11 049 résultats
1979réf. 170620Los Angeles: CBS Television Network 1979. Three vintage photographs of Dolly Parton and Carol Burnett from the 1979 CBS television special which aired on February 14 1979. All three photographs with provenance stamps on the versos two with mimeo snipes on the versos. "Dolly and Carol in Nashville" was a musical variety television special in part a promotion for Parton's 1978 album "Heartbreaker" shot at The Grand Ole Opry and aired on Valentine's Day 1979. It was Burnett's first special following the cancellation of her 1967-1978 variety show "The Carol Burnett Show." 8 x 10 inches. Near Fine. CBS Television Network unknown
1975réf. 150681Los Angeles: Dimension Pictures 1975. Seven vintage studio still photographs from the 1975 film. A former pimp attempts to regain control of his nightclub which has been taken over by his rival several corrupt cops and drug dealers. Set and shot on location in Los Angeles. 10 x 8 inches. Near Fine. Howard Blaxploitation Cinema p. 43 130-131. Dimension Pictures unknown books
1975réf. 150681Los Angeles: Dimension Pictures 1975. Seven vintage studio still photographs from the 1975 film. A former pimp attempts to regain control of his nightclub which has been taken over by his rival several corrupt cops and drug dealers. Set and shot on location in Los Angeles. 10 x 8 inches. Near Fine. Howard Blaxploitation Cinema p. 43 130-131. Dimension Pictures unknown
1975réf. 150792Burbank CA: Warner Brothers 1975. Vintage studio still photograph from the 1975 film mounted as issued by the distributor on a presentation card showing actor Charles Durning shouting into a megaphone. Based on the 1974 novel by Patrick Mann which was in turn based on a true story published in Life magazine. Director Sidney Lumet's masterpiece a snapshot of New York invoking LGBTQ politics city politics police politics personal politics and the mood of a city in the heat of the early 1970s-all without being overtly political. The film follows an inexperienced robber and his friend over the course of a doomed bank heist executed in order for the robber's girlfriend a preoperative transgender woman to afford gender confirmation surgery. Photograph 10 x 8 inches Near Fine. Presentation card 14 x 11 inches Very Good plus with pinholes to the corners. National Film Registry. Grant US. Hardy BFI Crime Companion. Spicer US. Warner Brothers unknown books
1936réf. 157106N.p.: N.p. 1936. Vintage reference photograph of director William Wyler and actors Walter Huston Sam Dodsworth and Kathryn Marlowe Dodsworth's daughter Emily played by Kathryn Marlowe on the set of the 1936 film. Based on the 1934 play by Sidney Howard based in turn on the 1929 novel by Sinclair Lewis. A recently retired automobile magnate and his frivolous wife take an extended trip to Europe only to discover they have grown apart. 10 x 8 inches. Very Good plus lightly age toned. National Film Registry. N.p. unknown books
1936réf. 155999Beverly Hills CA: United Artists 1936. Vintage reference photograph of director William Wyler and actor Walter Huston on the set of the 1936 film. Printed mimeo snipe affixed to the verso along with a date stamp in French reading 30 Juil July 1936. Based on the 1934 play by Sidney Howard based in turn on the 1929 novel by Sinclair Lewis. A recently retired automobile magnate and his frivolous wife take an extended trip to Europe only to discover they have grown apart over the years. 8 x 10 inches. Very Good plus lightly age toned with two punch holes on the bottom edge. National Film Registry. United Artists unknown books
1936réf. 157106N.p.: N.p. 1936. Vintage reference photograph of director William Wyler and actors Walter Huston Sam Dodsworth and Kathryn Marlowe Dodsworth's daughter Emily played by Kathryn Marlowe on the set of the 1936 film. Based on the 1934 play by Sidney Howard based in turn on the 1929 novel by Sinclair Lewis. A recently retired automobile magnate and his frivolous wife take an extended trip to Europe only to discover they have grown apart. 10 x 8 inches. Very Good plus lightly age toned. National Film Registry. N.p. unknown
1936réf. 155999Beverly Hills CA: United Artists 1936. Vintage reference photograph of director William Wyler and actor Walter Huston on the set of the 1936 film. Printed mimeo snipe affixed to the verso along with a date stamp in French reading 30 Juil July 1936. Based on the 1934 play by Sidney Howard based in turn on the 1929 novel by Sinclair Lewis. A recently retired automobile magnate and his frivolous wife take an extended trip to Europe only to discover they have grown apart over the years. 8 x 10 inches. Very Good plus lightly age toned with two punch holes on the bottom edge. National Film Registry. United Artists unknown
réf. 148810Tokyo: Toho 1970. Draft script for the 1970 Japanese film. With manuscript ink and pencil annotations to the rear wrapper and throughout the text. Included with the script is a mimeographed shooting schedule. Text and titles in Japanese. Annotations relate to the following: a names of the chosen cast members b set rehearsals and camera rehearsals c times for shooting e.g. Morning Afternoon Evening and Night phone numbers for production personnel d names of potential and/or hired camera assistants e names of potential and/or hired actors f indication of the production company chosen Toho Corporation as well as film stock and lens sizes to be used g additional notes regarding location of some settings h changes to dialogue and action and h some final post-production notes. Director Akira Kurosawa's first color film based on Shugoro Yamamoto's 1962 novel "Kisetsu no nai machi" A City Without Seasons. A series of vignettes about a slum in the suburbs of Tokyo and its impoverished inhabitants. Nominated for an Academy Award for Best Foreign Film. Set and shot on location in Tokyo. Script: White titled wrappers. Title page present. 90 leaves with last page of text numbered d-37. Mimeograph duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good with perfect binding. Schedule: White titled wrappers. 13 leaves with last page numbered 23. Mimeograph duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good with a faintly toned spine and very faint foxing to the fore-edge side-stapled with two staples. Detailed notes with translation of annotations noted above with accompanying images are provided with the script. Toho unknown books
réf. 148810Tokyo: Toho 1970. Draft script for the 1970 Japanese film. With manuscript ink and pencil annotations to the rear wrapper and throughout the text. Included with the script is a mimeographed shooting schedule. Text and titles in Japanese. Annotations relate to the following: a names of the chosen cast members b set rehearsals and camera rehearsals c times for shooting e.g. Morning Afternoon Evening and Night phone numbers for production personnel d names of potential and/or hired camera assistants e names of potential and/or hired actors f indication of the production company chosen Toho Corporation as well as film stock and lens sizes to be used g additional notes regarding location of some settings h changes to dialogue and action and h some final post-production notes. Director Akira Kurosawa's first color film based on Shugoro Yamamoto's 1962 novel "Kisetsu no nai machi" A City Without Seasons. A series of vignettes about a slum in the suburbs of Tokyo and its impoverished inhabitants. Nominated for an Academy Award for Best Foreign Film. Set and shot on location in Tokyo. Script: White titled wrappers. Title page present. 90 leaves with last page of text numbered d-37. Mimeograph duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good with perfect binding. Schedule: White titled wrappers. 13 leaves with last page numbered 23. Mimeograph duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good with a faintly toned spine and very faint foxing to the fore-edge side-stapled with two staples. Detailed notes with translation of annotations noted above with accompanying images are provided with the script. Toho unknown
1968réf. 142538Culver City CA: Frankovich Productions / Columbia Pictures 1968. First Estimating script for the 1971 film. Based on the 1967 novel "Doctors' Wives" by Frank G. Slaughter a real life physician who attended Johns Hopkins medical school. One of the few feature films directed by George Schaefer known mostly for his work directing plays and musicals for television garnering seven Emmy wins and 21 total nominations. Life or death become the stakes as infidelity unfolds in the hospital ward. Red titled wrappers. Title page present dated June 28 1968 noted as First Estimating Draft with credits for screenwriter Daniel Taradash. 157 leaves with last page of text numbered 162. Mimeograph duplication with yellow revision pages throughout dated 8/20/68. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Frankovich Productions / Columbia Pictures unknown books
1968réf. 142538Culver City CA: Frankovich Productions / Columbia Pictures 1968. First Estimating script for the 1971 film. Based on the 1967 novel "Doctors' Wives" by Frank G. Slaughter a real life physician who attended Johns Hopkins medical school. One of the few feature films directed by George Schaefer known mostly for his work directing plays and musicals for television garnering seven Emmy wins and 21 total nominations. Life or death become the stakes as infidelity unfolds in the hospital ward. Red titled wrappers. Title page present dated June 28 1968 noted as First Estimating Draft with credits for screenwriter Daniel Taradash. 157 leaves with last page of text numbered 162. Mimeograph duplication with yellow revision pages throughout dated 8/20/68. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Frankovich Productions / Columbia Pictures unknown
1965réf. 159607N.p.: N.p. 1965. Vintage borderless reference photograph of cast and crew members filming on location for the 1965 film. Printed mimeo snipe affixed to the verso along with the stamp of photographer Federico Grau. Based on Boris Pasternak's controversial Nobel Prize-winning 1957 novel following a married physician whose life is irreversibly changed by the Russian Revolution and resulting Civil War. Nominated for ten Academy Awards winning five including Best Screenplay and Best Cinematography. Pasternak's novel was widely banned in the Soviet Union due to its perceived criticism of the Soviet government forcing director David Lean to begin filming on location in Spain-chosen in large part as a result of his positive experiences filming "Lawrence of Arabia" there several years prior as well as the promise of snow. The film was shot over ten months in Soria and Aragon and at the Aldeadavila Dam with a large-scale Moscow set built outside of Madrid as documented throughout the archive. An unseasonably warm winter in Spain obligated production to head to Finland and Canada in the final months of shooting in order to obtain a sufficiently wintry backdrop for landscape scenes. Shot on location throughout Spain Finland and Canada. 10 x 8 inches. Very Good plus lightly worn at the corners. N.p. unknown books
1965réf. 151829N.p.: N.p. 1965. Archive of 14 original reference photographs taken on the set of the 1965 film and two original contact sheets with 24 images of cast and crew members at what appears to be a wrap party. Several photographs with manuscript ink annotations to the verso identifying figures in the images. One photograph date-stamped APR 27 1964 inscribed on the recto by uncredited location manager Howard "Dutch" Horton to production supervisor John Palmer and another photograph inscribed to Palmer from an unknown crew member in manuscript ink annotation to the verso. From the collection of John Palmer. Included with the collection is a brief typescript note signed from publicist Phil Gersdorf to Palmer gifting Palmer the contact sheets. Based on Boris Pasternak's controversial Nobel Prize-winning 1957 novel following a married physician whose life is irreversibly changed by the Russian Revolution and resulting Civil War. Nominated for ten Academy Awards winning five including Best Screenplay and Best Cinematography. Pasternak's novel was widely banned in the Soviet Union due to its perceived criticism of the Soviet government forcing director David Lean to begin filming on location in Spain-chosen in large part as a result of his positive experiences filming "Lawrence of Arabia" there several years prior as well as the promise of snow. The film was shot over ten months in Soria and Aragon and at the Aldeadavila Dam with a large-scale Moscow set built outside of Madrid as documented throughout the archive. An unseasonably warm winter in Spain obligated production to head to Finland and Canada in the final months of shooting in order to obtain a sufficiently wintry backdrop for landscape scenes. The archive includes eleven photographs of cast and crew members between takes on the Moscow set several shots featuring Palmer and director David Lean during a parade scene with crowds of extras in Soviet militia garb in the background. The Moscow photographs in particular highlight the intricate set and costume design elements which went into constructing the mock city including several striking images of parade participants holding huge portraits of Soviet officials. An unusual addition to the collection is a photograph of Palmer in conversation with noted Austrian-American director Fred Zinnemann who collaborated with actor Omar Sharif in "Behold a Pale Horse" earlier in 1964. Shot on location throughout Spain Finland and Canada. Photographs and contact sheets varying sizes. All materials generally Very Good plus several photographs with moderate toning. N.p. unknown books
1965réf. 159607N.p.: N.p. 1965. Vintage borderless reference photograph of cast and crew members filming on location for the 1965 film. Printed mimeo snipe affixed to the verso along with the stamp of photographer Federico Grau. Based on Boris Pasternak's controversial Nobel Prize-winning 1957 novel following a married physician whose life is irreversibly changed by the Russian Revolution and resulting Civil War. Nominated for ten Academy Awards winning five including Best Screenplay and Best Cinematography. Pasternak's novel was widely banned in the Soviet Union due to its perceived criticism of the Soviet government forcing director David Lean to begin filming on location in Spain-chosen in large part as a result of his positive experiences filming "Lawrence of Arabia" there several years prior as well as the promise of snow. The film was shot over ten months in Soria and Aragon and at the Aldeadavila Dam with a large-scale Moscow set built outside of Madrid as documented throughout the archive. An unseasonably warm winter in Spain obligated production to head to Finland and Canada in the final months of shooting in order to obtain a sufficiently wintry backdrop for landscape scenes. Shot on location throughout Spain Finland and Canada. 10 x 8 inches. Very Good plus lightly worn at the corners. N.p. unknown
1965réf. 151829N.p.: N.p. 1965. Archive of 14 original reference photographs taken on the set of the 1965 film and two original contact sheets with 24 images of cast and crew members at what appears to be a wrap party. Several photographs with manuscript ink annotations to the verso identifying figures in the images. One photograph date-stamped APR 27 1964 inscribed on the recto by uncredited location manager Howard "Dutch" Horton to production supervisor John Palmer and another photograph inscribed to Palmer from an unknown crew member in manuscript ink annotation to the verso. From the collection of John Palmer. Included with the collection is a brief typescript note signed from publicist Phil Gersdorf to Palmer gifting Palmer the contact sheets. Based on Boris Pasternak's controversial Nobel Prize-winning 1957 novel following a married physician whose life is irreversibly changed by the Russian Revolution and resulting Civil War. Nominated for ten Academy Awards winning five including Best Screenplay and Best Cinematography. Pasternak's novel was widely banned in the Soviet Union due to its perceived criticism of the Soviet government forcing director David Lean to begin filming on location in Spain-chosen in large part as a result of his positive experiences filming "Lawrence of Arabia" there several years prior as well as the promise of snow. The film was shot over ten months in Soria and Aragon and at the Aldeadavila Dam with a large-scale Moscow set built outside of Madrid as documented throughout the archive. An unseasonably warm winter in Spain obligated production to head to Finland and Canada in the final months of shooting in order to obtain a sufficiently wintry backdrop for landscape scenes. The archive includes eleven photographs of cast and crew members between takes on the Moscow set several shots featuring Palmer and director David Lean during a parade scene with crowds of extras in Soviet militia garb in the background. The Moscow photographs in particular highlight the intricate set and costume design elements which went into constructing the mock city including several striking images of parade participants holding huge portraits of Soviet officials. An unusual addition to the collection is a photograph of Palmer in conversation with noted Austrian-American director Fred Zinnemann who collaborated with actor Omar Sharif in "Behold a Pale Horse" earlier in 1964. Shot on location throughout Spain Finland and Canada. Photographs and contact sheets varying sizes. All materials generally Very Good plus several photographs with moderate toning. N.p. unknown
1972réf. 171794N.p.: N.p. 1972. Vintage borderless oversize reference photograph from the 1972 French film showing Jean-Paul Belmondo and Daniel Ivernel ogling a nude Laura Antonelli. Based on Hubert Monteilhet's 1969 novel "Murder at Leisure" about a womanizing doctor who begins drugging his wife in order to continue his affair with her younger sister. 11 x 8.5 inches. Near Fine. N.p. unknown books
1972réf. 171794N.p.: N.p. 1972. Vintage borderless oversize reference photograph from the 1972 French film showing Jean-Paul Belmondo and Daniel Ivernel ogling a nude Laura Antonelli. Based on Hubert Monteilhet's 1969 novel "Murder at Leisure" about a womanizing doctor who begins drugging his wife in order to continue his affair with her younger sister. 11 x 8.5 inches. Near Fine. N.p. unknown
1970réf. 132883London: Rank Organisation 1970. Vintage full-color still British front-of-house card from the 1970 UK film. A doctor is in love with a woman but doesn't have time to propose to her before she leaves on a cruise to the Mediterranean. The doctor decides to join the cruise but getting the opportunity to romance the woman of his dreams proves difficult. 8 x 10 inches with no borders as issued. Tiny creases else Near Fine. Rank Organisation unknown books
1959réf. 151138London: J. Arthur Rank 1959. Final Draft script for the 1960 film. Based on Richard Gordon's 1957 novel. The fourth film in Rank's popular "Doctor" series and the first not to feature actor Dirk Bogarde as Dr. Simon Sparrow although Bogarde would return for the next film in the series "Doctor in Distress" in 1963. The series follows the frequently romantic comic antics of a group of young doctors. Set and shot on location in London. Green titled wrappers noted as Semi-final Script on the front wrapper dated 14-12-59. Title page present dated December 1959 with credits for screenwriter Nicholas Phipps and novelist Richard Gordon. 128 leaves with last page of text numbered 127. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with a silver prong. J. Arthur Rank unknown books
1966réf. 132884London / Italy: Rank Organisation / Graphocolor S. P. A. 1966. Vintage full-color British front-of-house card from the 1966 UK film. Leslie Phillips stars as a doctor looking for love and romance from the hospital nurses much to the annoyance of the main administrator James Robertson Justice. Based on Richard Gordon's 1960 novel. 8 x 10 inches with no borders as issued. Very Good plus with light creasing overall. Rank Organisation / Graphocolor S. P. A. unknown books
1959réf. 151138London: J. Arthur Rank 1959. Final Draft script for the 1960 film. Based on Richard Gordon's 1957 novel. The fourth film in Rank's popular "Doctor" series and the first not to feature actor Dirk Bogarde as Dr. Simon Sparrow although Bogarde would return for the next film in the series "Doctor in Distress" in 1963. The series follows the frequently romantic comic antics of a group of young doctors. Set and shot on location in London. Green titled wrappers noted as Semi-final Script on the front wrapper dated 14-12-59. Title page present dated December 1959 with credits for screenwriter Nicholas Phipps and novelist Richard Gordon. 128 leaves with last page of text numbered 127. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with a silver prong. J. Arthur Rank unknown
1989réf. 142398Los Angeles: Columbia Broadcasting System CBS 1989. Draft script for the 1989 television film originally broadcast on CBS. Copy belonging to actor Billy O'Sullivan who portrayed Teddy with his autograph on the title page. Two parents discover horrible stories of abuse coming from the daycare their children attends especially since the people running the center are moral pillars of the community. This film was released at the height of the child abuse daycare moral scare starting with a highly-publicized legal case in California. Nominated for two Primetime Emmys. Red titled wrappers. Title page present dated April 10 1989 with credits for screenwriter Stan Kensela. 114 leaves with last page of text numbered 112. Xerographic duplication first generation. Pages Near Fine wrapper Near Fine bound with three gold brads. Reyes 46 47. Columbia Broadcasting System [CBS] unknown books
1989réf. 142398Los Angeles: Columbia Broadcasting System CBS 1989. Draft script for the 1989 television film originally broadcast on CBS. Copy belonging to actor Billy O'Sullivan who portrayed Teddy with his autograph on the title page. Two parents discover horrible stories of abuse coming from the daycare their children attends especially since the people running the center are moral pillars of the community. This film was released at the height of the child abuse daycare moral scare starting with a highly-publicized legal case in California. Nominated for two Primetime Emmys. Red titled wrappers. Title page present dated April 10 1989 with credits for screenwriter Stan Kensela. 114 leaves with last page of text numbered 112. Xerographic duplication first generation. Pages Near Fine wrapper Near Fine bound with three gold brads. Reyes 46 47. Columbia Broadcasting System [CBS] unknown
1961réf. 144353Rome: Lux Film 1961. Original Italian program for the 1961 film here under the original Italian title "Divorzio all'italiana." Illustrated throughout with black-and-white still photos from the film full-color front wrapper fold-out art and the program details a synopsis and cast and crew credits. Notations throughout in manuscript ink mostly amending certain words of the synopsis. Ferdinando Mastroianni is bored with life and his wife Rocca. He falls in love with his cousin Sandrelli and since divorce is illegal in Italy unless there is just cause like catching your spouse committing adultery he decides to find his wife another lover instead of killing her. Seems simple enough. The first of Mastoianni's four "Italian Style" films and winner of an Academy Award for Best Writing a BAFTA three Golden Globes and nominated for a host of others. 9.5 x 13.25 inches 9 leaves saddle-stapled. Very Good overall lacking staples with creases brief tears and foxing. Criterion Collection 286. Lux Film unknown books
