11 045 résultats
1966réf. 137536London: Gala Films 1966. Two vintage black-and-white studio still photographs from the UK release of the 1965 Spanish film "Cabriola" released in the US as "Every Day Is a Holiday." Mimeo snipes affixed to the versos noting cast synopsis and production company. Pictured is Marisol in action and smiley on horseback Releasing during a time when female bullfighters were widely publicized in national periodicals this film tells the story of Chica Marisol a young Spanish girl who rises to fame as a bullfighter on horseback disguised as a boy. Set in Spain shot on there location. 8 x 10 inches. About Near Fine. Hirschhorn p. 145. Gala Films unknown books
1970réf. 161703N.p.: Grove Press 1970. Six vintage studio still photographs from the 1970 film. Five photographs with provenance stamps on the versos. A pair of filmmakers in hopes of raising money to shoot a documentary on Lenny Bruce decide to meet that goal by shooting pornographic films with runaway flower kids in Greenwich Village over a weekend. Aspects of cinema verite mixed with sexploitation with an early appearance by actress Joy Bang and a cameo by Robert Altman in the same year he directed MASH. Shot on location in New York. 8 x 10 inches. Very Good plus with some faint creasing edgewear and one with a wax pencil annotation on the recto. Grove Press unknown books
1970réf. 161703N.p.: Grove Press 1970. Six vintage studio still photographs from the 1970 film. Five photographs with provenance stamps on the versos. A pair of filmmakers in hopes of raising money to shoot a documentary on Lenny Bruce decide to meet that goal by shooting pornographic films with runaway flower kids in Greenwich Village over a weekend. Aspects of cinema verite mixed with sexploitation with an early appearance by actress Joy Bang and a cameo by Robert Altman in the same year he directed MASH. Shot on location in New York. 8 x 10 inches. Very Good plus with some faint creasing edgewear and one with a wax pencil annotation on the recto. Grove Press unknown
1970réf. 151266New York: Grove Press 1970. Five vintage studio still photographs from the 1970 art-hardcore film. From the archive of film historian and author Joel Finler. An aspiring young filmmaker wants to make his own films but to raise the necessary money must first make some stag films enlisting the help of several teenage flower-children in 1968 Greenwich Village. Featuring an early appearance by a young Robert Altman who plays a porno distributor. Set and shot on location in New York. 10 x 8 inches. Near Fine. Grove Press unknown books
1970réf. 151266New York: Grove Press 1970. Five vintage studio still photographs from the 1970 art-hardcore film. From the archive of film historian and author Joel Finler. An aspiring young filmmaker wants to make his own films but to raise the necessary money must first make some stag films enlisting the help of several teenage flower-children in 1968 Greenwich Village. Featuring an early appearance by a young Robert Altman who plays a porno distributor. Set and shot on location in New York. 10 x 8 inches. Near Fine. Grove Press unknown
1960réf. 143202Tokyo: Toho Company 1960. Draft script for the 1960 Japanese film. Manuscript ink and stamp on the outer page edges. Production designer's script with manuscript underlining on numerous pages regarding objects needed for a given scene swimsuits sun cream summer kimonos Persian cat etc. Other annotations in the same hand fill in the names of actors who have been chosen to play the parts of various characters whose names are printed. The double directed feature intentionally creates a juxtaposition between each director's lens and the credits give no indication of how the two collaborated also intentional. According to Audie Bock author of "Japanese Film Directors" Naruse filmed all of the older generation scenes and the Japanese restaurant scenes while Kawashima did the younger generation and the geisha house scenes comparatively the 'comic relief'. A family love triangle sees a mother and daughter in competition and parallels the conflicting nature of new and older generations in modern society. Set in Japan. White titled wrappers noted as 1 on the front wrapper dated 1960. Title page present. 88 leaves with last page of text numbered g-25. Mechanical duplication. Pages Near Fine wrapper Very Good plus bound with two staples wrapped in paper on spine. Toho Company unknown books
1960réf. 143202Tokyo: Toho Company 1960. Draft script for the 1960 Japanese film. Manuscript ink and stamp on the outer page edges. Production designer's script with manuscript underlining on numerous pages regarding objects needed for a given scene swimsuits sun cream summer kimonos Persian cat etc. Other annotations in the same hand fill in the names of actors who have been chosen to play the parts of various characters whose names are printed. The double directed feature intentionally creates a juxtaposition between each director's lens and the credits give no indication of how the two collaborated also intentional. According to Audie Bock author of "Japanese Film Directors" Naruse filmed all of the older generation scenes and the Japanese restaurant scenes while Kawashima did the younger generation and the geisha house scenes comparatively the 'comic relief'. A family love triangle sees a mother and daughter in competition and parallels the conflicting nature of new and older generations in modern society. Set in Japan. White titled wrappers noted as 1 on the front wrapper dated 1960. Title page present. 88 leaves with last page of text numbered g-25. Mechanical duplication. Pages Near Fine wrapper Very Good plus bound with two staples wrapped in paper on spine. Toho Company unknown
1993réf. 166676N.p.: N.p. 1993. Vintage black-and-white reference photograph from the 1993 film showing actress Uma Thurman joyfully riding a horse. Printed snipe affixed to the verso. Based on the 1976 Tom Robbins novel following the adventures of a woman who capitalizes on her genetic mutation: enormous thumbs. Shot on location throughout Oregon. 10 x 8 inches. Near Fine. N.p. unknown books
1993réf. 166676N.p.: N.p. 1993. Vintage black-and-white reference photograph from the 1993 film showing actress Uma Thurman joyfully riding a horse. Printed snipe affixed to the verso. Based on the 1976 Tom Robbins novel following the adventures of a woman who capitalizes on her genetic mutation: enormous thumbs. Shot on location throughout Oregon. 10 x 8 inches. Near Fine. N.p. unknown
1989réf. 141597Beverly Hills CA: Orion 1989. Revised Draft script for the 1991 film. Copy belonging to Brad Ricker an unknown crew member with his name on the front wrapper in manuscript ink. EVE VIII is a military cyborg designed to look like her creator. When it is damaged during a bank robbery it begins accessing dark and tragic personal memories of its creator and sets about on an unstoppable mission to kill. Colonel Jim McQuade Hines is tasked with stopping the machine of death. Shot on location in San Francisco Los Angeles and New York City. White untitled wrappers. Title page present dated 10/2/89 noted as Revised with credits for screenwriters Duncan Gibbins and Yale Udoff. 118 leaves with last page of text numbered 117. Xerographic duplication. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Orion unknown books
1991réf. 147653Beverly Hills CA: Orion Pictures 1991. Eight vintage studio still photographs from the 1991 film five of which are compilation prints of multiple stills. Dr. Eve Simmons Renee Soutendijk in her first US film creates a nuclear armed android EVE VIII also played by Soutendijk for the military which looks and sounds just like its creator and has gotten lost in a big city and Dr. Simmons and Colonel Jim McQuade Gregory Hines must stop it. Shot on location in New York Los Angeles and San Francisco. 8 x 10 inches. Near Fine. Orion Pictures unknown books
1989réf. 141597Beverly Hills CA: Orion 1989. Revised Draft script for the 1991 film. Copy belonging to Brad Ricker an unknown crew member with his name on the front wrapper in manuscript ink. EVE VIII is a military cyborg designed to look like her creator. When it is damaged during a bank robbery it begins accessing dark and tragic personal memories of its creator and sets about on an unstoppable mission to kill. Colonel Jim McQuade Hines is tasked with stopping the machine of death. Shot on location in San Francisco Los Angeles and New York City. White untitled wrappers. Title page present dated 10/2/89 noted as Revised with credits for screenwriters Duncan Gibbins and Yale Udoff. 118 leaves with last page of text numbered 117. Xerographic duplication. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Orion unknown
1963réf. 151457N.p.: N.p. 1963. Two vintage borderless reference photographs from the 1963 film. Included is a distributor's pamphlet. A mondo documentary following the sexual exploits of buxom women across Europe. Photographs 7 x 9.5 inches. Near Fine. Pamphlet bi-fold 8.5 x 11 inches. Very Good moderately chipped and soiled. N.p. unknown books
1963réf. 161702N.p.: Eve Productions 1963. Vintage studio still photograph from the 1963 film. Famed director Russ Meyer's documentary about the underground world of sex work in Europe. According to film critic Roger Ebert's article "Russ Meyer: King of the Nudies" published in the Jan/Feb 1973 issue of "Film Comment" Meyer "concealed a 16-mm camera in a suitcase and got footage in the red-light districts of Paris Amsterdam and elsewhere." 8 x 10 inches. Near Fine. Eve Productions unknown books
1963réf. 161702N.p.: Eve Productions 1963. Vintage studio still photograph from the 1963 film. Famed director Russ Meyer's documentary about the underground world of sex work in Europe. According to film critic Roger Ebert's article "Russ Meyer: King of the Nudies" published in the Jan/Feb 1973 issue of "Film Comment" Meyer "concealed a 16-mm camera in a suitcase and got footage in the red-light districts of Paris Amsterdam and elsewhere." 8 x 10 inches. Near Fine. Eve Productions unknown
1963réf. 151457N.p.: N.p. 1963. Two vintage borderless reference photographs from the 1963 film. Included is a distributor's pamphlet. A mondo documentary following the sexual exploits of buxom women across Europe. Photographs 7 x 9.5 inches. Near Fine. Pamphlet bi-fold 8.5 x 11 inches. Very Good moderately chipped and soiled. N.p. unknown
1990réf. 1261471990 N°43-44 - Lettres modernes Minard, collection "Études cinématographiques" - 1990 - Revue trimestrielle - In-12, broché- 260 pages - Quelques illustrations en N&B in-texte
1970réf. 147195N.p.: N.p. 1970. Treatment script for an unproduced film. With two brief manuscript ink annotations to the title page and front wrapper noting the number 778. Based on the life of noted Viennese composer Oscar Straus. Set in Austria and New York. Yellow untitled generic Paul Kohner wrappers. Title page present with credits for screenwriter Kent A. Barret. 41 leaves with last page of text numbered 40. Mimeograph duplication on onionskin stock rectos only. Pages Very Good plus wrapper Very Good with light soil to the wrapper and first and last leaves bound with two gold brads. N.p. unknown books
1970réf. 146821N.p.: N.p. 1970. Treatment script for an unproduced film. With two small manuscript ink annotations on the front wrapper and the title page. Based on the life of noted Viennese composer Oscar Straus. Set in Austria and New York. Yellow untitled generic Paul Kohner wrappers. Title page present with credits for screenwriter Kent A. Barret. 41 leaves with last page of text numbered 40. Mimeograph duplication on onionskin stock rectos only. Pages Very Good plus wrapper Very Good with light offsetting along the right fore edge of the front wrapper bound with two gold brads. N.p. unknown books
1970réf. 147195N.p.: N.p. 1970. Treatment script for an unproduced film. With two brief manuscript ink annotations to the title page and front wrapper noting the number 778. Based on the life of noted Viennese composer Oscar Straus. Set in Austria and New York. Yellow untitled generic Paul Kohner wrappers. Title page present with credits for screenwriter Kent A. Barret. 41 leaves with last page of text numbered 40. Mimeograph duplication on onionskin stock rectos only. Pages Very Good plus wrapper Very Good with light soil to the wrapper and first and last leaves bound with two gold brads. N.p. unknown
1970réf. 146821N.p.: N.p. 1970. Treatment script for an unproduced film. With two small manuscript ink annotations on the front wrapper and the title page. Based on the life of noted Viennese composer Oscar Straus. Set in Austria and New York. Yellow untitled generic Paul Kohner wrappers. Title page present with credits for screenwriter Kent A. Barret. 41 leaves with last page of text numbered 40. Mimeograph duplication on onionskin stock rectos only. Pages Very Good plus wrapper Very Good with light offsetting along the right fore edge of the front wrapper bound with two gold brads. N.p. unknown
1960réf. 147649Paris: Films sans Frontieres 1960. Four vintage studio still photographs from the 1960 film. Three black and white and one in color. Loosely based on the biblical story of Esther a Jewish woman who helps the king of Persia combat the suppression of Jews promoted by the nefarious minister Haman. Set in Persia. 8 x 10 inches. Very Good plus overall. Films sans Frontieres unknown books
1960réf. 147644Paris: Films sans Frontieres 1960. Collection of nine vintage studio still photographs from the 1960 film. Seven black and white and two in color. Loosely based on the biblical story of Esther a Jewish woman who helps the king of Persia combat the suppression of Jews promoted by the nefarious minister Haman. Set in Persia. 8 x 10 inches. Five Near Fine with light wear to the corners Four Very Good plus with light creasing and faint soil to the top edge and verso. Films sans Frontieres unknown books
1960réf. 147644Paris: Films sans Frontieres 1960. Collection of nine vintage studio still photographs from the 1960 film. Seven black and white and two in color. Loosely based on the biblical story of Esther a Jewish woman who helps the king of Persia combat the suppression of Jews promoted by the nefarious minister Haman. Set in Persia. 8 x 10 inches. Five Near Fine with light wear to the corners Four Very Good plus with light creasing and faint soil to the top edge and verso. Films sans Frontieres unknown
1944réf. 129803Burbank CA: Vanguard Films / Warner Brothers 1944. Draft script for the 1947 film. This is an early draft developed at Vanguard Films prior to the property being sold to Warner Brothers. An American remake of the 1935 British film of the same name. Largely set in Italy the story concerns the relationship between poverty-stricken musician Sebastian Dunbrok Errol Flynn and unwed mother Gemma Smith Ida Lupino. Suspecting that her fiance Caryl Gig Young Sebastian's brother is the father of Gemma's child young heiress Fennella McLean Eleanor Parker retreats to the Italian Alps. Attempting to straighten out the situation Sebastian finds himself falling in love with Fennella. For his brother's sake Sebastian breaks off the relationship and marries Gemma but while awaiting the birth of her child he writes a heartfelt ballet score dedicated to Fennella. However when Gemma's baby dies the conscience-stricken Sebastian changes the dedication to his wife whom he has learned to genuinely love. Notable for a stirring musical score by Erich Wolfgang Korngold. Blue titled wrappers dated August 21 1944 with credits for playwright Margaret Kennedy. Distribution page present with receipt intact. 131 leaves mechanical duplication. Pages Near Fine wrapper Very Good with tearing at the left hole punches bound with three gold brads. Wrappers now encapsulated in protective mylar. Vanguard Films / Warner Brothers unknown books
