10 264 résultats
1969réf. 161568N.p.: Audubon Films 1969. Vintage studio still photograph from the 1969 film with two provenance stamps on the verso. Based on Alexandre Dumas' 1848 novel and 1852 play "La Dame aux Camelias." A young adventurous woman with a decadent lifestyle falls in love with a wealthy bachelor who insists on absolute fidelity in their relationship forcing her to sacrifice her passions for his reputation. Shot on location in Rome and Tuscany Italy. 8 x 10 inches. Near Fine. Arrow. Audubon Films unknown books
1969réf. 161568N.p.: Audubon Films 1969. Vintage studio still photograph from the 1969 film with two provenance stamps on the verso. Based on Alexandre Dumas' 1848 novel and 1852 play "La Dame aux Camelias." A young adventurous woman with a decadent lifestyle falls in love with a wealthy bachelor who insists on absolute fidelity in their relationship forcing her to sacrifice her passions for his reputation. Shot on location in Rome and Tuscany Italy. 8 x 10 inches. Near Fine. Arrow. Audubon Films unknown
1966réf. 137413Burbank CA: Warner Brothers 1966. Revised Estimating script for the 1967 film. Winner of three Academy Awards. Based on the 1960 Broadway musical by Lerner and Loewe winner of four Tony awards and itself based on "The Once and Future King" T.H. White's 1958 adaptation of Arthurian legends. Set in England shot on location in Spain. Tan titled wrappers noted as REV. ESTIMATING SCRIPT on the front wrapper rubber-stamped copy No. 14 dated June 1 1966. Distribution page present with receipt intact. Title page present dated 6/1/66 with credits for screenwriter-lyricist Lerner composer Frederick Loewe and novelist White. 148 leaves with last page of text numbered 142. Mimeograph on white yellow pink and blue stock dated variously between 6/1/66 and 6/7/66. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Warner Brothers unknown books
1966réf. 137413Burbank CA: Warner Brothers 1966. Revised Estimating script for the 1967 film. Winner of three Academy Awards. Based on the 1960 Broadway musical by Lerner and Loewe winner of four Tony awards and itself based on "The Once and Future King" T.H. White's 1958 adaptation of Arthurian legends. Set in England shot on location in Spain. Tan titled wrappers noted as REV. ESTIMATING SCRIPT on the front wrapper rubber-stamped copy No. 14 dated June 1 1966. Distribution page present with receipt intact. Title page present dated 6/1/66 with credits for screenwriter-lyricist Lerner composer Frederick Loewe and novelist White. 148 leaves with last page of text numbered 142. Mimeograph on white yellow pink and blue stock dated variously between 6/1/66 and 6/7/66. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Warner Brothers unknown
1957réf. 140421Los Angeles: Clover Productions 1957. Vintage studio still photograph from the 1957 film. A goofy film about the inner squabbles of a record company. An attempt by producer Sam Katzman to repeat the success of "Rock Around the Clock." 8 x 10 inches. Near Fine. Clover Productions unknown books
1960réf. 167550Beverly Hills CA: United Artists 1960. Vintage studio still photograph from the American release of the 1959 Italian film. A team of archaeologists investigating Mayan ruins discover a giant blob monster which appears to be related to a comet passing near the earth. An early directorial effort by influential Italian filmmaker Mario Bava who would go on to define the giallo genre. 10 x 8 inches. Very Good plus lightly edgeworn and soiled to the top right corner. United Artists unknown books
1959réf. 153211N.p.: N.p. 1959. Vintage reference photograph from the 1959 Italian film. A team of archaeologists investigating Mayan ruins discover a giant blob monster which appears to be related to a comet passing near the earth. An early directorial effort by influential Italian filmmaker Mario Bava who would go on to define the giallo genre. 10 x 8 inches. Very Good plus lightly edgeworn and soiled to the top right corner. N.p. unknown books
1960réf. 167550Beverly Hills CA: United Artists 1960. Vintage studio still photograph from the American release of the 1959 Italian film. A team of archaeologists investigating Mayan ruins discover a giant blob monster which appears to be related to a comet passing near the earth. An early directorial effort by influential Italian filmmaker Mario Bava who would go on to define the giallo genre. 10 x 8 inches. Very Good plus lightly edgeworn and soiled to the top right corner. United Artists unknown
1959réf. 153211N.p.: N.p. 1959. Vintage reference photograph from the 1959 Italian film. A team of archaeologists investigating Mayan ruins discover a giant blob monster which appears to be related to a comet passing near the earth. An early directorial effort by influential Italian filmmaker Mario Bava who would go on to define the giallo genre. 10 x 8 inches. Very Good plus lightly edgeworn and soiled to the top right corner. N.p. unknown
1943réf. 164451Universal City CA: Universal Pictures 1943. Two vintage photographs from the 1943 film including one studio still photograph showing actors Lon Chaney Jr. and Ramsay Ames and one reference photograph showing Chaney Jr. alone. One with a printed mimeo snipe affixed to the verso. The first film in Universal's "Inner Sanctum" series. Universal struck a deal with publishers Simon and Schuster in 1943 obtaining screen rights to their "Inner Sanctum" radio series with Chaney Jr. slated to star. "Calling Dr. Death" would set the standard for the series including the classic introductory sequence of a fortune teller who warns the audience of impending albeit cinematic doom and the recurrent "stream of consciousness" voiceover. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 10 x 8 inches. Very Good plus lightly faded. Weaver Universal Horrors. Universal Pictures unknown books
1943réf. 164451Universal City CA: Universal Pictures 1943. Two vintage photographs from the 1943 film including one studio still photograph showing actors Lon Chaney Jr. and Ramsay Ames and one reference photograph showing Chaney Jr. alone. One with a printed mimeo snipe affixed to the verso. The first film in Universal's "Inner Sanctum" series. Universal struck a deal with publishers Simon and Schuster in 1943 obtaining screen rights to their "Inner Sanctum" radio series with Chaney Jr. slated to star. "Calling Dr. Death" would set the standard for the series including the classic introductory sequence of a fortune teller who warns the audience of impending albeit cinematic doom and the recurrent "stream of consciousness" voiceover. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 10 x 8 inches. Very Good plus lightly faded. Weaver Universal Horrors. Universal Pictures unknown
1962réf. 131827Beverly Hills CA: United Artists 1962. Treatment script for the 1963 film. Paul Brenner at AllMovie: It's Bob Hope as phony explorer Matt Merriwether who promotes himself as an expert on the dark continent basing his exploration of the African subcontinent on old diaries of his uncle. When an American space capsule crashes in an uncharted region of Africa Merriwether based on his alleged expert knowledge of the region is selected to recover the capsule. Joining Merriwether and his pre-Kervorkian suicide kit is security agent Frederica Larsen Edie Adams. Hot on their heels are Russian agents Luba Anita Ekberg and Dr. Ezra Mungo Lionel Jeffries who want to get to the space capsule first. Self wrappers. Title page present integral with front wrapper dated 1st June 1962 noted as Original Screen Treatment on the front wrapper with credits for producers Saltzman and Broccoli. 35 leaves mimeograph on gray stock. Pages Very Good plus to Near Fine side stapled with a single staple. United Artists unknown books
1962réf. 131827Beverly Hills CA: United Artists 1962. Treatment script for the 1963 film. Paul Brenner at AllMovie: It's Bob Hope as phony explorer Matt Merriwether who promotes himself as an expert on the dark continent basing his exploration of the African subcontinent on old diaries of his uncle. When an American space capsule crashes in an uncharted region of Africa Merriwether based on his alleged expert knowledge of the region is selected to recover the capsule. Joining Merriwether and his pre-Kervorkian suicide kit is security agent Frederica Larsen Edie Adams. Hot on their heels are Russian agents Luba Anita Ekberg and Dr. Ezra Mungo Lionel Jeffries who want to get to the space capsule first. Self wrappers. Title page present integral with front wrapper dated 1st June 1962 noted as Original Screen Treatment on the front wrapper with credits for producers Saltzman and Broccoli. 35 leaves mimeograph on gray stock. Pages Very Good plus to Near Fine side stapled with a single staple. United Artists unknown
1959réf. 161565N.p.: President Films 1959. Vintage studio still photograph from the US release of the 1957 German film. Ingmar Zeisberg stars as Eva a girl who illegally leaves Germany for Denmark and is forced into working as a call girl under the threat of deportation. Set in Copenhagen Denmark. 8 x 10 inches. Near Fine. President Films unknown books
1968réf. 161566N.p.: N.p. 1968. Two vintage studio still photographs from US release of the 1966 Austrian film. Both photographs with provenance stamps on the versos one with a label obscuring a previous provenance stamp. Inspector Reinisch is investigating the brutal murder of a prostitute and through a friend of the victim discovers reports of wild sex parties featuring prominent politicians and businessmen. Set in and shot on location in Germany and Austria. 8 x 10 inches. Very Good plus with light edgewear and one with wax pencil annotations on the recto. N.p. unknown books
1959réf. 161565N.p.: President Films 1959. Vintage studio still photograph from the US release of the 1957 German film. Ingmar Zeisberg stars as Eva a girl who illegally leaves Germany for Denmark and is forced into working as a call girl under the threat of deportation. Set in Copenhagen Denmark. 8 x 10 inches. Near Fine. President Films unknown
1968réf. 161566N.p.: N.p. 1968. Two vintage studio still photographs from US release of the 1966 Austrian film. Both photographs with provenance stamps on the versos one with a label obscuring a previous provenance stamp. Inspector Reinisch is investigating the brutal murder of a prostitute and through a friend of the victim discovers reports of wild sex parties featuring prominent politicians and businessmen. Set in and shot on location in Germany and Austria. 8 x 10 inches. Very Good plus with light edgewear and one with wax pencil annotations on the recto. N.p. unknown
1988réf. 166941N.p.: Showscan Film Corporation 1988. Revised Draft script for the 1989 joint French-US short film. Attached by staple to the top corner of the title page is a small hand-written note "Vicki" a phone number and "Call from Space office." Copy belonging to uncredited actor Nick Dimitri with two copies of a January 16 1989 call sheet laid in. The 29-minute short film was the first film shot using the "Showscan" process developed by Douglas Trumbull which is photographed and projected on 70mm film at 60 frames per second 2.5 times the standard film speed and was only screened twice in 1989 once at the "Big Bang Schtroumpf" amusement park now "Walygator Parc" in Maizières-les-Metz France and once at the Omnimax Theatre at Ceasars Palace Las Vegas. A film director Richard Brestoff and his nephew Bill Campbell an aspiring actor and eccentric inventor make a low-budget science fiction film when one of the nephew's inventions begins to bring visitors from the past and future into the present including Napoleon Archimedes and cavemen making what they believe may be one of the greatest movies ever made. Featuring a cameo from James Coburn as an irate studio head and the voice of Charlton Heston as an alien visitor. Director Richard Fleischer's final film. Shot on location in Simi Valley California. Front wrapper integral with the title page dated 1-6-89 noted as revised with credits for screenwriter Sarah Paris and story by Peter Beal and Sarah Paris. 29 leaves with last page of text numbered 26. Xerographic duplication rectos only with yellow green and goldenrod revision pages throughout dated variously between 12/22/88 and 1/6/89. Pages Near Fine bound with two gold brads. Showscan Film Corporation unknown books
1988réf. 166941N.p.: Showscan Film Corporation 1988. Revised Draft script for the 1989 joint French-US short film. Attached by staple to the top corner of the title page is a small hand-written note "Vicki" a phone number and "Call from Space office." Copy belonging to uncredited actor Nick Dimitri with two copies of a January 16 1989 call sheet laid in. The 29-minute short film was the first film shot using the "Showscan" process developed by Douglas Trumbull which is photographed and projected on 70mm film at 60 frames per second 2.5 times the standard film speed and was only screened twice in 1989 once at the "Big Bang Schtroumpf" amusement park now "Walygator Parc" in Maizières-les-Metz France and once at the Omnimax Theatre at Ceasars Palace Las Vegas. A film director Richard Brestoff and his nephew Bill Campbell an aspiring actor and eccentric inventor make a low-budget science fiction film when one of the nephew's inventions begins to bring visitors from the past and future into the present including Napoleon Archimedes and cavemen making what they believe may be one of the greatest movies ever made. Featuring a cameo from James Coburn as an irate studio head and the voice of Charlton Heston as an alien visitor. Director Richard Fleischer's final film. Shot on location in Simi Valley California. Front wrapper integral with the title page dated 1-6-89 noted as revised with credits for screenwriter Sarah Paris and story by Peter Beal and Sarah Paris. 29 leaves with last page of text numbered 26. Xerographic duplication rectos only with yellow green and goldenrod revision pages throughout dated variously between 12/22/88 and 1/6/89. Pages Near Fine bound with two gold brads. Showscan Film Corporation unknown
1937réf. 165097Universal City: Universal Pictures 1937. Vintage photograph of John Wayne and Louise Latimer on the set of the 1937 film with a mimeo snipe on the verso. Not to be confused with the 1925 silent film of the same name. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. John Wayne stars as the manager of a trucking company who pits his trucking fleet in a contest against a train to deliver aviation parts to the Pacific coast before a labor strike takes place. Shot on location in Santa Clarita and Newhall California. 10 x 8 inches. Near Fine. Universal Pictures unknown books
1937réf. 165097Universal City: Universal Pictures 1937. Vintage photograph of John Wayne and Louise Latimer on the set of the 1937 film with a mimeo snipe on the verso. Not to be confused with the 1925 silent film of the same name. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. John Wayne stars as the manager of a trucking company who pits his trucking fleet in a contest against a train to deliver aviation parts to the Pacific coast before a labor strike takes place. Shot on location in Santa Clarita and Newhall California. 10 x 8 inches. Near Fine. Universal Pictures unknown
1942réf. 160003Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1942. Two vintage reference photographs of Ethel Waters from the 1942 film. A successful American newspaper reporter is sent to cover the war in Europe. A British spy asks him to bring a coded message to Cairo where he finds out a movie star he is a fan of is a Nazi spy. Set in the Mediterranean and Cario Egypt shot in Hollywood and on location in Santa Monica Bay California. Both photos 4 x 5 inches. About Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1970réf. 155109N.p.: N.p. 1970. Vintage oversize borderless color reference photograph from the 1970 French film showing actress Bernadette Lafont undressing behind a curtain. A modern retelling of the Biblical story of Cain and Abel. 9 x 11.5 inches. Very Good plus lightly faded at the edges. N.p. unknown books
1960réf. 105121960 N° 114 - tome XIX (décembre 1960) - In-4 broché - Couverture illustrée, nombreuses reproductions photographiques dans l'ouvrage - 72 pages
1960réf. 1165781960 N° 113 - tome XIX (Novembre 1960) - In-4 broché - Couverture illustrée (Janet Leigh et John Gavin dans Psycho d'Alfred Hitchcock), nombreuses reproductions photographiques dans l'ouvrage - 64 pages
