11 064 résultats
1987réf. 148979N.p.: New World Pictures 1987. Vintage one sheet poster for the 1987 film. Sequel to the 1986 horror comedy "House" directed by Steve Miner screenplay by Ethan Wiley and starring William Katt and George Wendt. Yuppies Jesse Aryle Gross and his girlfriend Kate Lar Park Lincoln inherit his parents' creepy old house and movie in with his best friend Charlie Jonathan Stark and his girlfriend Lana Amy Yasbeck. Things start to get strange after they discover a picture of his great-great grandfather in front of a Mayan temple holding a crystal skull. Shot on location in Los Angeles Culver City and Agoura California. 27 x 41 inches. Folded as issued. Very Good with some splitting to the folds and a closed tear at the top vertical fold. New World Pictures unknown books
1959réf. 161414N.p.: N.p. 1959. Shooting Final script for the 1959 film. Specially bound copy belonging to screenwriter Jerry Wald with his name in gilt on the spine. 23 reference photographs from the film bound in variously among the script pages. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films including "Mildred Pierce" 1945 "Humoresque" 1946 "Key Largo" 1948 and "Flamingo Road" 1949. In the 1950s he moved to Twentieth Century-Fox and was the producer there for "An Affair to Remember" 1957 "Peyton Place" 1957 and "Sons and Lovers" 1960. Based on screenwriter Fred Gipson's 1947 novel "Circle Round the Wagon" about two young brothers go on a hunting trip with an older friend. Fabian's film debut. Gipson's second published novel preceding his better-known 1956 novel "Old Yeller." Shot on location in San Bernardino. Bound in light blue cloth with navy quarter leather binding with five raised bands and gilt titles on the spine. Title page present dated July 9 1959 noted as Shooting Final with credits for screenwriter-novelist Fred Gipson and screenwriter Winston Miller. 143 leaves with last page of text numbered 111. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 7/13/59 and 7/22/59. Pages Near Fine binding Very Good plus front board slightly warped. N.p. unknown books
1959réf. 161414N.p.: N.p. 1959. Shooting Final script for the 1959 film. Specially bound copy belonging to screenwriter Jerry Wald with his name in gilt on the spine. 23 reference photographs from the film bound in variously among the script pages. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films including "Mildred Pierce" 1945 "Humoresque" 1946 "Key Largo" 1948 and "Flamingo Road" 1949. In the 1950s he moved to Twentieth Century-Fox and was the producer there for "An Affair to Remember" 1957 "Peyton Place" 1957 and "Sons and Lovers" 1960. Based on screenwriter Fred Gipson's 1947 novel "Circle Round the Wagon" about two young brothers go on a hunting trip with an older friend. Fabian's film debut. Gipson's second published novel preceding his better-known 1956 novel "Old Yeller." Shot on location in San Bernardino. Bound in light blue cloth with navy quarter leather binding with five raised bands and gilt titles on the spine. Title page present dated July 9 1959 noted as Shooting Final with credits for screenwriter-novelist Fred Gipson and screenwriter Winston Miller. 143 leaves with last page of text numbered 111. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 7/13/59 and 7/22/59. Pages Near Fine binding Very Good plus front board slightly warped. N.p. unknown
1988réf. 148206N.p.: N.p. 1988. Vintage photograph of Marcel Ophuls at work on the 1968 documentary film. Ophuls' documentary chronicling the life of Klaus Barbie "The Butcher of Lyon" an SS and Gestapo functionary and Nazi war criminal from his childhood through his deportation from Bolivia to stand trial for crimes against humanity in France in 1983. Winner of the Academy Award for Best Documentary and the International Federation of Film Critics FIPRESCI Prize at Cannes where it was premiered. 8 x 10 inches. Near Fine. N.p. unknown books
1988réf. 148206N.p.: N.p. 1988. Vintage photograph of Marcel Ophuls at work on the 1968 documentary film. Ophuls' documentary chronicling the life of Klaus Barbie "The Butcher of Lyon" an SS and Gestapo functionary and Nazi war criminal from his childhood through his deportation from Bolivia to stand trial for crimes against humanity in France in 1983. Winner of the Academy Award for Best Documentary and the International Federation of Film Critics FIPRESCI Prize at Cannes where it was premiered. 8 x 10 inches. Near Fine. N.p. unknown
1938réf. 157031Paris: Societe d'Exploitation et de Distribution de Films 1938. Two vintage black-and-white photographs from the US premiere of the 1964 film. Mimeo snipe affixed to the versos as issued noting that the film is making its debut at the Esquire Theatre in Los Angeles. Also on the verso is a stamp for the US distributor THEATRICAL PLAYS. Carne's pre-war mood-drenched masterpiece that followed the thematically similar "Port of Shadows" and preceding the much greater fame that would come to his work in 1945 with "Children of Paradise." 8 x 10 inches. Fine. Societe d'Exploitation et de Distribution de Films unknown books
1938réf. 157031Paris: Societe d'Exploitation et de Distribution de Films 1938. Two vintage black-and-white photographs from the US premiere of the 1964 film. Mimeo snipe affixed to the versos as issued noting that the film is making its debut at the Esquire Theatre in Los Angeles. Also on the verso is a stamp for the US distributor THEATRICAL PLAYS. Carne's pre-war mood-drenched masterpiece that followed the thematically similar "Port of Shadows" and preceding the much greater fame that would come to his work in 1945 with "Children of Paradise." 8 x 10 inches. Fine. Societe d'Exploitation et de Distribution de Films unknown
1981réf. 144334Paris: Studio Canal 1981. Vintage borderless photograph of Catherine Deneuve Patrick Dewaere and Etienne Chicot on the set of the 1981 film. With manuscript annotations regarding layout and photographer Tony Frank's name typed on the verso. Helene Catherine Deneuve an anesthetist depressed and mourning her recently drowned lover almost crashes her car into Gilles Patrick Dewaere a young working class man who lives at his mother's hotel. The two fall into a difficult relationship that brings up their painful past histories. Shot on location in France. 10.5 x 8 inches. Near Fine. Studio Canal unknown books
1981réf. 144334Paris: Studio Canal 1981. Vintage borderless photograph of Catherine Deneuve Patrick Dewaere and Etienne Chicot on the set of the 1981 film. With manuscript annotations regarding layout and photographer Tony Frank's name typed on the verso. Helene Catherine Deneuve an anesthetist depressed and mourning her recently drowned lover almost crashes her car into Gilles Patrick Dewaere a young working class man who lives at his mother's hotel. The two fall into a difficult relationship that brings up their painful past histories. Shot on location in France. 10.5 x 8 inches. Near Fine. Studio Canal unknown
1967réf. 161836N.p.: Trans Continental Artists 1967. Vintage studio still photograph of Rita Alexander from the 1967 film. Three women who are old friends reunite to plan a heist of the King of Sex's crown during the Mardi Gras carnival. Shot on location in New Orleans. 8 x 10 inches. Near Fine. Trans Continental Artists unknown books
1970réf. 169000N.p.: N.p. 1970. A small archive of a vintage French moyenne poster and nine vintage French lobby cards for the French release of the 1968 film here under the French release title "L'éperon brûlant." The first of director Lee Frost and producer Bob Cresse's "sex westerns" wherein a Mexican stable boy kidnaps a rancher's wife in revenge for the rape and killing of his sister years earlier. Set in Texas in 1869. Moyenne poster: 22.75 x 30 inches. Folded as issued. Very Good plus with some light creasing and pinholes at the extremities and two small paper tape repairs to the verso at the top and bottom of the vertical fold. Bright and unfaded. Nine French lobby cards: 9.5 x 11.5 inches. Very Good plus with pinholes at the extremities. N.p. unknown books
1970réf. 169000N.p.: N.p. 1970. A small archive of a vintage French moyenne poster and nine vintage French lobby cards for the French release of the 1968 film here under the French release title "L'éperon brûlant." The first of director Lee Frost and producer Bob Cresse's "sex westerns" wherein a Mexican stable boy kidnaps a rancher's wife in revenge for the rape and killing of his sister years earlier. Set in Texas in 1869. Moyenne poster: 22.75 x 30 inches. Folded as issued. Very Good plus with some light creasing and pinholes at the extremities and two small paper tape repairs to the verso at the top and bottom of the vertical fold. Bright and unfaded. Nine French lobby cards: 9.5 x 11.5 inches. Very Good plus with pinholes at the extremities. N.p. unknown
1968réf. 170761Los Angeles: Olympic International Films 1968. Eight vintage studio still photographs from the 1968 film. The first of director Lee Frost and producer Bob Cresse's "sex westerns" wherein a Mexican stable boy kidnaps a rancher's wife in revenge for the killing of his sister years earlier. Set in Texas in 1869. 10 x 8 inches. Fine. Olympic International Films unknown books
1968réf. 170761Los Angeles: Olympic International Films 1968. Eight vintage studio still photographs from the 1968 film. The first of director Lee Frost and producer Bob Cresse's "sex westerns" wherein a Mexican stable boy kidnaps a rancher's wife in revenge for the killing of his sister years earlier. Set in Texas in 1869. 10 x 8 inches. Fine. Olympic International Films unknown
1966réf. 161834New York: Crown International Pictures 1966. Three vintage studio still photographs from the 1966 film. All three photographs with provenance stamps on the versos. Small town girl Sally arrives in New York City to attend college and finds herself living with four worldly-wise roommates who introduce her to wild parties and much more. Shot on location in Manhattan New York. 8 x 10 inches. Near Fine. Crown International Pictures unknown books
1966réf. 161834New York: Crown International Pictures 1966. Three vintage studio still photographs from the 1966 film. All three photographs with provenance stamps on the versos. Small town girl Sally arrives in New York City to attend college and finds herself living with four worldly-wise roommates who introduce her to wild parties and much more. Shot on location in Manhattan New York. 8 x 10 inches. Near Fine. Crown International Pictures unknown
1963réf. 161833N.p.: United Producers 1963. Vintage studio still photograph from the US release of the 1959 British/German film. Also known by the alternative titles "The Treasure of San Teresa" "Long Distance" and "Rhapsody in Blue." An former US spy returns to Europe after World War II in search of a cache of jewels hidden in Czechoslovakian convent. 8 x 10 inches. Very Good plus with a chip in the margin at the bottom left corner. United Producers unknown books
1967réf. 161831N.p.: Audubon Films 1967. Two vintage oversize studio still photographs from the US release of the 1965 French/Italian film. Both photographs with provenance stamps on the versos. Released in France as "La traite des blanches" also known as "I Am a Fugitive from a White Slave Gang." A young girl ends up working at brothel after being seduced by playboy working for a gang of pimps. 8 x 10 inches. Very Good plus one with a diagonal crease to the top left corner. Audubon Films unknown books
1967réf. 161831N.p.: Audubon Films 1967. Two vintage oversize studio still photographs from the US release of the 1965 French/Italian film. Both photographs with provenance stamps on the versos. Released in France as "La traite des blanches" also known as "I Am a Fugitive from a White Slave Gang." A young girl ends up working at brothel after being seduced by playboy working for a gang of pimps. 8 x 10 inches. Very Good plus one with a diagonal crease to the top left corner. Audubon Films unknown
1964réf. 167104N.p.: N.p. 1964. Vintage borderless reference photograph from the 1964 British film showing actress Sylva Koscina undressing. Stamp of photographer Georg Michalke on the verso. Based on Lionel Davidson's 1960 novel "The Night of Wenceslas" about an ordinary man who is unknowingly pulled into a Cold War plot. 9.5 x 7 inches. About Fine. N.p. unknown books
1964réf. 167104N.p.: N.p. 1964. Vintage borderless reference photograph from the 1964 British film showing actress Sylva Koscina undressing. Stamp of photographer Georg Michalke on the verso. Based on Lionel Davidson's 1960 novel "The Night of Wenceslas" about an ordinary man who is unknowingly pulled into a Cold War plot. 9.5 x 7 inches. About Fine. N.p. unknown
1965réf. 161828N.p.: Cresent International Pictures 1965. Vintage studio still photograph from the 1965 film. Provenance stamp on the verso and two labels one obscuring a previous provenance stamp. Myrtle is in search for someone who can satisfy her desires since her husband George either can't or won't. Shot on location in Texas. 8 x 10 inches. Very Good plus with faint creasing. Cresent International Pictures unknown books
1965réf. 161828N.p.: Cresent International Pictures 1965. Vintage studio still photograph from the 1965 film. Provenance stamp on the verso and two labels one obscuring a previous provenance stamp. Myrtle is in search for someone who can satisfy her desires since her husband George either can't or won't. Shot on location in Texas. 8 x 10 inches. Very Good plus with faint creasing. Cresent International Pictures unknown
1967réf. 166208London: Caralan Productions 1967. Shooting Script for the 1968 film copy belonging to Art Director George Provis with his name on the first revision page page 4. The title page includes an ink annotation of the name "S. Siddall" Sid Siddall worked as a Property Master or a Production Buyer on British films and likely worked uncredited in the art department under Provis. Provenance available upon request. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Based on the 1964 play by screenwriter Jack Roffey. Ray Milland appeared in the popular 1966 Broadway production of the play which originally opened on the West End in 1964 starring Michael Denison and decided to make a feature film from the play with himself directing in 1967. Although the film was completed in 1968 it wouldn't see a British release until 1970. Ray Milland stars as a barrister who after his daughter is killed in a hit and run accident is determined to find the driver and exact vengeance. After his neighbor is killed in a botched robbery Milland becomes a suspect when a letter is found implicating the neighbor in his daughter's death. Brown untitled wrappers. Title page present noted as Shooting Script with credits for screenwriter Jack Roffey. 140 leaves with last page of text numbered 132. Mimeograph duplication rectos only with pink and green revision pages throughout dated 6.9.67 and 14.9.67. Pages Near Fine wrapper Near FIne bound internally with two flat metal brads. Caralan Productions unknown books
1967réf. 166208London: Caralan Productions 1967. Shooting Script for the 1968 film copy belonging to Art Director George Provis with his name on the first revision page page 4. The title page includes an ink annotation of the name "S. Siddall" Sid Siddall worked as a Property Master or a Production Buyer on British films and likely worked uncredited in the art department under Provis. Provenance available upon request. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Based on the 1964 play by screenwriter Jack Roffey. Ray Milland appeared in the popular 1966 Broadway production of the play which originally opened on the West End in 1964 starring Michael Denison and decided to make a feature film from the play with himself directing in 1967. Although the film was completed in 1968 it wouldn't see a British release until 1970. Ray Milland stars as a barrister who after his daughter is killed in a hit and run accident is determined to find the driver and exact vengeance. After his neighbor is killed in a botched robbery Milland becomes a suspect when a letter is found implicating the neighbor in his daughter's death. Brown untitled wrappers. Title page present noted as Shooting Script with credits for screenwriter Jack Roffey. 140 leaves with last page of text numbered 132. Mimeograph duplication rectos only with pink and green revision pages throughout dated 6.9.67 and 14.9.67. Pages Near Fine wrapper Near FIne bound internally with two flat metal brads. Caralan Productions unknown
