Fine. Vinegar Syndrome 28. Inter-American Film Distributors unknown
