10 264 résultats
1967réf. 161751N.p.: Times Films 1967. Vintage studio still photograph from the US release of the 1964 French/German film. Provenance stamp on the verso. Ingrid Thulin stars as the wife of the Swedish ambassador to Athens in search of "real men" to satisfy her needs-as opposed to her husband who is interested in men. Shot on location in Greece. 8 x 10 inches. Near Fine. Times Films unknown
réf. 146978Barcelona: Tibidabo Films Unknown. Draft script for an unproduced film. Heavily annotated throughout in manuscript ink and pencil mostly noting grammatical revisions and deletions with a few additions. Text in English. A woman trapped in a loveless marriage finds pleasure in an affair with a young orchestra conductor. Spanish screenwriter Jaime Camino was best known for his wartime family dramas including the 1976 film "Long Vacations of 36" and the 1992 film "The Long Winter." Clear mylar front wrapper with a burgundy rear wrapper. Title page present with credits for screenwriters JAIME CAMINO and ROSA REGAS. 132 leaves with last page of text numbered 128. Mix of mimeograph and carbon typescript rectos only. Pages Very Good plus wrapper Very Good plus bound with a gold prong. Tibidabo Films unknown books
réf. 146978Barcelona: Tibidabo Films Unknown. Draft script for an unproduced film. Heavily annotated throughout in manuscript ink and pencil mostly noting grammatical revisions and deletions with a few additions. Text in English. A woman trapped in a loveless marriage finds pleasure in an affair with a young orchestra conductor. Spanish screenwriter Jaime Camino was best known for his wartime family dramas including the 1976 film "Long Vacations of 36" and the 1992 film "The Long Winter." Clear mylar front wrapper with a burgundy rear wrapper. Title page present with credits for screenwriters JAIME CAMINO and ROSA REGAS. 132 leaves with last page of text numbered 128. Mix of mimeograph and carbon typescript rectos only. Pages Very Good plus wrapper Very Good plus bound with a gold prong. Tibidabo Films unknown
1979réf. 148101Culver City CA: Columbia Pictures 1979. Vintage studio still photograph of Hugh O'Brian and Dean Jagger from the 1979 film. Bruce Lee's final film. Lee's footage shot between August and October 1972 when the film was suspended for Lee to work on Robert Clouse's "Enter the Dragon" 1973 and Lee died before returning to the film. Six years later Clouse would flesh out a feature around Lee's footage with a new cast using stand-ins for Lee when needed. Billy Lo Lee is threatened by a racketeering syndicate after gaining international success as a martial arts movie star. When Lo refuses to be intimidated by henchman Steiner O'Brian and his thug boss Dr. Land Dean Jagger orders his assassination. Set in and shot on location in Hong Kong and Macau China. 8 x 10 inches. Near Fine. Columbia Pictures unknown books
1968réf. 131321Beverly Hills CA: Mirisch Productions / United Artists 1968. Final Draft script for the 1969 film. Copy belonging to actress Merie Earle her first film credit and INSCRIBED on the front wrapper: "This was my first / "on location" picture / Everything was / "red carpet" I loved it / Merie Earle." Notations in manuscript red ink and pencil throughout at Earle's speaking parts as "Grandma." Merie Earle was a solid fixture on the television series "The Waltons" 1972-1979 as "Maude Gormley." Based on Ben Hecht's 1963 book about a young writer Bridges caught in political corruption in Chicago early 1900s. A grand cinematic tale nominated for art direction costume design and sound. Margot Kidder Lois Lane of "Superman" 1978 got her Hollywood start with this film as a prostitute who deflowers Bridges. Goldenrod titled wrappers noted as FINAL DRAFT on the front wrapper rubber-stamped copy No. 167 dated May 8 1968 with credits for producer-director Jewison. Title page present dated May 8 1968 noted as FINAL DRAFT with credits for screenwriter Ginnes and producer-director Jewison. 135 leaves mimeograph duplication with blue and white revision pages throughout dated either 7/8/68 or 7/11/68. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Mirisch Productions / United Artists unknown books
1968réf. 131321Beverly Hills CA: Mirisch Productions / United Artists 1968. Final Draft script for the 1969 film. Copy belonging to actress Merie Earle her first film credit and INSCRIBED on the front wrapper: "This was my first / "on location" picture / Everything was / "red carpet" I loved it / Merie Earle." Notations in manuscript red ink and pencil throughout at Earle's speaking parts as "Grandma." Merie Earle was a solid fixture on the television series "The Waltons" 1972-1979 as "Maude Gormley." Based on Ben Hecht's 1963 book about a young writer Bridges caught in political corruption in Chicago early 1900s. A grand cinematic tale nominated for art direction costume design and sound. Margot Kidder Lois Lane of "Superman" 1978 got her Hollywood start with this film as a prostitute who deflowers Bridges. Goldenrod titled wrappers noted as FINAL DRAFT on the front wrapper rubber-stamped copy No. 167 dated May 8 1968 with credits for producer-director Jewison. Title page present dated May 8 1968 noted as FINAL DRAFT with credits for screenwriter Ginnes and producer-director Jewison. 135 leaves mimeograph duplication with blue and white revision pages throughout dated either 7/8/68 or 7/11/68. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Mirisch Productions / United Artists unknown
1956réf. 167628N.p.: Banner Pictures 1956. Ten vintage studio still photographs from the US release of the 1950 West German film musical. A now-faded singer begins to regret her estrangement from her daughters after years of neglect while at the height of her career. Swedish-born actress Zarah Leander's first German film appearance after a seven-year hiatus. Although she declared no political position during World War II Leander was strongly associated with the Nazi Party due to her contract with UFA and multiple successful films with that studio in the late 1930s and early 1940s and was subsequently restricted from appearing in German films until 1949. 10 x 8 inches. Very Good plus to Near Fine. Banner Pictures unknown books
1956réf. 167628N.p.: Banner Pictures 1956. Ten vintage studio still photographs from the US release of the 1950 West German film musical. A now-faded singer begins to regret her estrangement from her daughters after years of neglect while at the height of her career. Swedish-born actress Zarah Leander's first German film appearance after a seven-year hiatus. Although she declared no political position during World War II Leander was strongly associated with the Nazi Party due to her contract with UFA and multiple successful films with that studio in the late 1930s and early 1940s and was subsequently restricted from appearing in German films until 1949. 10 x 8 inches. Very Good plus to Near Fine. Banner Pictures unknown
1951réf. 154308Los Angeles: Lippert Pictures 1951. Vintage studio still photograph from the 1951 film showing actors Tom Neal and Jean Porter. A new draftee is assigned to a remote desert post where he forges military orders that bring a platoon of women soldiers to the encampment. 10 x 8 inches. Very Good plus overall with pinholes to the corners. Lippert Pictures unknown books
1972réf. 132835Beverly Hills CA: United Artists / Filmways 1972. Vintage black-and-white still photograph from the 1972 UK release of the 1972 US film. Mimeograph snipe and layout annotations on the verso. Written for the screen by Evan Hunter based on his 87th Precinct novel writing as Ed McBain about detectives Steve Carella Meyer Meyer and Bert Kling investigating a murder-extortion racket run by a mysterious deaf man played by Yul Brynner. Shot on location in Boston Massachusetts. 8 x 10 inches. Faint creases else Near Fine. United Artists / Filmways unknown books
1969réf. 149558London: New Cinema Presentations 1969. Four vintage reference photographs from the 1969 film. With the label of New Cinema Presentations on the verso. Based on Rochelle Owens' 1967 play wherein a farmer's sexual relationship with his pet pig sets off an erotic increasingly unhinged chain of events among the local hicks in his small town. Shot on location in Stockton California. 10 x 8 inches. Near Fine. New Cinema Presentations unknown books
1969réf. 149558London: New Cinema Presentations 1969. Four vintage reference photographs from the 1969 film. With the label of New Cinema Presentations on the verso. Based on Rochelle Owens' 1967 play wherein a farmer's sexual relationship with his pet pig sets off an erotic increasingly unhinged chain of events among the local hicks in his small town. Shot on location in Stockton California. 10 x 8 inches. Near Fine. New Cinema Presentations unknown
1936réf. 132489Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1936. Original US herald for the 1936 film. Lang's first Hollywood film and second talkie considered one of his finest efforts and one of three films in 1936 that propelled Spencer Tracy to the upper echelons of stardom. An important precursor to film noir which would develop directly from the expressionist style Lang and others brought to Hollywood from Germany beginning in the early 1930s. 6.75 x 11.75 inches. Near Fine quite bright with a coupe of tiny closed tears and light creasing to the top edge. National Film Registry. Grant US. Rosenbaum 1000. Spicer US Precursor. Metro-Goldwyn-Mayer [MGM] unknown books
1936réf. 132489Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1936. Original US herald for the 1936 film. Lang's first Hollywood film and second talkie considered one of his finest efforts and one of three films in 1936 that propelled Spencer Tracy to the upper echelons of stardom. An important precursor to film noir which would develop directly from the expressionist style Lang and others brought to Hollywood from Germany beginning in the early 1930s. 6.75 x 11.75 inches. Near Fine quite bright with a coupe of tiny closed tears and light creasing to the top edge. National Film Registry. Grant US. Rosenbaum 1000. Spicer US Precursor. Metro-Goldwyn-Mayer [MGM] unknown
1958réf. 166167N.p.: N.p. 1958. Draft script for the 1958 British comedy copy belonging to Art Director George Provis with the annotation of his name along the top edge of the front wrapper with manuscript pencil annotations on four pages. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Sequel to the 1958 British film "Up the Creek" also directed by Val Guest and starring David Tomlinson and Peter Sellers. Sellers was unable to appear in the sequel because of scheduling conflicts with another film. When the Navy frigate the "Aristotle" is sold to a fictitious Middle Eastern power the ship's bosun played by Frankie Howerd sells tickets for the voyage as a luxury cruise unbeknownst to the Captain. Shot on location in Portland Harbour England. Pink titled wrappers. Title page present with credits for screenwriters Val Guest John Warren and Len Heath. 199 leaves with last page of text numbered 195. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three flat metal brads. N.p. unknown books
1958réf. 166167N.p.: N.p. 1958. Draft script for the 1958 British comedy copy belonging to Art Director George Provis with the annotation of his name along the top edge of the front wrapper with manuscript pencil annotations on four pages. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Sequel to the 1958 British film "Up the Creek" also directed by Val Guest and starring David Tomlinson and Peter Sellers. Sellers was unable to appear in the sequel because of scheduling conflicts with another film. When the Navy frigate the "Aristotle" is sold to a fictitious Middle Eastern power the ship's bosun played by Frankie Howerd sells tickets for the voyage as a luxury cruise unbeknownst to the Captain. Shot on location in Portland Harbour England. Pink titled wrappers. Title page present with credits for screenwriters Val Guest John Warren and Len Heath. 199 leaves with last page of text numbered 195. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three flat metal brads. N.p. unknown
1960réf. 140912Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1960. Collection of six full-color vintage lobby cards from the 1960 film. From one perspective a fairly one-dimensional representation-perhaps even a caricature-of Beat culture but culturally fascinating in that it was made at the height of the Beat era with A-list talent by a top studio and until Walter Salles' 2012 adaptation of "On the Road" was the only feature-length film ever made from a Kerouac novel. Kerouac was paid $15000 by MGM for the rights to the book and bought his first home with the proceeds on Long Island. A film that rarely screened today and has never been available on any kind of home viewing format. While its perspective on the actual Beat scene may be skewed or wildly misinterpreted it is nonetheless important as an interpretation of Kerouac's world from the outside looking in. Shot on location in San Francisco California. 17 x 13 inches. Very Good with pin holes and a manuscript ink notation to the recto of one lobby card. Metro-Goldwyn-Mayer [MGM] unknown books
1960réf. 140912Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1960. Collection of six full-color vintage lobby cards from the 1960 film. From one perspective a fairly one-dimensional representation-perhaps even a caricature-of Beat culture but culturally fascinating in that it was made at the height of the Beat era with A-list talent by a top studio and until Walter Salles' 2012 adaptation of "On the Road" was the only feature-length film ever made from a Kerouac novel. Kerouac was paid $15000 by MGM for the rights to the book and bought his first home with the proceeds on Long Island. A film that rarely screened today and has never been available on any kind of home viewing format. While its perspective on the actual Beat scene may be skewed or wildly misinterpreted it is nonetheless important as an interpretation of Kerouac's world from the outside looking in. Shot on location in San Francisco California. 17 x 13 inches. Very Good with pin holes and a manuscript ink notation to the recto of one lobby card. Metro-Goldwyn-Mayer [MGM] unknown
1967réf. 150122Culver City CA: Columbia Pictures 1967. Vintage reference photograph of choreographer and director of musical numbers Herbert Ross with a line of 15 girls in bikinis from the casting of the 1968 film. Ross had previously worked with Streisand in her Broadway debut in "I Can Get It for You Wholesale" 1962. 1967 "Columbia Pictures Corp." stamp on verso. Based on the 1964 musical with music by Julie Stein lyrics by Bob Merrill and book by Isobel Lennart which was based on Lennart's 1964 biography detailing the life of Broadway star Fanny Brice and her tumultuous relationship with playboy Nick Arnstein. Lennart also adapted the work for the screen. The film debut of Barbra Streisand reprising her Tony nominated Broadway role. Streisand would go on to win an Academy Award for Best Actress and the film would be nominated for seven others including Best Supporting Actress for Kay Medford and Best Picture. Set in New York shot on location in California New York and New Jersey. 8 x 10 inches. Near Fine. Columbia Pictures unknown books
1967réf. 150122Culver City CA: Columbia Pictures 1967. Vintage reference photograph of choreographer and director of musical numbers Herbert Ross with a line of 15 girls in bikinis from the casting of the 1968 film. Ross had previously worked with Streisand in her Broadway debut in "I Can Get It for You Wholesale" 1962. 1967 "Columbia Pictures Corp." stamp on verso. Based on the 1964 musical with music by Julie Stein lyrics by Bob Merrill and book by Isobel Lennart which was based on Lennart's 1964 biography detailing the life of Broadway star Fanny Brice and her tumultuous relationship with playboy Nick Arnstein. Lennart also adapted the work for the screen. The film debut of Barbra Streisand reprising her Tony nominated Broadway role. Streisand would go on to win an Academy Award for Best Actress and the film would be nominated for seven others including Best Supporting Actress for Kay Medford and Best Picture. Set in New York shot on location in California New York and New Jersey. 8 x 10 inches. Near Fine. Columbia Pictures unknown
1957réf. 165095Hollywood: Paramount Pictures 1957. Vintage borderless press photograph from the set 1957 film showing actress Audrey Hepburn posing with an oversized hat. Paris agency stamp and layout annotations in manuscript pencil on the verso. Based on the unproduced musical "Wedding Bells" by screenwriter Leonard Gershe and featuring music from George and Ira Gershwin including four songs from their 1927 musical "Funny Face" though the musical and film have nothing in common beyond the title. Nominated for four Academy Awards including Best Screenplay and nominated for the Palme d'Or at Cannes. 8 x 10 inches. Very Good or better. Hirschhorn The Hollywood Musical. Paramount Pictures unknown books
1957réf. 165095Hollywood: Paramount Pictures 1957. Vintage borderless press photograph from the set 1957 film showing actress Audrey Hepburn posing with an oversized hat. Paris agency stamp and layout annotations in manuscript pencil on the verso. Based on the unproduced musical "Wedding Bells" by screenwriter Leonard Gershe and featuring music from George and Ira Gershwin including four songs from their 1927 musical "Funny Face" though the musical and film have nothing in common beyond the title. Nominated for four Academy Awards including Best Screenplay and nominated for the Palme d'Or at Cannes. 8 x 10 inches. Very Good or better. Hirschhorn The Hollywood Musical. Paramount Pictures unknown
1966réf. 145070Switzerland: Jovera Pictures 1966. Vintage photograph from the set of the 1966 film. With manuscript annotations on the verso. Based on the 1964 novel of the same name by Len Deighton. British secret agent Harry Palmer Michael Caine is sent to Berlin to facilitate the defection of Colonel Stok Oskar Homolka a Soviet Intelligence officer. Once Palmer arrives in Berlin he quickly finds that the situation is much more complicated than he anticipated. . Shot on location in Berlin. 7 x 10 inches. Near Fine. Jovera Pictures unknown books
1966réf. 162177Los Angeles: Paramount Pictures 1966. Vintage lobby card for the 1966 film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on the 1964 novel by Len Deighton. A British secret agent is sent to Berlin to facilitate the defection of a Soviet Intelligence officer. Once the agent arrives in Berlin he quickly finds that the situation is much more complicated than he anticipated. . Shot on location in Berlin. 14 x 11 inches. Poor with pinholes at the corners and light creasing and toning overall. Paramount Pictures unknown books
1966réf. 162177Los Angeles: Paramount Pictures 1966. Vintage lobby card for the 1966 film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on the 1964 novel by Len Deighton. A British secret agent is sent to Berlin to facilitate the defection of a Soviet Intelligence officer. Once the agent arrives in Berlin he quickly finds that the situation is much more complicated than he anticipated. . Shot on location in Berlin. 14 x 11 inches. Poor with pinholes at the corners and light creasing and toning overall. Paramount Pictures unknown
