11 066 résultats
1951réf. 164775Universal City: Universal-International 1951. Vintage publicity photograph from the 1951 film. Printed mimeo snipe and provenance stamp on the verso. Ma and Pa Kettle discover that they are going to become grandparents. The third installment in the "Ma and Pa Kettle" series. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Near Fine. Universal-International unknown books
1931réf. 141666Vienna: Illustrierter Film-Kurier 1931. Vintage Austrian program for the 1931 German film. Lang's first sound film Peter Lorre's breakthrough role and the film Lang considered to be his masterpiece-an assertion that has found much agreement since. The only second piece of ephemera from the film we have ever offered. Text in German. Issue No. 262 of "Illustrierter Film-Kurier" one of the oldest European film magazines which ran weekly from 1929 to 1956. Like its German counterpart "Film-Kurier" each issue focused on a single film and used a gravure process to reproduce images from the film making for striking images and design. 6 x 9 inches. Six pages saddle stapled. Ink annotations throughout seemingly regarding layout affecting a bit of text but no images. Very Good plus with a faint horizontal crease and light toning to the wrappers. Criterion Collection 30. Grant Germany. Godard Histoires de cinema. Ebert I. Eureka Masters of Cinema 9. Rosebaum 1000. Illustrierter Film-Kurier unknown books
1931réf. 141666Vienna: Illustrierter Film-Kurier 1931. Vintage Austrian program for the 1931 German film. Lang's first sound film Peter Lorre's breakthrough role and the film Lang considered to be his masterpiece-an assertion that has found much agreement since. The only second piece of ephemera from the film we have ever offered. Text in German. Issue No. 262 of "Illustrierter Film-Kurier" one of the oldest European film magazines which ran weekly from 1929 to 1956. Like its German counterpart "Film-Kurier" each issue focused on a single film and used a gravure process to reproduce images from the film making for striking images and design. 6 x 9 inches. Six pages saddle stapled. Ink annotations throughout seemingly regarding layout affecting a bit of text but no images. Very Good plus with a faint horizontal crease and light toning to the wrappers. Criterion Collection 30. Grant Germany. Godard Histoires de cinema. Ebert I. Eureka Masters of Cinema 9. Rosebaum 1000. Illustrierter Film-Kurier unknown
1973réf. 149662N.p.: N.p. 1973. Vintage borderless reference photograph from the 1973 French film showing actress Brigitte Fossey in silhouette. A man recently released from the hospital falls in love with a woman who is identical in appearance to his wife. Shot on location in Morbihan France. 9.25 x 7 inches. Near Fine. N.p. unknown books
1973réf. 149662N.p.: N.p. 1973. Vintage borderless reference photograph from the 1973 French film showing actress Brigitte Fossey in silhouette. A man recently released from the hospital falls in love with a woman who is identical in appearance to his wife. Shot on location in Morbihan France. 9.25 x 7 inches. Near Fine. N.p. unknown
1931réf. 1738Berlin: Nero-Film AG 1931. First Edition. Original Austrian premiere program for Fritz Lang's 1931 German film customized for the film's premiere at the Apollo Theater in Vienna - Lang's birthplace and home for the earlier part of his life. A highly influential pre-war film noir and masterpiece of world cinema ranking among the best of Lang's body of work. In addition to being Lang's first sound film 'M' also served as the vehicle for Peter Lorre's breakout role as child murderer Hans Beckert. The program is chiefly illustrated throughout with a series of photo-montages and gives the date of the premiere as 3 September 1931. A rare premiere program for one of Lang's most enduring films. Small folio 22.5cm; green and white photo-illustrated wrappers folded with the premiere information printed in red on front wrapper; 8pp; illus. Faint horizontal fold at center faint diagonal crease to upper right corner of front wrapper with a chip to lower left corner of rear wrapper and a few tiny tears; Very Good. Nero-Film AG unknown
réf. 12234Une aventure du Lieutenant BLUEBERRY. In 4 cartonné couverture illustrée en couleurs, gardes illustrées, titre illustré en couleurs, 48 pages de dessins en couleurs de J. GIRAUD. Titre en long, en noir au dos. DARGAUD S.A éditeur troisième trimestre 1970. N°1339. Editeur n°501, 6 titres au dernier plat. Très bon état. Edition originale.
réf. 12242Une aventure du Lieutenant BLUEBERRY. In 4 cartonné couverture illustrée en couleurs, gardes illustrées, titre illustré en couleurs, 48 pages de dessins en couleurs de J. GIRAUD. Titre en long, en noir au dos. DARGAUD S.A éditeur premier trimestre 1974.n° 725-4, Editeur n°695, 14 titres au dernier plat
réf. 12260L’homme à l’étoile d’argent Une aventure du Lieutenant BLUEBERRY. In 4 cartonné couverture illustrée en couleurs, gardes illustrées, titre illustré en couleurs, 48 pages de dessins en couleurs de J. GIRAUD. Titre en long, en noir au dos. DARGAUD S.A éditeur, quatrième trimestre 1969.n°000, Editeur n°418, 27 titres au dernier plat.. Edition originale. Très bon état.
1967réf. 130313Culver City CA: Columbia Pictures 1967. Final Draft script for the 1967 film. Based on the 1964 play by Murray Schisgal about a man who strikes up a deal with his old friend to seduce his wife so that he may spend time with his girlfriend. Shot on location in New York and Long Beach. Red titled wrappers noted as final draft on the front wrapper noted as production No. 8801 dated August 4 1966. Title page present dated August 2 1966 noted as final draft with credits for screenwriter Elliott Baker and playwright Murray Schisgal. 127 leaves with last page of text numbered 130. Mimeograph duplication on eye-rest green stock rectos only with blue and yellow revision pages throughout dated variously between August 17 1966 and October 13 1966. Pages Near Fine wrapper Near Fine bound with two gold brads. Columbia Pictures unknown books
1967réf. 139540Culver City CA: Columbia Pictures 1967. Vintage oversize double weight color still photograph from the 1967 film based on the 1964 play by Murray Schisgal. Although not indicated shot and struck by the film's still photographer Bob Willoughby with an agency stamp on the verso. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. 13 x 19.25 inches mounted on board. About Near Fine with some soiling near the top edge and light edgewear overall. Columbia Pictures unknown books
1967réf. 130313Culver City CA: Columbia Pictures 1967. Final Draft script for the 1967 film. Based on the 1964 play by Murray Schisgal about a man who strikes up a deal with his old friend to seduce his wife so that he may spend time with his girlfriend. Shot on location in New York and Long Beach. Red titled wrappers noted as final draft on the front wrapper noted as production No. 8801 dated August 4 1966. Title page present dated August 2 1966 noted as final draft with credits for screenwriter Elliott Baker and playwright Murray Schisgal. 127 leaves with last page of text numbered 130. Mimeograph duplication on eye-rest green stock rectos only with blue and yellow revision pages throughout dated variously between August 17 1966 and October 13 1966. Pages Near Fine wrapper Near Fine bound with two gold brads. Columbia Pictures unknown
1967réf. 139540Culver City CA: Columbia Pictures 1967. Vintage oversize double weight color still photograph from the 1967 film based on the 1964 play by Murray Schisgal. Although not indicated shot and struck by the film's still photographer Bob Willoughby with an agency stamp on the verso. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. 13 x 19.25 inches mounted on board. About Near Fine with some soiling near the top edge and light edgewear overall. Columbia Pictures unknown
1956réf. 165103Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1956. Vintage reference photograph from the 1956 film showing director Vincente Minnelli with a camera crew capturing a scene with Kirk Douglas and Anthony Quinn. Mimeo snipe on the verso. Based on the 1934 novel by Irving Stone about the tumultuous life of Vincent Van Gogh. Winner of the Academy Award for Best Supporting Actor and nominated for three others. Set and shot on location in Belgium France and Netherlands. 10 x 8 inches. Very Good plus. Metro-Goldwyn-Mayer [MGM] unknown books
1956réf. 144566Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1956. Vintage borderless photograph of Kirk Douglas from the 1956 film. Based on the 1934 novel by Irving Stone about the tumultuous life of the famous Dutch painter Vincent Van Gogh played by Kirk Douglas. Winner of the Academy Award for Best Actor in a Supporting Role and nominated for three others. Shot on location in Belgium France and The Netherlands. 5 x 7 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1956réf. 165103Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1956. Vintage reference photograph from the 1956 film showing director Vincente Minnelli with a camera crew capturing a scene with Kirk Douglas and Anthony Quinn. Mimeo snipe on the verso. Based on the 1934 novel by Irving Stone about the tumultuous life of Vincent Van Gogh. Winner of the Academy Award for Best Supporting Actor and nominated for three others. Set and shot on location in Belgium France and Netherlands. 10 x 8 inches. Very Good plus. Metro-Goldwyn-Mayer [MGM] unknown
1956réf. 144566Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1956. Vintage borderless photograph of Kirk Douglas from the 1956 film. Based on the 1934 novel by Irving Stone about the tumultuous life of the famous Dutch painter Vincent Van Gogh played by Kirk Douglas. Winner of the Academy Award for Best Actor in a Supporting Role and nominated for three others. Shot on location in Belgium France and The Netherlands. 5 x 7 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1965réf. 161905N.p.: American Film Distributing 1965. Two vintage studio still photographs from the 1965 film. Both photographs with provenance stamps and labels on the verso. Two couples one with a nymphomaniac wife and one with a sex-phobic wife try wife-swapping. Shot on location in Margate New Jersey. 8 x 10 inches. Very Good with light edgewear each with a small closed tear in the margins and several pinholes in the margins. One photograph with two small chips one to the top center edge and one to the top right corner. American Film Distributing unknown books
1965réf. 161905N.p.: American Film Distributing 1965. Two vintage studio still photographs from the 1965 film. Both photographs with provenance stamps and labels on the verso. Two couples one with a nymphomaniac wife and one with a sex-phobic wife try wife-swapping. Shot on location in Margate New Jersey. 8 x 10 inches. Very Good with light edgewear each with a small closed tear in the margins and several pinholes in the margins. One photograph with two small chips one to the top center edge and one to the top right corner. American Film Distributing unknown
1980réf. 149577N.p.: Capital Films 1980. Two vintage borderless reference photographs from the 1980 film one showing actors Anne Bennent and Udo Kier the other showing Bennent Kier and director Walerian Borowczyk. Based on Frank Wedekind's plays "Erdgeist" and "Die Buschse der Pandora." An opportunistic amoral young woman rises in society through her relationships with monied men. 9.25 x 6.25 inches. Near Fine. Capital Films unknown books
1980réf. 149577N.p.: Capital Films 1980. Two vintage borderless reference photographs from the 1980 film one showing actors Anne Bennent and Udo Kier the other showing Bennent Kier and director Walerian Borowczyk. Based on Frank Wedekind's plays "Erdgeist" and "Die Buschse der Pandora." An opportunistic amoral young woman rises in society through her relationships with monied men. 9.25 x 6.25 inches. Near Fine. Capital Films unknown
1980réf. 145913N.p.: Capital Films 1980. 3 vintage borderless photographs from the 1980 film. Based on Frank Wedekind's character Lulu from his two-play series "Erdgeist" and "Die Buschse der Pandora" Borowczyk's "Lulu" stars Anne Bennent as the enticing opportunistic and ultimately tragic Lulu. G.W. Pabst's classic 1929 "Pandora's Box" starring Louise Brooks was based on the same character. 9.5 x 6.25 inches. Near Fine light edgewear. Capital Films unknown books
1980réf. 145913N.p.: Capital Films 1980. 3 vintage borderless photographs from the 1980 film. Based on Frank Wedekind's character Lulu from his two-play series "Erdgeist" and "Die Buschse der Pandora" Borowczyk's "Lulu" stars Anne Bennent as the enticing opportunistic and ultimately tragic Lulu. G.W. Pabst's classic 1929 "Pandora's Box" starring Louise Brooks was based on the same character. 9.5 x 6.25 inches. Near Fine light edgewear. Capital Films unknown
1964réf. 161897N.p.: Griffith Productions 1964. Vintage studio still photograph from the 1964 film. A husband and wife seeking to invigorate their sex lives enjoy a weekend apart with the husband spending the weekend watching exotic dancer Virginia Bell and the wife going to a nudist camp and partaking in various nudist activities. Shot on location in Florida. 8 x 10 inches. Near Fine. Griffith Productions unknown books
1964réf. 161897N.p.: Griffith Productions 1964. Vintage studio still photograph from the 1964 film. A husband and wife seeking to invigorate their sex lives enjoy a weekend apart with the husband spending the weekend watching exotic dancer Virginia Bell and the wife going to a nudist camp and partaking in various nudist activities. Shot on location in Florida. 8 x 10 inches. Near Fine. Griffith Productions unknown
