Mario Camus (director, screenwriter); Ornella Muti, Pedro Diez del Corral, Mark Edwards (starring)ABAA
11 046 résultats
1975réf. 154821Spain: Impala 1975. Vintage poster for the 1975 Spanish / Argentinean film. A young woman leaves home after one year of marriage hoping her estranged husband will come after her but meets someone who complicates her marriage. 27.25 x 38.75 inches folded as issues. Very Good plus with creasing in the center. Impala unknown books
1975réf. 154821Spain: Impala 1975. Vintage poster for the 1975 Spanish / Argentinean film. A young woman leaves home after one year of marriage hoping her estranged husband will come after her but meets someone who complicates her marriage. 27.25 x 38.75 inches folded as issues. Very Good plus with creasing in the center. Impala unknown
1974réf. 162388London: New Realm Film Distributors 1974. Vintage reference photograph from the UK release of the 1974 French film showing actors Sirpa Lane lying naked in a giant plastic hand and Mathieu Carrière observing. Printed mimeo snipe in English affixed to the verso. An adventurous young woman is determined to enjoy every sexual experience life has to offer even if the pursuit leads her into danger. 8 x 10 inches. Near Fine. New Realm Film Distributors unknown books
1974réf. 149708Paris: Sygma 1974. Vintage oversize borderless reference photograph of Sirpa Lane and Mathieu Carriere from the 1974 French film. With a mimeo snipe on the verso in French and English along with the stamps of Sigma Films a date stamp reading "25 NOV. 1974" and manuscript ink and pencil annotations. An adventurous young woman is determined to enjoy every sexual experience life has to offer even if the pursuit leads her into danger. 11.75 x 8 inches. Very Good plus with a touch of ink bleed from an annotation to the verso near the right edge. Sygma unknown books
1974réf. 162388London: New Realm Film Distributors 1974. Vintage reference photograph from the UK release of the 1974 French film showing actors Sirpa Lane lying naked in a giant plastic hand and Mathieu Carrière observing. Printed mimeo snipe in English affixed to the verso. An adventurous young woman is determined to enjoy every sexual experience life has to offer even if the pursuit leads her into danger. 8 x 10 inches. Near Fine. New Realm Film Distributors unknown
1974réf. 149708Paris: Sygma 1974. Vintage oversize borderless reference photograph of Sirpa Lane and Mathieu Carriere from the 1974 French film. With a mimeo snipe on the verso in French and English along with the stamps of Sigma Films a date stamp reading "25 NOV. 1974" and manuscript ink and pencil annotations. An adventurous young woman is determined to enjoy every sexual experience life has to offer even if the pursuit leads her into danger. 11.75 x 8 inches. Very Good plus with a touch of ink bleed from an annotation to the verso near the right edge. Sygma unknown
1980réf. 147126Brussels: Monome 1980. Draft script for an unproduced French film written by French director-screenwriter Andre Soupart. With a manuscript ink annotation on the front wrapper noting the film's title and to the first leaf noting a change of address for Monome Films. Text in French. The lives of two women intersect in dreamlike mysterious ways. Beige titled wrappers. Title page present noted as Decoupage technique avec amorce de dialogues cutting and dialogue script with credits for screenwriters Andre SOUPART Paul PAQUAY and Jean-Marie VERVISCH. 120 leaves with last page of text numbered 119. Xerographic duplication rectos only. Pages Very Good plus with a few light splashes throughout wrapper Very Good plus with perfect binding. Monome unknown books
1938réf. 151432New York: Filmarte 1938. Vintage program for the US premiere of the 1937 French film which opened at the Filmarte Theatre in New York on September 12 1938. A disparate group of French soldiers plan an escape from their German captors during World War I. Widely regarded as a masterpiece of French cinema a poignant look at nationalism class differences and prejudice. 5.5 x 8.75 inches. One leaf bi-fold. Near Fine. Criterion Collection 1. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Filmarte unknown books
1937réf. 154246New York: Filmarte 1937. Vintage reference photograph from the 1937 film showing L-R Jean Gabin Gaston Modot Pierre Fresnay Julien Carette Jean Daste and Marcel Dalio. Provenance stamp and library stamps to the verso. From the archive of film historian and author Joel Finler. A disparate group of French soldiers plan an escape from their German captors during World War I. Widely regarded as a masterpiece of French cinema a poignant look at nationalism class differences and prejudice. 10 x 8 inches. Very Good plus with light wear to the corners. Criterion Collection 1. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Filmarte unknown books
1980réf. 147126Brussels: Monome 1980. Draft script for an unproduced French film written by French director-screenwriter Andre Soupart. With a manuscript ink annotation on the front wrapper noting the film's title and to the first leaf noting a change of address for Monome Films. Text in French. The lives of two women intersect in dreamlike mysterious ways. Beige titled wrappers. Title page present noted as Decoupage technique avec amorce de dialogues cutting and dialogue script with credits for screenwriters Andre SOUPART Paul PAQUAY and Jean-Marie VERVISCH. 120 leaves with last page of text numbered 119. Xerographic duplication rectos only. Pages Very Good plus with a few light splashes throughout wrapper Very Good plus with perfect binding. Monome unknown
1937réf. 154246New York: Filmarte 1937. Vintage reference photograph from the 1937 film showing L-R Jean Gabin Gaston Modot Pierre Fresnay Julien Carette Jean Daste and Marcel Dalio. Provenance stamp and library stamps to the verso. From the archive of film historian and author Joel Finler. A disparate group of French soldiers plan an escape from their German captors during World War I. Widely regarded as a masterpiece of French cinema a poignant look at nationalism class differences and prejudice. 10 x 8 inches. Very Good plus with light wear to the corners. Criterion Collection 1. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Filmarte unknown
1938réf. 151432New York: Filmarte 1938. Vintage program for the US premiere of the 1937 French film which opened at the Filmarte Theatre in New York on September 12 1938. A disparate group of French soldiers plan an escape from their German captors during World War I. Widely regarded as a masterpiece of French cinema a poignant look at nationalism class differences and prejudice. 5.5 x 8.75 inches. One leaf bi-fold. Near Fine. Criterion Collection 1. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Filmarte unknown
1952réf. 135626Los Angeles: Twentieth Century-Fox 1952. Vintage black-and-white studio still photograph from the Argentinean release circa 1953 of the 1952 film. Spanish rubber stamps on the verso including the Spanish title "La furia del deseo" The Fury of Desire. Pictured is Jennifer Jones giving Charlton Heston the "what for." Jennifer Jones offers a virtual reprise of her sultry performance in "Duel in the Sun" as the titular heroine of this film. Born into a poor-white-trash Southern family Ruby intends to improve her lot by marrying into wealth. Her casual beau Boake Tackman Heston considers Ruby unfit for marriage but prosperous businessman Jim Gentry Malden is eager and willing to make her his wife. Jim Gentry dies in an accident and the consensus of opinion is that he was killed by the covetous Ruby. For some reason this ignites a passion in Boake and he renews his torrid romance with the widow Gentry. Ruby's crazed brother Jewel James Anderson puts an end to this affair with a shotgun provoking a violent response from Ruby and a "Lady or the Tiger"-esque ending. Shot on location throughout California. 8 x 10 inches. Very Good plus with light creasing and a bruise on the verso from the removal of a mimeo snipe. Twentieth Century-Fox unknown books
1990réf. 142107Neuilly-sur-Seine France: Gaumont 1990. Vintage borderless photograph from the 1990 film showing director Besson peering through a missing pane of glass with a camera. A breakthrough international success for Besson who would go on to a long career as a director and producer of action films and would hit it even bigger three years later with "The Professional" "Leon". Remade twice first as the 1991 Hong Kong film "Black Cat" "Hei Mao" directed by Stephen Shin and starring Jade Leung and then as the 1993 US film "Point of No Return" directed by John Badham and starring Bridget Fonda; and twice adapted for television in 1997 as "La Femme Nikita" starring Peta Wilson which aired for five seasons on USA then in 2010 as "Nikita" starring Maggie Q which aired for four seasons on The CW. 7 x 5 inches. Fine. Grant France. Gaumont unknown books
1990réf. 142107Neuilly-sur-Seine France: Gaumont 1990. Vintage borderless photograph from the 1990 film showing director Besson peering through a missing pane of glass with a camera. A breakthrough international success for Besson who would go on to a long career as a director and producer of action films and would hit it even bigger three years later with "The Professional" "Leon". Remade twice first as the 1991 Hong Kong film "Black Cat" "Hei Mao" directed by Stephen Shin and starring Jade Leung and then as the 1993 US film "Point of No Return" directed by John Badham and starring Bridget Fonda; and twice adapted for television in 1997 as "La Femme Nikita" starring Peta Wilson which aired for five seasons on USA then in 2010 as "Nikita" starring Maggie Q which aired for four seasons on The CW. 7 x 5 inches. Fine. Grant France. Gaumont unknown
1961réf. 148846New York: Bill Doll and Company 1961. Two vintage borderless studio still photographs from the US release of the 1961 Italian film. Large Astor Release snipe on verso one with "R.R. Stuart Collection" stamp on verso. Fellini's most pivotal film if not his finest. Unlike the more sentimental and abstract films that would follow "La Dolce Vita" is an unflinching 7-day journey through 1960s Rome with Mastroianni a jaded journalist at the center of the story constantly surrounded by revelry beautiful women and a beautiful city but no semblance of happiness or love. Winner of one Academy Award and nominated for three others including Best Director and Best Screenplay. Winner of the Palme d'Or Shot on location in Rome and Vatican City Italy. 8 x 10 inches. Near Fine. Criterion Collection 733. Ebert I. Scorsese My Voyage to Italy. Bill Doll and Company unknown books
1960réf. 144600Rome: Riama Film 1960. Vintage oversize borderless double weight press photograph of Anouk Aimee from the 1960 film. With agency stamps on the verso. Fellini's most pivotal film if not his finest. Unlike the more sentimental and abstract films that would follow "La Dolce Vita" is an unflinching 7-day journey through 1960s Rome with Mastroianni a jaded journalist at the center of the story constantly surrounded by revelry beautiful women and a beautiful city but no semblance of happiness or love. Winner of the Palme d'Or at The Cannes Film Festival and The Academy Award for Best Costume. Shot on location in Rome and Vatican City Italy. 12 x 9.5 inches. Near Fine. Criterion Collection 733. Ebert I. Scorsese My Voyage to Italy. Riama Film unknown books
1960réf. 162324N.p.: N.p. 1960. Four vintage borderless reference photographs from the 1960 film all four showing actress Anita Ekberg. Federico Fellini's most pivotal film if not his finest. Unlike the more sentimental and abstract films that would follow "La Dolce Vita" is an unflinching 7-day journey through 1960s Rome with a jaded journalist at the center of the story constantly surrounded by revelry beautiful women and a beautiful city but no semblance of happiness or love. Winner of the Palme d'Or. Winner of one Academy Award and nominated for three others including Best Director and Best Screenplay. Shot on location in Rome and Vatican City Italy. 7 x 5 inches. Near Fine. Criterion Collection 733. Ebert I. Scorsese My Voyage to Italy. N.p. unknown books
1961réf. 148846New York: Bill Doll and Company 1961. Two vintage borderless studio still photographs from the US release of the 1961 Italian film. Large Astor Release snipe on verso one with "R.R. Stuart Collection" stamp on verso. Fellini's most pivotal film if not his finest. Unlike the more sentimental and abstract films that would follow "La Dolce Vita" is an unflinching 7-day journey through 1960s Rome with Mastroianni a jaded journalist at the center of the story constantly surrounded by revelry beautiful women and a beautiful city but no semblance of happiness or love. Winner of one Academy Award and nominated for three others including Best Director and Best Screenplay. Winner of the Palme d'Or Shot on location in Rome and Vatican City Italy. 8 x 10 inches. Near Fine. Criterion Collection 733. Ebert I. Scorsese My Voyage to Italy. Bill Doll and Company unknown
1960réf. 144600Rome: Riama Film 1960. Vintage oversize borderless double weight press photograph of Anouk Aimee from the 1960 film. With agency stamps on the verso. Fellini's most pivotal film if not his finest. Unlike the more sentimental and abstract films that would follow "La Dolce Vita" is an unflinching 7-day journey through 1960s Rome with Mastroianni a jaded journalist at the center of the story constantly surrounded by revelry beautiful women and a beautiful city but no semblance of happiness or love. Winner of the Palme d'Or at The Cannes Film Festival and The Academy Award for Best Costume. Shot on location in Rome and Vatican City Italy. 12 x 9.5 inches. Near Fine. Criterion Collection 733. Ebert I. Scorsese My Voyage to Italy. Riama Film unknown
1960réf. 162324N.p.: N.p. 1960. Four vintage borderless reference photographs from the 1960 film all four showing actress Anita Ekberg. Federico Fellini's most pivotal film if not his finest. Unlike the more sentimental and abstract films that would follow "La Dolce Vita" is an unflinching 7-day journey through 1960s Rome with a jaded journalist at the center of the story constantly surrounded by revelry beautiful women and a beautiful city but no semblance of happiness or love. Winner of the Palme d'Or. Winner of one Academy Award and nominated for three others including Best Director and Best Screenplay. Shot on location in Rome and Vatican City Italy. 7 x 5 inches. Near Fine. Criterion Collection 733. Ebert I. Scorsese My Voyage to Italy. N.p. unknown
1967réf. 167511N.p.: N.p. 1967. Vintage reference photograph from the set of the 1967 French film showing Haydee Politoff and Patrick Bauchau preparing for a swim. Annotations in manuscript ink and pencil on the verso. From the archive of film historian and author Joel Finler. A love triangle develops between two best friends and the beautiful sexually open young woman who interrupts their vacation on the Riviera. The third film in Éric Rohmer's "Six Moral Tales" series made quickly and with very little budget due to delays in starting production of what was to be the next film in the series "My Night at Maud's" 1969. Shot on location in Cote d'Azur and Saint-Tropez France. 10 x 8 inches. About Near Fine. N.p. unknown books
1967réf. 163710N.p.: N.p. 1967. Vintage reference photograph from the set of the 1967 French film showing director Eric Rohmer and cinematographer Néstor Almendros Cuyás. Dutch distributor stamp on the verso and blindstamp on the top right corner of the recto. A love triangle develops between two best friends and the beautiful sexually open young woman who interrupts their vacation on the Riviera. The third film in Rohmer's "Six Moral Tales" series made quickly and with very little budget due to delays in starting production of what was to be the next film in the series "My Night at Maud's" 1969. A rare image. Shot on location in Cote d'Azur and Saint-Tropez France. 10 x 8 inches. Very Good plus with multiple pinholes at the corners and top and bottom center edges repaired with paper tape on the verso. N.p. unknown books
1967réf. 167511N.p.: N.p. 1967. Vintage reference photograph from the set of the 1967 French film showing Haydee Politoff and Patrick Bauchau preparing for a swim. Annotations in manuscript ink and pencil on the verso. From the archive of film historian and author Joel Finler. A love triangle develops between two best friends and the beautiful sexually open young woman who interrupts their vacation on the Riviera. The third film in Éric Rohmer's "Six Moral Tales" series made quickly and with very little budget due to delays in starting production of what was to be the next film in the series "My Night at Maud's" 1969. Shot on location in Cote d'Azur and Saint-Tropez France. 10 x 8 inches. About Near Fine. N.p. unknown
1967réf. 163710N.p.: N.p. 1967. Vintage reference photograph from the set of the 1967 French film showing director Eric Rohmer and cinematographer Néstor Almendros Cuyás. Dutch distributor stamp on the verso and blindstamp on the top right corner of the recto. A love triangle develops between two best friends and the beautiful sexually open young woman who interrupts their vacation on the Riviera. The third film in Rohmer's "Six Moral Tales" series made quickly and with very little budget due to delays in starting production of what was to be the next film in the series "My Night at Maud's" 1969. A rare image. Shot on location in Cote d'Azur and Saint-Tropez France. 10 x 8 inches. Very Good plus with multiple pinholes at the corners and top and bottom center edges repaired with paper tape on the verso. N.p. unknown
