11 045 résultats
1950réf. 142374N.p.: N.p. 1950. Draft script for an unproduced film. Ribbon copy typescript with type in black and red. A sixteen year old living in her sick aunt's boarding house receives a proposition from a local wealthy individual for marriage which she would only do to pull herself out of her situation but she cannot abandon her sick aunt who needs her help. Set in Australia. Unbound leaves Title page integral with first page of text. 21 leaves with last page of text numbered 20. Ribbon copy typescript. Very Good plus overall. N.p. unknown books
1950réf. 142374N.p.: N.p. 1950. Draft script for an unproduced film. Ribbon copy typescript with type in black and red. A sixteen year old living in her sick aunt's boarding house receives a proposition from a local wealthy individual for marriage which she would only do to pull herself out of her situation but she cannot abandon her sick aunt who needs her help. Set in Australia. Unbound leaves Title page integral with first page of text. 21 leaves with last page of text numbered 20. Ribbon copy typescript. Very Good plus overall. N.p. unknown
1977réf. 160639Paris: Trinacra Films 1977. Two vintage borderless color reference photographs from the 1977 film. Reference number stamps on the verso of each. The last film in the original "Emmanuelle" trilogy following "Emmanuelle" 1974 directed by Just Jaeckin and starring Kristel and Alain Cuny and "Emmanuelle 2" 1975 directed by Francis Giacobetti and starring Kristel and Umberto Orsini. 9.5 x 7 inches. One with pinholes from a staple on the bottom right corner else Near Fine. Trinacra Films unknown books
1977réf. 150004N.p.: N.p. 1977. Vintage borderless reference photograph of Sylvia Kristel from the 1977 film. The last film in the original "Emmanuelle" trilogy following "Emmanuelle" 1974 directed by Just Jaeckin and starring Kristel and Alain Cuny and "Emmanuelle: The Joys of a Woman" "Emmanuelle II" 1975 directed by Francis Giacobetti and starring Kristel and Umberto Orsini. Miramax film founders Bob and Harvey Weinstein acquired the rights to the film at the 1977 Cannes Film Festival capitalizing on the popularity of what had become an international franchise broadcasting a unique appeal as an erotic film series with feminist leanings. 7 x 4.75 inches. Near Fine. N.p. unknown books
1977réf. 155300Paris: Trinacra Films 1977. Vintage borderless reference photograph from the 1977 film showing actors Jean-Pierre Bouvier and Sylvia Kristel in a passionate aquatic embrace. The last film in the original "Emmanuelle" trilogy following "Emmanuelle" 1974 directed by Just Jaeckin and starring Kristel and Alain Cuny and "Emmanuelle 2" 1975 directed by Francis Giacobetti and starring Kristel and Umberto Orsini. 7 x 9.5 inches. Near Fine. Trinacra Films unknown books
1977réf. 135605Paris: Trinacra Films 1977. Vintage double weight photograph from the set of the 1977 film shot by still photographer Etienne George. Shown are director Francois Leterrier and his crew to the left on a dolly and actress Sylvia Kristel on the right in a state of semi-undress. The last film in the original "Emmanuelle" trilogy. An interior shot apparently meant to be a barn as the ground is covered with hay for a film shot on the Seychellois island of La Digue. Miramax film founders Bob and Harvey Weinstein acquired the rights to the film at the 1977 Cannes Film Festival capitalizing on the popularity of what had become an international franchise broadcasting a unique appeal as an erotic film series with feminist leanings. With slightly wide margins as issued. Photograph 9.5 x 12 inches image 6.25 x 10.5 inches. In an archival mat. Mild creasing at a couple of corners else Near Fine. Trinacra Films unknown books
1977réf. 150004N.p.: N.p. 1977. Vintage borderless reference photograph of Sylvia Kristel from the 1977 film. The last film in the original "Emmanuelle" trilogy following "Emmanuelle" 1974 directed by Just Jaeckin and starring Kristel and Alain Cuny and "Emmanuelle: The Joys of a Woman" "Emmanuelle II" 1975 directed by Francis Giacobetti and starring Kristel and Umberto Orsini. Miramax film founders Bob and Harvey Weinstein acquired the rights to the film at the 1977 Cannes Film Festival capitalizing on the popularity of what had become an international franchise broadcasting a unique appeal as an erotic film series with feminist leanings. 7 x 4.75 inches. Near Fine. N.p. unknown
1977réf. 160639Paris: Trinacra Films 1977. Two vintage borderless color reference photographs from the 1977 film. Reference number stamps on the verso of each. The last film in the original "Emmanuelle" trilogy following "Emmanuelle" 1974 directed by Just Jaeckin and starring Kristel and Alain Cuny and "Emmanuelle 2" 1975 directed by Francis Giacobetti and starring Kristel and Umberto Orsini. 9.5 x 7 inches. One with pinholes from a staple on the bottom right corner else Near Fine. Trinacra Films unknown
1977réf. 155300Paris: Trinacra Films 1977. Vintage borderless reference photograph from the 1977 film showing actors Jean-Pierre Bouvier and Sylvia Kristel in a passionate aquatic embrace. The last film in the original "Emmanuelle" trilogy following "Emmanuelle" 1974 directed by Just Jaeckin and starring Kristel and Alain Cuny and "Emmanuelle 2" 1975 directed by Francis Giacobetti and starring Kristel and Umberto Orsini. 7 x 9.5 inches. Near Fine. Trinacra Films unknown
1977réf. 135605Paris: Trinacra Films 1977. Vintage double weight photograph from the set of the 1977 film shot by still photographer Etienne George. Shown are director Francois Leterrier and his crew to the left on a dolly and actress Sylvia Kristel on the right in a state of semi-undress. The last film in the original "Emmanuelle" trilogy. An interior shot apparently meant to be a barn as the ground is covered with hay for a film shot on the Seychellois island of La Digue. Miramax film founders Bob and Harvey Weinstein acquired the rights to the film at the 1977 Cannes Film Festival capitalizing on the popularity of what had become an international franchise broadcasting a unique appeal as an erotic film series with feminist leanings. With slightly wide margins as issued. Photograph 9.5 x 12 inches image 6.25 x 10.5 inches. In an archival mat. Mild creasing at a couple of corners else Near Fine. Trinacra Films unknown
1969réf. 137346Hollywood: Willow Tree / Paramount Pictures 1969. Original pressbook for the 1969 film based on the 1959 novella by Philip Roth. Arnold Schulman received an Academy Award nomination for his screenplay. Ali McGraw's film debut. 12.25 x 15 inches. 14 pages saddle stapled with a fold out to the rear wrapper. Very Good. Horizontal fold as issued with a chip to the lower rear corner and light soil and rubbing overall. Willow Tree / Paramount Pictures unknown books
1969réf. 137346Hollywood: Willow Tree / Paramount Pictures 1969. Original pressbook for the 1969 film based on the 1959 novella by Philip Roth. Arnold Schulman received an Academy Award nomination for his screenplay. Ali McGraw's film debut. 12.25 x 15 inches. 14 pages saddle stapled with a fold out to the rear wrapper. Very Good. Horizontal fold as issued with a chip to the lower rear corner and light soil and rubbing overall. Willow Tree / Paramount Pictures unknown
1961réf. 138761Beverly Hills CA: United Artists 1961. Vintage borderless black-and-white still photograph from the French release of the 1961 film. Featuring Ingrid Bergman holding up Anthony Perkins as he seems to be falling backwards outside of a large doorway. From the Tele Cine Documentation archive originally known as the Collection Daniel Bouteiller with their sticker to the verso. Also on the verso is the rubber stamp of Maurice Bessy from whose archives the photo originally came alongside another small rubber stamp and light manuscript annotations in ink. Based on the 1959 novel "Aimez-vous Brahms" by Francoise Sagan. Ingrid Bergman is the mistress of a philandering business executive who refuses to change his ways until Bergman begins seeing the son of one of his wealthy clients played by Anthony Perkins. Fresh from his role as Norman Bates in Hitchcock's "Psycho" Perkins shines as a charming aimless bachelor in what would be one of the few non-typecast characters of his career. Nominated for the Palme d'Or at Cannes where Anthony Perkins also won Best Actor. 6.75 x 9 inches. United Artists unknown books
1961réf. 138761Beverly Hills CA: United Artists 1961. Vintage borderless black-and-white still photograph from the French release of the 1961 film. Featuring Ingrid Bergman holding up Anthony Perkins as he seems to be falling backwards outside of a large doorway. From the Tele Cine Documentation archive originally known as the Collection Daniel Bouteiller with their sticker to the verso. Also on the verso is the rubber stamp of Maurice Bessy from whose archives the photo originally came alongside another small rubber stamp and light manuscript annotations in ink. Based on the 1959 novel "Aimez-vous Brahms" by Francoise Sagan. Ingrid Bergman is the mistress of a philandering business executive who refuses to change his ways until Bergman begins seeing the son of one of his wealthy clients played by Anthony Perkins. Fresh from his role as Norman Bates in Hitchcock's "Psycho" Perkins shines as a charming aimless bachelor in what would be one of the few non-typecast characters of his career. Nominated for the Palme d'Or at Cannes where Anthony Perkins also won Best Actor. 6.75 x 9 inches. United Artists unknown
2000réf. 146395N.p.: N.p. 2000. Draft script for an unproduced film. A group of kids from Anaheim come of age in the counterculture of the swinging sixties leaving behind the gang violence of their hometown in favor of becoming drug-smuggling hippies. Set in California. White lacking wrappers. Title page present with credits for screenwriter Elias Cecil. 134 leaves with last page of text numbered 133. Typescript rectos only. Pages Very Good plus bound with three gold brads. N.p. unknown books
2000réf. 146395N.p.: N.p. 2000. Draft script for an unproduced film. A group of kids from Anaheim come of age in the counterculture of the swinging sixties leaving behind the gang violence of their hometown in favor of becoming drug-smuggling hippies. Set in California. White lacking wrappers. Title page present with credits for screenwriter Elias Cecil. 134 leaves with last page of text numbered 133. Typescript rectos only. Pages Very Good plus bound with three gold brads. N.p. unknown
1987réf. 163719Burbank CA: Touchstone Pictures 1987. Vintage reference photograph from the 1987 film showing director Barry Levinson talking with actor Robin Williams on the set. A wildly successful war comedy loosely based on the experiences of real-life serviceman Adrian Cronauer about an irreverent Armed Forces Radio Service disc jockey in Saigon. Nominated for an Academy Award for Best Actor for Williams. Shot on location in Bangkok and Phuket Thailand. 10 x 8 inches. Near Fine. Touchstone Pictures unknown books
1959réf. 149872Tokyo: Shochiku 1959. Draft script for the 1959 Japanese film. Text and titles in Japanese. Angered by their parents' refusal to buy them a television set two young brothers decide to go on a silence strike against all adults leading to a number of comic misunderstandings in their tight-knit community. Set in a suburb of Tokyo. White titled wrappers. 16 leaves with last page of text numbered 31. Mimeograph duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good lightly foxed with some wear to the binding with perfect binding. Rosenbaum 1000. Criterion Collection 84. Vogel Film as a Subversive Art. Shochiku unknown books
1987réf. 163719Burbank CA: Touchstone Pictures 1987. Vintage reference photograph from the 1987 film showing director Barry Levinson talking with actor Robin Williams on the set. A wildly successful war comedy loosely based on the experiences of real-life serviceman Adrian Cronauer about an irreverent Armed Forces Radio Service disc jockey in Saigon. Nominated for an Academy Award for Best Actor for Williams. Shot on location in Bangkok and Phuket Thailand. 10 x 8 inches. Near Fine. Touchstone Pictures unknown
1959réf. 149872Tokyo: Shochiku 1959. Draft script for the 1959 Japanese film. Text and titles in Japanese. Angered by their parents' refusal to buy them a television set two young brothers decide to go on a silence strike against all adults leading to a number of comic misunderstandings in their tight-knit community. Set in a suburb of Tokyo. White titled wrappers. 16 leaves with last page of text numbered 31. Mimeograph duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good lightly foxed with some wear to the binding with perfect binding. Rosenbaum 1000. Criterion Collection 84. Vogel Film as a Subversive Art. Shochiku unknown
2000réf. 171832N.p.: N.p. 2000. Three Draft scripts for the pilot of an unproduced television series by screenwriter Stephen Sustarsic. Included are one undated 63-page script one 53-page script dated 10/12/99 and one 42-page script dated 1/11/2000. Screenwriter and producer Sustarsic is best known as screenwriter for the 1988-1991 animated Disney series "The New Adventures of Winnie the Pooh" the 2004 Independent Comedy Horror film "Lucky" and the 2017 animated Disney XD series "Xiaolin Chronicles - Special Edition." Sustarsic's other screenwriting credits in a 35-year career include episodes for "The Jeffersons" 1981 "One Day at a Time" 1982 "Alice" 1985 "Newhart" 1989 "Alf" 1990 and "Dilbert" 2000 among many others. Matt Good and Sam Evil manage to graduate Warren Harding High School despite engingeering the explosion of the boys bathroom growing two hundred pounds of high grade marijuana behind the gym and partially destroying the Administration building with a giant bottle rocket. Four years later Matt and Sam return as dumb as they ever were as teachers. Undated Script: Front wrapper integral with blank cover sheet. 63 leaves with last page of text numbered 62. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. 10/12/99 Script: Front wrapper integral with the title page dated 10/12/99 with credits for screenwriter Stephen Sustarsic. 54 leaves with last page of text numbered 53. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. 1/11/00 Script: Front wrapper integral with the title page dated 1/11/00 with credits for screenwriter Stephen Sustarsic. 42 leaves with last page of text numbered 41. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown books
2000réf. 171832N.p.: N.p. 2000. Three Draft scripts for the pilot of an unproduced television series by screenwriter Stephen Sustarsic. Included are one undated 63-page script one 53-page script dated 10/12/99 and one 42-page script dated 1/11/2000. Screenwriter and producer Sustarsic is best known as screenwriter for the 1988-1991 animated Disney series "The New Adventures of Winnie the Pooh" the 2004 Independent Comedy Horror film "Lucky" and the 2017 animated Disney XD series "Xiaolin Chronicles - Special Edition." Sustarsic's other screenwriting credits in a 35-year career include episodes for "The Jeffersons" 1981 "One Day at a Time" 1982 "Alice" 1985 "Newhart" 1989 "Alf" 1990 and "Dilbert" 2000 among many others. Matt Good and Sam Evil manage to graduate Warren Harding High School despite engingeering the explosion of the boys bathroom growing two hundred pounds of high grade marijuana behind the gym and partially destroying the Administration building with a giant bottle rocket. Four years later Matt and Sam return as dumb as they ever were as teachers. Undated Script: Front wrapper integral with blank cover sheet. 63 leaves with last page of text numbered 62. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. 10/12/99 Script: Front wrapper integral with the title page dated 10/12/99 with credits for screenwriter Stephen Sustarsic. 54 leaves with last page of text numbered 53. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. 1/11/00 Script: Front wrapper integral with the title page dated 1/11/00 with credits for screenwriter Stephen Sustarsic. 42 leaves with last page of text numbered 41. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown
1939réf. 161601Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1939. Three vintage reference photographs from the 1939 film. One photograph with a stamp on the verso identifying the film and actors Clark Gable and Hattie McDaniel. The legendary adaptation of Margaret Mitchell's 1936 novel about the headstrong daughter of an affluent confederate plantation owner whose family is brought low during the Civil War. Nominated for fifteen Academy Awards winning ten including Best Picture Best Director Best Screenplay and Best Supporting Actress making actress Hattie McDaniel the first African American to be nominated for and win an Oscar. Set in Georgia on the fictional cotton plantation Tara and shot throughout California as well as Little Rock Arkansas. 10 x 8 inches. Very Good plus with creasing and pinholes at the corners. National Film Registry. Ebert I. Godard Histoires du cinema. Metro-Goldwyn-Mayer [MGM] unknown books
1939réf. 161601Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1939. Three vintage reference photographs from the 1939 film. One photograph with a stamp on the verso identifying the film and actors Clark Gable and Hattie McDaniel. The legendary adaptation of Margaret Mitchell's 1936 novel about the headstrong daughter of an affluent confederate plantation owner whose family is brought low during the Civil War. Nominated for fifteen Academy Awards winning ten including Best Picture Best Director Best Screenplay and Best Supporting Actress making actress Hattie McDaniel the first African American to be nominated for and win an Oscar. Set in Georgia on the fictional cotton plantation Tara and shot throughout California as well as Little Rock Arkansas. 10 x 8 inches. Very Good plus with creasing and pinholes at the corners. National Film Registry. Ebert I. Godard Histoires du cinema. Metro-Goldwyn-Mayer [MGM] unknown
1964réf. 154245N.p.: N.p. 1964. Seven vintage reference photographs from the 1964 independent film. Philip Kaufman's directorial debut a humorous then-present-day retelling of the biblical story of Elijah starring many local actors from the improvisational Chicago comedy troupe The Second City as well as author Nelson Algren appearing as himself. Shot on location in Chicago. 10 x 8 inches. Near Fine. N.p. unknown books
