11 045 résultats
1971réf. 151445N.p.: N.p. 1971. Six vintage reference photographs from the 1971 film including five borderless and one bordered. With manuscript pencil and ink annotations to the verso. From the archive of film historian and author Joel Finler. A teenage girl Sandy Ratcliff living with her unhappy restrictive family in London is forced to undergo psychiatric treatment for her erratic behavior. A searing portrait of conservative working-class British life in the late twentieth-century. Shot on location in Shenley. 8 x 10 inches. Generally Near Fine. N.p. unknown books
1971réf. 152381N.p.: N.p. 1971. Vintage borderless reference photograph of director Ken Loach talking with actors Sandy Ratcliff and Grace Cave on the set of the 1971 film. From the archive of film historian and author Joel Finler. A teenage girl Sandy Ratcliff living with her unhappy restrictive family in London is forced to undergo psychiatric treatment for her erratic behavior. A searing portrait of conservative working-class British life in the late twentieth-century. Shot on location in Shenley. 10 x 7 inches. Near Fine. N.p. unknown books
1971réf. 152381N.p.: N.p. 1971. Vintage borderless reference photograph of director Ken Loach talking with actors Sandy Ratcliff and Grace Cave on the set of the 1971 film. From the archive of film historian and author Joel Finler. A teenage girl Sandy Ratcliff living with her unhappy restrictive family in London is forced to undergo psychiatric treatment for her erratic behavior. A searing portrait of conservative working-class British life in the late twentieth-century. Shot on location in Shenley. 10 x 7 inches. Near Fine. N.p. unknown
1971réf. 151445N.p.: N.p. 1971. Six vintage reference photographs from the 1971 film including five borderless and one bordered. With manuscript pencil and ink annotations to the verso. From the archive of film historian and author Joel Finler. A teenage girl Sandy Ratcliff living with her unhappy restrictive family in London is forced to undergo psychiatric treatment for her erratic behavior. A searing portrait of conservative working-class British life in the late twentieth-century. Shot on location in Shenley. 8 x 10 inches. Generally Near Fine. N.p. unknown
1982réf. 170705Beverly Hills CA: Metro-Goldwyn-Mayer MGM / United Artists 1982. Final Draft script for Season 2 Episode 16 of the 1983-1987 television series. Copy belonging to an unidentified cast or crew member with their name and a numeric annotation in manuscript ink on the top portion of the front wrapper. A musical drama based on the successful 1980 film about the students and faculty at a performing arts high school in New York City. In this episode a boy lies about having sex with Julie while Mr. Reardon is pictured in an immodest swimsuit in a tabloid. White generic MGM/UA Television wrappers with a die-cut title window. Title page present dated December 3 1982 noted as Final Draft with credit for screenwriter Leah Markus. 67 leaves with last page of text numbered 64. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Metro-Goldwyn-Mayer [MGM] / United Artists unknown books
1982réf. 170705Beverly Hills CA: Metro-Goldwyn-Mayer MGM / United Artists 1982. Final Draft script for Season 2 Episode 16 of the 1983-1987 television series. Copy belonging to an unidentified cast or crew member with their name and a numeric annotation in manuscript ink on the top portion of the front wrapper. A musical drama based on the successful 1980 film about the students and faculty at a performing arts high school in New York City. In this episode a boy lies about having sex with Julie while Mr. Reardon is pictured in an immodest swimsuit in a tabloid. White generic MGM/UA Television wrappers with a die-cut title window. Title page present dated December 3 1982 noted as Final Draft with credit for screenwriter Leah Markus. 67 leaves with last page of text numbered 64. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Metro-Goldwyn-Mayer [MGM] / United Artists unknown
1984réf. 166545Hollywood: Paramount Pictures 1984. Second Draft script for the 1984 film. Annotation in manuscript ink on the title page noting copy No. 23. Six revision pages and 30-page location breakdown sheet laid in with the script. Through multiple twists of fate two strangers in New York become friends soon realizing they are developing romantic feelings for each other-although both are married with families. Loosely based on David Lean's 1945 film "Brief Encounter." Set and shot on location throughout New York City. Dark red titled Studio Duplicating Service wrappers with credit for screenwriter Michael Cristofer on the front wrapper. Title page present dated January 10 1984 noted as Second Draft with credit for Cristofer. 124 leaves with last page of text numbered 117. Xerographic duplication rectos only with salmon revision pages laid in at the rear of the script dated 4/7/84. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Paramount Pictures unknown books
1984réf. 166545Hollywood: Paramount Pictures 1984. Second Draft script for the 1984 film. Annotation in manuscript ink on the title page noting copy No. 23. Six revision pages and 30-page location breakdown sheet laid in with the script. Through multiple twists of fate two strangers in New York become friends soon realizing they are developing romantic feelings for each other-although both are married with families. Loosely based on David Lean's 1945 film "Brief Encounter." Set and shot on location throughout New York City. Dark red titled Studio Duplicating Service wrappers with credit for screenwriter Michael Cristofer on the front wrapper. Title page present dated January 10 1984 noted as Second Draft with credit for Cristofer. 124 leaves with last page of text numbered 117. Xerographic duplication rectos only with salmon revision pages laid in at the rear of the script dated 4/7/84. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Paramount Pictures unknown
1985réf. 130468Burbank CA: Warner Brothers 1985. First Draft script for the 1992 film. Rock singer John Mellencamp made his screen and directorial debut in this story by author-screenwriter McMurtry. A big time country music star returns to his family's home in Indiana for his grandfather's birthday party and decides this is where he belongs. He begins an affair with his older brother's wife and goes to work on ruining all he has ever worked for simply for a pipe dream of small-town life which he never fit into anyway. Incredibly similar to Mellencamp's life and based on the story "Lonesome Dove" by Larry McMurtry. Set in Doak City Indiana filmed on location in Seymour Indiana. White self wrappers integral with title page dated February 1985 noted as First Draft with credit for screenwriter McMurtry. 130 leaves mechanical duplication. Pages Fine front wrapper missing bound with two gold brads. Warner Brothers unknown books
1985réf. 130468Burbank CA: Warner Brothers 1985. First Draft script for the 1992 film. Rock singer John Mellencamp made his screen and directorial debut in this story by author-screenwriter McMurtry. A big time country music star returns to his family's home in Indiana for his grandfather's birthday party and decides this is where he belongs. He begins an affair with his older brother's wife and goes to work on ruining all he has ever worked for simply for a pipe dream of small-town life which he never fit into anyway. Incredibly similar to Mellencamp's life and based on the story "Lonesome Dove" by Larry McMurtry. Set in Doak City Indiana filmed on location in Seymour Indiana. White self wrappers integral with title page dated February 1985 noted as First Draft with credit for screenwriter McMurtry. 130 leaves mechanical duplication. Pages Fine front wrapper missing bound with two gold brads. Warner Brothers unknown
1966réf. 144816Universal City: Universal Pictures 1966. Vintage photograph of actors Julie Christie and Oskar Werner director François Truffaut and various members of the crew on the set of the 1966 film. With manuscript annotations on the verso. Based on the 1953 novel by Ray Bradbury. Shot on location in England and France. 9.5 x 7.5 inches. Near Fine. Universal Pictures unknown books
1966réf. 150657N.p.: N.p. 1966. Vintage borderless reference photograph with narrow top margin from the 1966 film. "Cinema 66" and "Rahrenheit 451" stamps on verso. Based on the 1953 novel by Ray Bradbury. Truffaut's fifth film set in a dystopian future in which all books are burned and free thought is discouraged. Set in and shot on location in England. 8 x 10 inches. Near Fine. N.p. unknown books
1966réf. 159830N.p.: N.p. 1966. Four vintage reference photographs of director François Truffaut on the set of the 1966 film. Two with printed mimeo snipes affixed to the versos. Based on the 1953 novel by Ray Bradbury. Truffaut's fifth film set in a dystopian future in which all books are burned and free thought is actively discouraged. Set and shot on location in England. Ranging in size from 7.75 x 9.25 inches to 8 x 10 inches. Near Fine to Very Good plus. N.p. unknown books
1966réf. 148891N.p.: Universal International Pictures 1966. Eight vintage full-color British front-of-house cards from the 1966 film. Each with stamps on the verso reading "Girosign Ltd." and "393." Based on the 1953 novel by Ray Bradbury. Set in and shot on location in England. 8 x 10 inches. Very Good only with some creasing to several cards and some faint pen markings to one of the cards. Universal International Pictures unknown books
1966réf. 148214Universal City: Universal Film 1966. Collection of 16 vintage color French lobby cards from the 1966 film. Based on the 1953 novel by Ray Bradbury. Set in and shot on location in England. 11.5 x 9.25 inches. Very Good plus pinholes to corners with come corner and edgewear. Universal Film unknown books
1966réf. 148214Universal City: Universal Film 1966. Collection of 16 vintage color French lobby cards from the 1966 film. Based on the 1953 novel by Ray Bradbury. Set in and shot on location in England. 11.5 x 9.25 inches. Very Good plus pinholes to corners with come corner and edgewear. Universal Film unknown
1966réf. 159830N.p.: N.p. 1966. Four vintage reference photographs of director François Truffaut on the set of the 1966 film. Two with printed mimeo snipes affixed to the versos. Based on the 1953 novel by Ray Bradbury. Truffaut's fifth film set in a dystopian future in which all books are burned and free thought is actively discouraged. Set and shot on location in England. Ranging in size from 7.75 x 9.25 inches to 8 x 10 inches. Near Fine to Very Good plus. N.p. unknown
1966réf. 150657N.p.: N.p. 1966. Vintage borderless reference photograph with narrow top margin from the 1966 film. "Cinema 66" and "Rahrenheit 451" stamps on verso. Based on the 1953 novel by Ray Bradbury. Truffaut's fifth film set in a dystopian future in which all books are burned and free thought is discouraged. Set in and shot on location in England. 8 x 10 inches. Near Fine. N.p. unknown
1966réf. 148891N.p.: Universal International Pictures 1966. Eight vintage full-color British front-of-house cards from the 1966 film. Each with stamps on the verso reading "Girosign Ltd." and "393." Based on the 1953 novel by Ray Bradbury. Set in and shot on location in England. 8 x 10 inches. Very Good only with some creasing to several cards and some faint pen markings to one of the cards. Universal International Pictures unknown
1966réf. 144816Universal City: Universal Pictures 1966. Vintage photograph of actors Julie Christie and Oskar Werner director François Truffaut and various members of the crew on the set of the 1966 film. With manuscript annotations on the verso. Based on the 1953 novel by Ray Bradbury. Shot on location in England and France. 9.5 x 7.5 inches. Near Fine. Universal Pictures unknown
1968réf. 160239Beverly Hills CA: Continental 1968. Original pressbook for the 1968 film. A searing emotional depiction of a disintegrating marriage in American middle-class suburbia. John Cassavetes' seminal fourth film as director took three years to complete was shot and edited in his own house starred his friends who often doubled as camera operators and ushered in an entirely new American independent cinema made outside the studio system. Shot on location in Los Angeles. 11 x 17 inches folded twice and measuring 33 x 17 inches unfolded. Very Good plus. BFI 1126. Criterion Collection 252. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Vogel Film as a Subversive Art. Continental unknown books
1968réf. 160239Beverly Hills CA: Continental 1968. Original pressbook for the 1968 film. A searing emotional depiction of a disintegrating marriage in American middle-class suburbia. John Cassavetes' seminal fourth film as director took three years to complete was shot and edited in his own house starred his friends who often doubled as camera operators and ushered in an entirely new American independent cinema made outside the studio system. Shot on location in Los Angeles. 11 x 17 inches folded twice and measuring 33 x 17 inches unfolded. Very Good plus. BFI 1126. Criterion Collection 252. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Vogel Film as a Subversive Art. Continental unknown
1976réf. 141725Hollywood: Paramount Pictures 1976. First German Edition. Text in German. A companion book for the 1976 film illustrated with photographs. Near Fine in silver titled wrappers. Paramount Pictures unknown books
1976réf. 141725Hollywood: Paramount Pictures 1976. First German Edition. Text in German. A companion book for the 1976 film illustrated with photographs. Near Fine in silver titled wrappers. Paramount Pictures unknown
1990réf. 142376Los Angeles: William Morris Agency 1990. First Draft script for an unproduced film. Not to be confused with the 1997 film "Face/Off" directed by John Woo. A young man who does not believe he is smart enough to attend college receives a lacrosse scholarship from Amherst. Attending college is a dream of his family's but he does not know whether going to college is right for him. Set in New Jersey. Blue untitled wrappers. Title page present dated January 2 1990 noted as FIRST DRAFT - REVISED III with credits for screenwriters Michael Buhlman and Jonathan Baker. 133 leaves with last page of text numbered 132. Xerographic duplication first generation. Pages Near Fine wrapper Very Good with some staining and a phone number written in manuscript ink on the front wrapper. Bound internally with two gold brads. William Morris Agency unknown books
