11 046 résultats
1987réf. 149949Burbank CA: Warner Brothers 1987. Revised First Draft script for an unproduced film. With manuscript ink annotations throughout most editorial in nature. Loosely based on Clifford D. Simak's 1963 novel which follows a Civil War veteran who is chosen by an alien to monitor an intergalactic way station in exchange for immortality. Set in Pennsylvania. Lavender titled wrappers. Title page present dated July 31 1987 noted as FIRST DRAFT REVISION with credits for director Joe Dante screenwriter Bruce Joel Rubin and novelist Clifford D. Simak. 123 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. Warner Brothers unknown books
1987réf. 149949Burbank CA: Warner Brothers 1987. Revised First Draft script for an unproduced film. With manuscript ink annotations throughout most editorial in nature. Loosely based on Clifford D. Simak's 1963 novel which follows a Civil War veteran who is chosen by an alien to monitor an intergalactic way station in exchange for immortality. Set in Pennsylvania. Lavender titled wrappers. Title page present dated July 31 1987 noted as FIRST DRAFT REVISION with credits for director Joe Dante screenwriter Bruce Joel Rubin and novelist Clifford D. Simak. 123 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. Warner Brothers unknown
1939réf. 156299Hollywood: RKO Radio Pictures 1939. Vintage lobby card from the 1939 film. Provenance stamp on the verso along with the stamp of Independent Poster Exchange. The only feature film written by Langston Hughes in collaboration with African American actor Clarence Muse who also appeared in the film in the role of Uncle Caton. While Hughes and Muse intended to create a story about antebellum Louisiana with a more accurate portrayal of African Americans' role during the period studio interference inevitably compromised their initial vision. Set in Louisiana shot on location in Calabasas and Santa Monica California. 14 x 11 inches. Lightly worn at the corners else about Near Fine. RKO Radio Pictures unknown books
1945réf. 156296N.p.: Screencraft 1945. Four vintage studio still photographs from a circa 1945 re-release of the 1939 film. Two photographs with National Screen Service stamps on the verso. The only feature film written by Langston Hughes in collaboration with African American actor Clarence Muse who also appeared in the film in the role of Uncle Caton. While Hughes and Muse intended to create a story about antebellum Louisiana with a more accurate portrayal of African Americans' role during the period studio interference inevitably compromised their initial vision. Set in Louisiana shot on location in Calabasas and Santa Monica California. 10 x 8 inches. Very Good plus. Screencraft unknown books
1939réf. 156293Hollywood: RKO Radio Pictures 1939. Five vintage studio still photographs from the 1939 film. One photograph with a mimeo snipe on the verso and one with a provenance stamp on the verso. The only feature film written by Langston Hughes in collaboration with African American actor Clarence Muse who also appeared in the film in the role of Uncle Caton. While Hughes and Muse intended to create a story about antebellum Louisiana with a more accurate portrayal of African Americans' role during the period studio interference inevitably compromised their initial vision. Set in Louisiana shot on location in Calabasas and Santa Monica California. 10 x 8 inches. Very Good plus. RKO Radio Pictures unknown books
1939réf. 156293Hollywood: RKO Radio Pictures 1939. Five vintage studio still photographs from the 1939 film. One photograph with a mimeo snipe on the verso and one with a provenance stamp on the verso. The only feature film written by Langston Hughes in collaboration with African American actor Clarence Muse who also appeared in the film in the role of Uncle Caton. While Hughes and Muse intended to create a story about antebellum Louisiana with a more accurate portrayal of African Americans' role during the period studio interference inevitably compromised their initial vision. Set in Louisiana shot on location in Calabasas and Santa Monica California. 10 x 8 inches. Very Good plus. RKO Radio Pictures unknown
1945réf. 156296N.p.: Screencraft 1945. Four vintage studio still photographs from a circa 1945 re-release of the 1939 film. Two photographs with National Screen Service stamps on the verso. The only feature film written by Langston Hughes in collaboration with African American actor Clarence Muse who also appeared in the film in the role of Uncle Caton. While Hughes and Muse intended to create a story about antebellum Louisiana with a more accurate portrayal of African Americans' role during the period studio interference inevitably compromised their initial vision. Set in Louisiana shot on location in Calabasas and Santa Monica California. 10 x 8 inches. Very Good plus. Screencraft unknown
1939réf. 156299Hollywood: RKO Radio Pictures 1939. Vintage lobby card from the 1939 film. Provenance stamp on the verso along with the stamp of Independent Poster Exchange. The only feature film written by Langston Hughes in collaboration with African American actor Clarence Muse who also appeared in the film in the role of Uncle Caton. While Hughes and Muse intended to create a story about antebellum Louisiana with a more accurate portrayal of African Americans' role during the period studio interference inevitably compromised their initial vision. Set in Louisiana shot on location in Calabasas and Santa Monica California. 14 x 11 inches. Lightly worn at the corners else about Near Fine. RKO Radio Pictures unknown
1959réf. 131673Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1959. Collection of 12 vintage color British front-of-house cards from the 1959 film. Based on characters and concepts from the 1885 novel "King Solomon's Mines" by H. Rider Haggard and written for the screen by novelist James Clavell. Released as the "sequel" to the 1950 MGM film "King Solomon's Mines." Harry Quartermain George Montgomery is the son of Allan Quartermain who first set out on the quest for the source of Solomon's wealth and he is determined to succeed where his father failed. He goes to Africa with his good friend Rick Cobb David Farrar and as they continue on their journey Erica Neuler Taina Elg joins them. She is the daughter of a missionary who has been killed by a local tribe. Harry cannot hide his antagonism toward Erica. She is German and Harry's mother was killed at sea by Germans in World War I. 8 x 10 inches. Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1959réf. 131673Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1959. Collection of 12 vintage color British front-of-house cards from the 1959 film. Based on characters and concepts from the 1885 novel "King Solomon's Mines" by H. Rider Haggard and written for the screen by novelist James Clavell. Released as the "sequel" to the 1950 MGM film "King Solomon's Mines." Harry Quartermain George Montgomery is the son of Allan Quartermain who first set out on the quest for the source of Solomon's wealth and he is determined to succeed where his father failed. He goes to Africa with his good friend Rick Cobb David Farrar and as they continue on their journey Erica Neuler Taina Elg joins them. She is the daughter of a missionary who has been killed by a local tribe. Harry cannot hide his antagonism toward Erica. She is German and Harry's mother was killed at sea by Germans in World War I. 8 x 10 inches. Fine. Metro-Goldwyn-Mayer [MGM] unknown
1967réf. 134381Los Angeles: Twentieth Century-Fox 1967. First Draft script for an unproduced film written by Marvin H. Albert based on the 1960 Geoffrey Household novel about an ex-military man with a dark past that comes back to haunt him. "Frances Richardson" in manuscript pencil on the front wrapper but this person's role in the film is undetermined. An interesting script with several "storyboard" pages throughout detailing scenery. A story set in Middleburg Virginia circa 1869 just after the defeat of the Confederate Army and nearing the end of the Civil War. Blue studio wrappers noted as FIRST DRAFT SCREENPLAY on the front wrapper copy No. 120 dated January 19 1967. Title page present dated January 19 1967 noted as First Draft Screenplay with credits for screenwriter Albert and novelist Household. 148 leaves mechanical duplication on eye-rest green stock with 5 storyboard leaves on white stock. Toning to the wrapper and storyboard leaves and a few light creases to the wrapper else pages and wrapper Near Fine bound with three gold brads. Twentieth Century-Fox unknown books
1967réf. 134381Los Angeles: Twentieth Century-Fox 1967. First Draft script for an unproduced film written by Marvin H. Albert based on the 1960 Geoffrey Household novel about an ex-military man with a dark past that comes back to haunt him. "Frances Richardson" in manuscript pencil on the front wrapper but this person's role in the film is undetermined. An interesting script with several "storyboard" pages throughout detailing scenery. A story set in Middleburg Virginia circa 1869 just after the defeat of the Confederate Army and nearing the end of the Civil War. Blue studio wrappers noted as FIRST DRAFT SCREENPLAY on the front wrapper copy No. 120 dated January 19 1967. Title page present dated January 19 1967 noted as First Draft Screenplay with credits for screenwriter Albert and novelist Household. 148 leaves mechanical duplication on eye-rest green stock with 5 storyboard leaves on white stock. Toning to the wrapper and storyboard leaves and a few light creases to the wrapper else pages and wrapper Near Fine bound with three gold brads. Twentieth Century-Fox unknown
1943réf. 171691N.p.: N.p. 1943. Two vintage working advertising proofs for the 1943 film both with copied layout annotations on the rectos. Based on Lillian Hellman's 1941 play. A German-born engineer and his family escape to the US after engaging in anti-Fascist activities in Europe. The screen rights for this World War II drama were attained by Jack L. Warner who saw its potential as a propaganda film. After a difficult production the film was released to positive reviews with Paul Lukas receiving the Academy Award for Best Actor. 9.75 x 22.25 inches and 7.5 x 11.5 inches. Very Good plus with three horizontal creases to the larger proof and two small pieces of cello tape to the top corners of the smaller proof. N.p. unknown books
1943réf. 140944Burbank CA: Warner Brothers 1943. Collection of twelve vintage still photographs from the 1943 film. Two of these are linen-backed keybook photographs both test shots of Bette Davis. One is a third test shot single weight of Davis with some wax pencil annotations on the recto and a snipe on the verso. The remaining nine photographs are studio stills. Based on Lillian Hellman's 1941 play of the same name. A German-born Engineer and his family escape to the US after engaging in anti-Fascist activities in Europe. The screen rights for this World War II drama were attained by Jack L. Warner who saw its potential as a propaganda film. After a difficult production the film was released to positive reviews and received an Academy Award for Best Actor. 8 x 10 inches. Condition Very Good to Very Good plus. Some cello tape to the recto of some of the studio stills and some fading occasional pin holes to a few of same. Warner Brothers unknown books
1943réf. 171691N.p.: N.p. 1943. Two vintage working advertising proofs for the 1943 film both with copied layout annotations on the rectos. Based on Lillian Hellman's 1941 play. A German-born engineer and his family escape to the US after engaging in anti-Fascist activities in Europe. The screen rights for this World War II drama were attained by Jack L. Warner who saw its potential as a propaganda film. After a difficult production the film was released to positive reviews with Paul Lukas receiving the Academy Award for Best Actor. 9.75 x 22.25 inches and 7.5 x 11.5 inches. Very Good plus with three horizontal creases to the larger proof and two small pieces of cello tape to the top corners of the smaller proof. N.p. unknown
1943réf. 140944Burbank CA: Warner Brothers 1943. Collection of twelve vintage still photographs from the 1943 film. Two of these are linen-backed keybook photographs both test shots of Bette Davis. One is a third test shot single weight of Davis with some wax pencil annotations on the recto and a snipe on the verso. The remaining nine photographs are studio stills. Based on Lillian Hellman's 1941 play of the same name. A German-born Engineer and his family escape to the US after engaging in anti-Fascist activities in Europe. The screen rights for this World War II drama were attained by Jack L. Warner who saw its potential as a propaganda film. After a difficult production the film was released to positive reviews and received an Academy Award for Best Actor. 8 x 10 inches. Condition Very Good to Very Good plus. Some cello tape to the recto of some of the studio stills and some fading occasional pin holes to a few of same. Warner Brothers unknown
1980réf. 146822N.p.: N.p. 1980. Treatment script for an unproduced film. Included with the script are several copies of screenwriter Nikolas Janis' resume and a list dated 3/5/1980 in manuscript ink annotation noting film producers where Janis ostensibly dropped off his screenplays housed in a brown folder. A British teenage girl who fears ending up in a youth rehabilitation community joins a gang of criminal boys where she soon develops a polyamorous relationship with many of its members. Set in England. Generic report folder with plastic front wrapper teal card stock rear wrapper. Title page present dated 1980 with credits for screenwriters Damien Enright and Nikolas Janis. 33 leaves with last page of text numbered 13. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with three silver brads. N.p. unknown books
1980réf. 146822N.p.: N.p. 1980. Treatment script for an unproduced film. Included with the script are several copies of screenwriter Nikolas Janis' resume and a list dated 3/5/1980 in manuscript ink annotation noting film producers where Janis ostensibly dropped off his screenplays housed in a brown folder. A British teenage girl who fears ending up in a youth rehabilitation community joins a gang of criminal boys where she soon develops a polyamorous relationship with many of its members. Set in England. Generic report folder with plastic front wrapper teal card stock rear wrapper. Title page present dated 1980 with credits for screenwriters Damien Enright and Nikolas Janis. 33 leaves with last page of text numbered 13. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with three silver brads. N.p. unknown
1960réf. 143859N.p.: N.p. 1960. Collection of 30 vintage press photographs and contact sheets from promotional events for the 1960 French-Italian film here under the original French title "Terrain vague." All photographs housed in a large brown folder with the French title in manuscript ink on the flap. Based on Hal Ellson's groundbreaking 1950 cult novel "Tomboy." Dan Gaubert is a tough gang leader who dresses and fights like a man. She and two others including Babar Bras are ostracized due to their behavior and she falls in love with Lucky Cafarelli while Babar commits suicide. A late entry for film noir regular and poetic realist Carné whose notable credits include "Port of Shadows" 1938 "The Devil's Envoys" 1942 and "Children of Paradise" 1945. Set in Paris. Photos range in size from 4.75 x 6.75 inches to 9 x 11.25 inches. Very Good plus overall foxing to versos light curling and rubbing. N.p. unknown books
1960réf. 160049N.p.: Films Rive Gauche 1960. Six vintage press photographs for the 1960 film. Housed in a brown paper envelope presumably as issued. Envelope with manuscript ink annotation. Loosely based on the 1950 novel "Tomboy" by Hal Ellson. A teenage girl tomboy is the leader of a gang of other young people. The crimes they commit become more serious leading her and two other members to be ostracized and on the run. Set in the Paris suburbs. 7.25 x 5 inches. Good with foxing at the right and left side of the photographs and some wear to the finish. Films Rive Gauche unknown books
1960réf. 160049N.p.: Films Rive Gauche 1960. Six vintage press photographs for the 1960 film. Housed in a brown paper envelope presumably as issued. Envelope with manuscript ink annotation. Loosely based on the 1950 novel "Tomboy" by Hal Ellson. A teenage girl tomboy is the leader of a gang of other young people. The crimes they commit become more serious leading her and two other members to be ostracized and on the run. Set in the Paris suburbs. 7.25 x 5 inches. Good with foxing at the right and left side of the photographs and some wear to the finish. Films Rive Gauche unknown
1960réf. 143859N.p.: N.p. 1960. Collection of 30 vintage press photographs and contact sheets from promotional events for the 1960 French-Italian film here under the original French title "Terrain vague." All photographs housed in a large brown folder with the French title in manuscript ink on the flap. Based on Hal Ellson's groundbreaking 1950 cult novel "Tomboy." Dan Gaubert is a tough gang leader who dresses and fights like a man. She and two others including Babar Bras are ostracized due to their behavior and she falls in love with Lucky Cafarelli while Babar commits suicide. A late entry for film noir regular and poetic realist Carné whose notable credits include "Port of Shadows" 1938 "The Devil's Envoys" 1942 and "Children of Paradise" 1945. Set in Paris. Photos range in size from 4.75 x 6.75 inches to 9 x 11.25 inches. Very Good plus overall foxing to versos light curling and rubbing. N.p. unknown
1953réf. 161154N.p.: N.p. 1953. Vintage reference photograph taken on the set of the 1953 film showing director Byron Haskin and other crew members with a camera on a mount. From the archive of film historian and author Joel Finler. The first feature film adaptation of H.G. Wells' classic 1898 novel. Winner of an Academy Award for Best Special Effects and nominated for two more. 8 x 10 inches. Very Good plus lightly worn at the corners. National Film Registry. Criterion Collection 1037. N.p. unknown books
1953réf. 153203Los Angeles: Paramount Pictures 1953. Five vintage reference photographs of flying saucer or other special effects from the classic 1953 science fiction film. Based on the 1898 novel by H.G. Wells. The first feature film adaptation. Winner of an Academy Award for Best Special Effects and nominated for two more. National Film Registry. Criterion Collection 1037. Paramount Pictures unknown books
1953réf. 161154N.p.: N.p. 1953. Vintage reference photograph taken on the set of the 1953 film showing director Byron Haskin and other crew members with a camera on a mount. From the archive of film historian and author Joel Finler. The first feature film adaptation of H.G. Wells' classic 1898 novel. Winner of an Academy Award for Best Special Effects and nominated for two more. 8 x 10 inches. Very Good plus lightly worn at the corners. National Film Registry. Criterion Collection 1037. N.p. unknown
