11 066 résultats
1956réf. 164806Universal City: Universal-International 1956. Vintage publicity studio still photograph from the 1956 film. The seventh and final film in the "Francis the Talking Mule" series. The only film in the series to be directed by Charles Lamont instead of Arthur Lubin and the only film in the series to star Mickey Rooney instead of Donald O'Connor. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Near Fine. Universal-International unknown books
1956réf. 167582Universal City: Universal-International 1956. Vintage reference photograph from the 1956 film showing Mickey Rooney facing off with a knight. Printed mimeo snipe affixed to the verso. The seventh and final film in the "Francis the Talking Mule" series. The only film in the series to be directed by Charles Lamont instead of Arthur Lubin and the only film in the series to star Mickey Rooney instead of Donald O'Connor. 10 x 8 inches. Near Fine. Universal-International unknown books
1953réf. 164764Universal City: Universal Pictures 1953. Vintage keybook publicity photograph from the 1953 film showing actors Donald O'Connor and Yvette Duguay. Annotations in manuscript ink on the verso. The owner of a talking mule lands a job at a newspaper in New York City and is framed for a murder while on assignment. The fourth film in the Francis the Talking Mule series. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Near Fine. Universal Pictures unknown books
réf. 148354Rome: Solaris Cinematografica 2000. Eighth Draft script for the 2001 television film originally aired on January 22 on Channel 5. Copy belonging to script supervisor Franca Invernizzi with her extensive manuscript annotations on nearly every page and many page versos regarding camera shots takes timing and dialogue. Bound in after the script are six pages of Invernizzi's handwritten notes. Text in Italian. Missing page 98 likely as used or issued. Based on the 1995 novel by Maria Orsini Natale. A noblewoman's adopted daughter falls in love with her foster brother causing great rifts between mother and daughter and exposing older family secrets. Set and shot on location in Naples Italy. Blue untitled wrappers. Title page present dated 5 OTTOBRE 2000 with credits for director and screenwriter Lina Wertmuller screenwriter Elvio Porta and novelist Mario Orsini Natale. 196 leaves with last page of text numbered 186. Xerographic duplication rectos only with white undated revision pages throughout. Pages Very Good plus wrapper Very Good with light soil and edgewear bound with two silver brads. Solaris Cinematografica unknown books
réf. 148354Rome: Solaris Cinematografica 2000. Eighth Draft script for the 2001 television film originally aired on January 22 on Channel 5. Copy belonging to script supervisor Franca Invernizzi with her extensive manuscript annotations on nearly every page and many page versos regarding camera shots takes timing and dialogue. Bound in after the script are six pages of Invernizzi's handwritten notes. Text in Italian. Missing page 98 likely as used or issued. Based on the 1995 novel by Maria Orsini Natale. A noblewoman's adopted daughter falls in love with her foster brother causing great rifts between mother and daughter and exposing older family secrets. Set and shot on location in Naples Italy. Blue untitled wrappers. Title page present dated 5 OTTOBRE 2000 with credits for director and screenwriter Lina Wertmuller screenwriter Elvio Porta and novelist Mario Orsini Natale. 196 leaves with last page of text numbered 186. Xerographic duplication rectos only with white undated revision pages throughout. Pages Very Good plus wrapper Very Good with light soil and edgewear bound with two silver brads. Solaris Cinematografica unknown
1939réf. 149865Universal City CA: Universal Pictures 1939. Continuity and Dialogue script for the 1940 film. A young journalist finds himself unjustly accused of murder. White titled self-wrappers production No. 1033 dated December 19 1939 with credits for director Harold D. Shuster. Approximately 130 leaves with last page of text numbered 19. Mimeograph duplication rectos only. Pages Near Fine with tearing to the last three leaves along the top edge wrapper Very Good plus with some tearing to the back self-wrapper along the top edge bound with two gold brads along the top edge. Universal Pictures unknown books
1975réf. 132840Hollywood: Paramount Pictures 1975. Vintage full-color still photograph from the 1975 US film. Gambler Ron Lewis Joe Don Baker wins a ton of money but is later robbed in the street. In self defense he kills a cop and is sentenced to 4 years of prison where he plots bloody revenge on the corrupt police force and the mayor. Location shooting was critical to the film's gritty look. The AFI catalog notes: "The film's end credits include the following information: 'Filmed Entirely on Location in The State of Tennessee.' . shooting was set to begin in mid-Jul 1973 in New Orleans LA . but filming didn't begin until 14 May 1974 in Nashville TN instead of New Orleans. . The film was also shot on locations within twenty miles of the State Capitol in Nashville TN including the capitol building itself. At Tennessee State Prison real security guards and convicts were used as extras. Governor Winfield Dunn loaned his state-owned Lear jet for a sequence filmed at Rutherford County-Smyrna Airport. Nashville's historic downtown was closed down after midnight for filming. Other locations were Radnor Lake the Starlite nightclub in north Nashville the Sheraton-South Motor Inn and Longacres the opulent estate of a local businessman." 8 x 10 inches. Pinholes else Near Fine. Paramount Pictures unknown books
1939réf. 149865Universal City CA: Universal Pictures 1939. Continuity and Dialogue script for the 1940 film. A young journalist finds himself unjustly accused of murder. White titled self-wrappers production No. 1033 dated December 19 1939 with credits for director Harold D. Shuster. Approximately 130 leaves with last page of text numbered 19. Mimeograph duplication rectos only. Pages Near Fine with tearing to the last three leaves along the top edge wrapper Very Good plus with some tearing to the back self-wrapper along the top edge bound with two gold brads along the top edge. Universal Pictures unknown
1973réf. 1179171973 Screen, The Journal of Society for Education in Film and Television / Edinburgh Film Festival - 1973 - In-12, broché format carré, couverture illustrée - 151 pages - Illustrations et reproductions photographiques en N&B in et hors texte
1985réf. 166915N.p.: N.p. 1985. Final Draft script for the 1986 film. Fred Williamson directs and stars as a cigar-smoking swaggering private investigator hired by a millionaire to find his missing niece in Europe. Set and shot on location in Cannes Los Angeles Rome and Venice. Front wrapper integral with title page dated June 3 1985 noted as FINAL DRAFT. 81 leaves with last page of text numbered 79. Xerographic duplication rectos only. Pages Very Good plus with light soiling to the title page side-stapled. Moore The Good the Tough and the Deadly: Action Movies and Stars 1960s-2015. N.p. unknown books
1985réf. 166915N.p.: N.p. 1985. Final Draft script for the 1986 film. Fred Williamson directs and stars as a cigar-smoking swaggering private investigator hired by a millionaire to find his missing niece in Europe. Set and shot on location in Cannes Los Angeles Rome and Venice. Front wrapper integral with title page dated June 3 1985 noted as FINAL DRAFT. 81 leaves with last page of text numbered 79. Xerographic duplication rectos only. Pages Very Good plus with light soiling to the title page side-stapled. Moore The Good the Tough and the Deadly: Action Movies and Stars 1960s-2015. N.p. unknown
1955réf. 132081London: General Film Distributors GFD 1955. Collection of 4 vintage British front-of-house cards from the UK release of the 1955 US film. Based on a story by Anya Seton about a half-Apache miner and his wife who tries to bridge the cultural gaps in a mining town. 8 x 10 inches. One with moderate corner creases else Near Fine. General Film Distributors [GFD] unknown books
réf. 160904N.p.: N.p. 1977. Early First Draft script for the seminal 1980 film here under the working title "California Girls." Copy belonging to uncredited crew member Jim Brown no relation to the actor we suspect with his name in manuscript ink on the title page. A bleak seminal coming-of-age drama about four teenage girls grappling with their families drugs and relationships in Los Angeles in the late 1970s. Adrian Lyne's directorial debut. Shot on location in San Fernando Hollywood and Los Angeles California. Blue untitled wrappers. Title page present dated Nov. 28 1977 noted as First Draft with credits for screenwriter Gerald Ayres. 138 leaves with last page of text numbered 137. Xerographiic duplication with the exception of the title page which is a carbon typescript copy rectos onl. Pages Near Fine wrapper Very Good plus bound with two gold brads. McPadden Heavy Metal Movies. McPadden Teen Movie Hell. N.p. unknown books
réf. 160904N.p.: N.p. 1977. Early First Draft script for the seminal 1980 film here under the working title "California Girls." Copy belonging to uncredited crew member Jim Brown no relation to the actor we suspect with his name in manuscript ink on the title page. A bleak seminal coming-of-age drama about four teenage girls grappling with their families drugs and relationships in Los Angeles in the late 1970s. Adrian Lyne's directorial debut. Shot on location in San Fernando Hollywood and Los Angeles California. Blue untitled wrappers. Title page present dated Nov. 28 1977 noted as First Draft with credits for screenwriter Gerald Ayres. 138 leaves with last page of text numbered 137. Xerographiic duplication with the exception of the title page which is a carbon typescript copy rectos onl. Pages Near Fine wrapper Very Good plus bound with two gold brads. McPadden Heavy Metal Movies. McPadden Teen Movie Hell. N.p. unknown
réf. 9439Two undated; the rest between 1951 and 1959. On various letterheads of 39 and 47 Whitehall Court London. Five of the items are 8vo with the other on a 12mo slip. All texts clear and complete. Fair on slightly-aged and worn paper. A total of five typed 8vo pages and two autograph 8vo and two autograph 12mo pages. Four of the lettters have 'The Fol-de-Rols' printed on the letterhead. Dealing with practical everyday theatre matters with Newman writing for example on 19 November 1955: 'I have bought a few costume from the "Punch" Revue which died an early death at the Duke of York's theatre last Saturday. I made room for them in one of the cupboards in the corridor by moving a set of old Fol dresses into the large crate alongside which was only half filled with dogs and hard props.' Two undated; the rest between 1951 and 1959. On various letterheads of 39 and 47 Whitehall Court, London. hardcover
réf. 130699N.p.: N.p. Treatment script for an unproduced film. Four interrelated vignettes about life in the American West featuring Will Bill Hickok praised Indian killer coming a wild town without law enforcement and him acting as sheriff until he humiliated by a woman followed by a story in which he is found in a different town drinking himself to death. A different woman helps him get back on his feet which ultimately leads to him enforcing justice again only to be gunned down. The final two stories involve vengeance on the part of Hickok's friends seeking retribution for their gunned-down friend. Mint green titled wrappers. Title page present with credit for screenwriter MacKenzie. 59 leaves mimeograph duplication. Pages Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1950réf. 144119Hollywood: Paul Kohner 1950. Draft script for an unproduced film. Wild Bill Hickok must play a high stakes poker game in order to win back his beloved mare. The script is a partial treatment draft with a moderate amount of script still in full paragraphs. Set in Deadwood Dodge City and the Chisholm Trail in 1867. Lacking wrappers presumably as issued. Title page present with credits for screenwriter AEneas MacKenzie. 55 leaves with last page of text numbered 54. Mimeograph duplication. Pages Fine bound with three gold brads. Paul Kohner unknown books
1950réf. 144119Hollywood: Paul Kohner 1950. Draft script for an unproduced film. Wild Bill Hickok must play a high stakes poker game in order to win back his beloved mare. The script is a partial treatment draft with a moderate amount of script still in full paragraphs. Set in Deadwood Dodge City and the Chisholm Trail in 1867. Lacking wrappers presumably as issued. Title page present with credits for screenwriter AEneas MacKenzie. 55 leaves with last page of text numbered 54. Mimeograph duplication. Pages Fine bound with three gold brads. Paul Kohner unknown
réf. 130699N.p.: N.p. Treatment script for an unproduced film. Four interrelated vignettes about life in the American West featuring Will Bill Hickok praised Indian killer coming a wild town without law enforcement and him acting as sheriff until he humiliated by a woman followed by a story in which he is found in a different town drinking himself to death. A different woman helps him get back on his feet which ultimately leads to him enforcing justice again only to be gunned down. The final two stories involve vengeance on the part of Hickok's friends seeking retribution for their gunned-down friend. Mint green titled wrappers. Title page present with credit for screenwriter MacKenzie. 59 leaves mimeograph duplication. Pages Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1935réf. 156642N.p.: N.p. 1935. Vintage reference photograph taken on the set of the 1935 film showing director Mitchell Leisen and a camera crew capturing a party scene. Based on Norman Krasna's 1934 play "Small Miracle" about the relationship between a policeman and the dangerous fugitive he has been tasked with guarding for the evening. Set in New York. 10 x 8 inches. Near Fine. N.p. unknown books
1935réf. 156642N.p.: N.p. 1935. Vintage reference photograph taken on the set of the 1935 film showing director Mitchell Leisen and a camera crew capturing a party scene. Based on Norman Krasna's 1934 play "Small Miracle" about the relationship between a policeman and the dangerous fugitive he has been tasked with guarding for the evening. Set in New York. 10 x 8 inches. Near Fine. N.p. unknown
1980réf. 138127New York: Filmways Pictures 1980. Revised Draft script for the 1981 film. Included is a second script a revised draft in wrappers containing the latest revisions and two shooting schedules one detailing shooting dates beginning Week Three and one detailing dates beginning about Week Nine. Notations throughout both scripts in manuscript ink and pencil. Based on screenwriter Tesich's own coming-of-age in Indiana in the 1960s. Danilo Wason Georgia Thelen David Huddleston and Tom Metzler are four friends growing up in a 1960s industrial town. Told through a series of vignettes in the eyes of Danilo the film chronicles each friend as they come to accept that their lives may have become something they never thought possible. Shot on location in Indiana Illinois and Pennsylvania. One of director Penn's final and lesser known films after "The Missouri Breaks" 1976 and before "Target" 1985. First script without wrappers or title page a rainbow copy with several sets of revision pages pink yellow goldenrod blue gray green dated variously between 7/7/80 and 8/29/80. Second script in blue Studio Duplicating Service wrappers with no title page a revised draft dated 8/29/80 throughout. Shooting schedules corner-stapled. All items Very Good plus overall. Filmways Pictures unknown books
1980réf. 138127New York: Filmways Pictures 1980. Revised Draft script for the 1981 film. Included is a second script a revised draft in wrappers containing the latest revisions and two shooting schedules one detailing shooting dates beginning Week Three and one detailing dates beginning about Week Nine. Notations throughout both scripts in manuscript ink and pencil. Based on screenwriter Tesich's own coming-of-age in Indiana in the 1960s. Danilo Wason Georgia Thelen David Huddleston and Tom Metzler are four friends growing up in a 1960s industrial town. Told through a series of vignettes in the eyes of Danilo the film chronicles each friend as they come to accept that their lives may have become something they never thought possible. Shot on location in Indiana Illinois and Pennsylvania. One of director Penn's final and lesser known films after "The Missouri Breaks" 1976 and before "Target" 1985. First script without wrappers or title page a rainbow copy with several sets of revision pages pink yellow goldenrod blue gray green dated variously between 7/7/80 and 8/29/80. Second script in blue Studio Duplicating Service wrappers with no title page a revised draft dated 8/29/80 throughout. Shooting schedules corner-stapled. All items Very Good plus overall. Filmways Pictures unknown
1973réf. 162471N.p.: General Films 1973. Vintage studio still photograph from the US release of the 1972 British film here under an alternate release title of "Three Dimensions of Greta." Provenance stamp on the verso. A sexploitation film by noted horror director Pete Walker. Tristan Rogers plays a German journalist who travels to London to write an article on au-pairs. She is asked by a couple to investigate the whereabouts of their teenage daughter Greta Leena Skoog. Shot on location in Berlin and London. 8 x 10 inches. Very Good with some faint creasing a wax pencil annotation to the lower left corner of the recto and a 3/4-inch closed tear at the left margin. General Films unknown books
1973réf. 162471N.p.: General Films 1973. Vintage studio still photograph from the US release of the 1972 British film here under an alternate release title of "Three Dimensions of Greta." Provenance stamp on the verso. A sexploitation film by noted horror director Pete Walker. Tristan Rogers plays a German journalist who travels to London to write an article on au-pairs. She is asked by a couple to investigate the whereabouts of their teenage daughter Greta Leena Skoog. Shot on location in Berlin and London. 8 x 10 inches. Very Good with some faint creasing a wax pencil annotation to the lower left corner of the recto and a 3/4-inch closed tear at the left margin. General Films unknown
