Lesley Selander (director); John C Champion (screenwriter); John Hodiak, Barbara Britton (starring)ABAA
11 049 résultats
1954réf. 146060N.p.: N.p. 1954. Draft script for the 1954 film. With faint manuscript pencil annotations throughout. Set months before the beginning of the Korean War an American Air Force instructor is assigned to a Kungju base where he is set with the formidable task of completely transforming the South Korean pilots into unstoppable fighting machines in 25 days. Originally intended for release as a 3D film and filmed in dual 53mm Polaroid 3-D by the time the film premiered in 1954 public interest in 3D had declined and the film was shown as a flat print. Set in South Korea and shot on location in California. Blue titled wrappers with credits for screenwriter John C. Champion. Title page present with screenwriting and story credits for John C. Champion. 126 leaves with last page of text numbered 119. Typescript on onionskin stock rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. N.p. unknown books
1954réf. 148043Glendale CA: Allied Artists 1954. Vintage photograph from the 1954 film. Promotional headshot of John Hodiak. Set months before the beginning of the Korean War an American Air Force instructor Major Matt Brady Hodiak is assigned to a Kungju base where he is set with the formidable task of completely transforming the South Korean pilots into unstoppable fighting machines in 25 days. Originally intended for release as a 3D film and filmed in dual 53mm Polaroid 3-D by the time the film premiered in 1954 public interest in 3D had declined and the film was shown as a flat print. Set in South Korea and shot on location in California. 8 x 10 inches. Near Fine with some light edgewear. Allied Artists unknown books
1954réf. 146060N.p.: N.p. 1954. Draft script for the 1954 film. With faint manuscript pencil annotations throughout. Set months before the beginning of the Korean War an American Air Force instructor is assigned to a Kungju base where he is set with the formidable task of completely transforming the South Korean pilots into unstoppable fighting machines in 25 days. Originally intended for release as a 3D film and filmed in dual 53mm Polaroid 3-D by the time the film premiered in 1954 public interest in 3D had declined and the film was shown as a flat print. Set in South Korea and shot on location in California. Blue titled wrappers with credits for screenwriter John C. Champion. Title page present with screenwriting and story credits for John C. Champion. 126 leaves with last page of text numbered 119. Typescript on onionskin stock rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. N.p. unknown
1957réf. 142582Burbank CA: National Broadcasting Company NBC / Mark VII 1957. Final Draft script for Season 7 Episode 17 of the 1951-1959 television series originally aired January 16 1958 on NBC. Script belonging to Lyn Thomas who played Mona Morgan in the episode with her manuscript name in red ink on the front wrapper and her lines circled in manuscript ink throughout. Second episode in a series of four where Friday and Smith investigate a string of jade robberies. The previous year Lyn Thomas appeared in Season Six episode 19 "The Big Skip." Set in and shot on location in Los Angeles. White titled wrapper noted as Final on the front wrapper rubber-stamped production No. 4108 dated 8/2/1957. Title page present dated 8/2/57 with credits for screenwriter Frank Burt. 45 leaves with last page of text numbered 44. Mechanical duplication with blue and pink revision pages throughout dated 8/16/57. Pages and wrapper Very Fine bound with three gold brads. National Broadcasting Company [NBC] / Mark VII unknown books
1957réf. 142582Burbank CA: National Broadcasting Company NBC / Mark VII 1957. Final Draft script for Season 7 Episode 17 of the 1951-1959 television series originally aired January 16 1958 on NBC. Script belonging to Lyn Thomas who played Mona Morgan in the episode with her manuscript name in red ink on the front wrapper and her lines circled in manuscript ink throughout. Second episode in a series of four where Friday and Smith investigate a string of jade robberies. The previous year Lyn Thomas appeared in Season Six episode 19 "The Big Skip." Set in and shot on location in Los Angeles. White titled wrapper noted as Final on the front wrapper rubber-stamped production No. 4108 dated 8/2/1957. Title page present dated 8/2/57 with credits for screenwriter Frank Burt. 45 leaves with last page of text numbered 44. Mechanical duplication with blue and pink revision pages throughout dated 8/16/57. Pages and wrapper Very Fine bound with three gold brads. National Broadcasting Company [NBC] / Mark VII unknown
1969réf. 140527Burbank CA: National Broadcasting Company NBC 1969. Three scripts from the seminal police procedural television program from its colorful pop culture-infused revival made between 1967-1970 starring Jack Webb and Henry Morgan along with a relentless cast of hippies druggies bad parents priests and a host of substantially less hip efficient and often troubled men and women of the Los Angeles Police Department. The collection includes: "Burglary Auto: Courtroom": Revised Draft script for Season Four episode nine originally aired on November 20 1969. With a manuscript ink notation on the front wrapper referring to LAPD Sergeant Dan Cooke who was the department's liaison to the show. Friday and Gannon testify in court about a search of suspect's car but their key witness is missing. Pink self wrappers with title page integral on the front wrapper noted as production number 30208 dated September 9 and September 12 1969 with credits for screenwriter Barrett and LAPD technical advisor Lt. Charles W. Walters. 41 leaves with last page of text numbered 39. Mechanical duplication on pink stock with revision pages throughout dated 9/12/69. Pages Near Fine wrapper Very Good plus bound with two gold brads. "Narco: Pill Maker": Revised Draft script for Season Four episode 18 originally aired on February 19 1970. Here under the slightly more formal working title "Narcotics: Pill Maker." Pink self wrappers with title page integral on the front wrapper noted as production No. 30237 dated November 26 and December 5 1969 with credits for screenwriter Harris and LAPD technical advisor Sgt. Ronald Garrahan. 43 leaves with last page of text numbered 41. Mechanical duplication on pink stock. Pages Near Fine wrapper Very Good plus bound with one gold brad. "Forgery: The Ranger": Revised Draft script for Season Four episode 21 originally aired on March 12 1970. With a manuscript ink notation on the front wrapper referring to LAPD Sergeant Dan Cooke who was the department's liaison to the show. A routine traffic stop reveals a forest ranger in possession of checks and credit cards not in his name and Friday and Gannon begin to suspect him of being a con man. Blue self wrappers with title page integral on the front wrapper noted as production No. 30239 dated December 29 1969 and Janary 5 and 6 1970 with credits for screenwriter Dan Page and LAPD technical advisor Sgt. Robert L. Cameron. 42 leaves with last page of text numbered 34. Mechanical duplication on pink stock with blue revision pages bound in front dated 1/6/70. Pages Very Good plus wrapper Very Good plus bound with one silver brad. National Broadcasting Company [NBC] unknown books
1969réf. 140527Burbank CA: National Broadcasting Company NBC 1969. Three scripts from the seminal police procedural television program from its colorful pop culture-infused revival made between 1967-1970 starring Jack Webb and Henry Morgan along with a relentless cast of hippies druggies bad parents priests and a host of substantially less hip efficient and often troubled men and women of the Los Angeles Police Department. The collection includes: "Burglary Auto: Courtroom": Revised Draft script for Season Four episode nine originally aired on November 20 1969. With a manuscript ink notation on the front wrapper referring to LAPD Sergeant Dan Cooke who was the department's liaison to the show. Friday and Gannon testify in court about a search of suspect's car but their key witness is missing. Pink self wrappers with title page integral on the front wrapper noted as production number 30208 dated September 9 and September 12 1969 with credits for screenwriter Barrett and LAPD technical advisor Lt. Charles W. Walters. 41 leaves with last page of text numbered 39. Mechanical duplication on pink stock with revision pages throughout dated 9/12/69. Pages Near Fine wrapper Very Good plus bound with two gold brads. "Narco: Pill Maker": Revised Draft script for Season Four episode 18 originally aired on February 19 1970. Here under the slightly more formal working title "Narcotics: Pill Maker." Pink self wrappers with title page integral on the front wrapper noted as production No. 30237 dated November 26 and December 5 1969 with credits for screenwriter Harris and LAPD technical advisor Sgt. Ronald Garrahan. 43 leaves with last page of text numbered 41. Mechanical duplication on pink stock. Pages Near Fine wrapper Very Good plus bound with one gold brad. "Forgery: The Ranger": Revised Draft script for Season Four episode 21 originally aired on March 12 1970. With a manuscript ink notation on the front wrapper referring to LAPD Sergeant Dan Cooke who was the department's liaison to the show. A routine traffic stop reveals a forest ranger in possession of checks and credit cards not in his name and Friday and Gannon begin to suspect him of being a con man. Blue self wrappers with title page integral on the front wrapper noted as production No. 30239 dated December 29 1969 and Janary 5 and 6 1970 with credits for screenwriter Dan Page and LAPD technical advisor Sgt. Robert L. Cameron. 42 leaves with last page of text numbered 34. Mechanical duplication on pink stock with blue revision pages bound in front dated 1/6/70. Pages Very Good plus wrapper Very Good plus bound with one silver brad. National Broadcasting Company [NBC] unknown
1965réf. 167558Los Angeles: Twentieth Century-Fox / Hammer Films 1965. Vintage studio still photograph from the 1966 British horror film. Hammer's third Dracula film and the second to feature Christopher Lee as the titular vampire in an entirely dialogue-free role. Set in 1895 at the fictional Castle Karlsbad in the Carpathian Mountains shot on location in Buckinghamshire and Berkshire England. 10 x 8 inches. Near Fine. Johnson and Del Vecchio. Twentieth Century-Fox / Hammer Films unknown books
1978réf. 169977N.p.: N.p. 1978. Archive of 180 pages of post-production documents including Italian and English dialogue-only scripts regarding English translations and subtitles for the 1975 Italian film here under the working English title "Young Dracula." Included in the archive are: 68-page dialogue-only script in Italian with manuscript ink annotations on 28 pages checking dialog and occasionally noting timing. Attached is a carbon typescript letter signed from distributor Robert M. Phillips to a "Mr. Finder" at Titra Film Laboratories in New York regarding the English subtitling for the film dated December 18 1978. Xerographic duplication. 46-page dialogue-only script in English with manuscript ink annotations on every page noting timing and checking dialogue. 40-page carbon typescript "English Copy Superimposed Spotted List" on "Spottted and Edited by Nat and Robert Hoffberg" onionskin forms with manuscript ink annotations on nine pages regarding dialogue and timing. 15-page carbon typescript of "Revised text" on onionskin stock with ink annotations on every page checking and noting dialogue. Four ribbon copy typescript pages on onionskin stock of "Changes For Spotting List" and "Additional Changes for Young Dracula." Three ribbon copy typescript pages on onionskin stock comprised of two trailer spotting list pages and a one page "Changes for Trailer Spotting List." Three-page Xerographic copy of "Trailer Dialogue" with manuscript ink annotations throughout noting timing and checking dialogue. Typed letter signed on onionskin stock from Phillips to Robert Hoffberg dated January 19 1979 regarding discrepancies in dialogue translations. Giallo director Lucio Fulco's vampire comedy wherein a boorish quick-tempered toothpaste factor owner finds himself thirsty for blood and re-examining his life after a curse from a gypsy aunt and a business trip to Romania where he shared a bed with a suave vampire. Shot on location in Rome Italy. Italian dialogue-only script: Front wrapper integral with cover letter. 69 leaves with last page of text numbered 68. Xerographic duplication rectos only. Pages Near Fine letter Very Good plus unbound with a large paper clip to the top left corner. English dialogue-only script: Front wrapper integral with first leaf. 46 leaves with the last page of text numbered 46. Xerographic duplication rectos only. Pages Near Fine unbound with a binder clip to the top left corner. Letter dated January 19 1979 8.5 x 11 inches. Very Good with a small closed tear to the right side and a large closed tear to the top left and light edgewear and creasing. All other documents 8.5 x 11 inches to 8.5 x 14 inches. Very Good plus to Near Fine overall. N.p. unknown books
1978réf. 169977N.p.: N.p. 1978. Archive of 180 pages of post-production documents including Italian and English dialogue-only scripts regarding English translations and subtitles for the 1975 Italian film here under the working English title "Young Dracula." Included in the archive are: 68-page dialogue-only script in Italian with manuscript ink annotations on 28 pages checking dialog and occasionally noting timing. Attached is a carbon typescript letter signed from distributor Robert M. Phillips to a "Mr. Finder" at Titra Film Laboratories in New York regarding the English subtitling for the film dated December 18 1978. Xerographic duplication. 46-page dialogue-only script in English with manuscript ink annotations on every page noting timing and checking dialogue. 40-page carbon typescript "English Copy Superimposed Spotted List" on "Spottted and Edited by Nat and Robert Hoffberg" onionskin forms with manuscript ink annotations on nine pages regarding dialogue and timing. 15-page carbon typescript of "Revised text" on onionskin stock with ink annotations on every page checking and noting dialogue. Four ribbon copy typescript pages on onionskin stock of "Changes For Spotting List" and "Additional Changes for Young Dracula." Three ribbon copy typescript pages on onionskin stock comprised of two trailer spotting list pages and a one page "Changes for Trailer Spotting List." Three-page Xerographic copy of "Trailer Dialogue" with manuscript ink annotations throughout noting timing and checking dialogue. Typed letter signed on onionskin stock from Phillips to Robert Hoffberg dated January 19 1979 regarding discrepancies in dialogue translations. Giallo director Lucio Fulco's vampire comedy wherein a boorish quick-tempered toothpaste factor owner finds himself thirsty for blood and re-examining his life after a curse from a gypsy aunt and a business trip to Romania where he shared a bed with a suave vampire. Shot on location in Rome Italy. Italian dialogue-only script: Front wrapper integral with cover letter. 69 leaves with last page of text numbered 68. Xerographic duplication rectos only. Pages Near Fine letter Very Good plus unbound with a large paper clip to the top left corner. English dialogue-only script: Front wrapper integral with first leaf. 46 leaves with the last page of text numbered 46. Xerographic duplication rectos only. Pages Near Fine unbound with a binder clip to the top left corner. Letter dated January 19 1979 8.5 x 11 inches. Very Good with a small closed tear to the right side and a large closed tear to the top left and light edgewear and creasing. All other documents 8.5 x 11 inches to 8.5 x 14 inches. Very Good plus to Near Fine overall. N.p. unknown
1958réf. 149893N.p.: N.p. 1958. Two vintage borderless reference photographs from the 1958 film "Dracula" released as "Horror of Dracula" in the US. One photo with manuscript pencil and ink annotations regarding layout on the verso. Based on Bram Stoker's 1897 novel. Hammer Films' first adaptation of the Dracula story generally thought to be the finest of the studio's many horror films to feature the Count and simply one of the finest gothic horror films ever made. Christopher Lee introduced a more romantic debonair take on the character an approach that is still a mainstay of contemporary interpretations. Set in Klausenburg shot on location in Berkshire England. 9.5 x 7 inches. Very Good plus one with light soil to the bottom left corner. Johnson and DelVecchio Hammer Films: An Exhaustive Filmography. N.p. unknown books
1958réf. 149893N.p.: N.p. 1958. Two vintage borderless reference photographs from the 1958 film "Dracula" released as "Horror of Dracula" in the US. One photo with manuscript pencil and ink annotations regarding layout on the verso. Based on Bram Stoker's 1897 novel. Hammer Films' first adaptation of the Dracula story generally thought to be the finest of the studio's many horror films to feature the Count and simply one of the finest gothic horror films ever made. Christopher Lee introduced a more romantic debonair take on the character an approach that is still a mainstay of contemporary interpretations. Set in Klausenburg shot on location in Berkshire England. 9.5 x 7 inches. Very Good plus one with light soil to the bottom left corner. Johnson and DelVecchio Hammer Films: An Exhaustive Filmography. N.p. unknown
1969réf. 164374N.p.: Warner Brothers / Seven Arts 1969. Vintage French Moyenne poster for the 1968 Hammer film here under the French release title "Dracula et les femmes." The fourth entry in Hammer Film Productions' Dracula series and the third to feature Christopher Lee as the Count. Preceded by the 1966 film "Dracula: Prince of Darkness" directed by Terence Fisher and followed by the 1970 film "Taste the Blood of Dracula" directed by Peter Sasdy. A monsignor exorcises Dracula's castle unwittingly resurrecting the Count who proceeds to prey on the monsignor's beautiful niece and friends. 23 x 31.25 inches. Folded as issued. Very Good plus with a 4.25 inch closed tear to the upper right side and starting at the center and far right creases. Warner Brothers / Seven Arts unknown books
1969réf. 164374N.p.: Warner Brothers / Seven Arts 1969. Vintage French Moyenne poster for the 1968 Hammer film here under the French release title "Dracula et les femmes." The fourth entry in Hammer Film Productions' Dracula series and the third to feature Christopher Lee as the Count. Preceded by the 1966 film "Dracula: Prince of Darkness" directed by Terence Fisher and followed by the 1970 film "Taste the Blood of Dracula" directed by Peter Sasdy. A monsignor exorcises Dracula's castle unwittingly resurrecting the Count who proceeds to prey on the monsignor's beautiful niece and friends. 23 x 31.25 inches. Folded as issued. Very Good plus with a 4.25 inch closed tear to the upper right side and starting at the center and far right creases. Warner Brothers / Seven Arts unknown
1972réf. 160079Burbank CA: Hammer Films / Warner Brothers 1972. Two vintage reference photographs from the 1972 film. With manuscript pencil annotation on the verso identifying the film and actors Peter Cushing and Stephanie Beachum. In 1872 Dracula is killed by a professor with a stake through his heart and then buried by his servant. In present day 1972 the great grandchildren of the professor and the servant accidentally resurrect Dracula and he wants revenge. Set in London shot on location in Hertfordshire and London. 8 x 10 inches. Very Good plus with some small creasing at the corners. Weldon 1983. Hammer Films / Warner Brothers unknown books
1972réf. 160079Burbank CA: Hammer Films / Warner Brothers 1972. Two vintage reference photographs from the 1972 film. With manuscript pencil annotation on the verso identifying the film and actors Peter Cushing and Stephanie Beachum. In 1872 Dracula is killed by a professor with a stake through his heart and then buried by his servant. In present day 1972 the great grandchildren of the professor and the servant accidentally resurrect Dracula and he wants revenge. Set in London shot on location in Hertfordshire and London. 8 x 10 inches. Very Good plus with some small creasing at the corners. Weldon 1983. Hammer Films / Warner Brothers unknown
1965réf. 150761Los Angeles: Paramount Pictures 1965. Eight vintage studio still photographs from the 1965 film. Two with printed mimeo snipes on the verso. Five passengers in a train carriage are joined by a mysterious doctor who predicts the destinies of each passenger using his Tarot deck. Intended as a successor to "Dead of Night" a wildly successful Ealing Studios horror anthology released twenty years prior. Set and shot on location in England. 10 x 8 inches. Very Good plus lightly creased several with pinholes to the corners. Paramount Pictures unknown books
1970réf. 158068N.p.: N.p. 1970. Draft script for an unproduced Blaxploitation horror film. A reclusive Black music producer named Dr. Rocula lures young would-be musicians into his home where he feasts on their blood. Set in Los Angeles. Orange wrappers with a typed title label affixed to the front wrapper. Title page present undated with credits for screenwriter Edward Medard. 120 leaves with last page of text numbered 119. Xerographic duplication rectos only. Pages Very Good plus with light wear on the bottom page edges wrapper Good with front wrapper detached from the binding bound with two gold brads. N.p. unknown books
1970réf. 158068N.p.: N.p. 1970. Draft script for an unproduced Blaxploitation horror film. A reclusive Black music producer named Dr. Rocula lures young would-be musicians into his home where he feasts on their blood. Set in Los Angeles. Orange wrappers with a typed title label affixed to the front wrapper. Title page present undated with credits for screenwriter Edward Medard. 120 leaves with last page of text numbered 119. Xerographic duplication rectos only. Pages Very Good plus with light wear on the bottom page edges wrapper Good with front wrapper detached from the binding bound with two gold brads. N.p. unknown
1941réf. 163566N.p.: N.p. 1941. Vintage reference photograph from the 1941 film showing actor Spencer Tracy. Annotations in manuscript pencil on the verso. Based on Robert Louis Stevenson's classic 1886 novella and a remake of the 1931 film starring Fredric March. Nominated for three Academy Awards. 8 x 10 inches. Near Fine. N.p. unknown books
1941réf. 163566N.p.: N.p. 1941. Vintage reference photograph from the 1941 film showing actor Spencer Tracy. Annotations in manuscript pencil on the verso. Based on Robert Louis Stevenson's classic 1886 novella and a remake of the 1931 film starring Fredric March. Nominated for three Academy Awards. 8 x 10 inches. Near Fine. N.p. unknown
1989réf. 140694Los Angeles: Twentieth Century-Fox 1989. Revised Sixth Draft script for the 1990 film. A police officer working in a rich suburb of Philadelphia pulls over a wealthy business owner and messed with the wrong guy as he is reassigned to downtown Philadelphia. Everyone is sure he will get himself and his partner killed so Sergeant Curren Whitaker is assigned to babysit him. He flails until his best friend fellow officer is killed investigating a stolen car. After that the rule book goes out the window. Set in Philadelphia shot on location there as well as Claremont and Los Angeles CA. Red titled wrappers dated March 13 1989. Title page present dated June 28 1989 noted as Revised Sixth Draft with credits for screenwriter Mauldin. 117 leaves with last page of text numbered 115. Xerographic duplication first generation photocopy with no copied punch holes with yellow blue green pink and goldenrod revision pages throughout dated variously between March 28 1989 and June 28 1989. Pages Near Fine wrapper Very Good plus bound with two gold brads. Twentieth Century-Fox unknown books
1989réf. 140694Los Angeles: Twentieth Century-Fox 1989. Revised Sixth Draft script for the 1990 film. A police officer working in a rich suburb of Philadelphia pulls over a wealthy business owner and messed with the wrong guy as he is reassigned to downtown Philadelphia. Everyone is sure he will get himself and his partner killed so Sergeant Curren Whitaker is assigned to babysit him. He flails until his best friend fellow officer is killed investigating a stolen car. After that the rule book goes out the window. Set in Philadelphia shot on location there as well as Claremont and Los Angeles CA. Red titled wrappers dated March 13 1989. Title page present dated June 28 1989 noted as Revised Sixth Draft with credits for screenwriter Mauldin. 117 leaves with last page of text numbered 115. Xerographic duplication first generation photocopy with no copied punch holes with yellow blue green pink and goldenrod revision pages throughout dated variously between March 28 1989 and June 28 1989. Pages Near Fine wrapper Very Good plus bound with two gold brads. Twentieth Century-Fox unknown
2000réf. 167120N.p.: N.p. 2000. Six vintage borderless color lobby cards from the French release of the 2000 American film. Housed in the original manila envelope with the film's logo on one side. An urban fairy tale wherein Jean-Michel Basquiat playing himself roams the streets of New York City encountering many denizens of the musical underground in the process. Shot in December of 1980 and January of 1981 the film was abandoned after completion due to budgetary constraints but was revived by producer and screenwriter Glenn O'Brien in 1999 and made its public debut at the 2000 Cannes Film Festival. 11 x 8.25 inches. Fine. N.p. unknown books
2000réf. 167120N.p.: N.p. 2000. Six vintage borderless color lobby cards from the French release of the 2000 American film. Housed in the original manila envelope with the film's logo on one side. An urban fairy tale wherein Jean-Michel Basquiat playing himself roams the streets of New York City encountering many denizens of the musical underground in the process. Shot in December of 1980 and January of 1981 the film was abandoned after completion due to budgetary constraints but was revived by producer and screenwriter Glenn O'Brien in 1999 and made its public debut at the 2000 Cannes Film Festival. 11 x 8.25 inches. Fine. N.p. unknown
