11 065 résultats
1986réf. 159757N.p.: N.p. 1986. Draft script for the 1987 here under the working title "Hard Cover" SIGNED and titled with the release title by screenwriter Larry Cohen twice on both the front wrapper and the title page with an annotation in manuscript marker of the working title on the top of the front wrapper. Screenwriter producer and director Larry Cohen is best known as the screenwriter of horror science fiction and Blaxploitation films during the 1970s and 1980s including "Bone" 1972 "Black Ceasar" 1973 "Hell Up in Harlem" 1973 "It's Alive" 1974 "The Stuff" 1985 A Return to Salem''s Lot" 1987 and "Phone Booth" 2002. A hit man James Woods coerces a detective Brian Dennehy into writing a book about the assassin's lucrative career secretly working for a prominent politician. The two men travel around the country gathering statements and evidence while attempting to stay clear of the politician's cronies who will stop at nothing to keep the story from unfolding. Set and shot on location in Manhattan and Los Angeles. Beige untitled wrappers. Title page present with credits for screenwriter Larry Cohen. 125 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with a tiny amount of silverfish damage to the very bottom of the front wrapper and title page bound with three gold brads. Grant US. Olive Films. Silver and Ward US. Spicer US. N.p. unknown books
1987réf. 140363N.p.: Hemdale 1987. Vintage studio still photograph from the 1987 film. The film follows a police officer turned true crime writer who bases his first book on break-in at the police department. Years later he is a detective experiencing writer's block trying to begin another manuscript. By coincidence he encounters an assassin who becomes the subject of his next book. The still features actors James Wood and Brian Dennehy. Shot on location in California New York Texas and Oregon. 8 x 10 inches. A stamp to the verso else Near Fine. Grant US Neo-Noir. Silver and Ward Neo-Noir. Spicer US Neo-Noir. Olive Films 926. Hemdale unknown books
2000réf. 152550Los Angeles: Columbia Broadcasting System CBS 2000. Final Draft script for the tenth episode of season one of the 2000-2001 television series originally aired on December 20 2000 on CBS. Copy belonging to actor Benjamin Lum with three callsheets dated November 3 and 4 2000 and two xerographically duplicated revision pages laid in. INSCRIBED by actress Bette Midler to Lum on the title page: "For Benjamin- / with aloha / Bette Midler." The series starred Midler playing a loosely fictionalized version of herself as she attempts to balance a successful singing career with her family life and personal needs. In this episode Bette tries to get publicity by faking a mental breakdown a tactic which works too well. Self wrappers. Title page present dated November 2 2000 noted as FINAL DRAFT YELLOW with credits for director Andrew D. Weyman and screenwriter Gary Janetti. 60 leaves with last page of text numbered 53. Xerographic duplication on yellow stock rectos only. Pages Near Fine bound with two gold brads. Columbia Broadcasting System [CBS] unknown
2000réf. 152550Los Angeles: Columbia Broadcasting System CBS 2000. Final Draft script for the tenth episode of season one of the 2000-2001 television series originally aired on December 20 2000 on CBS. Copy belonging to actor Benjamin Lum with three callsheets dated November 3 and 4 2000 and two xerographically duplicated revision pages laid in. INSCRIBED by actress Bette Midler to Lum on the title page: "For Benjamin- / with aloha / Bette Midler." The series starred Midler playing a loosely fictionalized version of herself as she attempts to balance a successful singing career with her family life and personal needs. In this episode Bette tries to get publicity by faking a mental breakdown a tactic which works too well. Self wrappers. Title page present dated November 2 2000 noted as FINAL DRAFT YELLOW with credits for director Andrew D. Weyman and screenwriter Gary Janetti. 60 leaves with last page of text numbered 53. Xerographic duplication on yellow stock rectos only. Pages Near Fine bound with two gold brads. Columbia Broadcasting System [CBS] unknown books
1986réf. 159739Los Angeles: National Broadcasting Company NBC / Magnum/Thunder Road 1986. Vintage reference photograph from "Double D" Season 1 Episode 4 of the 1986 television series. With mimeo snipe affixed to the verso advertising the broadcast of this episode on Wednesday October 29 1986 and the guest appearance of professional basketball player Reggie Theus. To lessen his parent's financial burden a teenage boy from California moves into his grandfather's house in Brooklyn where he joins the basketball team at his school. In this episode one of his friends plays basketball with a professional player but learns that he has a drug problem. This was the last episode of the series aired on CBS before it's cancellation though 11 episodes were produced. Set in Brooklyn New York. 9 x 7 inches. Very Good plus with a crease and very slight tear at the top left corner and one small bruise at the top edge. National Broadcasting Company [NBC] / Magnum/Thunder Road unknown books
1957réf. 132619London: Twentieth Century-Fox 1957. Seven vintage British front-of-house card from the 1957 UK release of the 1956 US film. Based on Francis Gwaltney's 1955 novel "The Day the Century Ended" about an ex-plantation owner who is drafted and learns to accept the working class soldiers that he used to despise. 8 x 10 inches. Light creases overall else Near Fine. Twentieth Century-Fox unknown
1957réf. 132619London: Twentieth Century-Fox 1957. Seven vintage British front-of-house card from the 1957 UK release of the 1956 US film. Based on Francis Gwaltney's 1955 novel "The Day the Century Ended" about an ex-plantation owner who is drafted and learns to accept the working class soldiers that he used to despise. 8 x 10 inches. Light creases overall else Near Fine. Twentieth Century-Fox unknown books
1953réf. 148428Los Angeles: Twentieth Century-Fox 1953. Vintage US lobby card for the 1944 film. Based on Robert Milton's 1930 pre-Code film "Outward Bound" which was in turn based on Sutton Vane's 1923 play about a group of people who awaken to find themselves on a mysterious ocean liner unsure how or when they boarded the ship. 14 x 11 inches. Very Good plus with light toning to the edges and faint edgewear and a single pinhole to the top edge. Twentieth Century-Fox unknown
1945réf. 142818Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1945. Collection of nice vintage concept art sketches for advertisements or posters for the 1945 film. Pencil and marker on tracing paper. The sixteenth and penultimate "Dr. Kildare" film the and the last of four films featuring Van Johnson as Dr. Randall "Red" Adams and the fifth of six films focusing on Lionel Barrymore's Dr. Gillespie after Dr. Kildare actor Lew Ayres was fired by MGM for declaring himself a conscientious objector when drafted during World War II. About Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1945réf. 142818Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1945. Collection of nice vintage concept art sketches for advertisements or posters for the 1945 film. Pencil and marker on tracing paper. The sixteenth and penultimate "Dr. Kildare" film the and the last of four films featuring Van Johnson as Dr. Randall "Red" Adams and the fifth of six films focusing on Lionel Barrymore's Dr. Gillespie after Dr. Kildare actor Lew Ayres was fired by MGM for declaring himself a conscientious objector when drafted during World War II. About Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1953réf. 148428Los Angeles: Twentieth Century-Fox 1953. Vintage US lobby card for the 1944 film. Based on Robert Milton's 1930 pre-Code film "Outward Bound" which was in turn based on Sutton Vane's 1923 play about a group of people who awaken to find themselves on a mysterious ocean liner unsure how or when they boarded the ship. 14 x 11 inches. Very Good plus with light toning to the edges and faint edgewear and a single pinhole to the top edge. Twentieth Century-Fox unknown books
1989réf. 167211Hollywood: Austin Enterprises 1989. Draft script for the 1989 film seen here under the working title "Beverly Hills Vampire." Copy belonging to makeup artist Richard Miranda with his name in manuscript ink on the front wrapper and his annotations throughout. Laid in with the script is a five-day shooting schedule along with a call sheet dated May 24 1988. A straight-to-video comedy about three nerds who hook up with vampiric call girls during a trip to Hollywood. Set and shot on location in Beverly Hills. Blue titled wrappers. Missing title page. 91 leaves with last page of text numbered 91. Xerographic duplication rectos only. Pages Near Fine wrapper about Near Fine bound with three gold brads. Austin Enterprises unknown
1975réf. 140613N.p.: N.p. 1975. Revised script for an unproduced film. Jim turns 18 years old and attends Beverly Hills High School where he begins fawning over Stephanie a model and fellow senior with an abusive mother. Stephanie is leading a double life concealing her lesbian inclinations while also losing her virginity to Jim which brings on the condemnation from her mother and Jim's parents. When everything becomes revealed and Stephanie and Jim confess their love for each other she must figure out a way out of Beverly Hills before her mother can have her committed to a mental asylum. Set in Beverly Hills. Yellow titled wrappers. Title page present dated January 15 1975 noted as Revised with credits for screenwriter Dean Kenneth Goodhill. 136 leaves with last page of text numbered 134. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1985réf. 167365Los Angeles: Paramount Pictures 1985. Second Revised Draft script for the 1985 television film which aired on CBS on October 5 1985. Laid in is a 36-page Shooting Schedule dated April 4 1985. A tough Wyoming Police detective Amanda Rider Lisa Hartman teams up with the laid back Beverly Hills Police detective Harry Wilde James Brolin in the search for a killer who murdered Rider's friend back in Wyoming. Featuring David Hemmings as the smarmy antagonist Ian Blaize who employs a cross-dressing kickboxer bodyguard. Shot on location in Southern California Beverly Hills Malibu and Los Angeles California. Beige titled wrappers. Title page present dated May 3 1985 noted as 2ND REVISED FINAL DRAFT with credits for screenwriter Rick Husky. 115 leaves with last page of text numbered 110. Xerographic duplication on blue stock rectos only with pink revision pages throughout dated 5/7/85. Pages Near FIne wrapper Very Good plus bound with two gold brads. Shooting Schedule: Very Good plus with foxing and toning to the right edge of the first leaf bound with a staple to the top left corner. Paramount Pictures unknown
1975réf. 140613N.p.: N.p. 1975. Revised script for an unproduced film. Jim turns 18 years old and attends Beverly Hills High School where he begins fawning over Stephanie a model and fellow senior with an abusive mother. Stephanie is leading a double life concealing her lesbian inclinations while also losing her virginity to Jim which brings on the condemnation from her mother and Jim's parents. When everything becomes revealed and Stephanie and Jim confess their love for each other she must figure out a way out of Beverly Hills before her mother can have her committed to a mental asylum. Set in Beverly Hills. Yellow titled wrappers. Title page present dated January 15 1975 noted as Revised with credits for screenwriter Dean Kenneth Goodhill. 136 leaves with last page of text numbered 134. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown books
1985réf. 167365Los Angeles: Paramount Pictures 1985. Second Revised Draft script for the 1985 television film which aired on CBS on October 5 1985. Laid in is a 36-page Shooting Schedule dated April 4 1985. A tough Wyoming Police detective Amanda Rider Lisa Hartman teams up with the laid back Beverly Hills Police detective Harry Wilde James Brolin in the search for a killer who murdered Rider's friend back in Wyoming. Featuring David Hemmings as the smarmy antagonist Ian Blaize who employs a cross-dressing kickboxer bodyguard. Shot on location in Southern California Beverly Hills Malibu and Los Angeles California. Beige titled wrappers. Title page present dated May 3 1985 noted as 2ND REVISED FINAL DRAFT with credits for screenwriter Rick Husky. 115 leaves with last page of text numbered 110. Xerographic duplication on blue stock rectos only with pink revision pages throughout dated 5/7/85. Pages Near FIne wrapper Very Good plus bound with two gold brads. Shooting Schedule: Very Good plus with foxing and toning to the right edge of the first leaf bound with a staple to the top left corner. Paramount Pictures unknown books
1989réf. 167211Hollywood: Austin Enterprises 1989. Draft script for the 1989 film seen here under the working title "Beverly Hills Vampire." Copy belonging to makeup artist Richard Miranda with his name in manuscript ink on the front wrapper and his annotations throughout. Laid in with the script is a five-day shooting schedule along with a call sheet dated May 24 1988. A straight-to-video comedy about three nerds who hook up with vampiric call girls during a trip to Hollywood. Set and shot on location in Beverly Hills. Blue titled wrappers. Missing title page. 91 leaves with last page of text numbered 91. Xerographic duplication rectos only. Pages Near Fine wrapper about Near Fine bound with three gold brads. Austin Enterprises unknown books
1956réf. 145504Los Angeles: Bert E. Friedlob Productions 1956. Vintage press photograph of actors Dana Andrews and Sidney Blackmer on the set of the 1956 film. With a rubber stamp on the verso. A newspaper publisher conspires with his to be son-in-law to expose the ineptitude of the district attorney who has wrongly sentenced multiple people to death. Shot on location in Chicago. 10 x 8 inches. Near Fine. Grant Worldwide. Selby US Canon. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Bert E. Friedlob Productions unknown
1956réf. 145504Los Angeles: Bert E. Friedlob Productions 1956. Vintage press photograph of actors Dana Andrews and Sidney Blackmer on the set of the 1956 film. With a rubber stamp on the verso. A newspaper publisher conspires with his to be son-in-law to expose the ineptitude of the district attorney who has wrongly sentenced multiple people to death. Shot on location in Chicago. 10 x 8 inches. Near Fine. Grant Worldwide. Selby US Canon. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Bert E. Friedlob Productions unknown books
1975réf. 162176N.p.: N.p. 1975. Vintage borderless lobby card for the German release of the 1974 Spanish film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A sadistic mentally unstable man tortures the new servant girl at his mother's sprawling countryside estate. Shot on location in Venezuela. 11.5 x 9.25 inches. Very Good plus with a diagonal crease at the bottom left corner. N.p. unknown
1975réf. 162176N.p.: N.p. 1975. Vintage borderless lobby card for the German release of the 1974 Spanish film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A sadistic mentally unstable man tortures the new servant girl at his mother's sprawling countryside estate. Shot on location in Venezuela. 11.5 x 9.25 inches. Very Good plus with a diagonal crease at the bottom left corner. N.p. unknown books
1977réf. 156226N.p.: N.p. 1977. Vintage borderless reference photograph of director Liliana Cavani with actors Dominique Sanda Erland Josephson and Robert Powell on the set of the 1977 film. From the archive of film historian and author Joel Finler. Loosely based on the life of German philosopher Friedrich Nietszche exploring his opium addiction and his relationships with author Paul Rée and Russian psychoanalyst Lou Andreas-Salomé. Shot on location in Germany and Italy. 10 x 8 inches. Near Fine. N.p. unknown
1977réf. 156226N.p.: N.p. 1977. Vintage borderless reference photograph of director Liliana Cavani with actors Dominique Sanda Erland Josephson and Robert Powell on the set of the 1977 film. From the archive of film historian and author Joel Finler. Loosely based on the life of German philosopher Friedrich Nietszche exploring his opium addiction and his relationships with author Paul Rée and Russian psychoanalyst Lou Andreas-Salomé. Shot on location in Germany and Italy. 10 x 8 inches. Near Fine. N.p. unknown books
1956réf. 132779London: Twentieth Century-Fox 1956. Eight vintage hand-tinted still photographs from the 1956 UK release of the 1956 US film. Based in Georges Simenon's 1949 novel "Le fond de la bouteille" "The Bottom of the Bottle" published in the US in the 1954 collection "Tidal Wave". The film centers around a wealthy rancher Cotten in the border town of Nogales Arizona and his brother Johnson a drunk who escapes from prison and hides in his garage. Johnson wants his brother the rancher to help him across the Santa Cruz River into the Mexico where his wife Shirley Patterson as Shawn Smith lives in squalor. A story set and shot on location in the Arizona. 8 x 10 inches. Light rubbing overall else Near Fine. Twentieth Century-Fox unknown
1979réf. 140031Burbank CA: Warner Brothers 1979. Eight vintage full-color lobby cards from the 1979 film. Interesting sequel that picks up where "The Poseidon Adventure" 1972 leaves off with the ship floating capsized and a band of pirates reaping havoc. 11 x 14 inches. Corner bumps and short creases else Near Fine. Warner Brothers unknown
